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Artist: Antonio Canova (1757 - 1822)
Nationality: Italian
Movement: Neoclassicism
Media: Sculpture
Influences:
Biography: Born in Venice, Antonio Canova adopted the popular Baroque and Rococo styles in his first works. These fashionable sculpture appealed to his first clientele, the Venetian nobility. While visiting Rome in 1779 and 1781, Canova began to admire the ancient Roman art and visited the studios of the restorers, Bartolomeo Cavaceppi and Francesco Antonio Franzoni. Canova’s statue, Apollo Crowning Himself came to define the Neoclassical movement. Canova was known as the greatest sculptor of his time and his reputation grew exponentially across Europe until his death in 1822.
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Antonio Canova.
J. Paul Getty Museum
- Allegory on the Life of Canova
- Pietro Fontana
Woman at a Cradle with three Children, after Canova
Engraving
18 - 19th century The Metropolitan Museum of Art
- Perseus with the Head of Medusa, 19th century (between 1804-06) By Antonio Canova (Italian, born
- Rafaello Morghen
Theseus and the Slain Minotaur, after the sculpture of Antonio Canova
Engraving
18th - 19th century
- Pietro Bonato
Three Young Women, after Canova
Engraving and etching
19th century
- Vincenzo Giaconi
Double portrait of Antonio Canova and Giovanni Martino dei Boni
Engraving
1796
- Antonio Canova - Terpsichore 1816 marble Cleveland Museum of Art Italian J. Paul Getty Museum
- Herm of a Vestal Virgin J. Paul Getty Museum
- Apollo Crowning Himself
- Antonio Canova - Venus Italica c. 1815-22 marble North Carolina Museum of Art Italian
- Antonio Canova - Idealized Head of a Woman c. 1817 marble Kimbell Art Museum Italian
- Paul Adolphe Rajon
Portrait de Canova
19th century
- Antonio Montauti
Antonio Magliabechi
17th - 18th century
- Pordenone (Giovanni Antonio de Sacchis)
St. Joseph Being Expelled from the Temple
Engraving
mid 16th century
- Antonio Visentini
Piazza San Marco, looking towards S. Geminiano; pl.11 from Part III of the series Urbis Venetiarum Prospectus Celebriores Ex Antonio Canal...
Etching
1735
- Francisco de Goya - Don Antonio Noriega 1801 oil on canvas National Gallery of Art Spanish
- Federico Brandani - Antonio Galli n.d. bronze The Frick Collection Italian
- Gioan Antonio Lorenzini
The Holy Family
Etching
17th - 18th century
- Antonio Tempesta
Roman Battle Scene, after Antonio Tempesta (?)
Etching
16th - 17th century
- Antonio Tempesta
The Entry of Alexander into Babylon, after Antonio Tempesta
Engraving
16th - 17th century
- Giovanni Antonio Faldoni
Two Nude Shepherds, after Parmigianino
Engraving
1724
- Gioan Antonio Lorenzini
The Ascension of the Virgin, after Guido Reni
Etching
17th century
- Francisco de Goya - Don Juan Antonio Cuervo 1819 oil on canvas Cleveland Museum of Art Spanish
- Ipolito Salazar
ILMO. Sr.Dr.JOS
ANTONIO ZUBIRIA,/ Obispo de Durango (Most Illustrious Sir and Doctor JosÈ Antonio Zubiria, Bishop of Durango
Lithograph
19th century
- Giovanni Antonio da Brescia
Hercules and Antaeus, after Giovanni Antonio da Brescia's engraving after Mantegna
Metalcut
circa 18 - 19th century
- Antonio Baratta
Frontispiece for Opere di Carlo Goldoni, after Novelli
Engraving
1761
- Antonio Baratta
L'Adulatore, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Antonio Baratta
Moliere, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Antonio Baratta
Illustration To I Rusteghi, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Antonio Baratta
La Serva Amorosa, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Francisco Jose de Goya y Lucientes - Jose Antonio, Marques de Caballero 1807 Oil on canvas Lowe Art Museum, University of Miami Spanish
- Antonio Frasconi
Woodcuts by Antonio Frasconi/Weyhe Gallery March 27 - April 30, 1954
Woodcut
20th century
- Gioan Antonio Lorenzini
The Virgin and Child with St. John the Baptist, a Bishop Saint and Two Donors, after Veronese
Engraving
17th - 18th century
- Carlo Antonio Porporati
Il Bagno di Leda (Leda's bath), after Correggio
Engraving
18th century
- Antonio Visentini
Piazza San Marco, View Between Church and Tower, pl. III from a series of four scenes of the Piazza after Canaletto
Etching
circa 1745
- Antonio Visentini
Piazza San Marco, View of the Public Library, pl. IV from a series of four scenes of the Piazza after Canaletto
Etching
circa 1745 The Metropolitan Museum of Art
- The letters of Sir Richard Westmacott, 19th century Author: Sir Richard Westmacott (British, 1775-1856)Collection of
- Pietro Rotari
Saint Sebastian, after Antonio Balestra
Etching
1725
- Francesco Villamena
A Battle Scene, after Antonio Tempesta
Engraving
16 - 17th century
- Antonio Frasconi
See Again, Say Again by Antonio Frasconi (New York: Harcourt, Brace & World, [1964])
book with uncounted pages of reproductions of color woodcuts
1964
- Antonio Frasconi
See and Sayä, A Picture Book in Four Languages by Antonio Frasconi (New York: Harcourt, Brace, [1955])
book with uncounted reproductions of color woodcuts
1955
- Antonio Frasconi
Woodcuts by Antonio Frasconi, catalogue cover for Smithsonian Institution Traveling Service 1953-1954
Color woodcut
20th century
- Antonio Tempesta
La Primavera, from The Four Seasons
Etching
1592
- Giulio di Antonio Bonasone
The Wounded Scipio, after Polidoro da Caravaggio
Engraving
16th century
- Giulio di Antonio Bonasone
The Birth of John the Baptist
engraving
circa mid 16th century
- Antonio LafrÈry (LafrÈri)
Solitauriliorum sacrificiorum etc.
