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Artist: Pietro Bernini ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Pietro Bernini.
The Metropolitan Museum of Art
- Bacchanal: A Faun Teased by Children, 17th century (ca. 1616-17) By Gian Lorenzo Bernini (1598-1680)Italian J. Paul Getty Museum
- Portrait of a Young Man
- Pietro Berrettini (Pietro da Cortona)
Daniel Freed from the Lion's Den, after Pietro da Cortona
Engraving
18th century The Minneapolis Institute of Arts
- Artist: Pietro da Cortona (Pietro Berrettini) Title: Portrait of Cardinal Pietro Maria Borghese (created cardinal
- Pietro Berrettini (Pietro da Cortona)
Cleopatra(?), after Pietro da Cortona, from the series Disegni originali d'eccelenti pittori...
Etching
18th century
- Pietro Berrettini (Pietro da Cortona)
Santa Bibiana refusing to sacrifice to pagan gods
Etching
1626
- Pietro da Cortona - Portrait of Cardinal Pietro Maria Borghese c. 1633-35 oil on canvas Minneapolis Institute of Arts Italian
- Giovanni Domenico Rossi
The Tomb of Urban VIII, after Gianlorenzo Bernini
Engraving
17th century The Metropolitan Museum of Art
- The Massacre of the Innocents, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro The Metropolitan Museum of Art
- The Adoration of the Magi, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro
- Titian - Pietro Aretino 1548-51 oil on canvas The Frick Collection Italian
- Pietro Berrettini (Pietro da Cortona)
Ceiling of Palazzo Barberini
Engraving
16th - 17th century The Metropolitan Museum of Art
- Madonna and Child with the Donor, Pietro de"Lardi, Presented by Saint Nicholas Master of the
- Canaletto - Venice: S. Pietro in Castello 1734-1742 oil on canvas The National Gallery, London Italian
- Titian - Cardinal Pietro Bembo c. 1540 oil on canvas National Gallery of Art Italian The Metropolitan Museum of Art
- The Visit, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
- G. Petrignani
St. Peter Delivered From Prison, after Pietro Testa
Etching
17th century
- Tommaso Piroli
The Crucifixion, after Pietro Cavallini
Etching and engraving
1825 J. Paul Getty Museum
- Boy with a Dragon
- Pietro Ghigi
Portrait of Giovanni Pietro Foliari, after the fresco by Raphael in the Stanza de Eliodoro in the Vatican Palace
Etching-engraving
18th - 19th century The Metropolitan Museum of Art
- The Letter, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
- Pietro Berrettini (Pietro da Cortona)
Sacrifice of Iphigenia
Pen and brown ink and brown wash over traces of black chalk on laid paper
17th century
- Jacopo Robusti Tintoretto - Portrait of Doge Pietro Loredan 1567-70 oil on canvas Kimbell Art Museum Italian The Metropolitan Museum of Art
- The Temptation, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19 The Metropolitan Museum of Art
- The Burial of Saint Martha, predella panel Sano di Pietro (Ansano di Pietro di Mencio)
- Giovanni Francesco Venturini
The Catedra Petri of Bernini (The throne of Peter by Bernini), plate 12 from the series Disegni di vari altari e cappelle nelle Chiese di Roma con le loro facciate, fianche, piante e misure (Drawings of altars and chapels in t The Metropolitan Museum of Art
- The Meeting, probably 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x The Minneapolis Institute of Arts
- Artist: artist unknown Title: Allegorical Still Life with Bernini"s Bust of Francis I d"Este Date:
- Pietro Testa ( il Lucchesino)
St. Catherine, after Pietro Testa
Etching
17th century
- F. Bernini
Portrait of Two Small Boys
paint on ivory, gilt metal, glass
19th century
- Pietro Testa ( il Lucchesino)
Mythological Scene with Bacchus and Persephone, after Pietro Testa
Etching
17th century
- Pietro Testa ( il Lucchesino)
Two Figures, after a drawing by Pietro Testa
Etching mounted to a heavier sheet
17th century Museum of Fine Arts
- Pietro da Cortona (Pietro Berrettini, called Pietro da Cortona), Italian (Roman), 1596-1669 Virgin and Child
- Pietro Bonato
Three Young Women, after Canova
Engraving and etching
19th century The Metropolitan Museum of Art
- Madonna and Child with Two Angels, 1490s Pietro di Domenico (Italian, Sienese, 1457–?1506)Tempera and gold
- Pietro Longhi
Bal Masque
oil on canvas
18th century
- Stefano Mulinari
The Death of Dido, after Pietro Testa
Etching and engraving
18th century The Metropolitan Museum of Art
- The Crucified Christ, fragment of a crucifix Pietro da Rimini (Italian, Riminese, active 1324-33)Tempera and The Metropolitan Museum of Art
- Saint Ursula and Her Maidens, ca. 1410 Niccolò di Pietro (Italian, Venetian, active 1394-1427/30)Tempera and
- Pietro Berrettini (Pietro da Cortona)
Sixtus V. P. ä ad Basilicam S. Petriä, fourth plate after Picturae Francisci Albani in aede Verospia ([Rome?]: no publisher, [1704?]), second part in miscellany with spine title: Opere d. div. pittori et
- Francesco Bartolozzi
Rachel Hiding the Idols of Laban, after Pietro da Cortona
Engraving in sepia ink
1765
- Giovanni Girolamo Frezza
Polyphemus following Acis and Galatea, after Pietro da Pietri after Sisto Badalocchio
Engraving
1704
- Pietro Barboni
Teatro di Marcello...
