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Artist: Wilson Alwyn Bentley ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Wilson Alwyn Bentley.
- Wilson Alwyn Bentley
Snowflake, March 12, 1888, Jericho, Vermont
toned gelatin silver print
1888
- Arthur Pond
Dr. John (?) Bentley
18th century
- Alfred Bentley
Wayfarers
Dry point
19th century
- Alfred Bentley
The Firth of Forth
Drypoint
19th century
- Edgar Alwyn Payne - The Great White Peak (No. 2) 1924 oil on canvas Los Angeles County Museum of Art American
- Alfred Bentley
The Charm of the Valley
Drypoint
19th century
- Alfred Bentley
The Mantle of the Highlands
Drypoint
19th century
- Alfred Bentley
Ramparts of Carcassone
Dry point
19th century
- Alfred Bentley
Hill Pastures
Dry point
19th century
- Joseph Clayton Bentley
The Castle of Coningsburgh
1837
- Alfred Bentley
The end of the Downs Amberley
Etching and drypoint
19th century
- Alfred Bentley
Morlaix, Brittany
Dry point
19th century
- Alfred Bentley
St. Benezet Bridge in Avignon
Dry point
19th century
- Charles Bentley
The Chteau Rouge at Calais
watercolor over graphite on wove paper
circa 1823
- Robert Wilson
Teapot
silver
circa 1830
- Robert Wilson
Cream pot
silver
circa 1830
- Gilbert Stuart - Wilson Cary Nicholas c. 1805 oil on canvas Cleveland Museum of Art American
- John Leech
One Hundred and Seventy Designs and Etchings (London: Richard Bentley, 1865), 2 vols. in 1
book with etchings
1865
- Edward Lear
Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
book with 22 lithographs
1852
- Edward Lear
19Z opposite page 238 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Multiple Artists
The Beauties of the Court of King Charles the Second (London: published for Henry Colburn by Richard Bentley, 1833)
book with engravings
1833
- Edward Lear
Bova, plate 3 opposite page 36 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Reggio, plate2 opposite page6 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Stilo, plate 9 opposite page 110 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Rocella, plate 8 opposite page 104 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Pentedatilo, plate 16 opposite page 190 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Canalo, plate 11 opposite page 140 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Gioisa, plate 10 opposite page 130 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Scilla, plate 15 opposite page 176 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
San Giorgio, plate 12 opposite page 156 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Palmi, plate 13 opposite page 172 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Ragnara, plate 14 opposite page 174 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Gerace, plate 7 opposite page 92 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Palizzi, plate 4 opposite page 48 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Map of Basilicata..., plate 17 opposite page 209 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Venosa, plate 21 opposite page 258 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Map of Calabria Ulteriore Prima, first plate and frontispiece in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Forests of Pietrapennata, plate 5 opposite page 56 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
S. Maria di Polsi, plate 6 opposite page 76 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Castel del Monte, plate 20 opposite page 250 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
San Michele di Monte Voltore, plate 20 opposie page 268 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Convent of Monte Vergine, plate 18 opposite page 214 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Douglas Fenn Wilson
