Artist: Girolamo Campagna (1549 - 1625)
Nationality: Italian
Movement:
Media: Sculpture
Influences:

Biography:
Giorlamo Campagna was the foremost sculptor in Venice in the late 1500’s. He was born in Verona and then moved to Venice in 1572 to study under Danese Cattaneo. When his master died, Campagna took over his commissions, which included several significant public works. He owned a large workshop in Venice and was offered the most important commissions. In 1590, he began producing bronze sculptures while working on the high altars in two major Venetian churches. Campagna’s later work is known for its dramatic and expressive style.

Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Girolamo Campagna.

J. Paul Getty Museum -
Infant
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Eugene-Ferdinand Buttura - A Road in the Roman Campagna c. 1840 oil on paper laid on The National Gallery, London Italian
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Maurice Denis - Sunset in the Roman Campagna 1786-1803 oil on paper The National Gallery, London French
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Jean Baptiste-Camille Corot - La Cervara, the Roman Campagna c. 1830-31 oil on fabric Cleveland Museum of Art French
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John Gadsby Chapman - Harvest on the Roman Campagna 1868 oil on canvas Cleveland Museum of Art American
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Pierre-Henri de Valenciennes - Study of Clouds over the Roman Campagna c. 1787 oil on paper on card National Gallery of Art French
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Richard Wilson - Tivoli: The Temple of the Sybil and the Campagna c. 1765 oil on canvas Kimbell Art Museum Welsh
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Sanford Robinson Gifford - Torre dei Schiavi, Roman Campagna n.d. oil on canvas Currier Museum of Art American
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Girolamo Muziano St. Jerome in the Desert, by an unknown engraver after Girolamo Muziano Engraving 1573
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Pierre-Nicolas Brisset - View of the Ponte Nomentano (Roman Campagna) c. 1837 oil on paper laid on Los Angeles County Museum of Art French
J. Paul Getty Museum -
The Holy Family
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Anonymous Roman Campagna Watercolor on paper 19th century
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Girolamo Romanino (Girolamo Brescia) Reclining Male Nude and Two Putti, a study for one of the frescoes of Ignudi(Nude figures) in the vault of the loggia of the Castello del Buonconsiglio, Trento Pen and brown ink on laid paper prepared with a red wash
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Giovanni Girolamo Frezza Marble Centaur Engraver 1739
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Gerardus Mercator Map of Latium and The Campagna Di Roma 16th century
J. Paul Getty Museum -
Nativity
J. Paul Getty Museum -
Rape of the Sabines
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Jan Both View of the Tiber in the Campagna; From: Landscapes of the Environs of Rome etching 17th century
J. Paul Getty Museum -
The Campagna near Rome
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Joseph Mallord William Turner Liber Studiorum: Scene in the Campagna etching and mezzotint 1812
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Joseph Mallord William Turner Mount Soracte in the Roman Campagna graphite 18th - 19th century
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Antonio Muzzi St. Girolamo Engraving 19th century
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Girolamo Olgiato St. Jerome in the Wilderness Engraving 1572
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Edgar Chahine S. Girolamo, Venice Etching 19th - 20th century
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Charles C. Coleman A Series of Subiects [sic] peculiar to the Campagna of Rome and Pontine Marshes (Rome: n. p., 1929) book with etchings 1929
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Girolamo Faccioli (Fagiuoli) The Vestal Tucia before the Consul engraving 16th century
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Girolamo Porro Title page in the book Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574); [bound with Funerali antichi by Thomaso Porcacchi (Venice:Simon Galignani, 1574)] engraving
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Girolamo Porro Francesco Sforza Visconti, Quarto Duca, on page 8 in the book Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574); [bound with Funerali antichi by Thomaso Porcacchi (Ve
The Metropolitan Museum of Art -
Pastoral Landscape: The Roman Campagna, ca. 1639 Claude Lorrain (Claude Gellée) (French, 1604/5?–1682)Oil on canvas;
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Girolamo Porro Francesco II Sforza, Visconti Nono Duca, on verso of + page 15 in the book Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574); [bound with Funerali antichi by Thomaso
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Girolamo Porro Galeazzo Maria Sforza, Visconti Quinto Duca, on page 10 in the book Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574); [bound with] Funerali antichi by Thomaso Porca
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Girolamo Porro Massimiliano Sforza Visconti, Ottavo Duca, on unnumbered page preceding page 15 in the book Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574); [bound with Funerali a
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Girolamo Porro Giovanni Maria Visconti, Secondo Duca , opposite page 5 in the book Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574); [bound with Funerali antichi by Thomaso Porcacc
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Johann Jakob Frey Study of Mountain Laurel and Rocks in the Roman Campagna oil over pencil under drawing on paper mounted on canvas 19th century
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Girolamo Porro Filippo Maria Visconti, Terzo Duca, on page 6 in the book Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574); [bound with Funerali antichi by Thomaso Porcacchi (Venice
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Girolamo Porro Title page in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice:Girolamo Porro, 1574)] engraving 1574
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Girolamo Porro Lodovico Maria Sforza, Visconti Settimo Duca, on unnumbered page in the book Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574); [bound with Funerali antichi by Thoma
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Girolamo Porro Giovanni Galeazzo Maria Sforza, Visconti Sesto Duca, on verso of page 11 in the book Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574); [bound with] Funerali antich
The Minneapolis Institute of Arts -
Artist: Girolamo da Santacroce Title: The Annunciation Date: about 1540 Medium: oil on panel Dimensions:
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Girolamo Imperiali The Guardian Angel Etching 1622
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Girolamo Porro Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574);[ bound with] Funerali antichi by Thomaso Porcacchi (Venice:Simon Galignani, 1574) book with 9 engravings bound with
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Alessandro Paolo Abbiati Girolamo Cornaro, Procurator of San Marco Engraving circa 1686
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Giovanni Girolamo Frezza A Harvesting Scene 17th - 18th century
The Minneapolis Institute of Arts -
Artist: Pompeo Girolamo Batoni Title: Portrait of John Woodyeare Date: 1750 Medium: oil on canvas
The Metropolitan Museum of Art -
The Annunciation Attributed to Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma, 1503-1540)Oil on wood; 33
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Girolamo Imperiali Angelos custos (Guardian Angel) Etching 1622
The Metropolitan Museum of Art -
Metaphysics, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called
The Metropolitan Museum of Art -
Grammar, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called
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Giovanni Girolamo Frezza A Scene of Winemaking (Proverb, Chapter 3,V.10) ET 17th - 18th century
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Giovanni Girolamo Frezza [Diana seated underneath a fountain] 17th - 18th century
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Frank Short Twilight on the Campagna Aquatint 19th - 20th century
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E. Gullan Island of Capri, twelfth plate opposite page 215 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint 1815
