Artist: Pietro Paolo Bonzi ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Pietro Paolo Bonzi.

-
Pietro Paolo Bonzi Sketches of Figures Pen and brown ink on laid paper mounted to heavier sheet 16th - 17th century
-
Pietro Barboni Veduta dell'Incendio di S. Paolo 18th - 19th century
-
Pietro Testa ( il Lucchesino) St. Catherine, after Pietro Testa Etching 17th century
-
Pietro Berrettini (Pietro da Cortona) Daniel Freed from the Lion's Den, after Pietro da Cortona Engraving 18th century
-
Pietro Testa ( il Lucchesino) Mythological Scene with Bacchus and Persephone, after Pietro Testa Etching 17th century
-
Pietro Testa ( il Lucchesino) Two Figures, after a drawing by Pietro Testa Etching mounted to a heavier sheet 17th century
The Minneapolis Institute of Arts -
Artist: Pietro da Cortona (Pietro Berrettini) Title: Portrait of Cardinal Pietro Maria Borghese (created cardinal
-
Pietro Berrettini (Pietro da Cortona) Cleopatra(?), after Pietro da Cortona, from the series Disegni originali d'eccelenti pittori... Etching 18th century
-
Pietro Berrettini (Pietro da Cortona) Santa Bibiana refusing to sacrifice to pagan gods Etching 1626
-
Pietro Testa ( il Lucchesino) The Death of Cato etching 1648
-
Pietro Testa ( il Lucchesino) The Symposium Etching with drypoint 1648
-
Pietro Testa ( il Lucchesino) Sacrifice of Abraham Etching 1640 - 1642
-
Pietro Testa ( il Lucchesino) Self-Portrait etching circa 1645 - 1648
-
Pietro Testa ( il Lucchesino) The Martyrdom of St. Erasmus etching 17th century
-
Pietro Testa ( il Lucchesino) The Departure of the Prodigal Son Etching circa 1645
-
Pietro Testa ( il Lucchesino) St. Jerome Etching circa 1631 - 1637
-
Pietro Testa ( il Lucchesino) Allegory of Winter: Apotheosis of the Artist*s Genius Etching 1644
-
Pietro Testa ( il Lucchesino) Socrates at the Table with his Friends Etching 1648
-
Pietro da Cortona - Portrait of Cardinal Pietro Maria Borghese c. 1633-35 oil on canvas Minneapolis Institute of Arts Italian
-
Pietro Testa ( il Lucchesino) The Prodigal Son Tending the Swine Etching circa 1645
-
Pietro Testa ( il Lucchesino) St. John the Baptist Red chalk on laid paper 17th century
-
Pietro Testa ( il Lucchesino) The Holy Family with St. John the Baptist Etching circa 1630
-
Pietro Testa ( il Lucchesino) The Way of Virtue: Young Man Arriving on Parnassus Etching circa 1645 - 1650
-
Pietro Testa ( il Lucchesino) Nymphs and Satyrs in a Wooded Landscape Reproductive etching 17th century
-
Pietro Testa ( il Lucchesino) The Adoration of the Magi Etching with drypoint circa 1640
-
Pietro Testa ( il Lucchesino) Two Saints Invoking the Virgin to stay the Plague, copy after Testa Etching 17th century
The Metropolitan Museum of Art -
The Massacre of the Innocents, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro
-
Pietro Testa ( il Lucchesino) The Infant Christ Embracing the Cross (or, The Dream of Joseph) Etching circa 1635 - 1637
The Metropolitan Museum of Art -
The Adoration of the Magi, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro
-
Titian - Pietro Aretino 1548-51 oil on canvas The Frick Collection Italian
-
Pietro Testa ( il Lucchesino) Three Lucchese Saints Interceding with the Virgin for the Victims of the Plague Etching circa 1630 - 1631
The Metropolitan Museum of Art -
Portrait of a Woman, 1430s Attributed to Paolo Uccello (Paolo di Dono) (Italian, Florentine, 1397-1475)Tempera
-
Jean-Auguste Dominique Ingres - Paolo and Francesca c. 1855-60 oil on canvas The Hyde Collection French
-
Pietro Berrettini (Pietro da Cortona) Ceiling of Palazzo Barberini Engraving 16th - 17th century
-
Auguste Rodin - Paolo and Francesca c. 1909 marble Corcoran Gallery of Art French
The Metropolitan Museum of Art -
Madonna and Child with the Donor, Pietro de"Lardi, Presented by Saint Nicholas Master of the
-
Canaletto - Venice: S. Pietro in Castello 1734-1742 oil on canvas The National Gallery, London Italian
-
