Artist: Pietro Santo Bartoli ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Pietro Santo Bartoli.

-
Pietro Santo Bartoli The Chariot Of Diana Etching With Engraving 17th - 18th century
-
Pietro Santo Bartoli Statue Of Woman Holding Serpent 17th - 18th century
-
Pietro Santo Bartoli The Infant Jupiter Given Milk By A Goat Named Amathee Engraving 17th - 18th century
-
Pietro Santo Bartoli Statue Of Man With Hands Bound To A Tree And Richly Adorned Urn With Two Deer At Base Etching 17th - 18th century
-
Pietro Santo Bartoli Hylas A Nymphis Raptus (Hylas Captured by the Nymphs), after Giulio Romano Engraving 17th century
-
Pietro Santo Bartoli Twelve Engravings, after Giulio Romano's monochrome frescoes in the Sala di Costantino, in the Vatican Palace Engraving 17th century
-
John Marin Canale Santo Pietro, Venice Etching 1907
-
Pietro Berrettini (Pietro da Cortona) Daniel Freed from the Lion's Den, after Pietro da Cortona Engraving 18th century
The Minneapolis Institute of Arts -
Artist: Pietro da Cortona (Pietro Berrettini) Title: Portrait of Cardinal Pietro Maria Borghese (created cardinal
-
Luis G. Campa Un Santo religioso (A Pious Saint) Engraving 1856
-
Pietro Berrettini (Pietro da Cortona) Cleopatra(?), after Pietro da Cortona, from the series Disegni originali d'eccelenti pittori... Etching 18th century
-
Cadwallader Washburn Portada de la Iglesa Santo Domingo, Havana, Cuba Etching/Drypoint 1904
-
A. Alliata Veduta dell'Interno del Celebre Campo- Santo di Pisa aquatint 1826
-
Pietro Berrettini (Pietro da Cortona) Santa Bibiana refusing to sacrifice to pagan gods Etching 1626
-
JosÈ Luis Cuevas El santo de la guerra (The Saint of War), pl.13 from the portfolio, Homage to Quevedo Color lithograph 1969
-
Pietro da Cortona - Portrait of Cardinal Pietro Maria Borghese c. 1633-35 oil on canvas Minneapolis Institute of Arts Italian
The Metropolitan Museum of Art -
The Massacre of the Innocents, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro
The Metropolitan Museum of Art -
The Adoration of the Magi, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro
-
Titian - Pietro Aretino 1548-51 oil on canvas The Frick Collection Italian
-
Pietro Berrettini (Pietro da Cortona) Ceiling of Palazzo Barberini Engraving 16th - 17th century
The Metropolitan Museum of Art -
Madonna and Child with the Donor, Pietro de"Lardi, Presented by Saint Nicholas Master of the
-
Canaletto - Venice: S. Pietro in Castello 1734-1742 oil on canvas The National Gallery, London Italian
-
Lovis Corinth Riders, from the Campo Santo, Pisa Lithograph 19th - 20th century
-
Titian - Cardinal Pietro Bembo c. 1540 oil on canvas National Gallery of Art Italian
The Metropolitan Museum of Art -
The Visit, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
-
G. Petrignani St. Peter Delivered From Prison, after Pietro Testa Etching 17th century
-
Tommaso Piroli The Crucifixion, after Pietro Cavallini Etching and engraving 1825
Museum of Fine Arts -
Storage jar Cochiti or Santo Domingo Pueblo (Native American United States, New Mexico, (Cochiti or
-
Ira Diamond Gerald Cassidy The Pottery Seller. This Indian Woman is from Santo Domingo, the Pueblo who make pottery and sell it for their livelihood. Lithograph 19th - 20th century
-
Pietro Ghigi Portrait of Giovanni Pietro Foliari, after the fresco by Raphael in the Stanza de Eliodoro in the Vatican Palace Etching-engraving 18th - 19th century
The Metropolitan Museum of Art -
The Letter, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
-
Pietro Berrettini (Pietro da Cortona) Sacrifice of Iphigenia Pen and brown ink and brown wash over traces of black chalk on laid paper 17th century
-
Jacopo Robusti Tintoretto - Portrait of Doge Pietro Loredan 1567-70 oil on canvas Kimbell Art Museum Italian
The Metropolitan Museum of Art -
The Temptation, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
The Metropolitan Museum of Art -
