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Artist: Ludovico Carracci (1555 - 1619)
Nationality: Italian
Movement: Baroque
Media: Painting, Drawing
Influences:
Biography: One of the oldest of the Carracci family, Ludovico may have inspired the artists to develop their style that shifted Italian painting away from Mannerism. At their school, the Accademia degli Incamminati, the Carracci’s trained most of the later Bolognese painters such as Domenichino and Guernico. They also influenced these younger painters to draw form life and emphasize realistic form. When Agnostino and Annibale left for Rome at the end of the sixteenth century, Ludovico ran the academy single-handedly.
Artworks in Museum Collections: (40) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Ludovico Carracci.
Fine Arts Museum of San Francisco
- Ludovico Carracci, The Adoration of the Magi, after Ludovico Carracci"s painting in Santa Maria della Piogga, Bologna, 16 - 17th century Fine Arts Museum of San Francisco
- Ludovico Carracci, The Adoration of the Magi, after Ludovico Carracci"s painting in Santa Maria della Piogga, Bologna, 16 - 17th century Fine Arts Museum of San Francisco
- Ludovico Carracci, The Holy Family Under an Arch, 1585 - 1590 Fine Arts Museum of San Francisco
- Ludovico Carracci, Madonna and Child with St. John, circa 1602 - 1604 Fine Arts Museum of San Francisco
- Andrea Le Jeune Scacciati, The Entombment of Christ, after Ludovico Carracci, from the series Disegni originali d"eccelenti pittori..., 18th century Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Frontispiece of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Palazzo Fava, Bologna, 1663 Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Aeneas departs for the Battle, plate 5 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Aeneas offers a Sacrifice to Apollo, plate 8 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Aeneas and his Family Fleeing Troy, plate 6 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Polyphemus pursuing Aeneas" Fleet, plate12 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, The Wooden Horse entering Troy, plate 2 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, The Trojans Taking Sinon Prisoner, plate 1 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Man Subduing a Harpy, one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Man Subduing a Harpy , one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Man Subduing a Harpy, one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Ca Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Man Subduing a Harpy , one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Man Subduing a Harpy , one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Man Subduing a Harpy , one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Man Subduing a Harpy, one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Ca Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Man Subduing a Harpy , one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, The Greeks dragging Cassandra out of the Temple, plate 3 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostin Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Venus leading Aeneas out of the Flames, plate 4 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracc Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, The Shadow of Creusa Appears to Aeneas, plate 7 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracc Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Aeneas and his Companions Combat the Harpies, plate 10 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, The Trojans Sacrifice Bulls to Neptune, plate 9 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracc Fine Arts Museum of San Francisco
- Giovanni Battista Coriolano, The Crowning with Thorns, after a drawing by Cavedone from the painting by Ludovico Carracci for the Carthusian Monastery in Bologna, now in the Pinacoteca Nazionale, Bologna, 17th century Fine Arts Museum of San Francisco
- Flaminio Torri, Madonna and Child in Glory with St. Francis and St. Jerome, after the painting by Ludovico Carracci, The Madonna degli Scalzi in the Pinacoteca Nazionale, Bologna, 17th century Fine Arts Museum of San Francisco
- Giuseppe Maria Mitelli, Aeneas Pours Wine into the Sea in Gratitude for his Arrival in Italy, plate 11 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, The Metropolitan Museum of Art
- The Lamentation, ca. 1582 Ludovico Carracci (Italian, Bolognese, 1555-1619)Oil on canvas; 37 1/2 x 68
