Artist: Ronald Bloore ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Ronald Bloore.

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Ronald Greenberg Stumps, II, California Photo etching 1971
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Ronald Greenberg Stumps, I, California Photo etching 1971
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Ronald Greenberg Stump, Oregon Photo etching 1971
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Ronald Brooks (R. B.) Kitaj Barcelonetta screenprint 1979
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Lord Ronald Gower Madame de Miolan 19th century
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Lord Ronald Gower Le Feu Vidame de Chartres 19th century
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Lord Ronald Gower Mousier de Guise le Pere as a young man 19th century
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Ronald Searle Doing the Splits in Cyprus, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1985
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Ronald Searle Greece: Keeping an Eye on the Press, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1985
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Ronald Searle Olympus: Nectar Time, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1983
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Ronald Searle Switzerland: Bottling Time, from the series, Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1983
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Ronald Searle Striking It Rich in Texas, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1985
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Ronald Searle Rather Unusual, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Vermont: Bottling It Up in Brattleboro, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1987
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Ronald Searle A Little Broad but Quite Pleasant, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Needs a Lift on the Nose, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle A Little Forward in Character, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Needs More Time to Round Out, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle The Cup, drawing for the back cover of the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Tennesee Moonwining. (Le Knoxville nouveau est arrivÈ), from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1986
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Ronald Searle Very Impressive Drinking Style, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle May Appeal to Those Who Like the Fuller Style, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle A Good Reliable Style, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Slightly Oily Palate, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Byzantium: Frustrating Ceremony of Trying to Round-up Square Grapes, from the series, Wine Ceremonies of the World Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1983
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Ronald Searle Brazil: Traditional Ceremony of Facing Up to Room Termperature, from the series, Wine Ceremonies of the World Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1983
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Ronald Searle Ireland:Touching( and Rather Dampish) Ceremony of Wailling O*er the Wine, from the series, Wine Ceremonies of the World. Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1982
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Ronald Searle Untitled (Statue of Liberty Skipping through Vineyard with a Bottle of Clos du Val wine) Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper circa 1986 - 1987
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Ronald Searle Right!, drawing for page 25 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Rome: Abbreviated Course of Wine-tasting Chez the Borgias, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1987
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Ronald Davis - Plinth 1969 polyresin and fiberg Cleveland Museum of Art American
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Ronald Searle Alaska: Time-honoured Ritual of Decanting Kotzebue Klaret , from the series, Great Wine Ceremonies Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1986
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Ronald Searle Untitled (Kangaroo Sailing on a Bottle of Wine),from the series, Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper circa 1983 - 1986
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Ronald Searle Frequently Drunk Long Before Reaching Their Potential, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Austria: Authorities Submitting Suspect Wine to Ever More Profound Analysis, from the series, Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1986
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Walter Ronald Locke - In Savannah, GA 1934 etching on paper Telfair Museum of Art American
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Ronald Searle Wrong (man with a saw), drawing for page 5 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong (Man with Explosives), drawing for page 17 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Untitled (man with a gun), drawing for the front cover of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle South Africa: Colourful Ceremony of Offering Limited Recognition to the Black Grape, from the series,Wine Ceremonies of the World Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1983
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Ronald Searle Getting Warmer (Wrong (Man with Electric Drill), drawing for page 23 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 19
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Ronald Searle Wrong (Man with boxing gloves), drawing for page 9 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Oh no...(Woman on Airplane Runway), drawing for page 19 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong (man by railroad tracks), drawing for page 11 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong (Man Ringing a Bell), drawing for page 21 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong ( Karate Kick), drawing for page 15 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong (Circus Performer and Elephant), drawing for page 13 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong (woman forcing corkscrew into wrong end of bottle), drawing for page 7 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier s
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Ronald Searle Untitled (Waiter Drawing a Long Cork), drawing for page 28, the back cover of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sh
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Ronald Davis - Bent Beam 1974 acrylic and dry pigm Hirshhorn Museum American