Orazio Farinati The Descent from the Cross, after Paolo Farinati Etching and engraving 1586
-
Titian - Cardinal Pietro Bembo c. 1540 oil on canvas National Gallery of Art Italian
The Metropolitan Museum of Art -
The Visit, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
-
G. Petrignani St. Peter Delivered From Prison, after Pietro Testa Etching 17th century
-
Tommaso Piroli The Crucifixion, after Pietro Cavallini Etching and engraving 1825
-
Orazio Farinati The Crossing of the Red Sea, after a design by Paolo Farinati from the woodblock print by Titian Etching 1583
-
Auguste Rodin - The Kiss (Paolo and Francesca) 1886 painted plaster Milwaukee Art Museum French
-
Pietro Ghigi Portrait of Giovanni Pietro Foliari, after the fresco by Raphael in the Stanza de Eliodoro in the Vatican Palace Etching-engraving 18th - 19th century
The Metropolitan Museum of Art -
The Letter, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
-
Pietro Berrettini (Pietro da Cortona) Sacrifice of Iphigenia Pen and brown ink and brown wash over traces of black chalk on laid paper 17th century
-
Jacopo Robusti Tintoretto - Portrait of Doge Pietro Loredan 1567-70 oil on canvas Kimbell Art Museum Italian
The Metropolitan Museum of Art -
The Temptation, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
The Metropolitan Museum of Art -
The Burial of Saint Martha, predella panel Sano di Pietro (Ansano di Pietro di Mencio)
The Metropolitan Museum of Art -
The Meeting, probably 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x
-
Pietro Testa ( il Lucchesino) Recto:Two Male Figures ~Verso: Study of Drapery r:Pen and brown ink, and brown wash,with graphite on blue laid paper onlaid to a heavier sheet ; v: Graphite and black chalk 17th century
The Metropolitan Museum of Art -
Madonna and Child with Saints, polyptych, 1454 Giovanni di Paolo (Giovanni di Paolo di Grazia)
The Metropolitan Museum of Art -
Saints Matthew and Francis, ca. 1436 Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian,
The Metropolitan Museum of Art -
Saint Catherine of Alexandria in Prison, ca. 1580-85 Paolo Veronese (Paolo Caliari) (Italian, Venetian, 1528-1588)Oil
-
Bernardo Bellotto - The Campo di SS. Giovanni e Paolo, Venice 1743-1747 oil on canvas National Gallery of Art Italian
Museum of Fine Arts -
Pietro da Cortona (Pietro Berrettini, called Pietro da Cortona), Italian (Roman), 1596-1669 Virgin and Child
-
Pietro Bonato Three Young Women, after Canova Engraving and etching 19th century
The Metropolitan Museum of Art -
Madonna and Child with Two Angels, 1490s Pietro di Domenico (Italian, Sienese, 1457–?1506)Tempera and gold
-
Pietro Longhi Bal Masque oil on canvas 18th century
-
Stefano Mulinari The Death of Dido, after Pietro Testa Etching and engraving 18th century
The Metropolitan Museum of Art -
Paradise, predella panel, ca. 1445 Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Sienese,
-
Carlo Cesio (or Carlo Cesius) Jupiter and Juno Etching circa 17th century
The Metropolitan Museum of Art -
The Crucified Christ, fragment of a crucifix Pietro da Rimini (Italian, Riminese, active 1324-33)Tempera and
-
Sir Anthony Van Dyck - Paolo Adorna, Marchesa di Brignole Sale 1622-27 oil on canvas The Frick Collection Flemish
The Metropolitan Museum of Art -
Saint Ursula and Her Maidens, ca. 1410 Niccolò di Pietro (Italian, Venetian, active 1394-1427/30)Tempera and
-
Pietro Berrettini (Pietro da Cortona) Sixtus V. P. ä ad Basilicam S. Petriä, fourth plate after Picturae Francisci Albani in aede Verospia ([Rome?]: no publisher, [1704?]), second part in miscellany with spine title: Opere d. div. pittori et
-
Francesco Bartolozzi Rachel Hiding the Idols of Laban, after Pietro da Cortona Engraving in sepia ink 1765
-
Giovanni Girolamo Frezza Polyphemus following Acis and Galatea, after Pietro da Pietri after Sisto Badalocchio Engraving 1704
-
Pietro Barboni Teatro di Marcello... 1827
-