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R. Bridgens Ploughing in the Campagna di Roma, plate 23 in the book Sketches Illustrative of the Manners and Costumes of France, Switzerland, and Italy by R. Bridgens (London: Baldwin, Cradock, and Joy ä Hatchard and Son, 1821) etching with hand col
The Metropolitan Museum of Art -
Arithmetic, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called
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Girolamo Imperiali Virgin and Child with Saint Catherine and Jerome Etching 17th century
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I. Girtin Map of the Country, Islands, & etc. in the Vicinity of Naples, third plate opposite page 1 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) etching with
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Oliviero Gatti The Creation of Man, second in a series of four Old Testament Subjects, after the frescoes by Pordenone on the dome of Santa Maria di Campagna in Piacenza Engraving 1625
The Metropolitan Museum of Art -
Geometry, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called
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Anonymous False title page ,opposite frontispiece and preceding the title page, second plate in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with add
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I. Girtin Plan of the Barracks, Theatres, &c. of Pompeji, fifth plate opposite page103 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint 1815
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Anonymous A View near Naples, sixteenth plate opposite page 350 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand coloring 1815
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Giovanni Girolamo Frezza Anea Valva Sinistra Ianva Basilica Pisana (Tab.13) 17th - 18th century
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Giovanni Girolamo Frezza Anea Valva Sinistra Ianva Basilica Pisana (Tab.14) 17th - 18th century
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Giovanni Girolamo Frezza Anea Valva Sinistra Ianva Basilica Pisana (Tab.13) 17th - 18th century
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Anonymous View of the Temple of Isis in Pompeji, sixth plate opposite page 107 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand c
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Anonymous View of the Gate and High Street of Pompeji, seventh plate opposite page 124 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional
The Metropolitan Museum of Art -
Shield, ca. 1535 Girolamo da Treviso (ca. 1497-1544), Attributed toItalian (probably Bologna)Wood, linen, gesso, gold
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Pompeo Girolamo Batoni Studies of a Child Red and white chalks on laid paper prepared with a tan watercolor wash 18th century
Museum of Fine Arts -
Elizabeth Lyman Boott, American, 1846-1888 Narcissus on the Campagna about 1872-73 Oil on panel 40.32
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Giovanni Girolamo Frezza Pope Innocent XII, after Ludovicus David, engraved by Hubertus Vincent 17th - 18th century
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Girolamo Porro Tavola Sepolcrale de gli Eruli, twenty-second illustration for Funerali on page 98 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sf
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Girolamo Porro Seconda Tavola Sepolcrale de Romani II, second illustration for Funerali on page 10 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sf
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Girolamo Porro Tavola Sepolcrale de Christiani, twenty-third illustration for Funerali on page 107 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come S
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Girolamo Porro Tavola Sepolcrale de gli Indiani, seventeenth illustration for Funerali on page 83 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sfo
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Girolamo Porro Tavola Sepolcrale de gli Atheniesi, sixteenth illustration for Funerali on page 79 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sf
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Girolamo Porro Tavola Sepolcrale de Trogloditi, thirteenth illustration for Funerali on page 73 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sfor
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Girolamo Porro Terza Tavola Sepolcrale de Romani III, third illustration for Funerali on page 12 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sfor
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Girolamo Porro Tavola Seconda de gli Egittii,eleventh illustration for Funerali on page 68 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sforzesch
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Girolamo Porro Tavola Sepolcrale de Macrobii,fourteenth illustration for Funerali on page 75 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sforze
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Girolamo Porro Prima Tavola Sepolcrale de Romani I, first illustration for Funerali on page 7 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sforzes
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Teodor van Inerle Portrait of Girolamo Farnese of Rome, Governor General of the Archives of Petras Engraving 17th century
The Metropolitan Museum of Art -
Madonna and Child with Saints, altarpiece, ca. 1520 Girolamo dai Libri (Italian, Veronese, 1474-1555)Tempera and
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Girolamo Porro Tavola Prima della Consecrazionede gl' Imperatori Romani , fifth illustration for Funerali on page 30 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cos
The Metropolitan Museum of Art -
Descent from the Cross Girolamo da Cremona (Italian, Paduan, active 1451-83)Tempera on parchment, laid down
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Girolamo Porro Funerale di Abram, ninth illustration for Funerali on page 62 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion B
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Nicolas Beatrizet Holy Family with the Infant John the Baptist, after the painting by Girolamo Muziano engraving 16th century
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Girolamo Porro Tavola Sepolcrale de' Greci, fifteenth illustration for Funerali on page 77 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi
J. Paul Getty Museum -
Battle Scene
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Girolamo Porro Publisher's device of Simon Galignani on final page of the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Veni
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Girolamo Porro Tavola Terza Sepolcrale de gli Egitii, twenty-first illustration for Funerali on page 96 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, c
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Girolamo Porro Tavola Terza Sepolcrale de gli Scithi, twentieth illustration for Funerali on page 91 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come
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Girolamo Porro Tavola Terza Sepolcrale de gli Egittii, twelfthth illustration for Funerali on page 70 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, com
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Girolamo Porro Tavola Prima Sepolcrale de gli Egittii, tenth illustration for Funerali on page 67 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sf
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Girolamo Porro Tavola Seconda Sepolcrale de gli Scithi, nineteenth illustration for Funerali on page 88 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, c
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Girolamo Porro Tavola Prima Sepolcrale de gli Scithi, eighteenth illustration for Funerali on page 86 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, com
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Thomas Rowlandson Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) Book with 18 color aquatints with additional hand coloring 1815
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Girolamo Porro Tavola Ultima Sepolcrale de Romani, eighth illustration for Funerali on page 59 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sfor
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Girolamo Porro Tavola Seconda della Consecrazionede gl' Imperatori Romani , sixth illustration for Funerali on page 32 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano,
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Girolamo Porro Tavola de gli Scudi chiamati Ancili , seventh illustration for Funerali on page 47 in the book Funerali antichi by Thomas Porcacchi (Venice: Simon Galignani, 1574) [bound withSommario delle vite de* duchi di Milano, cosi Visconti, come Sf
The Metropolitan Museum of Art -
Saint Matthew and the Angel Giovanni Girolamo Savoldo (Italian, Brescian, active by 1508, died soon