Engraving
1553
- Antonio LafrÈry (LafrÈri)
Solitauriliorum sacrificiorum etc.
Engraving
1553
- Antonio Beato
Bronze Statue of Dai-Bouts, near Kamakura
Albumen print mounted to an album page
circa 1867
- Johann Friedrich Greuter
Arcanis Nodis: Palladium, after Antonio Pomeranci
Engraving
17th century The Metropolitan Museum of Art
- Violin, 1693 Made by Antonio Stradivari (1644-1737)Cremona, ItalyWood; L. 23 1/4 in. (59.4 cm); W.
- Antonio Frasconi
Untitled (grasses), and first image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
The Snow and the Sun /La Nieve y el Sol, translated by Antonio Frasconi (New York: Harcourt, Brace & World, [1961])
book with uncounted pages of reproductions of color woodcuts
1961
- Antonio Frasconi
Untitled (young man), and fifth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (standing man), and second image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (grasses), and first image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Tempesta
The Flight into Egypt
Etching
17th century
- Antonio Tempesta
God Creating the Animals
Etching
17th century
- Antonio Tempesta
A Battle Scene
Etching
17th century
- Antonio Tempesta
A Boar Hunt
Etching
17th century
- Antonio Beato
Columns in the Hypostile Hall-Harnak, Upper Egypt
albumen print
ca. 1865 - 1869
- Antonio Frasconi
Untitled (young man), and fifth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (standing man), and second image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Baratta
Stations of the Cross - XI
Engraving
1778
- Antonio Baratta
Stations of the Cross - IV
Engraving
1778
- Antonio Baratta
Stations of the Cross - I
Engraving
1778
- Francisco Antonio Melendez
The Annunciation
oil on canvas
1710
- Giulio di Antonio Bonasone
Cloelia Crossing the Tiber, after Polidoro da Caravaggio
Engraving
16th century
- Antonio Tempesta
The Conversion of St. Paul
Etching with engraving
1605
- Antonio Tempesta
The Battle Between the Greeks and the Amazons
Etching
1600
- Antonio Frasconi
Untitled (head), and seventh image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (standing man), and eighth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (bunch of flowers), and third image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (bunch of flowers), and third image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (head), and seventh image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (standing man), and eighth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Fantuzzi
Young Couple Seated on a Bed
Etching
mid 16th century
- Marie Anne Poniatowska
Portrait of Antonio
black ink and wash
1963
- Antonio Frasconi
Untitled (Whitman as an old man), seventeenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
color woodcut
1960
- Antonio Frasconi
Untitled (Whitman seated), fifteenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (Whitman in profile), fourteenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (Whitman with two children), thirteenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (close up of face), sixteenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled(floral symbol), colophon page in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Tempesta
Plate from the series Battling Animals
Etching
1600
- Antonio Frasconi
Untitled (Whitman with two children), thirteenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
Artnews Articles and Exhibition Information: (5) Click on any of the links below to read about artnews or exhibitions related to Canova
Museum of Fine Arts, Houston: Earth and Fire: Italian Terracotta Sculpture from Donatello to Canova to Canova Earth and Fire has been organized by the MFAH and the Parnassus Foundation for exhibition exclusively in Houston and at the Victoria and Albert Museum in London. This unprecedented exhibition documents for the first time the significance of terrac...
Victoria and Albert Museum: Earth and Fire: Italian Terracotta Sculpture From Donatello To Canova A masterful control of material and a superb sense of artistry make Italian terracotta one of
the most alluring and expressive art forms in history. The exhibition's great attraction lies in
comparing models with finished works, demonstr...
Scottish National Portrait Gallery: The King over the Water: The Life of Prince James Francis Edward Stuart
James Francis Edward Stuart was a king without a throne: the uncrowned heir of King James VII and II. His birth in 1688 plunged Britain into crisis for it seemed inevitable that the infant Prince would be brought up a Roman Catholic and would wan...
Museum of Fine Art Houston: Art of Rome in the 18th Century In the 18th century, Rome's civic and religious leaders
commissioned exceptional artists from throughout Europe to
construct and embellish churches, palaces, fountains, public
...
Canadian Center for Architecture: Carlo Scarpa, Architect: Intervening with History In addressing Scarpa’s ability to weave new work into – and often out of – the
disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History
moves beyond the focus on artisanry, detail, and material. ...
Further Artwork and Information:
Thais - 1200 anni di scultura italiana - Canova Antonio
Antonio Canova Online
ANTONIO CANOVA - Gipsoteca Possagno - Home Page
CATHOLIC ENCYCLOPEDIA: Antonio Canova
The Sculpture of Antonio Canova
A.Canova
CANOVA
Antonio Canova (Getty Museum)
Antonio Canova - Art Images - Works and Biography - OCAIW
antonio canova
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