Pietro Aquila The Death of the Virgin, after G.M. Morandi Engraving 17th century
-
Carlo Cesio (or Carlo Cesius) Fortitude, after Annibale Carracci from the Farnese Gallery Panels Etching 17th century
-
Carlo Cesio (or Carlo Cesius) Charity, after Annibale Carracci from the Farnese Gallery Panels Etching 17th century
-
Carlo Cesio (or Carlo Cesius) Moderation, after Annibale Carracci from the Farnese Gallery Panels Etching 17th century
-
Pietro Berrettini (Pietro da Cortona) Faustulus apportant Remus et Romulus ( Faustulus brings forth Remus & Romulus)... fourteenth plate in the book...Le MusÈe royal (Paris: P. Didot, l*ainÈ, 1818), vol. 2 Engraving and etching 16th - 17th
-
Pietro Berrettini (Pietro da Cortona) untitled, fifth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
-
Pietro Berrettini (Pietro da Cortona) untitled, second plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
-
Pietro Longhi A Theatrical Performance oil on canvas 18th century
-
Pietro Salvatori Il Violinista, after Raphael Engraving 19th century
-
Pietro Berrettini (Pietro da Cortona) Eminentissime et Rev.me Princeps, eleventh plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine t
-
Francesco Villamena The Presentation of Christ in the Temple, after Paolo Veronese Engraving 1773
-
Pietro Berrettini (Pietro da Cortona) Virtutem, first plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
-
Carlo Cesio (or Carlo Cesius) Jupiter and Juno, from the series The Farnese Gallery Etching 1657
-
Pietro Berrettini (Pietro da Cortona) untitled, seventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
-
Pietro Berrettini (Pietro da Cortona) untitled, sixth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
-
Pietro Berrettini (Pietro da Cortona) untitled, eleventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
-
Pietro Berrettini (Pietro da Cortona) untitled, twelfth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
-
Pietro Berrettini (Pietro da Cortona) untitled, fourth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
-
Pietro Berrettini (Pietro da Cortona) untitled, eighth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
-
Carlo Cesio (or Carlo Cesius) Diana and Pan, after Annibale Carracci, pl.4 from the series The Farnese Gallery Etching 1675
The Metropolitan Museum of Art -
Madonna and Child Enthroned Workshop of Paolo Veneziano (Italian, Venetian, active by 1333, died 1358-62)Tempera
-
Pietro Barboni Veduta delle antiche... 1825
-
Pietro Barboni Veduta del Tempio di Minerva... 1825
-
Pietro Barboni Veduta del Sepolchro di Cajo... 1825
-
Pietro Barboni Veduta dell'Arco di Druso... 1826
-
Pietro Berrettini (Pietro da Cortona) Achilles among the Daughters of Lycomedes Black chalk, red chalk, pen and brown ink, brown wash, and white opaque watercolor on laid paper mounted to a heavier sheet, attached to a second heavy sheet 17th century
-
Giovanni Cesare Testa Achilles on the back of the Centaur Chiron Etching 17th century
-
Pietro Berrettini (Pietro da Cortona) untitled, third plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
-
Pietro Berrettini (Pietro da Cortona) untitled, tenth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
-
Pietro Berrettini (Pietro da Cortona) untitled, nineth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:

[an error occurred while processing this directive]

Further Artwork and Information:

Pietro Paolo Bonzi (1817 - 1887) Biography, Artwork Images, Exhibitions, Reviews
Biography
BONZI, Pietro Paolo
artnet.com: Resource Library: Bonzi, Pietro Paolo
Fruit, Vegetables and a Butterfly by BONZI, Pietro Paolo
Spargel, Kunst, 17. Jahrhundert, Pietro Paolo Bonzi, Früchtestilleben, auf spargelzeit.de
Itinerari culturali per la scuola
Indice degli autori
artnet.com: Resource Library: Cortona, Pietro da
Lanima e le cose - Home page

Search the Art History Database for artists, titles, media, year, and other indepth information: