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Artist: Giovanni Maria Benzoni ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Giovanni Maria Benzoni.
- Giovanni Battista Falda
Fontana nella Piazza della Basilica di S. Maria Maggiore (Fountain in the Piazza of the church of Santa Maria Maggiore), pl. 9 from the series Le Fontane di Rome (Fountains of Rome)
Etching
1691
- Hesiquio Iriarte
Sta. Maria de Toscanella/ en los Estados Pontificios (Sta. Maria of Toscanella in the Papal States)
Color lithograph
19th - 20th century
- Giovanni Battista Mercati
Dalla Saburra a Sta. Maria Magiore[sic] da j Zengari (From Saburra to S. Maria Maggiore from the Zengari), pl. 16 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Unin
- Giovanni Battista Mercati
Pictio Santa Maria Nova (Depiction of Sant Maria Nuova), pl. 21 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome)
Etching
1629
- Giovanni Battista Mercati
Ponto resto di Santa Maria (Remains of the Santa Maria Bridge[ Ponte Rotto]), pl. 32 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome)
Etchi The Metropolitan Museum of Art
- Bowl (Scodella), 1508 Workshop of (or painted by?) Giovanni Maria Vasaro (Italian [Castel Durante])Majolica; H.
- Giuseppe Maria Mitelli
Frontispiece of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Palazzo Fava, Bologna
Engraving
- Francesco Zuccarelli
Women with a Censer, and a Man Addressing Them, after Giovanni di S. Giovanni
Etching
18th century
- Giuseppe Maria Mitelli
Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
- Giuseppe Maria Mitelli
Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
- Giuseppe Maria Mitelli
Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
- Giuseppe Maria Mitelli
Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carrac
- Giuseppe Maria Mitelli
Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracc
- Giuseppe Maria Mitelli
Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
- Giuseppe Maria Mitelli
Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carrac
- Giuseppe Maria Mitelli
Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
- Giuseppe Maria Mitelli
Aeneas and his Companions Combat the Harpies, plate 10 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Car
- Giuseppe Maria Mitelli
Aeneas and his Family Fleeing Troy, plate 6 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in th
- Giuseppe Maria Mitelli
Polyphemus pursuing Aeneas' Fleet, plate12 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
- Giuseppe Maria Mitelli
Aeneas departs for the Battle, plate 5 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Pal
- Giuseppe Maria Mitelli
The Greeks dragging Cassandra out of the Temple, plate 3 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
- Giuseppe Maria Mitelli
The Trojans Sacrifice Bulls to Neptune, plate 9 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i
- Oliviero Gatti
The Creation of Man, second in a series of four Old Testament Subjects, after the frescoes by Pordenone on the dome of Santa Maria di Campagna in Piacenza
Engraving
1625 The Metropolitan Museum of Art
- Madonna and Child with Saints Jerome and Mary Magdalen Matteo di Giovanni di Bartolo (Italian,
- Giovanni Bellini - Giovanni Emo c. 1475-1480 oil on panel transfe National Gallery of Art Italian
- Giuseppe Maria Mitelli
Aeneas Pours Wine into the Sea in Gratitude for his Arrival in Italy, plate 11 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Ann
- Giuseppe Maria Mitelli
Aeneas offers a Sacrifice to Apollo, plate 8 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in th
- Giuseppe Maria Mitelli
Venus leading Aeneas out of the Flames, plate 4 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i
- Giuseppe Maria Mitelli
The Shadow of Creusa Appears to Aeneas, plate 7 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in
- Giuseppe Maria Mitelli
The Wooden Horse entering Troy, plate 2 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Pa
- Giuseppe Maria Mitelli
The Trojans Taking Sinon Prisoner, plate 1 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
- Domenico Maria Bonavera
A Christian Martyr Saint, after Domenico Maria Canuti
Etching and engraving
17th century
- Francesco di Domenico Maria Burani
Silenus with Three Satyrs
Etching
17th century
- Giovanni Battista Piranesi
Veduta interna della basilica di S. Maria Maggiore (View of the interior of the Basilica of Santa Maria Maggiore) from Vedute di Roma (Views of Rome)
Etching
1768
