Artist: John Samuel Agar (1770 - 1858)
Nationality: British
Movement:
Media: Engraving
Influences:


Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by John Samuel Agar.

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John Samuel Agar The Poet's Study. After E. F. Burney engraving 18th - 19th century
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John Samuel Agar Mrs. Duff stipple engraving in color 18th - 19th century
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John Samuel Agar Lady Heathcote stipple engraving 18th - 19th century
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John Samuel Agar Countess of Charlemont stipple engraving 18th - 19th century
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John Samuel Agar Lady Heathcote stipple engraving in color 18th - 19th century
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John Samuel Agar Lady Dalrymple Hamilton stipple engraving 18th - 19th century
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John Samuel Agar Mrs. Duff stipple engraving printed in sepia 18th - 19th century
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John Samuel Agar Cover, Titlepage and Dedication of - Mrs. Mee's Gallery of Beauties portfolio 18th - 19th century
The Minneapolis Institute of Arts -
Artist: Will M. Agar Title: Meditation, Jay Cooke Park, Minnesota Date: 1973 Medium: gelatin silver
The Minneapolis Institute of Arts -
Artist: Will M. Agar Title: Jay Cooke State Park Date: 1989 Medium: gelatin silver print
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Georg Pencz Abraham and Agar 16th century
The Minneapolis Institute of Arts -
Artist: Will M. Agar Title: Freeway, Southwest, U.S.A. Date: 1975 Medium: gelatin silver print Dimensions:
The Minneapolis Institute of Arts -
Artist: Will M. Agar Title: Oceano, California Date: 1975 Medium: gelatin silver print Dimensions: H.14-1/8
The Minneapolis Institute of Arts -
Artist: Will M. Agar Title: Oceano, California Date: 1975 Medium: gelatin silver print Dimensions: H.14-15/16
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Ipolito Salazar Agar È IsmaeL( Hagar and Ishmael) Color lithograph 19th century
The Minneapolis Institute of Arts -
Artist: Will M. Agar Title: "Casa Rica," Canary Islands, Spain Date: 1981 Medium: gelatin silver
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Johan George Wille (Agar presentÈe a Abraham par Sara) 18th - 19th century
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Samuel Palmer The Shorter Poems of John Milton (London: Seeley & Company, 1889) book with 12 etchings 1889
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Samuel Palmer The Cypress Grove etching 1883
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John Trumbull - Judge Samuel Livermore 1792 oil on panel Currier Museum of Art American
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Anthonie Waterloo Le depart d'Agar (The departure of Agar) Etching 17th century
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Samuel Palmer The Herdsman's Cottage or Sunset etching from a steel plate 1850
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Samuel S. Osgood General John A. Sutter oil on bed ticking 19th century
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Samuel William Reynolds, Senior John Opie Mezzotint 18th - 19th century
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Samuel Palmer Lycidas, illustration to the poem Lycidas, opposite page 2 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Anthonie Waterloo Agar console par l'Ange (Hagar consoled by the Angel) Etching 17th century
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Samuel Palmer The Curfew, first illustration to the poem Il Penseroso, opposite page 22 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Prospect, second illustration to the poem L'Allegro, opposite page 14 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Bellman, second illustration to the poem Il Penseroso, opposite page 26 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Dell of Comus, second illustration to the poem Comus, opposite page 60 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Eastern Gate, first illustration to the poem L'Allegro, opposite page 10 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer A Towered City, third illustration to the poem L'Allegro, opposite page 18 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer Morning, fourth illustration to the poem Il Penseroso, opposite page 32 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Lonely Tower, third illustration to the poem Il Penseroso, opposite page 30 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Waters Murmuring, fifth illustration to the poem Il Penseroso, opposite page 34 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Brothers under the Vine, first illustration to the poem Comus, opposite page 52 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer "Christmas" etching in Samuel Palmer, a memoir by A. H. Palmer etching 19th century
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Samuel Palmer The Brothers Discovering the Pallace of Comus, third illustration to the poem Comus, opposite page 64 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
The Minneapolis Institute of Arts -
Artist: John Wesley Jarvis Title: Portrait of Capt. Samuel C. Reid Date: 1815 Medium: oil
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John Heaviside Clark Hudibras by Samuel Butler (London: Thomas McLean, 1819), vol. 2 Book with 6 aquatints with hand coloring 1819
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John Heaviside Clark Hudibras by Samuel Butler (London: Thomas McLean, 1819), vol. 1 Book with 6 aquatints with hand coloring 1819
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John Singleton Copley - Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis) c. 1764 oil on canvas National Gallery of Art American
Museum of Fine Arts -
John Smibert, American (born in Scotland), 1688-1751 Judge Samuel Sewall 1729 Oil on canvas 76.2
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John Sartain Portrait of John A. Sutter mezzotint 1850
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John Wesley Jarvis - Portrait of Captain Samuel Chester Reid, 1783-1861 1815 oil on canvas Minneapolis Institute of Arts American
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Samuel Palmer The Bellman ET 1879
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Samuel Palmer Moonlit Scene graphite 1863
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Samuel William Reynolds, Senior Samuel Whitbred, Esq. Mezzotint 18th - 19th century