1827
- Pietro Aquila
The Death of the Virgin, after G.M. Morandi
Engraving
17th century
- Pietro Berrettini (Pietro da Cortona)
Faustulus apportant Remus et Romulus ( Faustulus brings forth Remus & Romulus)... fourteenth plate in the book...Le MusÈe royal (Paris: P. Didot, l*ainÈ, 1818), vol. 2
Engraving and etching
16th - 17th
- Pietro Berrettini (Pietro da Cortona)
untitled, second plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
- Pietro Berrettini (Pietro da Cortona)
untitled, fifth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
- Pietro Longhi
A Theatrical Performance
oil on canvas
18th century
- Pietro Salvatori
Il Violinista, after Raphael
Engraving
19th century
- Pietro Berrettini (Pietro da Cortona)
Eminentissime et Rev.me Princeps, eleventh plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine t
- Giovanni Lorenzo Bernini
Design for a Church Altar
pen and brown ink, gray wash, and graphite on laid paper
17th century
- Pietro Berrettini (Pietro da Cortona)
Virtutem, first plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
- Pietro Berrettini (Pietro da Cortona)
untitled, seventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
- Pietro Berrettini (Pietro da Cortona)
untitled, eleventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
- Pietro Berrettini (Pietro da Cortona)
untitled, twelfth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
- Pietro Berrettini (Pietro da Cortona)
untitled, sixth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
- Pietro Berrettini (Pietro da Cortona)
untitled, eighth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
- Pietro Berrettini (Pietro da Cortona)
untitled, fourth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
- Pietro Barboni
Veduta del Sepolchro di Cajo...
1825
- Pietro Barboni
Veduta dell'Arco di Druso...
1826
- Pietro Barboni
Veduta del Tempio di Minerva...
1825
- Pietro Barboni
Veduta delle antiche...
1825
- Pietro Berrettini (Pietro da Cortona)
Achilles among the Daughters of Lycomedes
Black chalk, red chalk, pen and brown ink, brown wash, and white opaque watercolor on laid paper mounted to a heavier sheet, attached to a second heavy sheet
17th century
- Giovanni Cesare Testa
Achilles on the back of the Centaur Chiron
Etching
17th century
- Pietro Berrettini (Pietro da Cortona)
untitled, third plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
- Pietro Berrettini (Pietro da Cortona)
untitled, nineth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
- Pietro Berrettini (Pietro da Cortona)
untitled, tenth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
- Pietro Berrettini (Pietro da Cortona)
Untitled, fifth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
- Pietro Berrettini (Pietro da Cortona)
Untitled, third plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
- Pietro Berrettini (Pietro da Cortona)
Matura Aetas, second plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div
- Pietro Barboni
Veduta dell'Arco Costantino
1825
- Pietro Barboni
Le grandi Cascatelle di Tivoli
1826
- Pietro Berrettini (Pietro da Cortona)
In Alexandri pectusä, twenty-second plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine tit
- Pietro Tacca
Slave
bronze
circa 18th century
- Pietro Berrettini (Pietro da Cortona)
Florentiae ä in Veneris Camera, seventeenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with s
- Pietro Paolini
Youth with Musical Instrument
oil on canvas
17th century
- Pietro Longhi
The Concert (The Mandolin Recital)
oil on canvas
circa 1760
- Pietro Aquila
The Virgin Appearing to Saint Alexis
Etching with engraving
17th century
- Pietro Berrettini (Pietro da Cortona)
Untitled, seventh plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. p
- Pietro Berrettini (Pietro da Cortona)
Crispoä, twenty-third plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d.
