Artist: Pietro Barboni ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Pietro Barboni.

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Pietro Barboni Teatro di Marcello... 1827
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Pietro Barboni Veduta delle antiche... 1825
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Pietro Barboni Veduta dell'Arco di Druso... 1826
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Pietro Barboni Veduta del Sepolchro di Cajo... 1825
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Pietro Barboni Veduta del Tempio di Minerva... 1825
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Pietro Barboni Le grandi Cascatelle di Tivoli 1826
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Pietro Barboni Veduta dell'Arco Costantino 1825
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Pietro Barboni Veduta dell'Arco di Settimio Severo... 1825
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Pietro Barboni Veduta del Pantheon d'Agrippa in Oggi... 1825
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Pietro Barboni Veduta del Ponte Lucano su la via Tiburtina... 1826
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Pietro Barboni Portico di Ottavia etching and engraving 1826
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Pietro Barboni Tempio di Marco Aurelio Antonino 1827
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Pietro Barboni Veduta della gran Cascata del Fiume ... 1826
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Pietro Barboni Tempio della Fortuna Verile in oggi... 1827
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Pietro Barboni Veduta dell'Isola Tiberina etching and engraving 1825
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Pietro Barboni Veduta dell'Arco Costantino 18th - 19th century
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Pietro Barboni Veduta del Mausoleo d'Adriano... 18th - 19th century
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Pietro Barboni Tempio d'Antonino e Faustina... 18th - 19th century
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Pietro Barboni Rovine cagionate in Tivoli... 18th - 19th century
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Pietro Barboni Veduta della Piazza del Popolo etching and engraving 1826
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Pietro Barboni Antico Foro Romano 18th - 19th century
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Pietro Barboni Veduta dell'Incendio di S. Paolo 18th - 19th century
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Pietro Barboni Veduta del Pantheon d'Agrippa in Oggi... 18th - 19th century
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Pietro Barboni Veduta dell'Arco di Settimio Severo... 18th - 19th century
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Pietro Barboni Temple of Romulus, today the church of St. Theodore, Rome col. et. 1825
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Pietro Barboni Veduta del Selpolcro di Cecilia Metella 18th - 19th century
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Pietro Barboni Veduta dell'Arco di Tito... Etching 18th - 19th century
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Pietro Barboni Veduta del Tempio dello Sibilla... 18th - 19th century
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Pietro Barboni Serbatojo per la fiere ad uso dÈ spettacoli... 1826 18th - 19th century
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Pietro Barboni Veduta del Ponte Molle ristaurato dal Sommo Pontefice Pio VII etching and engraving 1825
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Pietro Barboni Veduta degli avanzi del Tempio della Pace eretto dall'Imperadore Flavio... 1825
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Pietro Barboni Veduta del Tempio d'Ercole volgarmente detto Tempio di Vesta 18th - 19th century
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Pietro Barboni Veduta del Tempio d'Ercole volgarmente detto Tempio di Vesta 18th - 19th century
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Pietro Barboni Rovine del Tempio di Venere, a Roma volgarmente detto del Sole, e della Luna etching and engraving 1824
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Pietro Barboni Veduta del Ponte Palatino detto Ponte rotto presa dalla parte destra del Tevere etching and engraving 1826
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Pietro Barboni Veduta dell'Antico Foro Romano, volgarmente detto Campo Vaccino, ove si ammirano gli avanzi degli antichi Edifizi che lo circondano etching and engraving 1824
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Pietro Barboni Antico Foro Romano, thirteenth plate in the book, Raccolta delle principali vedute di Roma e suoi contorni (Rome: Tommaso Cuccioni, 1837) Etching and engraving 18th - 19th century
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Pietro Berrettini (Pietro da Cortona) Daniel Freed from the Lion's Den, after Pietro da Cortona Engraving 18th century
The Minneapolis Institute of Arts -
Artist: Pietro da Cortona (Pietro Berrettini) Title: Portrait of Cardinal Pietro Maria Borghese (created cardinal
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Pietro Berrettini (Pietro da Cortona) Cleopatra(?), after Pietro da Cortona, from the series Disegni originali d'eccelenti pittori... Etching 18th century
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Pietro Berrettini (Pietro da Cortona) Santa Bibiana refusing to sacrifice to pagan gods Etching 1626
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Pietro da Cortona - Portrait of Cardinal Pietro Maria Borghese c. 1633-35 oil on canvas Minneapolis Institute of Arts Italian
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P. Ruga Nuova Raccolta delle Principali VedutÈ Antiche e Moderne... 1826
The Metropolitan Museum of Art -
The Massacre of the Innocents, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro
The Metropolitan Museum of Art -
The Adoration of the Magi, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro
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Titian - Pietro Aretino 1548-51 oil on canvas The Frick Collection Italian
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Pietro Berrettini (Pietro da Cortona) Ceiling of Palazzo Barberini Engraving 16th - 17th century
The Metropolitan Museum of Art -
Madonna and Child with the Donor, Pietro de"Lardi, Presented by Saint Nicholas Master of the
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Canaletto - Venice: S. Pietro in Castello 1734-1742 oil on canvas The National Gallery, London Italian
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Titian - Cardinal Pietro Bembo c. 1540 oil on canvas National Gallery of Art Italian
The Metropolitan Museum of Art -
The Visit, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
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Tommaso Piroli The Crucifixion, after Pietro Cavallini Etching and engraving 1825
