Artist: Alonso Del Arco ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Alonso del Arco.

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JosÈ Joaquin Fabregat AL. EXCMO. SE—OR D. ALONSO NU—EZ DE HARO Engraving 1796
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Alonso Cano - Christ in Limbo c. 1655 oil on canvas Los Angeles County Museum of Art Spanish
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Don Alonso Miguel De Tobar (or Tovar) Bartolome Esteban Murillo...fourteenth plate in the book... El Real Museo de Madrid y las joyas de la pintura en Espana ([Madrid]: Juan JosÈ Martinez, [1857]) Lithograph 17th - 18th century
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Israel Silvestre Arco di Constantino 17th century
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Luigi Rossini Arco di Druso Etching 1819
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Edward Lear St. Peter's from the Arco Oscuro graphite with opaque watercolor on gray-green wove paper 1842
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Ipolito Salazar JUANA DE ARCO (Joan of Arc) , a page from the periodical, El Espectador de MÈxico (1851) Lithograph circa 1851
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Luigi Rossini Veduta del Arco di Settimio (View of the Arch of Septimus Severus) Etching 1820
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Luigi Rossini Veduta dell' Arco di Tito (View of the Arch of Titus) Etching 1819
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Luigi Rossini Veduta del Arco di Settimio Severo nel Foro Boario (View of the Arch of Septimus Severus) Etching 1821
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Elizabeth Frances Batty Arco Felice, opposite page 158 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Gaetano Cottafavi Arco di Tito, fifteenth plate in the book, Raccolta delle principali vedute di Roma e suoi contorni (Rome: Tommaso Cuccioni, 1837) Etching and engraving 19th century
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Gaetano Cottafavi Arco di Costantino, eighteenth plate in the book, Raccolta delle principali vedute di Roma e suoi contorni (Rome: Tommaso Cuccioni, 1837) Etching and engraving 19th century
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Giovanni Battista Piranesi Arco di Galieno, from Antichit‡ romane dei tempi della repubblica Etching 1748
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Giovanni Battista Piranesi Arco di Settimio Severo (Arch of Septimus Severus), from Vedute di Roma (Views of Rome) Etching 1758
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Walter Crane Reverend Henry Parry 19th - 20th century
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Walter Crane Danseuse aux Cymbales Lithograph 1894
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Walter Crane The Hydropult graphite and brown ink 19th - 20th century
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Walter Crane Walter Crane*s Picture Book (London: Frederick Warne & Co., 1900) book with color plates 1900
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Walter Crane A Book of Old Songs (London: George Routledge and Sons, 1883) book with color wood engravings 1883
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Walter Crane Frontispiece in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane Title page in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane Frontispiece in the book The History of Reynard the Fox ...Metrical Version of the Old English translation by F.S. Ellis (London: David Nutt, 1897) wood engraving 1897
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Walter Crane May Aegloga Quinta, page (31) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) book with 15 wood engravings plus uncounted page borders 1898
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Walter Crane Title page in the book The History of Reynard the Fox ...Metrical Version of the Old English translation by F.S. Ellis (London: David Nutt, 1897) wood engraving 1897
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Walter Crane Februarie Aegloga Secunda, page (7) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane July Aegloga Septima, page (51) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane April Aegloga Quarta, page (23) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane Januarie Aegloga Prima, page (1) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane March Aegloga Tertia, page (17) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane June Aegloga Sexta, page (43) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane August Aegloga Octava, page (61) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane September Aegloga Nona, page (71) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane October Aegloga Decima, page (81) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane November Aegloga Undecima, page (89) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane December Aegloga Duodecima, page (99) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane Emblem of Chiswick Press, page 119 in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane Plate 2 after page 2 in the book The Yellow Dwarf(London & New York: George Routledge and Sons] color wood engraving ca. 1870
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Walter Crane Plate 3 after page 3 in the book The Yellow Dwarf(London & New York: George Routledge and Sons] color wood engraving ca. 1870
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Walter Crane Don Quixote Arrested, page 30 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Title page in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane Of a Wonderful Adventure, page 83 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Of the Rare Adventures at the Inn, page 198 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane The Discovery of Dorothea, page 152 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane The Disputed Pommel, page 220 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Of the Adventure of the Two Armies , page 75 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane The Story of Cardenio, page 118 in the book Don Quixote of the Mancha , retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Plate 1 opposite page 1 in the book The Yellow Dwarf(London & New York: George Routledge and Sons] color wood engraving ca. 1870
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Walter Crane Plate 4 opposite page 6 in the book The Yellow Dwarf(London & New York: George Routledge and Sons] color wood engraving ca. 1870
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Walter Crane Andrew Salutes Don Quixote, page 184 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Don Quixote Frees the GalleySlaves, page 98 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Don Quixote Watching His Armor, page 7 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Don Quixote to the Rescue of Andrew, page 21 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Plate 4, second plate following page 3 in the book Princess Belle Etoile (London & New York: George Routledge and Sons, [ca. 1870]) color wood engraving ca. 1870