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Samuel Palmer The Sepulchre ET 19th century
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Samuel Palmer The Willow ET 19th century
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Samuel Palmer The Skylark ET 19th century
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Samuel Palmer The Herdsman, or The Weary Ploughman 1865
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Samuel Palmer The Homeward Star ET 19th century
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Samuel Palmer The Early Ploughman ET 19th century
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Samuel Palmer The Rising Moon ET 19th century
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Samuel Palmer Moeris and Galatea ET 19th century
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Samuel Palmer The Willow etching 19th century
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Samuel Palmer The Cypress Grove ET 19th century
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John Heaviside Clark Illustration for Part 2, Canto 3, Line 495, second plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 1, Canto 2, Line 82, second plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 2, Canto 2, Line 40, first plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 1,Canto 2, Line 775, third plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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Samuel Palmer Opening the Fold; or, Early Morning ET 19th century
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Samuel Palmer An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) book with 5 etchings and 9 photogravures after drawings 1883
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John Heaviside Clark Illustration for Part 3, Canto 1, Line 1576 ,fifth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 1,Canto 2, Line 1124, fifth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 2, Canto 3, Line 1056, third plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 3, Canto 3, Line 675, sixth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 1,Canto 2, Line 945, fourth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 2,Canto 1, Line 115, frontispiece and first plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 2,Canto 1, Line 115 , sixth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 3, Canto 1, Line 160 ,fourth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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Washington Allston - Samuel Williams c. 1817 oil on canvas Cleveland Museum of Art American
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William Dunlap - Samuel Griffin c. 1809 oil on canvas National Gallery of Art American
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Thomas Lawrence - Samuel Woodburn c. 1820 oil on panel The Fitzwilliam Museum British
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Eastman Johnson - Samuel W. Rowse c. 1881 oil on board Cleveland Museum of Art American
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Benjamin West - Dr. Samuel Boude 1755 oil on canvas National Gallery of Art American
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Samuel Palmer The Herdsman's Cottage; or sunset ET 19th century
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Samuel Palmer Opening the Fold; or, Early Morning ET 19th century
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Samuel Palmer The Sleeping Shepard; Early Morning ET 19th century
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Samuel Palmer "O fortunate old man...",first illustration for Eclogue 1, opposite page 18 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "O fortunate old man...",second illustration for Eclogue 1, opposite page 20 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel David Colkett Farmhouse with pond in foreground Etching 19th century
Museum of Fine Arts -
John White Alexander, American, 1856-1915 Mrs. Samuel Tilton (Helen Reed) about 1880 Oil on canvas
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Walter Ufer - Portrait of Samuel Lustgarten c. 1925-1927 oil on canvas Los Angeles County Museum of Art American
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Winthrop Chandler - Mrs. Samuel Chandler c. 1780 oil on canvas National Gallery of Art American
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Samuel Palmer "Thy very cradle quickens...", illustration for Eclogue 4, opposite page 48 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Henry Dexter - Samuel Atkins Eliot 1837 plaster bust Boston Athenaeum American
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Gilbert Stuart - Samuel Alleyne Otis 1811-1813 oil on wood National Gallery of Art American
Museum of Fine Arts -
John Singleton Copley, American, 1738-1815 Samuel Adams about 1772 Oil on canvas 125.73 x 100.33
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Lucas van Leyden Abraham dismissing Hagar (La petit Agar) Engraving 15th - 16th century
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Leopold Seyffert - Samuel Henry Kress 1953 oil on canvas National Gallery of Art American
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John Tenniel War and Glory, plate 3, accompanying the poems, War and Glory by Samuel Taylor Coleridge and The Battle -Field by Thomas Penrose, in the book, Passages from Modern English Poets Illustrated by the Junior Etching Club (London: Day & Son, 1
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Samuel Palmer "Come fairest, if thou care for me at all..," illustration for Eclogue 7, opposite page 70 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Ripe apples are our supper...",third illustration for Eclogue 1, opposite page 22 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Samuel Palmer "Tis gentle Phillis I love best of all...", illustration for Eclogue 3, opposite page 40 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "And while the troubled moon shrunk in and out...", second illustration for Eclogue 8, opposite page 82 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Samuel Palmer "Pan came, Arcadian shepherd ever good...", first illustration for Eclogue10, opposite page 92 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Pan came, Arcadian shepherd ever good",second illustration for Eclogue10, opposite page 94 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Untimely lost and by a cruel deathä", illustration for Eclogue 5, opposite page 54 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883

