Artist: 1697 Canaletto (1768 - Ital)
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by 1697 Canaletto.

The Metropolitan Museum of Art -
Piazza San Marco, possibly late 1720s Canaletto (Giovanni Antonio Canal) (Italian, Venetian, 1697-1768)Oil on canvas;
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Mestre, called Canaletto Antonio Canal (Italy, Venice, 1697 - 1768) , circa 1741-1743, Etching
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Piazza San Marco Looking South and West, called Canaletto Antonio Canal (Italy, Venice, 1697 - 1768) , 1763, Oil on canvas
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Imaginary View of Padua, called Canaletto Antonio Canal (Italy, Venice, 1697 - 1768) , circa 1741, Etching
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At the Locks at Dolo, called Canaletto Antonio Canal (Italy, Venice, 1697 - 1768) , circa 1741-1742, Etching
The Metropolitan Museum of Art -
Imaginary View of Venice (undivided plate), 1741 Canaletto (Giovanni Antonio Canal) (Italian, b. Venice 1697
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Al Dolo, called Canaletto Antonio Canal (Italy, Venice, 1697 - 1768) , circa 1741-1743, Etching
The Metropolitan Museum of Art -
Warwick Castle: The East Front, 1752 Antonio Canal, called Canaletto (Italian [Venice], 1697-1768)Pen and brown
The Metropolitan Museum of Art -
Venice: Santa Maria della Salute Canaletto (Giovanni Antonio Canal) (Italian, Venetian, 1697-1768)Oil on canvas; 18
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Canaletto (Giovanni Antonio Canal) Le Preson. V. Etching mid 18th century
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Canaletto (Giovanni Antonio Canal) The Terrace Etching mid 18th century
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LE MOLE, VU DU BASSIN DE SAN MARCO (2e quart 18e siècle ; 3e quart 18e siècle) by CANAL Antonio, CANALETTO (dit)
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Canaletto (Giovanni Antonio Canal) The Market on the Molo Etching 18th century
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Canaletto (Giovanni Antonio Canal) La Piera del Bando .V. Etching mid 18th century
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Canaletto (Giovanni Antonio Canal) La Torre di Malghera etching 18th century
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Canaletto (Giovanni Antonio Canal) The Market on the Molo Etching mid 18th century
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Canaletto (Giovanni Antonio Canal) The Market on the Molo Etching mid 18th century
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Canaletto (Giovanni Antonio Canal) Landscape with A Woman at a Well Etching mid 18th century
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Canaletto (Giovanni Antonio Canal) The Market at Dolo Etching mid 18th century
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Canaletto (Giovanni Antonio Canal) The Equestrian Monument Etching mid 18th century
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Vue de la place Saint-Marc, à Venise by CANALETTO Antonio
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Canaletto (Giovanni Antonio Canal) Landscape With Three Bridges Etching circa 1744 - 1746
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Canaletto (Giovanni Antonio Canal) Le Procuratie Niove et S. Zimian V. Etching mid 18th century
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Canaletto (Giovanni Antonio Canal) Reproduction of the etching, Al Dolo, pl. 4 in the book, Les Eaux-fortes de Canaletto (Venice: Daria Guarnati, [1945]) Photomechanical reproduction of an etching 17th - 18th century
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Canaletto (Giovanni Antonio Canal) Landscape with Equestrian Statue Etching 17th - 18th century
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Canaletto (Giovanni Antonio Canal) Pr‡ della Valle (right half) Etching mid 18th century
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VUE DE LA PLACE SAINT MARC A VENISE, DE LA PIAZZETTA ET DE L'EGLISE SAN GIORGIO (1737 après) by CANAL Antonio (école), CANALETTO (dit)
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Canaletto (Giovanni Antonio Canal) Mestre, from the series Vedute Etching circa 1735 - 1744
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Canaletto (Giovanni Antonio Canal) Landscape with Tower and Two Ruined pillars Etching mid 18th century
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Canaletto (Giovanni Antonio Canal) Imaginary View of Padua, from the series Vedute Etching 1742
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Canaletto (Giovanni Antonio Canal) Mestre, from the series Vedute Etching circa 1735 - 1744
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Canaletto (Giovanni Antonio Canal) Title plate from the series Vedute Etching circa 1735 - 1746
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Canaletto (Giovanni Antonio Canal) Les Eaux-fortes de Canaletto (Venice: Daria Guarnati, [1945]) Book with 60 reproductions of etchings, portrait on title, reproductions of 18 water-marks 17th - 18th century
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Canaletto (Giovanni Antonio Canal) Le Porte del Dolo, from the series Vedute Etching circa 1735 - 1744
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Canaletto (Giovanni Antonio Canal) Ale Porte del Dolo, from the series Vedute Etching circa 1735 - 1744
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Canaletto (Giovanni Antonio Canal) Mestre, from the series Vedute etching circa 1735 - 1744
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Canaletto (Giovanni Antonio Canal) Imaginary View of Venice (undivided plate), from the series Vedute Etching 1741
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Vue de la Dogana et de l'église de la Salute à Venise, prise depuis la Piazzetta (18e siècle) by anonyme ; CANALETTO (d'après)
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Vue de la place Saint-Marc à Venise (18e siècle) by anonyme ; CANALETTO Antonio (attribué, d'après)
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Canaletto (Giovanni Antonio Canal) Piazzetta with Campanile under Construction Brown ink and wash on laid paper 17th - 18th century
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Vue de Venise ; La pointe de la Dogana avec l'église de la Salute vue de la jetée (Ancien titre) (1726 entre ; 1728 et) by CANALETTO (dit), CANAL Antonio (patronyme)
Museum of Fine Arts -
Style of Giovanni Antonio Canal (called Canaletto), Italian (Venetian), 1697-1768 Grand Canal, Venice Oil on
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La Piazza San Marco vue du Campo di San Basso (18e siècle) by CANAL Antonio, CANALETTO (dit)
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Giovanni Battista Brustoloni The Rialto, after Canaletto Etching and engraving 18th century
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Giovanni Battista Brustoloni The Doge Offers a Banquet, after Canaletto Etching and engraving 1766
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Canaletto (Giovanni Antonio Canal) Recto: View of the Arch of Constantine and Environs, Rome~Verso: Architectural Sketch r: Pen and brown ink and gray wash on laid paperv: Graphite circa 1758 - 1765
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LE PONT DU RIALTO (1735 entre ; 1740 et) by CANAL Antonio, CANALETTO (dit)
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Giovanni Battista Brustoloni The Piazza S. Marco, after Canaletto Etching and engraving 18th century
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Giovanni Battista Brustoloni The Bucentaro on Ascension Day, after Canaletto Etching and engraving 18th century
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Giovanni Battista Brustoloni The Rialto Bridge, after Canaletto Etching and engraving 18th century
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Antonio Visentini Piazza San Marco, View Between Church and Tower, pl. III from a series of four scenes of the Piazza after Canaletto Etching circa 1745
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Antonio Visentini Piazza San Marco, View of the Public Library, pl. IV from a series of four scenes of the Piazza after Canaletto Etching circa 1745
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L'ENTREE DU GRAND CANAL ET L'EGLISE DE LA SALUTE (1735 entre ; 1740 et) by CANAL Antonio, CANALETTO (dit)
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Giovanni Battista Brustoloni The Church of the Redeemer, at Night, after Canaletto Etching and engraving 18th century
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Giovanni Battista Brustoloni Wells in the Courtyard of the Ducal Palace, after Canaletto Etching and engraving 18th century
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Giovanni Battista Brustoloni View of the Bank Facing the Ducal Palace, after Canaletto Etching and engraving 18th century
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Giovanni Battista Brustoloni The Cappuccine church of the Servites on the Fondamente Nuova, after Canaletto Etching and engraving 18th century
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Giovanni Battista Brustoloni The Biblioteca Marciana and the Beginning of the Grand Canal, after Canaletto Etching and engraving 18th century
J. Paul Getty Museum -
Warwick Castle, East Front
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Bâtiments dur des îles, dans la lagune de Venise (1878) by GUARDI Francesco ; CANALETTO Antonio (inspiré par)