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Walter Crane The Yellow Dwarf(London & New York: George Routledge and Sons] book with four color wood engravings (one double page) and printed cover ca. 1870
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Walter Crane The Destruction of Don Quixote's Library, page 30 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane The Manner of Don Quixote's Travel to the Inn, page 58 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane The Story of Cardenio Continued, page 143 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane The Curate and the Barber in Disguise,page 136 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Plate 6, opposite page 6 in the book Princess Belle Etoile (London & New York: George Routledge and Sons, [ca. 1870]) color wood engraving ca. 1870
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Walter Crane Plate 2, opposite page 2 in the book Princess Belle Etoile (London & New York: George Routledge and Sons, [ca. 1870]) color wood engraving ca. 1870
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Walter Crane Plate 1, opposite page 1 in the book Princess Belle Etoile (London & New York: George Routledge and Sons, [ca. 1870]) color wood engraving ca. 1870
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Walter Crane Plate 5, opposite page 5 in the book Princess Belle Etoile (London & New York: George Routledge and Sons, [ca. 1870]) color wood engraving ca. 1870
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Walter Crane Don Quixote and the Goatherds, opposite page 48 in the book Don Quixote of the Mancha , retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane The Knighting of Don Quixote, opposite page 14 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane The Enchantment of Don Quixote, opposite page 212 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane Don Quixote and the Windmills,opposite page 38 , in the book Don Quixote of the Mancha , retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane Princess Belle Etoile (London & New York: George Routledge and Sons, [ca. 1870]) book with 6 color wood engravings and printed paper cover ca. 1870
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Walter Crane Plate 3, first plate fololwing page 3 in the book Princess Belle Etoile (London & New York: George Routledge and Sons, [ca. 1870]) color wood engraving ca. 1870
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Walter Crane Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) book with 12 color lithograph pages and 19 half-page lithographs 1900
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Walter Crane Sancho Panza Recovers His Dapple, page 168 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane The Manner of Don Quixote's Return Home, page 236 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Doon Quixote Doing Penance, opposite page 126 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane The Meeting of Dorothea and Don Quixote, opposite page 160 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane Don Quixote Meeting Cardenio, opposite page 108 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane Don Quixote Addressing Dorothea, page 205 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900)Of the Rare Adventures at lithograph 1900
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Walter Crane The History of Reynard the Fox ...Metrical Version of the Old English translation by F.S. Ellis (London: David Nutt, 1897) book with wood engraved frontispiece and uncounted page ornaments and chapter headings 1897
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Walter Crane How Sancho Paid the Reckoning, opposite page 68 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane Don Quixote's Extraordinary Battle, opposite page 191 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane Sancho's Story of His Visit to the Lady Dulcinea, page 177 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Title page in the book The Quiver of Love, a Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876) color letterpress 1876
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Walter Crane Frontispiece and plate 1 in the book The Quiver of Love, a Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876) color lithograph 1876
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Walter Crane The Rich Winning of the Helmet of Mambrino, opposite page 92 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane Plate 2 opposite page 27 in the book The Quiver of Love, a Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876) color lithograph 1876
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Walter Crane Plate 7 opposite page 115 in the book The Quiver of Love, a Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876) color lithograph 1876
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Walter Crane Plate 3 opposite page 33 in the book The Quiver of Love, a Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876) color lithograph 1876
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Walter Crane Plate 4 opposite page 44 in the book The Quiver of Love, a Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876) color lithograph 1876
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Walter Crane Plate 6 opposite page 84 in the book The Quiver of Love, a Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876) color lithograph 1876
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Walter Crane Plate 5 opposite page 60 in the book The Quiver of Love, a Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876) color lithograph 1876
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Walter Crane Plate 8 opposite page 138 in the book The Quiver of Love, a Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876) color lithograph 1876
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Walter Crane Don Quixote Testing His Helmet, frontispiece opposite the title page in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane First illustration, on unnumbered page 1, of The Absurd ABC in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circ
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Walter Crane Second illustration, on unnumbered page 2, of The Absurd ABC in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circ
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Walter Crane Third illustration, on unnumbered page 3, of The Absurd ABC in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa
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Walter Crane Fifth illustration, onunnumbered page 6, of The Absurd ABC in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1
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Walter Crane Fifth illustration, on page 6, of Puss in Boots in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane Third illustration, on page 3, of Puss in Boots in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane Fifth illustration, on page 6, of Old Mother Hubbard in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane First illustration, on page 1, of Puss in Boots in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875