The Burial of Saint Martha, predella panel Sano di Pietro (Ansano di Pietro di Mencio)
The Metropolitan Museum of Art -
The Meeting, probably 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x
-
Pietro Testa ( il Lucchesino) St. Catherine, after Pietro Testa Etching 17th century
-
Pietro Testa ( il Lucchesino) Mythological Scene with Bacchus and Persephone, after Pietro Testa Etching 17th century
-
Pietro Testa ( il Lucchesino) Two Figures, after a drawing by Pietro Testa Etching mounted to a heavier sheet 17th century
Museum of Fine Arts -
Pietro da Cortona (Pietro Berrettini, called Pietro da Cortona), Italian (Roman), 1596-1669 Virgin and Child
-
Pietro Bonato Three Young Women, after Canova Engraving and etching 19th century
-
George Overbury "Pop" Hart Landscape, Santo Domingo, No. 2 Aquatint and soft ground etching, printed in color 1926
The Metropolitan Museum of Art -
Madonna and Child with Two Angels, 1490s Pietro di Domenico (Italian, Sienese, 1457–?1506)Tempera and gold
Museum of Fine Arts -
Animal effigy pitcher Santo Domingo Pueblo (Native American) United States, New Mexico, (Santo Domingo), about
-
Pietro Longhi Bal Masque oil on canvas 18th century
-
Stefano Mulinari The Death of Dido, after Pietro Testa Etching and engraving 18th century
The Metropolitan Museum of Art -
The Crucified Christ, fragment of a crucifix Pietro da Rimini (Italian, Riminese, active 1324-33)Tempera and
Museum of Fine Arts -
Necklace Santo Domingo Pueblo (Native American) United States, New Mexico, (Santo Domingo), about 1900 Orange
The Metropolitan Museum of Art -
Saint Ursula and Her Maidens, ca. 1410 Niccolò di Pietro (Italian, Venetian, active 1394-1427/30)Tempera and
-
Pietro Berrettini (Pietro da Cortona) Sixtus V. P. ä ad Basilicam S. Petriä, fourth plate after Picturae Francisci Albani in aede Verospia ([Rome?]: no publisher, [1704?]), second part in miscellany with spine title: Opere d. div. pittori et
Museum of Fine Arts -
Earrings (oo koo yant") Santo Domingo Pueblo (Native American) United States, New Mexico, (Santo Domingo),
-
Francesco Bartolozzi Rachel Hiding the Idols of Laban, after Pietro da Cortona Engraving in sepia ink 1765
-
Giovanni Girolamo Frezza Polyphemus following Acis and Galatea, after Pietro da Pietri after Sisto Badalocchio Engraving 1704
-
Pietro Barboni Teatro di Marcello... 1827
-
Pietro Aquila The Death of the Virgin, after G.M. Morandi Engraving 17th century
-
Pietro Berrettini (Pietro da Cortona) untitled, second plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
-
Pietro Berrettini (Pietro da Cortona) untitled, fifth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
-
Pietro Berrettini (Pietro da Cortona) Faustulus apportant Remus et Romulus ( Faustulus brings forth Remus & Romulus)... fourteenth plate in the book...Le MusÈe royal (Paris: P. Didot, l*ainÈ, 1818), vol. 2 Engraving and etching 16th - 17th
-
Pietro Longhi A Theatrical Performance oil on canvas 18th century
-
Pietro Salvatori Il Violinista, after Raphael Engraving 19th century
-
Pietro Berrettini (Pietro da Cortona) Eminentissime et Rev.me Princeps, eleventh plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine t
-
Pietro Berrettini (Pietro da Cortona) Virtutem, first plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
-
Pietro Berrettini (Pietro da Cortona) untitled, sixth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
-
Pietro Berrettini (Pietro da Cortona) untitled, fourth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
-
Pietro Berrettini (Pietro da Cortona) untitled, seventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
-
Pietro Berrettini (Pietro da Cortona) untitled, eighth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
-
Pietro Berrettini (Pietro da Cortona) untitled, eleventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
-
Pietro Berrettini (Pietro da Cortona) untitled, twelfth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
-