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Ronald Davis - Bent Beam 1975 aquatint, etching an Hirshhorn Museum American
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Ronald Davis - Blue-Black 1968 polyester resin and Hirshhorn Museum American
Museum of Fine Arts -
Courtesy Ronald Feldman Fine Arts, New York ; Carl Fudge, English, Born in 1962 Rhapsody
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Gianni Cacciarini Musica Etching circa 1976
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Robert Spencer Courtyard at Dusk oil on canvas circa 1915
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Linda Adato On the Floor color etching and aquatint 1981
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Eugene Bejot Un Mousse etching 1893
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Alphonse Legros Le Menege Etching circa 1870
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Maurice Realier-Dumas Corinne Color lithograph 1897
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Varney Masalay Knife and sheath metal, leather, and ivory or bone 20th century
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Jean Louis Forain Debout les Morts! Lithograph 1917
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Alphonse Legros Le Reflectoire Etching 19th - 20th century
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Benjamin S. Rotch Untitled (Landscape) graphite on paper circa 1850
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Louis-Auguste Girardot Femme du Riff Color lithograph 1897
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Bruce Nauman Lip, from Studies for Holograms Color photo screenprint 1970
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Luigi Lucioni White Over White Etching 1974
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Worcester Factory Punch pot with lid soft paste porcelain circa 1750 - 1760
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Edgar Chahine S. Girolamo, Venice Etching 19th - 20th century
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Emil Orlik Untitled color lithograph 1911
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Alphonse Legros Children Playing Etching 19th - 20th century
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Luigi Kasimir St. Michael's Gate, Vienna Etching 19th - 20th century
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Lilian MIller Japanese Dwarf Tree Color woodcut 1928
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Luigi Kasimir Winter Park Scene with Church Etching 19th - 20th century
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Albert Besnard Femme Blonde a Sa Toilette Etching 1909
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Anonymous Untitled [Gods of Fortune poling rafts down a river] color woodcut 1850 - 1870
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Lilian MIller Little White Plum Tree Color woodcut 19th - 20th century
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Lilian MIller Snow on Temple Roof Color woodcut 19th - 20th century
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Albert Besnard Nude etching 19th - 20th century
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Albert Besnard Nude etching 19th - 20th century
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Theodore Roussel Profile of a Little Girl Drypoint 19th - 20th century
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Jean Louis Forain Un raid audesses d'une "place forte" anglaise Lithograph 1917
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Marie Auguste Emile Rene MÈnard Automne Color lithograph 1897
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Jean Louis Forain Pourquoi cette froideur?!!(Why this coldness?) lithograph circa early 20th century
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Theodore Roussel Portrait of a Little Spanish Girl Drypoint 19th - 20th century
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Jean Louis Forain Fraulein, j'em affelle ‡ notre souverain!... lithograph circa early 20th century
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Jean Louis Forain L'Ecole des Neutres III: Le sous-main a cru qu'on voulait le couper Lithograph 19th - 20th century
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Alphonse Mucha L'Estampe Moderne, Numero I, May 1897. cover sheet Letterpress 19th - 20th century
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Joseph Pennell Polperro #2 Lithograph 1897
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Joseph Pennell Kynance Cove, The Lizard lithograph 1898
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FÈlix Bracquemond Habitation rustique, After Isaac van Ostade etching 19th - 20th century
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Louis Malteste Marchande de lacets (Merchant who sells laces) from L'Estampe Moderne (Modern Prints), No. 1, May 1897 Color lithograph 1897
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Yoshitoshi #9.A Moonlight Scouting Patrol: Saito Toshimitsu color woodcut 1885
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Joseph Pennell Bridge at Meaux on the Marne, drawing for Century Magazine June1906 pen and black ink circa 1906
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FÈlix Hilaire Buhot Two Women graphite 19th century
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John Taylor Arms Mont-Saint-Michel; also called Abbey Church of St. Michel etching 1926
Museum of Fine Arts -
Brushpot Chinese Qing dynasty, 17th century China Bamboo carving 13.02 cm (5 1/8 in.) Museum
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FÈlix Hilaire Buhot Recto: Untitled (Interior Scene with Fireplace)~Verso: Untitled (Fireplace Detail) r:graphite on paper~v: graphite on paper circa 1880
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Charles Meryon La Pompe Notre-Dame (The Notre Dame pump), Paris Etching and drypoint 1852
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Nicolas Africano Hunting amulet, Yipwon Wood, several of the points have been reattached or their tips restored 19th–early 20th century
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Adolphe Appian Flottille de Barques Marchandes (Monaco) etching 19th century

Artnews Articles and Exhibition Information: (1)
Click on any of the links below to read about artnews or exhibitions related to Bloore

Galerie Im Neuen Kranzler Eck: Alice Burton: Crosscurrents
In addition to the Berlin show, Alice is currently exhibiting at the Regional Palace, Andalucía and her works will move to the Museum of Fine Arts in Seville before travelling on to Madrid and Barcelona.  The three-city tour runs until February 20...

Further Artwork and Information:

Ronald Bloore
Ron Bloore Biography
Ronald Bloore
Ronald Bloore
The Ronald Bloore Studio
Ronald Bloore
Ronald Bloore: Curriculum Vitae
Ronald Bloore - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
R. L. Bloore - CV
Corporate Art Collection: Ronald Bloore

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