- Ludovico Carracci - The Marriage of the Virgin c. 1590 oil on copper The National Gallery, London Italian
- Ludovico Carracci - The Agony in the Garden c. 1590 oil on canvas The National Gallery, London Italian
- Ludovico Carracci - Susannah and the Elders 1616 oil on canvas The National Gallery, London Italian J. Paul Getty Museum
- St. Sebastian Thrown into the Cloaca Maxima
- Ludovico Carracci - The Vision of Saint Francis c. 1583-1586 oil on canvas The National Gallery, London Italian J. Paul Getty Museum
- Cupid Overpowering Pan The Metropolitan Museum of Art
- The Adoration of the Shepherds with Saint Catherine of Alexandria, 1599 Cigoli (Ludovico Cardi) (Italian, The Metropolitan Museum of Art
- The Holy Family with Angels, possibly ca. 1700 Sebastiano Ricci (Italian, Venetian, 1659-1734)Oil on canvas; Fine Arts Museum of San Francisco
- Agostino Carracci, Pietý, after an etching by Annibale Carracci, Christ of Caprarola, 1598 Fine Arts Museum of San Francisco
- Francesco Bartolozzi, Portrait Of Annibale Carracci, after Annibale Carracci, circa 1764 Fine Arts Museum of San Francisco
- Agostino Carracci, Copy of the engraving by Agostino Carracci, Orpheus and Euridice, 17th century
Artnews Articles and Exhibition Information: (9) Click on any of the links below to read about artnews or exhibitions related to Carracci
Metropolitan Museum of Art: The Birth of Baroque: The Carracci at the Metropolitan This exhibition of the Metropolitan's important group of paintings,
drawings, and prints by the Carracci features
Ludovico's Lamentation (1528), recently purchased by the Museum and
described by Metropolitan Director Philippe de Montebello a...
Detroit Institute of Art: Little Treasures : Northern and Italian Paintings of the 16th and 17th Centuries. Included are little-known works associated with Correggio, Annibale Carracci and Pietro da
Cortona as well as a number of Dutch paintings including two associated with Rembrandt.
Several of the exhibited pictures are paint...
National Gallery of Art: The Drawings of Annibale Carracci The exhibition is made possible by Republic National Bank of New York, and Safra Republic Holdings
S.A., Luxembourg.
Annibale Carracci is justly celebrated for his na...
San Diego Museum of Art: Master Drawings from the Collection of Alfred Moir Included are fine examples by Annibale Carracci, Pietro da Cortona, Luca Giordano, Giovanni Battista Tiepolo, Francesco Solimena, Salvator Rosa, Abraham Bloemaert, and Simon Vouet.
The exhibition presents a selection of works from the personal...
Montreal Museum of Fine Art: Italian Masterpieces From Raphael To Tiepolo The works range in scale from intimate devotional paintings and portraits to state commissions, monumental altarpieces and mythological paintings. Italian Masterpieces from Raphael to Tiepolo will offer the public an unprecedented opportunity to e...
Frances Lehman Loeb Art Center, Vassar College: The Power of Appearances: Renaissance and Reformation Portrait Prints The exhibition of 62 prints is organized by the National Lending Service of the National Gallery of Art in Washington. It will comprise prints ranging in date from 1500 to 1601. Together, they suggest that the portrait is inextricable from its so...
Art Gallery of New South Wales: Old Master Drawings from the Albertina, Vienna While extensive restoration at the Albertina is undertaken, the Art Gallery of New South Wales is delighted to have the opportunity to exhibit a glorious pageant of 100 works that reflect the breadth and quality of Duke Albert’s original collectio...
Bayly Art Museum: Virgins, Gods, Saints and Lovers: Strangeness and Style in Mannerist Prints The term mannerism refers to works that show certain stylistic
tendencies such as the use of geometric forms, deformation or
elongation of figures, exaggerated gestures, strange lighting and
perspectives, and evocative atmosphere. The diverse s...
Fogg Art Museum, Harvard: Works from Renaissance to 20th-Century Highlight How Artists and their Workshops Used Both Sides of the Sheet
The unusual display allows viewers to trace the creative process as an artist sketched from one side of the sheet to the other, to see how works were copied by assistants in Renaissance workshops, and to understand the increasing shift toward a co...
Further Artwork and Information:
CARRACCI, Lodovico
Ludovico Carracci
Ludovico Carracci
Ludovico Carracci
Ludovico Carracci
Ludovico Carracci
Biografía - Carracci, Ludovico
Disegno
Ludovico Carracci
Ludovico Carracci
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