Artnews Articles and Exhibition Information: (15)
Click on any of the links below to read about artnews or exhibitions related to Arco

ARCO 2001: Twentieth International Contemporary Art Fair to Open Tomorrow
By creating a high-profile exhibition space, with the presence of collectors and theorists in parallel panel discussions, ARCO has established a singular framework for comparing and promoting today's different artistic and aesthetic tre...
ARCO'00: International Contemporary Art Fair
Galleries from all over the world will present their exhibition projects, featuring up-and-coming artists and the great masters of the 20th century Italy will attend ARCO 2000 as Guest of Honour, through a programme hea...
ARCO 2002: ARCO'02
Exhaustive analyses have already been made of the problematic relationship that the more economically developed countries or social groups have maintained with other cultural expressions, to reach the conclusion that not only were artistic experie...
Site Gallery: Martin Sastre: American as well
The Foundation highlights a set of values regarding status and fame that have become the local currency of the contemporary art world. (www.martinsastre.com) For his first show in the UK, Sastre will be showing his most recently commissi...
ARCO 2003: 22nd International Contemporary Art Fair Features Young Swiss Art
A total of 280 galleries, including some of the world’s most important, representing Europe (214), North-America (27), Latin-America and the Caribbean (27), Asia (8) and Oceania (4), will furnish the ARCO'03 official program with content, offering...
De Appel at SKOR: Inkijk: Re-interpreted by Sancho Silva
The Inkijk is a skeletal structure, resembling a conventional representation of a ‘house’, yet lacking both the space and internal characteristics of a house/home.  The Inkijk comprises particular physical characteristics, which highlight certain ...
Michael Dunev Art Projects: Regina Gimenez: Latest Work on Paper and Canvas
They are urban scenes, almost utopian, that represent a more innocent world, where the power of consumerism and industrialization is seen with benevolent eyes.  The work, however, does not fall back on a post-modern nostalgia, but instead c...
KwaZulu Natal Society of Arts (KZNSA): Model City: An Installation by Kendall Buster
Solo projects include "Highrise" at the Houston Centre for Contemporary Craft, "Model City" at Drake University, Iowa and "Inventory of Imagined Places" at the Kreeger Museum in Washington. She was recently included in the 2005 American Academy of...
Monique Meloche: Dzine: Staring at the Sun
Dzine (born Carlos Rolon 1970, Chicago) creates abstract paintings that deal with themes of sound, color, lines, poetry, and identity. Dzine has worked for years straddling the very thin boundary between art and music and continues to collaborate...
Museum der Moderne Mönchsberg: ein-leuchten
"Light" in this sense is derived from the Greek concept of "phainomenon" - the appearance - something which is emerging in the process of becoming and metamorphosis. For a brief period of time, "ein-leuchten" articulates the stage of emergence...
Site Santa Fe: Third International Biennial: Looking for a Place
The biennial features works by over 20 artists whom Martínez views as being interpreters of a rapidly changing world. They represent many countries and thematic as well as stylistic approaches, including installation, vi...
Fusebox: Two New Exhibitions: Pop Agenda and One to One
In Allen’s second exhibition at Fusebox, the South African-born artist continues his use of appropriated materials—in this instance European and South African comics—to explore the complexities of global politics. In McGill’s first exhibition at ...
San Diego Museum of Art: Regina Frank: Whiteness in Decay
“We are pleased to collaborate with such a talented and multifaceted artist. Regina brings a whole new perspective to our Cotán painting by using concepts of still-life to bridge the past to the present through a personal and dynamic approach to a...
Association for Visual Arts: Exhibitions by Zwelethu Mthethwa, Zamani Makhanya, Gabisile Ngcobo
Zwelethu Mthethwa, born in 1960 in Durban, Kwa-Zulu Natal, has a Diploma and an Advanced Diploma in Fine Art from the Michaelis School of Fine Art, University of Cape Town. As a recipient of a Fulbright Scholarship he studied at the Rochester Inst...
ccnoa: Convergence: Tiong Ang, Luisa Caldwell, Janet Echelman, Carlo Ferraris, Craig Fisher, Christa Maiwald, Maria Morganti, Linda Van Boven
Bringing new talent to the forefront and initiating relationships with emerging and established artists and creating a comprehensive dialogue between the works of local, national and international artists, Ms. Lynch, has worked as an independent c...

Further Artwork and Information:

Alonso Del Arco (1527 - 1593) Biography, Artwork Images, Exhibitions, Reviews
artnet.com: Resource Library: Arco, Alonso del
Inmaculada Concepción. Alonso del Arco
Museo de las Ferias. Pieza del mes 10-2003
Item 10076
Restauración de la Inmaculada Concepción de Alonso del Arco. Convento de Sta. Mª Magdalena (Medina del Campo)
Índice museo San Isidro
Autores con obra en 17.10.20 - Escuela española. Religión
El Arte en Atienza, de Quesada y Jiménez
Procesión Domingo de Resurreción

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