Artist: Maxwell Armfield ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Maxwell Armfield.

The Minneapolis Institute of Arts -
Artist: Maxwell Armfield Title: Dancer"s Servant, theater design for "The Grass-Blade" Date: 1914 Medium: watercolor,
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Maxwell Ashby Armfield - Self-Portrait 1901 tempera on sketching Birmingham Museums and Art Gallery British
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William Dyce - Mrs. John Clerk Maxwell and her Son James 1832-1833 oil on canvas Birmingham Museums and Art Gallery British
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Richard Dighton Caricature (full figure) of Sir Murray Maxwell,Kt. C. B. Color etching 18th - 19th century
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Ward, Leslie Matthew (Spy) "Wigtownshire" (Sir Herbert Eustace Maxwell, Bart., M.P.) Statesman No. 619, from Vanity Fair, September 28, 1893 Lithograph 1893
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Mark Luca One in a Portfolio of thirty portraits of Scientists : Maxwell Collograph prints 20th century
Museum of Fine Arts -
Unidentified artist, American, 19th century Sea Captain Maxwell B. Chace about 1835 Oil on canvas
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Hermann Wendelborg Hansen Scout Etching 1924
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Stephen de Hospodar Block Prints (Los Angeles: privately printed, 1932) book with woodcuts 1932
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Stephen de Hospodar Reflections, first plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Palisades, third plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Rhythm, fourth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Iron Moulder, second plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Hollywood Bowl, fifth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Madonna, sixth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Louise, sixteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Hymn to the Sun, eighth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Rough Sea, tenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Lament, eleventh plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Two Swans, fourteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Bather, thirteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar White Caps, fifteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Kid Kelley Showing Off, ninth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Tristan and Isolde, twelfth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar A Family Portrait, seventh plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
Museum of Fine Arts -
Jan van de Velde II, Dutch, 1593-1641 Amenissime Aliquot Regiunculae. Part 1 1616 Etching and
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Tanto y más. (All this and more); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Aun podrán servir. (They can still be of
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Y no hai remedio. (And there is nothing
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Tampoco. (Nor do these); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Tanto y más. (All this and more); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Curarlos, y á otra. (Take care of them
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Ya no hay tiempo. (There is no longer
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No saben el camino. (They do not know
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No quieren. (They do not want to); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 También estos. (These, too); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Será lo mismo. (It will be the same);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Siempre sucede. (It always happens); Fatales consequencias de
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Que valor! (What courage!); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Para eso habeis nacido. (This is what you
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Caridad. (Charity); Fatales consequencias de la sangrienta guerra
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Para eso habeis nacido. (This is what you
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Ni por esas. (Neither do these); Fatales consequencias
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Curarlos, y á otra. (Take care of them
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Ya no hay tiempo. (There is no longer
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Se aprovechan. (They take advantage); Fatales consequencias de
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Caridad. (Charity); Fatales consequencias de la sangrienta guerra
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No se puede mirar. (One can"t look); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No se convienen. (They do not agree); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Duro es al paso! (It"s a Hard Step!);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Bien te se está. (It serves you right);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Enterrar y callar. (Bury them and keep quiet);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Enterrar y callar. (Bury them and keep quiet);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Amarga presencia. (Bitter presence); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Las mugeres dan valor. (The women give courage);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Reclining Nude Young Woman, Half-Naked, Leaning Against a
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Con razon ó sin ella. (Rightly or Wrongly);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Y son fieras. (And they are wild beasts!);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es la verdadero (This is the Truth)
Museum of Fine Arts -
Johann Joachim Kändler, German, 1706-1775 Made by Meissen Factory, German Figure of an Arara about
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Yo lo vi. (I saw it); Fatales consequencias
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Por qué? (Why?); Fatales consequencias de la sangrienta
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No hay que dar voces. (It"s no use
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Que locura! (What madness!); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Las resultas. (The consequences); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 De qué sirve una taza? (Of what use
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No hay quien los socorra. (There is no
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Tambien esto. (This, too..); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Infame provecho (Vile Advantage) (Disasters of War, unpublished
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Qué alborato es este? (What is this hubbub?);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Y esto tambien. (And this, too); Fatales consequencias
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Algún partido saca. (He makes some use of
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Lo merecia. (He deserved it); Fatales consequencias de
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Al cementerio. (To the cemetery); Fatales consequencias de
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Si son de otro linage. (But they are
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Fuerte cosa es! (This is too much); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Lo peor es pedir. (The worst is to
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Sanos y enfermos. (The Healthy and the Ill);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Asi sucedió. (This is how it happened); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Escapan entre las llamas. (They escape through the
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No se puede saber por qué. (There is

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Further Artwork and Information:

Maxwell Armfield (1929 - ) Biography, Artwork Images, Exhibitions, Reviews
Maxwell Armfield - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
ArtMagick - Your Source of Visual Intoxication
Maxwell Armfield
Maxwell Armfield Fine Art
ARC :: Maxwell Armfield :: Page 1 of 1
Maxwell Ashby Armfield @ Catharton Artists
Shakespeare Illustrated | The Artists | Maxwell Armfield
Armfield, Maxwell
Maxwell Armfield :: Artist profile at The Panter & Hall Fine Art Gallery, Mayfair, London.

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