Artist: Robert Bateman 1842-1922 ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Robert Bateman 1842-1922.

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Ward, Leslie Matthew (Spy) Sir Robert Bateman Harvey Bart, MP. "Bucks" from Vanity Fair, November 7, 1885 Lithograph 1885
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Peter Bateman Goblet silver circa 1806
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Peter Bateman Goblet silver circa 1806
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William Bateman Goblet silver 1814
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William Bateman Goblet silver 1814
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Marked by Peter Bateman, 1740-1825 Marked by William Bateman I, 1774-1850 Marked by Ann Bateman,
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Hester Bateman George II ball footed tea urn sterling silver 1786
Museum of Fine Arts -
Marked by Peter Bateman, 1740-1825 Marked by Ann Bateman, 1748– died before 1813 Mustard Pot
Museum of Fine Arts -
Marked by Peter Bateman, 1740-1825 Marked by Ann Bateman, 1748– died before 1813 Urn London,
Museum of Fine Arts -
Marked by Peter Bateman, 1740-1825 Marked by Ann Bateman, 1748– died before 1813 Teapot London,
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Robert Sargent Austin Autumn etching 1922
Museum of Fine Arts -
Marked by Peter Bateman, 1740-1825 Marked by Ann Bateman, 1748– died before 1813 Ewer London,
Museum of Fine Arts -
Marked by Hester Bateman, 1708-1794 Tea Canister London, England England, (London), 1785-86 Silver H. 15.1
Museum of Fine Arts -
Lucy Bateman, American, Born in 1797 Sampler United States, Massachusetts, about 1810 Linen plain weave
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Robert De Niro A Fashionable Watering Place Color lithograph 1978
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Robert De Niro A Fashionable Watering Place Color lithograph 1978
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Robert De Niro A Fashionable Watering Place Color lithograph 1978
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Robert De Niro A Fashionable Watering Place Color lithograph 1978
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Robert De Niro A Fashionable Watering Place Color lithograph 1978
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Robert De Niro A Fashionable Watering Place Color lithograph 1978
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Robert De Niro A Fashionable Watering Place Color lithograph 1978
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Robert De Niro A Fashionable Watering Place Color lithograph 1978
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Robert De Niro A Fashionable Watering Place Color lithograph 1978
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Robert De Niro A Fashionable Watering Place Color lithograph 1978
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Robert De Niro A Fashionable Watering Place Color lithograph 1978
Museum of Fine Arts -
Anna Bateman, American, Born in 1796 Sampler United States, Massachusetts, (Chelmsford), 1807 Linen plain weave
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Roi (Roy) Partridge Three Pines etching 1922
Museum of Fine Arts -
Marked by Hester Bateman, 1708-1794 Urn London, England England, (London), 1790-91 Silver, jade H. 62.1
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Emanuel O. Rosales Nijinsky as Harlequin in Carnival, 1922 bronze 1922
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James Atkinson Sketches of Afghaunistan [sic] (London: Longmanä, 1842) book with lithographs 1842
Museum of Fine Arts -
Marked by Hester Bateman, 1708-1794 Stand for Teapot London, England England, (London), 1789-90 Silver H.
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Edward Anthony Anna Elizabeth Dickinson (1842-1932) albumen print 19th century
Museum of Fine Arts -
Marked by Hester Bateman, 1708-1794 Mote Spoon flatware London, England England, (London), about 1780 Silver
Museum of Fine Arts -
Marked by Hester Bateman, 1708-1794 Heraldic Seal London, England England, (London), about 1780 Silver Weight:
Museum of Fine Arts -
Marked by Hester Bateman, 1708-1794 Cream Jug London, England England, (London), 1786-87 Silver H. 16
Museum of Fine Arts -
Marked by Hester Bateman, 1708-1794 Sugar Basket London, England England, (London), 1790-91 Silver and parcel
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Robert Sargent Austin Bethlehem engraving 1926
Museum of Fine Arts -
Marked by Hester Bateman, 1708-1794 Caddy Spoon flatware London, England England, (London), 1789-90 Silver L.
Museum of Fine Arts -
E. Gregory, American, 1840s Robert Jenkins 1842 Oil on canvas 76.2 x 64.13 cm (30
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Robert Sargent Austin The Fisherman engraving 1927
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Robert Sargent Austin Highbridge engraving 1927
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Robert Sargent Austin Bell, no. 2. engraving 1927
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Robert Sargent Austin Before Mass engraving 1926
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Robert Sargent Austin Man with a Cross etching 1924
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Robert Sargent Austin Siena etching 1923
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Robert Sargent Austin The Stonebreaker etching 1925
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Robert Sargent Austin Mendicanti etching 1924
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Robert Sargent Austin Zoutelande engraving 1929
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Robert Sargent Austin Scythes engraving 1929
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Multiple Artists Galerie du Palais Pitti (Florence: Luigi Bardi, 1842), vol. 2 book with engravings 1842
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Robert Sargent Austin The Bath Tub lithograph 1930
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Robert Sargent Austin Women in Church etching 1924
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Robert Sargent Austin Woman of Scanno engraving 1926
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Robert Sargent Austin The Pack Bridge engraving 1926
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Robert Sargent Austin The Horse of Ostend etching 1921
