Artist: Maxwell Bates ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Maxwell Bates.

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Robert White Portrait of William Bates, D.D. (age 74) Engraving 17th - 18th century
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Pat Martin Bates Empery Of The Silent Black Mandalas Perforated Esta 1968
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Pat Martin Bates White Flame Mandorla For A Glass Wall Porforated Esta 1968
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William Dyce - Mrs. John Clerk Maxwell and her Son James 1832-1833 oil on canvas Birmingham Museums and Art Gallery British
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Robert David Gauley, American, 1875-1943 Fountain, Rome 1896 Oil on canvas 30.16 x 42.54 cm
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Elsie Bates Freund - Goats c. 1954 Watercolor on paper Arkansas Arts Center American
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David Bates - Baits 1990 oil on canvas Smithsonian American Art Museum American
The Minneapolis Institute of Arts -
Artist: Maxwell Armfield Title: Dancer"s Servant, theater design for "The Grass-Blade" Date: 1914 Medium: watercolor,
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Richard Dighton Caricature (full figure) of Sir Murray Maxwell,Kt. C. B. Color etching 18th - 19th century
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Marked by Samuel Penbeton, 1773-1801 Scent Bottle Case Birmingham, England England, (Birmingham), 1791-92 Silver H.
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Ward, Leslie Matthew (Spy) "Wigtownshire" (Sir Herbert Eustace Maxwell, Bart., M.P.) Statesman No. 619, from Vanity Fair, September 28, 1893 Lithograph 1893
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Mark Luca One in a Portfolio of thirty portraits of Scientists : Maxwell Collograph prints 20th century
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Augustin Coppens Collar fragment Point de gaze 19th century
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Augustin Coppens Fan paint on ? and mother of pearl with gold 19th century
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Maxwell Ashby Armfield - Self-Portrait 1901 tempera on sketching Birmingham Museums and Art Gallery British
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Frances A. Atwell Fan point de gaze lace, painted gauze, and ivory circa 1890
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Augustin Coppens Collar, Point de Gaze Point de Gaze lace 19th century
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Augustin Coppens Edging of point de gaze point de gaze lace 19th century
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Augustin Coppens Lappet, rose point lace Point de Gaze lace 19th century
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Augustin Coppens Collar, Point de Gaze Brussels point de gaze lace 19th century
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Unidentified artist, American, 19th century Sea Captain Maxwell B. Chace about 1835 Oil on canvas
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Hermann Wendelborg Hansen Scout Etching 1924
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John Coburn, 1724-1803 Caster United States, Massachusetts, (Boston), about 1750 Silver Museum of Fine Arts,
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Stephen de Hospodar Block Prints (Los Angeles: privately printed, 1932) book with woodcuts 1932
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Marked by David Hennell, I Marked by Robert Hennell, I Pair of Salts With Liners
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Tea bowl Chinese Northern Song dynasty, Northern Song dynasty, 11th–12th century China Ding stoneware with
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Stephen de Hospodar Reflections, first plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Palisades, third plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Bowl with loop handles Nubian Meroitic Period, 1st—2nd century A.D. Sudan, Nubia Bronze Height x
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Stephen de Hospodar Iron Moulder, second plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Hollywood Bowl, fifth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Hymn to the Sun, eighth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Louise, sixteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Rough Sea, tenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Rhythm, fourth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Two Swans, fourteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Bather, thirteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Lament, eleventh plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Madonna, sixth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Tristan and Isolde, twelfth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar White Caps, fifteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Kid Kelley Showing Off, ninth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar A Family Portrait, seventh plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Relief of offering bearers Egyptian New Kingdom, Late Dynasty 18, probably reign of Horemheb, 1319-1292
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Jan van de Velde II, Dutch, 1593-1641 Amenissime Aliquot Regiunculae. Part 1 1616 Etching and
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Tanto y más. (All this and more); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Aun podrán servir. (They can still be of
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Y no hai remedio. (And there is nothing
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Tampoco. (Nor do these); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Tanto y más. (All this and more); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Curarlos, y á otra. (Take care of them
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No saben el camino. (They do not know
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No quieren. (They do not want to); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Ya no hay tiempo. (There is no longer
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Francisco de Goya y Lucientes, Spanish, 1746-1828 También estos. (These, too); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Será lo mismo. (It will be the same);
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Siempre sucede. (It always happens); Fatales consequencias de
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Que valor! (What courage!); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Para eso habeis nacido. (This is what you
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Caridad. (Charity); Fatales consequencias de la sangrienta guerra
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Para eso habeis nacido. (This is what you
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Ni por esas. (Neither do these); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Curarlos, y á otra. (Take care of them
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Ya no hay tiempo. (There is no longer
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Se aprovechan. (They take advantage); Fatales consequencias de
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Caridad. (Charity); Fatales consequencias de la sangrienta guerra
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No se puede mirar. (One can"t look); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No se convienen. (They do not agree); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Duro es al paso! (It"s a Hard Step!);
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Bien te se está. (It serves you right);
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Enterrar y callar. (Bury them and keep quiet);
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Enterrar y callar. (Bury them and keep quiet);
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Amarga presencia. (Bitter presence); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Las mugeres dan valor. (The women give courage);
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Reclining Nude Young Woman, Half-Naked, Leaning Against a
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Con razon ó sin ella. (Rightly or Wrongly);
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Y son fieras. (And they are wild beasts!);
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es la verdadero (This is the Truth)
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Johann Joachim Kändler, German, 1706-1775 Made by Meissen Factory, German Figure of an Arara about
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Yo lo vi. (I saw it); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Por qué? (Why?); Fatales consequencias de la sangrienta
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No hay que dar voces. (It"s no use
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Las resultas. (The consequences); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Que locura! (What madness!); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No hay quien los socorra. (There is no
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Francisco de Goya y Lucientes, Spanish, 1746-1828 De qué sirve una taza? (Of what use
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,

Artnews Articles and Exhibition Information: (9)
Click on any of the links below to read about artnews or exhibitions related to Bates

Irregular Art Beat: Queen Mab’s Daughters: Featuring Pearl Bates
Pearl Bates’s work feeds our emotional need for fantasy, passion & beauty, and creates an enticing dream world full of enchantment, desire and intoxication into which we can escape.” This young artist has recently exhibited at the house of John Cl...
Bates College Museum of Art: Documenting China: Contemporary Photography and Social Change
The participating photographers are: Liu Xiaodi, a painter by training who shot his "Village" series while he was a student doing fieldwork; Jiang Jian, director of the photography department at the Henan Institute of Art, Zhengzhou. H...
Figaro Gallery: Generations of Art: From Abstraction to Realism - Matthew Bates and Stephen Bates
Matthew Bates was born in Washington, D.C. in 1970 to an artistic family. At 18, Matthew left Washington to go to art school in San Francisco at the Academy of Art College. While there he learned many techniques in drawing, painting, and design. ...
Bates College Museum of Art: Wenda Gu: From Middle Kingdom to Biological Millennium
Gu was active in the Chinese avant-garde before emigrating to the United States in 1987. He mines tradition and pursues innovation in works that explore globalism, diasporic art and transculturalism to present an idealized unification of humanity....
Bates College Museum of Art: Manuel Lopez Oliva: Cuba and the Theatre of Desire
"Aside from being actors who take on different characters, sometimes merely for effect, sometimes out of desire -- the desire for self-expression, for power, for love, for truth -- we are also actors in the circumstances of history," he said. ...
Minneapolis Institute of Arts: Hair Stories
This exhibition encompasses mixed media work by Diane Katsiaficas, paintings by nancy Robinson, mixed media work and hand made paper by Erica Spitzer Rasmussen and a video installation by Mara Zoltners. Text and readings by Paulette Alden Bates,...
William Havu Gallery: Three Dimensions: Lawrence Argent, Stephen Daly, Mary Bates Neubauer and David Mazza
Stephen Daly is the area head of the sculpture department at the University of Texas, Austin. We will be showing his large cast bronze piece "Controller" as well as a selection of other works. Daly works in many mediums including cast aluminum, ...
Oakland Museum of California: Grand Lyricist: The Art of Elmer Bischoff
The Bay Area figurative movement was perhaps the first school of painting that put the West Coast on an artistic map dominated by New York painters. Arising out of the post-World War II resurgence of energy as artists returned to their studios (B...
Wadsworth Atheneum Museum of Art: Marsden Hartley: First Retrospective in over 20 Years
Widely acknowledged as the greatest of the early American modernists, Marsden Hartley (1877-1943) belonged to a circle of artists promoted by photographer and gallery owner Alfred Stieglitz that included Georgia O’Keeffe, John Marin, Arthur Dove, ...

Further Artwork and Information:

Canadian Literary and Art Archives - Maxwell Bates
Maxwell Bates Online
BAU-XI GALLERY
Maxwell Bates (1449 - 1512) Biography, Artwork Images, Exhibitions, Reviews
Art on Video: Maxwell Bates
MaxwellBates.net
Maxwell Bates
Maxwell Bates: Biography of an Artist
Maxwell Bates - Rural Route - Alberta Community Development
Maxwell Bates artwork from Elliott Louis Gallery

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