- Pietro Berrettini (Pietro da Cortona)
Cyrusä, nineteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. di
- Pietro Berrettini (Pietro da Cortona)
Untitled, fourth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pi
- Pietro Berrettini (Pietro da Cortona)
Untitled, sixth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
- Pietro Berrettini (Pietro da Cortona)
Florentiae ä in Veneris Camera, sixteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spi
- Pietro Aquila
The Guardian Angel, after Carlo Maratta
etching and engraving
17th century
- Pietro Berrettini (Pietro da Cortona)
Untitled, ninth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
- Pietro Berrettini (Pietro da Cortona)
Filius amansä, twenty-fifth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
- Pietro Berrettini (Pietro da Cortona)
Untitled, thirteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div.
- Pietro Berrettini (Pietro da Cortona)
Augustusä, twenty-first plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere
- Pietro Berrettini (Pietro da Cortona)
Untitled, fifteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div. p
- Pietro Berrettini (Pietro da Cortona)
Untitled, fourteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div.
- Pietro Berrettini (Pietro da Cortona)
Untitled, twelfth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div. pit
- Pietro Berrettini (Pietro da Cortona)
Antiochusä, twenty-fourth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Oper
- Pietro Berrettini (Pietro da Cortona)
Untitled, tenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
- Pietro Berrettini (Pietro da Cortona)
Untitled, eighth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pi
- Pietro Barboni
Veduta dell'Arco di Settimio Severo...
1825
- Pietro Barboni
Veduta del Pantheon d'Agrippa in Oggi...
1825
- Pietro Berrettini (Pietro da Cortona)
Hostium corpora Scipioä, twentieth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine titl
- Pietro Berrettini (Pietro da Cortona)
Adolescentiam Pallas a Venere auellit, eighteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with
- Perino del Vaga (Pietro Buonaccorsi)
Neptune with Two Sea Horses, from a series of Neptune and Thetis with Sea Gods and Sea Horses
Engraving
16th century
Artnews Articles and Exhibition Information: (7) Click on any of the links below to read about artnews or exhibitions related to Bernini
Victoria and Albert Museum: Earth and Fire: Italian Terracotta Sculpture From Donatello To Canova A masterful control of material and a superb sense of artistry make Italian terracotta one of
the most alluring and expressive art forms in history. The exhibition's great attraction lies in
comparing models with finished works, demonstr...
Museum of Fine Arts, Houston: Earth and Fire: Italian Terracotta Sculpture from Donatello to Canova to Canova Earth and Fire has been organized by the MFAH and the Parnassus Foundation for exhibition exclusively in Houston and at the Victoria and Albert Museum in London. This unprecedented exhibition documents for the first time the significance of terrac...
National Gallery of Victoria: Swish: Fashionable Melbourne of the 1950 The international influences of British Royalty, Hollywood and French fashion had a significant impact on Melbourne women in the 1950s. High profile Melbourne events, such as the Royal Tour in 1954 and the Olympic Games in 1956, also impacted on t...
Museum of Glass, International Center for Contemporary Art: Big Idea: The Maquettes of Robert Arneson A 96-page, full-color catalogue accompanies the exhibition. It includes an essay by Dr. Daniel Rosenfeld, a Rodin specialist and former research fellow at Yale University. Rosenfeld was a curator at the Rhode Island School of Design and served as ...
Haus der Kunst: The Contest Between Painting and Sculpture: From Duerer to Daumier
Painting and sculpture as subjects of themselves have appeared openly in the allegorical personifications of Pictura and Sculptura, but also in the mythological representations of Apelles and the Christian representations of St. Luke painting the ...
Montreal Museum of Fine Arts: Triumphs of the Baroque: Architecture
in Europe, 1600-1750 The Baroque style was born in Rome about 1630 and spread throughout Catholic
Europe, then in a state of upheaval brought about by divisive religious conflicts.
The Europe of the Hapsburgs was threatened by the rise of...
Philadelphia Museum of Art: The Splendor of 18th-Century Rome A strong sense of their city's cultural centrality encouraged Rome's 18th-century civic and religious leaders to construct or embellish numerous churches,
palaces, fountains, public plazas (piazze), gardens and gallerie...
Further Artwork and Information:
Pietro Bernini Online
Thais - 1200 anni di scultura italiana - Bernini Pietro
History of Baroque Architecture : Bernini at S. Pietro No.1
BERNINI, Pietro
Pietro Bernini (1598 - 1680) Biography, Artwork Images, Exhibitions, Reviews
Pietro Bernini
artnet.com: Resource Library: Bernini: (1) Pietro Bernini
Grove Art Online
Biography
Gianlorenzo Bernini Online
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Beatrix Potter Beatrix Potter 123
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Paul Gauguin Deux Thaitiennes Accroupiees
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Henri Matisse Amphitrite
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Last updated and links verified on: Monday October 10/05/09 06:29:07 AM
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