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Robert Sargent Austin The Flight into Egypt engraving 1925
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Robert Sargent Austin Alice Lush engraving 1928
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Robert Sargent Austin The Cathedral, Palma etching 1927
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Robert Sargent Austin San Domenico, Perugia etching 1925
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Robert Sargent Austin The Trace Horse etching 1921
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Robert Sargent Austin Women in Church (No. 2) engraving 1936
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Robert Sargent Austin Sottocastello etching 1926 - 1929
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Robert Sargent Austin Child in Bed drypoint etching 1929
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John Singer Sargent, American, 1856-1925 Robert de Cévrieux 1879 Oil on canvas 84.45 x 47.94
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Peter Bateman Beaker with handle silver 18th - 19th century
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Robert Sargent Austin Woman milking a Goat engraving 1925
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Robert Sargent Austin The Angel of St. Matthew, Orvieto etching 1924
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Robert Sargent Austin The blind Beggar of Tivoli etching 1923
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Robert Sargent Austin Sisters of Assisi etching and engraving 1925
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Robert Sargent Austin Woman tethering a Goat engraving 1928
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Robert Brandard Peterhead, plate opposite page 19 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London:
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Robert Brandard Broadstairs, Kent, plate opposite page 139 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
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Robert Brandard The Buller of Buchan, near Peterhead, plate opposite page 28 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by Wil
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Robert Sargent Austin S. Carlo and S. Giacomo, Rome etching 1924
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Robert Sargent Austin The Wooden Bridge, Sottocastello engraving 1929
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Robert Brandard The Solway, from Harrington Harbour, plate opposite page 67 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by Will
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Robert Brandard Newhaven Pier, Frith of Forth, plate opposite page 50 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William B
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Robert Brandard Slaines Castle, *near Peterhead, plate opposite page 17 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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Multiple Artists The Regal and Ecclesiastical Antiquities of England (London: Henry G. Bohn, 1842) book with engravings with hand coloring 1842
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Robert Sands The Port of London, plate opposite page 182 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by Willia
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Walter Ernest Tittle Charles Evans Hughes 1922
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Robert Brandard London from Greenwich Park, plate opposite page 163 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Description
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Walter Ernest Tittle H. Rider Haggard lithograph 1922
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Robert Brandard Wreck in Kingsgate Bay (Isle of Thanet), plate opposite page 140 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions b
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Robert Sargent Austin Comare Guilia etching and engraving 1924 - 1925
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Robert Sargent Austin Ponte Pietra, Verona etching 1925 - 1927
Museum of Fine Arts -
Jacob Eichholtz, American, 1776-1842 Mrs. Robert Jenkins (Catharine Carmichael) 1836 Oil on canvas 75.56 x
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Robert Wallis Hastings, plate opposite page 127 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London:
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Robert Wallis Scene at Fleetwood, on Wye, plate opposite page 137 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beatti
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Robert Wallis Banff, plate opposite page 9 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London: Georg
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John Coney Engravings of ancient Cathedrals, Hotels de Ville, and other public Buildings of Celebrityä (London; Henry G. Bohn, 1842) book with engravings 1842
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Robert Wallis Lytham, plate opposite page 180 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
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Robert Wallis Harlech Castle, plate opposite page 64 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lon
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Robert Wallis Workington (Cumberland), plate opposite page 171 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by
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Robert Wallis Dover, from the Ramsgate Road, plate opposite page 155 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Bea
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Robert Wallis St. Bees College, plate opposite page 177 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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Robert Wallis New Bridge and Bronielaw, Glasgow, plate opposite page 46 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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Robert Wallis Leith Pier and Harbour, plate opposite page 43 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.
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Multiple Artists Le bon genre (Paris: Brentano*s, [ca. 1922]) book with color plates 1922
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Leonard Baskin Crow Wood Engraving 20th century