Artnews Articles and Exhibition Information: (4)
Click on any of the links below to read about artnews or exhibitions related to Campagna

The British Museum: The Light of Nature: Van Dyck
The exhibition brings together 25 of the 29 known landscape drawings by Van Dyck. Now widely dispersed, they are borrowed from ...
British Museum: THE LIGHT OF NATURE: Landscape drawings and watercolours by Van Dyck and his contemporaries
The exhibition brings together 25 of the 29 known landscape drawings by Van Dyck. Now widely dispersed, they are b...
Frick Collection: Poussin, Claude, and Their World: Seventeenth-Century French Drawings from the École des Beaux-Arts, Paris
The École des Beaux-Arts has seldom placed such a large number of sheets on loan at any given time, and this exhibition will include many drawings that have never been on view in the United States. Furthermore, several new acquisitions are to be ...
National Gallery of Art: Spirit of an Age: Nineteenth-Century Paintings from the Nationalgalerie, Berlin
The museum, which opened in 1876 to house the Prussian king's collection of paintings and sculpture, is currently closed for renovations as part of a larger ...

Further Artwork and Information:

Girolamo Campagna Online
CATHOLIC ENCYCLOPEDIA: Girolamo Campagna
Thais - 1200 anni di scultura italiana - Campagna Girolamo
Girolamo Campagna (Getty Museum)
Girolamo CAMPAGNA
Girolamo CAMPAGNA
CAMPAGNA, Girolamo
Schede fiorentine e una scultura di Girolamo Campagna - Polistampa
Girolamo Campagna at the Rijksmuseum
CAMPAGNA, Girolamo

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