Artnews Articles and Exhibition Information: (11)
Click on any of the links below to read about artnews or exhibitions related to Canaletto

Centre Cultura Contemporania de Barcelona: Canaletto: An Imaginary Venice
INTRODUCTION
Christie's: Old Master Pictures
...
Taft Museum of Art: Views from the Uffizi: Painting the Italian Landscape
The exhibition curator, Antonio Natali, is the director of the Uffizi Gallery. The exhibition organizers are Contemporanea Progetti in Florence and the Trust for Museum Exhibitions, Washington, D.C. The earliest paintings are from the late 1...
Kimbell Art Museum: European Masterpieces: Six Centuries of Paintings from the National Gallery of Victoria
Works range in scope and style from the intimate Man of Sorrows by Memling, a devotional piece for private contemplation, to the comparatively ostentatious ...
Gallery of Photography: Architectural Optics: Total Transformation of a Gallery
The camera obscura is based on the scientific principle that light passing through an aperture or pinhole into a darkened room will project an inverted image opposite the aperture. This optical phenomenon was known since ancient times. It was e...
Museum of Fine Arts, Houston: Bernardo Bellotto and the Capitals of Europe
Among the many view painters who flourished in 18th-century Venice, Bellotto possessed the widest range and succeeded in enriching the conventions of the...
Tennessee State Museum: The Rau Collection: Six Centuries With The European Masters
Riggins-Ezzell said, "This is truly an all-star lineup of the European masters from several countries, representing the beginnings of European painting in the Renaissance up to the mid-20th century, including French Impressionist and Post-Impressi...
Museo Thyssen-Bornemisza: From Cranach to Monet: Masterpieces from the Perez Simon Collection
The Pérez Simón Collection Comprising more than 1,000 works and including paintings, sculpture, drawings, the decorative arts and manuscripts from the 14th to the 19th centuries, this Mexican collection is well known and highly esteemed by a...
National Gallery of Art: The Triumph of the Baroque: Architecture in Europe 1600-1750
The exhibition begins in the central galleries on the ground floor of the West Building with the baroque in Rome. It will continue along the spine of the building, then upstairs to the West Garden Court and alon...
Haus der Kunst: Masterpieces from Fra Angelico to Bonnard The Collection Dr. Gustav Rau
After the exhibition in Paris and Cologne, this priceless collection is now to be seen in its noticeably enlarged form in Haus der Kunst. A selection of 100 paintings demonstrates in an exemplary manner the development of European painting from th...
Montreal Museum of Fine Arts: Triumphs of the Baroque: Architecture in Europe, 1600-1750
The Baroque style was born in Rome about 1630 and spread throughout Catholic Europe, then in a state of upheaval brought about by divisive religious conflicts. The Europe of the Hapsburgs was threatened by the rise of...

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