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Bateman 1842-1922

Metropolitan Museum of Art: Max Beckmann Prints
The rawness of emotions and compressed spaces of these kaleidoscopic images - ranging from images of operating rooms to merry-go-rounds, they contain the seeds of Beckmann's later oeuvre and often reflect his grow...
Mona Bismarck Foundation: Works by Massimo Campigli : 1922 - 1969
This exhibition proposes a significant retrospective of the italian artisi whose importance is recognized worlwide. Their are 37 works executed between 1922 and 1969. The selected paintings come from important private collections, from the Mus...
Birmingham Museum and Art Gallery: Kunisada and the Japanese Actor Print
After consultation with the British Museum and specialist conservators, the decision was made to carefully remove the prints from the album, conserve them, and mount them as an outstanding group of actor prints. These prints have bee...
Marsh Art Gallery, University of Richmond: Nell Blaine: Sensations of Nature
Coming to prominence with her abstractions as one of the few women involved in Abstract Expressionism, she is more ...
neues Kunstmuseum Luzern: Mixing Memory and Desire
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Louvre Museum: Ingres' Cartoons in Stained-Glass for the Louvre Collections
It was in the latter’s honour that the Chapelle Saint-Ferdinand des Ternes was built, on the ...
Detroit Institute of Art: Reflections in Black: Smithsonian African American Photography
The First 100 Years: 1842-1942 In the early 19th and 20th centuries, African Americans were pioneers in the medium. Jules Lion (1810-1866) began producing daguerreotypes in New ...
Frick Collection: A Brush with Nature: The Gere Collection of Landscape Oil Sketches
Created by eighteenth- and nineteenth-century artists working out of doors, these plein-air sketches were painted quickly -- the artists often spent no more than two hours on a work -- and attempted to capture subtle atmospheric effects and...
Photographers' Gallery: Milton H. Greene: Portraits of an Era
Along with Irving Penn, Richard Avedon and Cecil Beaton, Greene helped to turn fashion photography into an art form. However, it was his photographs of Hollywood's greatest icons of the 1950s, from Marilyn Monroe to Elizabeth Taylor and Frank ...
Irish Museum of Modern Art: Leon Golub: Paintings 1950 - 2000
His early work used primitive, generic imagery to explore the human condition, but his later work became more direct and political with subjects ranging from the Vietnam War to racism and r...
Art Gallery of Ontario: Pop Photographica: Photography’s Objects in Everyday Life, 1842-1969
Presenting more than 160 works from private collections throughout the United States and Canada, Pop Photographica illustrates the ability that photographs have to bestow objects with individual identity and personal narrative. This compelling asp...
South Australian Museum: Eye to Eye: Photographs of Local Adelaide Anthropologist Francis Edgar Williams
His unique relationship with the people of Papua is illustrated in drawings of the objects that interested him and the hundreds of photographs which form the basis of this exhibition. Williams' once said about his photographs, I go down to get ph...
Tate Britian: Romantic Landscape: The Norwich School of Painters, 1803-1833
This group was strong but diverse. It was described as a school only because its leaders, John Crome and John Sell Cotman, operated in Norwich as teachers and drawing masters. Neither their own work, nor that of their pupils, displ...
Atlanta History Center: Reflections in Black: Smithsonian African American Photography
Divided into three sections - The First 100 Years: 1842–1942, Art and Activism, and A History Deconstructed - the exhibition documents the black experience from slavery through the Civil Rights Era to the present day. The First 100 Years: 1842–...
Helsinski City Art Museum: 40th Anniversary of Peanuts in Finland
Published in some 2,600 magazines and newspapers around the globe, Peanuts is one of the most popular comics in the world. With the first Peanuts strip published in the USA in 1950, It was a dark and stormy night... will al...
National Gallery of Canada: Bill Seaman: Red Dice
The videotape upon which the Red Dice installation is built was shot in June 1997 at several natural and industrial sites in the Ottawa area. The mechanical loom, the mill, the player piano, these recurrent images belong to another century yet...
Walker Art Center: A PRACTICAL DREAMER: THE PHOTOGRAPHS OF MAN RAY
Organized by the J. Paul Getty Museum, Los Angeles, and drawn from its extensive collection of photographs, the exhibition focuses on Man Ray’s photographic work and includes 100 vintage prints spanning the period from 1916 to the...
Portland Museum of Art: Charles Codman: Retrospective
Most likely a native of Boston, Codman began his career as an apprentice to ornamental painter John Ritto Pennimans. He continued his work in decorative painting after relocating to Portland in 1822, enjoying a brisk trade painting portraits, sign...
Baltimore Museum of Art: Picasso: Cubism to Classicism
Picasso became interested in monumental classical figures after a trip to Italy in 1917. One of his major themes from this period is the artist in his studio—a sculptor or painter inspired by the nude female model. Characters from classical mythol...
Detroit Institute of Art: Empire of the Sultans: Ottoman Art from the Khalili Collection
These works were created by artists and craftsmen from throughout the Ottoman empire, not only by Turks from the homeland, but also people from the Balkan lands, Armenians, Greeks,...
Amon Carter Museum: Edward Weston: Life Work
Weston moved to California in 1906 from Illinois and began to earn his living in photography by doing house-to-house portraiture. In 1911 he opened a studio in Glendale taking photographs in the pictorial style, but by 1922 he had reached a turni...
Dulwich Picture Gallery: The Golden Age of Watercolours : The Hickman Bacon Collection
Sir Hickman Bacon had unusual tastes for his time. The collection is especially strong in the type of late, ethereal Turner watercolour that only became widely popular with the advent of abstract painting in the 1940s and 50s. The works by Girtin ...
Hirshhorn Museum and Sculpture Garden: Retrospective for American Sculptor H.C. Westermann
On tour from its summer 2001 premiere at the Museum of Contemporary Art (MCA), Chicago, this exhibition of over 130 works includes Westermann's images of houses, ships, towers, boxes, robots, coffins, surreal landscapes, and toy-like figurines wit...
South London Gallery: Leon Golub