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G. Petrignani St. Peter Delivered From Prison, after Pietro Testa Etching 17th century
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Pietro Ghigi Portrait of Giovanni Pietro Foliari, after the fresco by Raphael in the Stanza de Eliodoro in the Vatican Palace Etching-engraving 18th - 19th century
The Metropolitan Museum of Art -
The Letter, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
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Pietro Berrettini (Pietro da Cortona) Sacrifice of Iphigenia Pen and brown ink and brown wash over traces of black chalk on laid paper 17th century
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Jacopo Robusti Tintoretto - Portrait of Doge Pietro Loredan 1567-70 oil on canvas Kimbell Art Museum Italian
The Metropolitan Museum of Art -
The Temptation, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
The Metropolitan Museum of Art -
The Burial of Saint Martha, predella panel Sano di Pietro (Ansano di Pietro di Mencio)
The Metropolitan Museum of Art -
The Meeting, probably 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x
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Pietro Testa ( il Lucchesino) St. Catherine, after Pietro Testa Etching 17th century
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Pietro Testa ( il Lucchesino) Mythological Scene with Bacchus and Persephone, after Pietro Testa Etching 17th century
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Pietro Testa ( il Lucchesino) Two Figures, after a drawing by Pietro Testa Etching mounted to a heavier sheet 17th century
Museum of Fine Arts -
Pietro da Cortona (Pietro Berrettini, called Pietro da Cortona), Italian (Roman), 1596-1669 Virgin and Child
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Pietro Bonato Three Young Women, after Canova Engraving and etching 19th century
The Metropolitan Museum of Art -
Madonna and Child with Two Angels, 1490s Pietro di Domenico (Italian, Sienese, 1457–?1506)Tempera and gold
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Pietro Longhi Bal Masque oil on canvas 18th century
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Stefano Mulinari The Death of Dido, after Pietro Testa Etching and engraving 18th century
The Metropolitan Museum of Art -
The Crucified Christ, fragment of a crucifix Pietro da Rimini (Italian, Riminese, active 1324-33)Tempera and
The Metropolitan Museum of Art -
Saint Ursula and Her Maidens, ca. 1410 Niccolò di Pietro (Italian, Venetian, active 1394-1427/30)Tempera and
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Pietro Berrettini (Pietro da Cortona) Sixtus V. P. ä ad Basilicam S. Petriä, fourth plate after Picturae Francisci Albani in aede Verospia ([Rome?]: no publisher, [1704?]), second part in miscellany with spine title: Opere d. div. pittori et
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Francesco Bartolozzi Rachel Hiding the Idols of Laban, after Pietro da Cortona Engraving in sepia ink 1765
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Giovanni Girolamo Frezza Polyphemus following Acis and Galatea, after Pietro da Pietri after Sisto Badalocchio Engraving 1704
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Pietro Aquila The Death of the Virgin, after G.M. Morandi Engraving 17th century
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Pietro Berrettini (Pietro da Cortona) untitled, fifth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Berrettini (Pietro da Cortona) untitled, second plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) Faustulus apportant Remus et Romulus ( Faustulus brings forth Remus & Romulus)... fourteenth plate in the book...Le MusÈe royal (Paris: P. Didot, l*ainÈ, 1818), vol. 2 Engraving and etching 16th - 17th
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Pietro Longhi A Theatrical Performance oil on canvas 18th century
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Pietro Salvatori Il Violinista, after Raphael Engraving 19th century
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Pietro Berrettini (Pietro da Cortona) Eminentissime et Rev.me Princeps, eleventh plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine t
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Pietro Berrettini (Pietro da Cortona) Virtutem, first plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) untitled, twelfth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, sixth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Berrettini (Pietro da Cortona) untitled, fourth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, eleventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, seventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, eighth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) Achilles among the Daughters of Lycomedes Black chalk, red chalk, pen and brown ink, brown wash, and white opaque watercolor on laid paper mounted to a heavier sheet, attached to a second heavy sheet 17th century
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Giovanni Cesare Testa Achilles on the back of the Centaur Chiron Etching 17th century
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Pietro Berrettini (Pietro da Cortona) untitled, third plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Berrettini (Pietro da Cortona) untitled, nineth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, tenth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Berrettini (Pietro da Cortona) Untitled, fifth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) Untitled, third plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) Matura Aetas, second plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div
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Pietro Berrettini (Pietro da Cortona) In Alexandri pectusä, twenty-second plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine tit
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Pietro Tacca Slave bronze circa 18th century
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Pietro Berrettini (Pietro da Cortona) Florentiae ä in Veneris Camera, seventeenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with s
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Pietro Paolini Youth with Musical Instrument oil on canvas 17th century
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Pietro Longhi The Concert (The Mandolin Recital) oil on canvas circa 1760

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Further Artwork and Information:

Pietro Barboni (1824 - 1903) Biography, Artwork Images, Exhibitions, Reviews
Dell (1580 - 1638) Biography, Artwork Images, Exhibitions, Reviews
eyeproject.it
Giubileo in San Pietro per cento barboni fiorentini
Comanducci Arte Italia - Catalogo Artitsti
Piazza (1481 - 1536) Biography, Artwork Images, Exhibitions, Reviews
www.vatican.va/jubilee_2000/magazine/documents/ju_mag_01042000_p-52_it.html
Page 21
Stefano Benni: I barboni di Montecitorio
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