Upstream Passage
watercolor
1973
- Wilson Burrows
RCA II
Screenprint
1982
- Bryan Wilson
Aleutian Geese
casein on canvas
1965
- Harvey Breverman
Study of John Wilson
lithograph
1973 The Metropolitan Museum of Art
- Marshall Orme Wilson (1860-1926), 1894 Léon Bonnat (French, 1833-1922)Oil on canvas; 58 1/2 x 40
- W.G. Jackman
John Wilson
19th century
- Donald Roller Wilson
And One Was Very Hot and One Was Very Not
Color lithograph with embossing
1985
- Donald Roller Wilson
Patricia in the Temple
Color lithograph
1984
- Donald Roller Wilson
Girls Who Have Helped Me
Color lithograph
1984
- Bryan Wilson
A Turn of My Head and Quickly, Too Quickly, I am Gone
oil on canvas
1970
- Wes Wilson
Bill Graham Presents (22) Sam the Sham and the Pharaohs; The Sit-Ins, Fillmore Auditorium, 8/10/66
lithograph
1966
- Wes Wilson
Bill Graham Presents (12) Them; New Tweedy Brothers, Fillmore Auditorium, 6/23/66
lithograph
1966 The Metropolitan Museum of Art
- Lake Nemi from a Monastery Garden Richard Wilson (British, 1713-1782)Oil on canvas; 16 7/8 x
- Wes Wilson
Bill Graham Presents (13) Lenny Bruce; Mothers, Fillmore Auditorium, 6/24-25/66
lithograph
1966
- Wes Wilson
Bill Graham Presents (50) Blues Project; Mothers Fillmore Auditorium, 2/17-19/67
lithograph
1967
- Wes Wilson
Bill Graham Presents (6) New Generation; Jay Walkers, Fillmore Auditorium, 5/13-14/66
lithograph
1966
- Joseph Clayton Bentley
Bath, plate opposite page 57 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Londo
- Wes Wilson
Bill Graham Presents (20) THEM; Sons of Champlin, 7/29-30/66, Fillmore Auditorium
lithograph
1966
- Joseph Clayton Bentley
The "Westminster" and "Claudine", Ashore near Margate, plate opposite page 143 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot
- Donald Roller Wilson
The Shadow of Mrs. Jenkins' Match on Her Melon
Color lithograph
1985
- Wes Wilson
Bill Graham Presents (11) Wailers; Quicksilver Messenger Service, Fillmore Auditorium, 6/17-18/66
lithograph
1967
- Wes Wilson
Bill Graham Presents (10) Jefferson Airplane; Great Society, Fillmore Auditorium, 6/10-11/66
lithograph
1966
- Wes Wilson
Bill Graham Presents (5) Jefferson Airplane; Jay Walkers, Fillmore Auditorium, 5/6-7/66
lithograph
1966
- Wes Wilson
Bill Graham Presents (21) Love; Everpresent Fullness, 8/5-6/66, Fillmore Auditorium
lithograph
1966
- Wes Wilson
Bill Graham Presents (15) Turtles; Oxford Circle, Fillmore Auditorium, 7/6/66
lithograph
1966
- Wes Wilson
Bill Graham Presents (16) Mindbenders; Chocolate Watchboard, Fillmore Auditorium, 7/8-9/66
lithograph
1966
- Wes Wilson
Bill Graham Presents (150) Santana; Grass Roots, Fillmore West, 12/19-22/68
lithograph
1968
- John Thomas Smith
George Wilson the Pedestrian
Etching
18th - 19th century
- William Charles Wilson
Measure For Measure, Act 4, Scene 2.
18th - 19th century
- William Charles Wilson
Measure for Measure, Act II, Scene IV
18th - 19th century
- William Charles Wilson
Measure for Measure, Act IV, Scene II
18th - 19th century
- Woodrow Wilson Crumbo (Woody Crumbo)
Last Sunset
Screenprint
20th century
- Woodrow Wilson Crumbo (Woody Crumbo)
Starlight
Screenprint
20th century
- Woodrow Wilson Crumbo (Woody Crumbo)
Dog Soldier
Screenprint
20th century
- Woodrow Wilson Crumbo (Woody Crumbo)
Desert
Screenprint
20th century
- Edward Arthur Wilson
House on river with sailmasts in background
Etching
19th - 20th century
- Wes Wilson
Bill Graham Presents (55) Chuck Berry; Grateful Dead, Winterland, 3/17-18/67, Fillmore Auditorium
lithograph
1967
- Wes Wilson
Bill Graham Presents (54) Jefferson Airplane; Jimmy Reed, Winterland, 3/10-11/67; Fillmore Auditorium, 3/12/67
lithograph
1967
- Wes Wilson