Pietro Barboni Veduta dell'Arco di Druso... 1826
-
Pietro Barboni Veduta del Sepolchro di Cajo... 1825
-
Pietro Barboni Veduta delle antiche... 1825
-
Pietro Barboni Veduta del Tempio di Minerva... 1825
-
Pietro Berrettini (Pietro da Cortona) Achilles among the Daughters of Lycomedes Black chalk, red chalk, pen and brown ink, brown wash, and white opaque watercolor on laid paper mounted to a heavier sheet, attached to a second heavy sheet 17th century
-
Giovanni Cesare Testa Achilles on the back of the Centaur Chiron Etching 17th century
-
Pietro Berrettini (Pietro da Cortona) untitled, third plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
-
Pietro Berrettini (Pietro da Cortona) untitled, nineth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
-
Pietro Berrettini (Pietro da Cortona) untitled, tenth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
-
Pietro Berrettini (Pietro da Cortona) Untitled, third plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
-
Pietro Berrettini (Pietro da Cortona) Untitled, fifth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
-
Pietro Berrettini (Pietro da Cortona) Matura Aetas, second plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div
-
Pietro Barboni Veduta dell'Arco Costantino 1825
-
Pietro Barboni Le grandi Cascatelle di Tivoli 1826
-
Pietro Berrettini (Pietro da Cortona) In Alexandri pectusä, twenty-second plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine tit
-
Pietro Tacca Slave bronze circa 18th century
-
Pietro Berrettini (Pietro da Cortona) Florentiae ä in Veneris Camera, seventeenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with s
-
Pietro Paolini Youth with Musical Instrument oil on canvas 17th century
-
Pietro Longhi The Concert (The Mandolin Recital) oil on canvas circa 1760
-
Pietro Aquila The Virgin Appearing to Saint Alexis Etching with engraving 17th century
-
Pietro Berrettini (Pietro da Cortona) Untitled, sixth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
-
Pietro Berrettini (Pietro da Cortona) Cyrusä, nineteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. di
-
Pietro Berrettini (Pietro da Cortona) Untitled, seventh plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. p
-
Pietro Berrettini (Pietro da Cortona) Untitled, fourth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pi
-
Pietro Berrettini (Pietro da Cortona) Crispoä, twenty-third plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d.
-
Pietro Berrettini (Pietro da Cortona) Florentiae ä in Veneris Camera, sixteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spi
-
Pietro Aquila The Guardian Angel, after Carlo Maratta etching and engraving 17th century
-
Pietro Berrettini (Pietro da Cortona) Filius amansä, twenty-fifth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
-
Pietro Berrettini (Pietro da Cortona) Untitled, ninth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
-
Pietro Berrettini (Pietro da Cortona) Antiochusä, twenty-fourth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Oper
-
Pietro Berrettini (Pietro da Cortona) Untitled, fourteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div.
-
Pietro Berrettini (Pietro da Cortona) Untitled, twelfth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div. pit

[an error occurred while processing this directive]

Further Artwork and Information:

Pietro Santo Bartoli (1809 - 1859) Biography, Artwork Images, Exhibitions, Reviews
Bartoli Pietro Santo
Childs Gallery: Bartoli, Pietro Santo: Available Works
4092
NGA - Artist List B / Page 4 of 23
Reiss 41
Perrier, Francois des., Segmenta nobilium signorum et statuaru(m) Quae...Vrbis aeternae ruinis erepta....
Antiguedad Griega y Romana - Librería Anticuaria Comellas
Antiquitat Greco-Romana - Llibreria Antiquària Comellas
Antiquité Gréco-Romaine - Librairie Ancienne Comellas

Search the Art History Database for artists, titles, media, year, and other indepth information: