Artist: Charles Bentley ( - )
Artworks in Museum Collections: (40)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Charles Bentley.

Fine Arts Museum of San Francisco -
Charles Bentley, The Ch‚teau Rouge at Calais, circa 1823
Fine Arts Museum of San Francisco -
Multiple Artists, The Beauties of the Court of King Charles the Second (London: published for Henry Colburn by Richard Bentley, 1833), 1833
Fine Arts Museum of San Francisco -
Alfred Bentley, Wayfarers, 19th century
Fine Arts Museum of San Francisco -
Alfred Bentley, The Firth of Forth, 19th century
Fine Arts Museum of San Francisco -
Joseph Clayton Bentley, The Castle of Coningsburgh, 1837
Fine Arts Museum of San Francisco -
Arthur Pond, Dr. John (?) Bentley, 18th century
Fine Arts Museum of San Francisco -
Alfred Bentley, The Charm of the Valley, 19th century
Fine Arts Museum of San Francisco -
Alfred Bentley, The end of the Downs Amberley, 19th century
Fine Arts Museum of San Francisco -
Alfred Bentley, The Mantle of the Highlands, 19th century
Fine Arts Museum of San Francisco -
Alfred Bentley, Hill Pastures, 19th century
Fine Arts Museum of San Francisco -
Alfred Bentley, Ramparts of Carcassone, 19th century
Fine Arts Museum of San Francisco -
Alfred Bentley, Morlaix, Brittany, 19th century
Fine Arts Museum of San Francisco -
Alfred Bentley, St. Benezet Bridge in Avignon, 19th century
Fine Arts Museum of San Francisco -
Wilson Alwyn Bentley, Snowflake, March 12, 1888, Jericho, Vermont, 1888
Fine Arts Museum of San Francisco -
Edward Lear, Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
John Leech, One Hundred and Seventy Designs and Etchings (London: Richard Bentley, 1865), 2 vols. in 1, 1865
Fine Arts Museum of San Francisco -
Edward Lear, 19Z opposite page 238 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Pentedatilo, plate 16 opposite page 190 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Canalo, plate 11 opposite page 140 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Gioisa, plate 10 opposite page 130 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Palmi, plate 13 opposite page 172 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Map of Basilicata..., plate 17 opposite page 209 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Rocella, plate 8 opposite page 104 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Ragnara, plate 14 opposite page 174 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Stilo, plate 9 opposite page 110 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, San Giorgio, plate 12 opposite page 156 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Venosa, plate 21 opposite page 258 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Palizzi, plate 4 opposite page 48 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Scilla, plate 15 opposite page 176 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Bova, plate 3 opposite page 36 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Reggio, plate2 opposite page6 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Gerace, plate 7 opposite page 92 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Map of Calabria Ulteriore Prima, first plate and frontispiece in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Castel del Monte, plate 20 opposite page 250 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Forests of Pietrapennata, plate 5 opposite page 56 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, S. Maria di Polsi, plate 6 opposite page 76 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, Convent of Monte Vergine, plate 18 opposite page 214 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Edward Lear, San Michele di Monte Voltore, plate 20 opposie page 268 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852), 1852
Fine Arts Museum of San Francisco -
Joseph Clayton Bentley, Bath, plate opposite page 57 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lond
Fine Arts Museum of San Francisco -
Joseph Clayton Bentley, The "Westminster" and "Claudine", Ashore near Margate, plate opposite page 143 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett

Artnews Articles and Exhibition Information: (4)
Click on any of the links below to read about artnews or exhibitions related to Bentley

Fine Arts Gallery, Bentley College: Intervals
Works from this project are on exhibition at the Fine Arts Gallery, Bentley College, Waltham, MA. December 8th, 1999 through January 27th, 2000. ...
Stiftung Wilhelm Lehmbruck Museum: POP CARS. America – Europe
The Lehmbruck Museum project will be the result of in-depth research, and will present groups of work on the topic from the Gottfried Schultz VW collection, the BMW Car Collection (Warhol), the DaimlerChrysler Collection (Cars by Warhol), the ADAC (G...
First Street Gallery: THE CURIOUS LINE: PAINTINGS AND WORKS ON PAPER BY ETHEL LEBENKOFF AND KAREN SULLIVAN
Lebenkoff and Sullivan both have a strong emphasis on line in their painted and drawn subjects, which imparts a sense of intimacy and immediacy to their art. The two artists both approach their subjects through the invention of forms, atmosp...
Delaware Art Museum: An American Century of Photography: From Dry-plate to Digital, The Hallmark Photographic Collection

Further Artwork and Information:

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Autoweb: Research and Buy, Its Free

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