Brooklyn Museum of Art: Maxfield Parrish, 1870-1966
Organized chronologically, the exhibition begins with Parrish's work of the late 1890s and early 1900s, years when the young artist developed a unique aesthetic sense for book and magazine illustration as well as for poster and mural design.Ê The ...
Tennessee State Museum: The Rau Collection: Six Centuries With The European Masters
Riggins-Ezzell said, "This is truly an all-star lineup of the European masters from several countries, representing the beginnings of European painting in the Renaissance up to the mid-20th century, including French Impressionist and Post-Impressi...
Menil Collection: POP Art: US.UK Connections, 1956-1966
Pop Art: U.S./U.K. Connections 1956–1966 looks at only artwork by American and British practitioners that is ...
National Gallery of Scotland: Rosslyn: Country Of Painter And Poet

For over 200 years, Rosslyn has attracted countless artists, writers and antiquaries and by the nineteenth century the Castle, Chapel and Glen were placed firmly on the tourist map of Scotland. The chapel was built in 1446 by Sir William St....
el museo del barrio: Rafael Tufino: Painter of the People
This comprehensive exhibition will feature more than 150 works including paintings, drawings, prints and posters. The works on view span a period of more than 65 years from the 1930s to the present. The exhibition will include works from his ear...
Modern Museum: Karl Isakson: Paintings and Drawings
This beautiful and poignant description of Karl Isakson (1878-1922) was written by the art critic and poet Gunnar Ekelöf. The Moderna Museet summer exhibition will be the first of Karl Isakson in forty years, and it will be an exhibition of painti...

Further Artwork and Information:

Robert Bateman 1842-1922 (1449 - 1512) Biography, Artwork Images, Exhibitions, Reviews
Robert Bateman 1842-1922 Online
Robert Bateman Online
Artists / Famous Artists
Archive of ArtMagick: List of Artists and Paintings
The Darwin Correspondence Online Database
Oakdale City Cemetery - Part 11
R. O. BATEMAN - Sarah BATES
Oregon In 1847
Whistler Correspondence: JW to [none], [1874/1876] [12714]

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