Artnews Articles and Exhibition Information: (4)
Click on any of the links below to read about artnews or exhibitions related to Agar

Canberra Contemporary Art Space: God and my Right - logo series: Juliet Lea  and Cube - Cold Comfort: Waratah Lahy
God and my Right - logo series
Juliet Lea   A five meter floor installation of the British Empire logo Dieu et mon Droit made from agar agar jelly, blood, dough, objects and text. Throughout the duration of the exhibition, as the work g...
National Galleries of Scotland, Dean Gallery and the Gallery of Modern Art: THE SURREALIST AND THE PHOTOGRAPHER: ROLAND PENROSE AND LEE MILLER
Already a Surrealist artist of considerable talent, Penrose became a tireless champion of modern art through his activities as a collector, writer and exhibition organiser. A former Vogue model, Lee Miller was a remarkable photographer who later ...
Museum of Contemporary Art, Miami: Time Trial: Julian LaVerdiere's First Solo Museum Exhibition
Among the works in the exhibition is Imperial Dragster – Napoleon Rebuilt, 2002, a sardonic large-scale sculptural work that is a "funny car" hybridization of Visconti’s 1841 design of Napoleon’s monumental red porphyry sarcophagus and Lamborghini...
Tate Liverpool: Modern British Art : The Tate Collection
Modern British Art begins with Free Time, a section exploring the relationship between art and leisure before the First World War. For many young artists, modern life with its cafes, dancing, music halls and spectator sports, suited the advanced t...

Further Artwork and Information:

John Samuel Agar (1626 - 1687) Biography, Artwork Images, Exhibitions, Reviews
Details of NPG 2560
John Samuel Agar (1770-1858), Engraver
Classical and designer prints, classical sculpture
Taunton, Massachusetts Census 1850 Index
Classical & Designer Subjects
www.rod-neep.co.uk/books/indexes/0028cor.txt
www.geocities.com/Heartland/Meadows/2770/freeman.txt
www.rod-neep.co.uk/books/indexes/0023.txt
Thomas Frand Descendants - pafg10.htm - Generated by Personal Ancestral File

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