- Giovanni Benedetto Castiglione (il Grechetto)
Christ on the Cross Appearing to St. Bernard of Clairvaux, reverse study for the altarpiece in Santa Maria della Cella, Sampierdarena
Pen and brown ink and wash on laid paper
circa 1645
- Giovanni Battista Piranesi
Veduta della Facciata di dietro della Basilica di S. Maria Maggiore( View of the rear faÁade of Sant Maria Maggiore) from Vedute di Roma (Views of Rome)
Etching
circa 1749
- Giovanni Battista Piranesi
Veduta della Basilica di Sta. Maria Maggiore con le due Fabbriche laterali di detta Basilica (View of teh Basilica of S. Maria maggior with its two flanking wings) from the series Veduta di Roma
ethcing and engraving
ca. 1760 - The Metropolitan Museum of Art
- The Three Ages of Man Dosso Dossi (Giovanni de Lutero) (Italian, Ferrarese, active by 1512,
- Giovanni Battista Mercati
Verso la Consolatione (Towards [S. Maria della] Consolatione), pl. 19 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome)
Etching
1629
- Giovanni Alberghetti I - A Table Bell with Portrait of Lodovico Maria Sforza, 1451-1508, called Il Moro, 7th Duke of Milan 1494-1508 c. 1494-1499 bronze National Gallery of Art Italian
- Girolamo Porro
Giovanni Maria Visconti, Secondo Duca , opposite page 5 in the book Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574); [bound with Funerali antichi by Thomaso Porcacc
- Giovanni Antonio Faldoni
Two Nude Shepherds, after Parmigianino
Engraving
1724
- Girolamo Porro
Giovanni Galeazzo Maria Sforza, Visconti Sesto Duca, on verso of page 11 in the book Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574); [bound with] Funerali antich
- Canaletto - View of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo early 1730's oil on canvas The Fitzwilliam Museum Italian The Metropolitan Museum of Art
- Venice: Santa Maria della Salute Canaletto (Giovanni Antonio Canal) (Italian, Venetian, 1697-1768)Oil on canvas; 18 The Metropolitan Museum of Art
- Tommaso di Folco Portinari (1428-1501); Maria Portinari (Maria Maddalena Baroncelli, 1456-1495), probably 1470 Hans Memling
- Edward J. Steichen - Alphonse Maria Mucha 1901 gum platinum print The Royal Photographic Society American The Metropolitan Museum of Art
- The Miraculous Communion of Saint Catherine of Siena Giovanni di Paolo (Giovanni di Paolo di
- Cornelis Jonson van Ceulen - Anna Maria van Schurman 1657 oil on panel National Gallery of Art Dutch
- Charles Peale Polk - Anna Maria Cumpston c. 1790 oil on canvas National Gallery of Art American
- Ambrogio de Predis - Bianca Maria Sforza c. 1493 oil on panel National Gallery of Art Italian
- Andrea Zucchi
The Manna in the Desert, after a drawing by Tiepolo of the painting by G. Salviati for S. Maria della Salute, Venice
Engraving
18th century
- Giovanni Bastianini - Portrait of a Lady "Giovanni Albizzi" c. 1860 gesso and polychrome National Gallery of Art Italian
- Francesco Zuccherelli
Charity, after Giovanni di S. Giovanni (?)
Etching
1728 Museum of Fine Arts
- Rosso Florentino (Giovanni Battista di Jacopo, called Rosso Fiorentino), Italian (Florentine), 1496-1540 The Dead Christ The Minneapolis Institute of Arts
- Artist: Giovanni Di Marco (Giovanni Dal Ponte) Title: The Resurrection of Christ Date: 15th century
- Giovanni di Marco (Giovanni dal Ponte)
Madonna and Child with Angels
oil on canvas
circa 1430 The Metropolitan Museum of Art
- The Mystic Marriage of Saint Catherine of Siena, predella panel Giovanni di Paolo (Giovanni di
- Giuseppe Maria Mitelli
Conversacione considerabile (A Lot of Talking), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Giuseppe Maria Mitelli
Giocatori smafaroni (Gamesters), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Giuseppe Maria Mitelli
Sig.ri amirativi (Amazed Gentlemen), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Giuseppe Maria Mitelli
Non ho mai visto il piu* bello (I Have Never Seen Anyone More Handsome) , from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686 The Metropolitan Museum of Art
- Saint Catherine of Siena Exchanging Her Heart with Christ, predella panel Giovanni di Paolo (Giovanni
- Luigi Marie Sotta - Maria Celina Piqueri Wiltz 1841 oil on canvas Louisiana State Museum Italian The Metropolitan Museum of Art
- Madonna and Child with Donors, lunette, ca. 1365 Giovanni da Milano (Giovanni di Jacopo di
- Domenico Maria Bonavera
Rebecca at the Well
Etching with engraving
1665
- Anton Hohenstein - Portrait of Maria Deyoung Rhine 1859 Oil on Canvas Arkansas Arts Center American
- Florence Maria Ahlberg
Datura Series Group 2
lithograph
1938
- Florence Maria Ahlberg
Moonlit Wharf
lithograph
20th century
- Florence Maria Ahlberg
Datura Series Group 1
lithograph
1938
- Francesco Zuccarelli
The Return of the Holy Family from Egypt, after Giovanni di S. Giovanni
Etching
18th century
- Giovanni Pedrini, or Giovanni Ricci Giampetrino
Saint Catherine
oil on panel
16th - 17th century
- Giuseppe Maria Mitelli
Sonatori sconcertati (Discordant Musicians), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Giuseppe Maria Mitelli
Oche belle persÛne (Look at the Handsome One), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Giuseppe Maria Mitelli
Ballarina gentilissima ( Most Noble Ballerina), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Sir Anthony van Dyck - Portrait of Queen Henrietta Maria 1638 oil on canvas Brooks Museum Flemish
- Hans Mielich - Maria Kitscher, Frau von Freyberg 1545 oil on panel Cleveland Museum of Art German
- Antonio Maria Zanetti
The Education in Music of the young Achilles by the Centaur Chiron, after Castiglione
Etching
1758
- Giuseppe Maria Mitelli
Accademici scontornati (Drawing Academy for the Untalented), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Giovanni Battista Brustoloni
The Church of SS. Giovanni e Paolo
Etching and engraving
18th century
- Marie Louise Elisabeth Vigee-Le Brun - Portrait of Countess Maria Theresia Bucqoi 1793 oil on canvas Minneapolis Institute of Arts French
- Giuseppe Maria Mitelli
Uberiaconi fumanti (Totally Drunk[not a literal translation]), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Pordenone (Giovanni Antonio de Sacchis)
St. Joseph Being Expelled from the Temple
Engraving
mid 16th century
- Antonio Maria Zanetti
The Education in Geography of the young Achilles by the Centaur Chiron, after G. B. Castiglione
Etching printed in sepia ink
1752 The Metropolitan Museum of Art
- Santa Maria della Salute Francesco Guardi (Italian, Venetian, 1712-1793)Oil on canvas; 21 x 33 3/4
- Domenico Maria Bonavera
Lot and His Daughters, after Annibale Caracci
Etching
17th century
- Ercole de' Roberti - Giovanni II Bentivoglio c. 1474-1477 tempera on panel National Gallery of Art Italian
- Sir Anthony van Dyck - Queen Henrietta Maria with Sir Jeffrey Hudson 1633 oil on canvas National Gallery of Art Flemish
- Paul Cezanne - Maison Maria with a View of Chateau Noir c. 1895 oil on canvas Kimbell Art Museum French The Metropolitan Museum of Art
- Saints Matthew and Francis, ca. 1436 Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian,
- Giovanni Mannozzi (Giovanni da San Giovanni)
Recto:Putto Holding Banner~Verso: Studies of a Male Figure Holding a Crucifix
r: Red chalk on laid paperv: Black chalk
17th century
- Giovanni Cesare Testa
Achilles on the back of the Centaur Chiron
Etching
17th century
- Benjamin West - Maria Hamilton Beckford (Mrs. Willam Beckford) 1799 oil on canvas National Gallery of Art American
- Giovanni Lanfranco (Giovanni di Stefano)
The Creation of Adam and Eve, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia
Etching
1607
- Giovanni Lanfranco (Giovanni di Stefano)
The Judgment of Solomon, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia
Etching
1607
- Giovanni Lanfranco (Giovanni di Stefano)
The Adoration of the Shepherds, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia
Etching
1607
- Giovanni Lanfranco (Giovanni di Stefano)
The Baptism of Christ, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia
Etching
1607
- Giovanni Lanfranco (Giovanni di Stefano)
Noah Building the Ark, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia
Etching
1607
- Giovanni Lanfranco (Giovanni di Stefano)
The Fall of Jericho, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia
Etching
1607
- Giovanni Lanfranco (Giovanni di Stefano)
The Expulsion of Adam and Eve, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia
Etching
1607
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Further Artwork and Information:
Giovanni Maria Benzoni Online
Giovanni Maria Benzoni (1768 - 1826) Biography, Artwork Images, Exhibitions, Reviews
GIOVANNI MARIA CHERCHI: Giovanni Maria Cherchi |
ARC :: Giovanni Maria Benzoni (1809-1873) :: Page 1 of 1
Marble; Benzoni (Giovanni Maria), signed 1865, Young Girl & Dog, 30 inch. [p4a.com, ltd.]
Tiscali Search
Giovanni Maria BENZONI Art Auction Sales and Market Information by artprice.com
[The Flight from Pompeii]
Giovanni Maria Visconti
Comanducci elenco artisti
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