Bill Graham Presents (26) Jefferson Airplane; Grateful Dead, Fillmore Auditorium, 9/2-5/66
lithograph
1966
- Wes Wilson
Bill Graham Presents (44) Young Rascals; Sopwith Camel, Fillmore Auditorium, 1/6-8/67
lithograph
1967
- Wes Wilson
Bill Graham Presents (18) Association; Quicksilver Messenger Service, Fillmore Auditorium, 7/22-23/66
lithograph
1966
- Wes Wilson
Bill Graham Presents (32) Grateful Dead; Lightning Hopkins, Fillmore Auditorium, 10/21-23/66
lithograph
1966
- Wes Wilson
Bill Graham Presents (17) Jefferson Airplane; Grateful Dead, Fillmore Auditorium, 7/15-17/66
lithograph
1966
- William Charles Wilson
Shakespeare: As You Like It. Act IV, Scene III
Colored engraving
18th - 19th century
- Wes Wilson
San Francisco Rock Poster: Family Dog Productions, Byrds; Taj Mahal; Avalon Ballroom, 11/1-3/68
lithograph
1968
- William Bond
Richard Wilson, painter
18th - 19th century The Metropolitan Museum of Art
- Gloves, 1824 Frenchsuede; L.: 8 5/8 in. (22 cm).Gift of Claggett Wilson, 1946 (CI 46.59.15a,b)
- Woodrow Wilson Crumbo (Woody Crumbo)
Flute Dancer
Screenprint
20th century
- Woodrow Wilson Crumbo (Woody Crumbo)
Ghost Horse
Screenprint
20th century
- Woodrow Wilson Crumbo (Woody Crumbo)
Warrior on Horse
Screenprint
20th century
- Woodrow Wilson Crumbo (Woody Crumbo)
Deer with Papous
Screenprint
20th century
- Woodrow Wilson Crumbo (Woody Crumbo)
Prancing Horse
Screenprint
20th century
- Woodrow Wilson Crumbo (Woody Crumbo)
Spirit of Spring
Screenprint
20th century
- Woodrow Wilson Crumbo (Woody Crumbo)
Tail Dancer
Screenprint
20th century
- Woodrow Wilson Crumbo (Woody Crumbo)
Three Deer with Snow
Screenprint
20th century
- Woodrow Wilson Crumbo (Woody Crumbo)
Crow Dancer
Screenprint
20th century
- Woodrow Wilson Crumbo (Woody Crumbo)
Peace Offering
Screenprint
20th century
- Woodrow Wilson Crumbo (Woody Crumbo)
Eagle Dancer
Screenprint
20th century
Artnews Articles and Exhibition Information: (4) Click on any of the links below to read about artnews or exhibitions related to Bentley
Fine Arts Gallery, Bentley College: Intervals Works from this project are on exhibition at the Fine Arts Gallery, Bentley College, Waltham, MA. December 8th,
1999 through January 27th, 2000. ...
Stiftung Wilhelm Lehmbruck Museum: POP CARS. America – Europe The Lehmbruck Museum project will be the result of in-depth research, and will present groups of work on the topic from the Gottfried Schultz VW collection, the BMW Car Collection (Warhol), the DaimlerChrysler Collection (Cars by Warhol), the ADAC (G...
First Street Gallery: THE CURIOUS LINE: PAINTINGS AND WORKS ON PAPER BY ETHEL LEBENKOFF AND KAREN SULLIVAN Lebenkoff and Sullivan both have a strong emphasis on line in their painted
and drawn subjects, which imparts a sense of intimacy and immediacy to
their art. The two artists both approach their subjects through the
invention of forms, atmosp...
Delaware Art Museum: An American Century of Photography: From Dry-plate to Digital, The Hallmark Photographic Collection
Further Artwork and Information:
Wilson Alwyn Bentley
Alibris: Bentley W A Wilson Alwyn
Yahoo! Directory Wilson A. Bentley
The Bentley Collection
Wilson Bentley, The Snowflake Man, by DUNCAN C. BLANCHARD
Wilson Bentley Newsletter
photography : The Snowflake Man: A Biography of Wilson A. Bentley
Jerry Kindall: Wilson Bentley
To Jericho and Back: April 29, 2003
Yahoo! Canada Directory > Wilson A. Bentley
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Claude Monet Vase of Flowers 1882
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Claude Monet The Artist's Garden At Giverny
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Last updated and links verified on: Monday October 10/05/09 06:29:03 AM
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