Artist: Kate Freeman Clark ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Kate Freeman Clark.

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Jacob Eichholtz - Phoebe Cassidy Freeman (Mrs. Clarkson Freeman) c. 1830 oil on canvas National Gallery of Art American
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Don Freeman Deep in Hollywood Lithograph 1936
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Don Freeman The Clown's Story Litohgraph 1937
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Don Freeman Casting for Character Lithograph 1936
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Samuel Freeman Warren Hasting, Esq. 18th - 19th century
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Samuel Freeman William Harvey 18th - 19th century
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Samuel Freeman George Buchanan 18th - 19th century
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Samuel Freeman St. Ambrose and emperor Theodosius engraving 18th - 19th century
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Samuel Freeman Duncan Forbes of Culloden 18th - 19th century
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Samuel Freeman Henry Home, Lord Kames 18th - 19th century
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William Freeman Edward Courtney, Earl of Devonshire 17th century
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Don Freeman Election Night, Times Square or Election Returns lithograph circa 1930 - 1934
Museum of Fine Arts -
Alvan Clark, American, 1804-1887 Mrs. Alvan Clark (Maria Pease) about 1840 Oil on panel 50.8
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John Singleton Copley - Mrs. Clark Gayton 1779 oil on canvas The Detroit Institute of Art American
Museum of Fine Arts -
Chester Harding, American, 1792-1866 Alvan Clark about 1840-45 Oil on panel 68.9 x 55.56 cm
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Jacob Eichholtz - William Clark Frazer c. 1830 oil on canvas National Gallery of Art American
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Freeman Willis Simmons - Old Peasant n.d. oil on canvas Cleveland Museum of Art American
The Minneapolis Institute of Arts -
Artist: Kate Harris and William Hutton and Sons Title: Presentation Cup Date: 1901 Medium: silver,
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I. Clark Salamanca 1809
J. Paul Getty Museum -
Part of the Trunk of the Grizzly Giant
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I. Clark Hermitage of St. Frene aquatint 1819
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Thomas Cartwright Kate of Cymmau's Cottage. 19th century
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Kate Greenaway Illustration on pag 38 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Frontispiece in the book The Queen of the Pirate Isle (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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I. Clark Toro 19th century
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Kate Greenaway Illustration on page 16 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 17 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 18 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 20 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 21 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 23 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 25 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 7 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 12 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 47 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 4 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 5 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 6 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 8 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 9 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 15 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 11 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 26 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 44 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 36 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 37 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 39 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 40 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Frontispiece (May Day Dance) in the bookThe Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) book with 38 color wood engravings including the frontispiece 1888
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Kate Greenaway Illustration on page 42 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 41 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 35 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 34 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 29 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 27 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 28 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 10 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 30 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 31 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 32 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Kate Greenaway Illustration on page 33 in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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George Cruikshank Tom and Jerry, catching Kate and Sue, on the Sly having their Fortunes told. 1821
The Minneapolis Institute of Arts -
Artist: Julia Margaret Cameron Title: Kate Keown Date: 1866 Medium: albumen print Dimensions: H.2-5/16 x
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I. Clark The Town of Stirling aquatint with color 1824
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Daniel Nicholas Chodowiecki August saves Kate Engraving 1795 - 1796
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James E. Freeman - Sketch of a Girl's Head 1852 oil on cardboard Memorial Art Gallery of the University of Rochester American
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Kate Greenaway Title page vignette in the book The Pied Piper of Hamelin by Robert Browning (London and New York: Frederick Warne, [1888]) color wood engraving 1888
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Roland Clark Within the Law 19th - 20th century
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Kate Greenaway The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) Book with 27 pages with color wood engravings ca. late 19th century
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Daniel Nicholas Chodowiecki August and Kate in the attic with doves Engraving 1795 - 1796
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I. Clark Villa Franca 19th century
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I. Clark Aqueduct of Alcantara 19th century
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I. Clark Creek of Maceira 19th century
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Kate Greenaway Illustration on page 21 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 11 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 23 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 18 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 15 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 13 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 12 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustrations (2) on page 10 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 14 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 16 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 26 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 28 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 35 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 58 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 56 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 54 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 52 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 42 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 40 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 39 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 37 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 32 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 30 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 29 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
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Kate Greenaway Illustration on page 46 in the book The Queen of the Pirate Isle by Bret Harte (London: Chatto & Windus, undated) color wood engraving ca. late 19th century
Museum of Fine Arts -
Black-topped jar Egyptian Predynastic Period, Nagada II (Gerzean) Period, about 3700-3250 B.C. Egypt Pottery Height:

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Clark

Victoria and Albert Museum: Ossie Clark: British Fashion Designers of the 60s and 70s
Ossie Clark was a key figure in the world of photographers, designers, rock stars and other celebrities who took London by storm in the 60s and 70s. The famous and the fashionable wore Ossie Clark’s designs including Marianne Faithfull, Jimi Hendr...
Le Centre d'art et de diffusion Clark: Call for Artists: Project Submissions Being Accepted
Proposals should include -Curriculum Vitae
-15 to 20 slides and/or vidéo(NTSC), CD/DVDs documents, clearly identified with a description list
-A project proposal and-or an artists' statement (2 pages max.)
-a press kit (if any)...
High Museum: A Passion for Renoir: Five Great Paintings from the Clark Art Institute
Renoir’s distinctive brushwork is particularly exquisite in his depictions of women, such as the elegant figures in At the Concert, a major work from Renoir’s early career. A Passion for Renoir represents a special collaboration between the High M...
Sterling and Francine Clark Art Institute: Winslow Homer: Works on Paper
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Govett-Brewster Art Gallery: Fiona Clark: Go Girl
Both an exhibition and a catalogue, Go Girl revisits this episode, one of the most controversial in New Zealand’s photographic history. It presents for the first time Fiona Clark’s complete photographic series Dance Party, from which these two ima...
Colville Place Gallery: Enchanted: Julie Clark, Alexa de Ferranti and Charlotte Prodger
Julie Clark, video
The video pieces and drawings use found footage of little accidents recorded from You've Been Framed to examine moments of embarrassment, when one feels suddenly vulnerable or exposed by a physical kind of lapse and loss of...
Pigman Gallery: Fragments of a Cityscape: Clark Buckner
At the heart of the installation is a four-channel video titled "The Sound of the Street (16th and Mission)". In it, Bucker poses two questions to passers-by: 1) What is the sound of the street? and 2) Can you make the sound? The results produce ...
Le Centre d'art et de diffusion Clark: Call for Artists: 2004 / 2005 Programming
- Visual documentation: 15 to 20 clearly identified slides and/or video documentation (NTSC), CD-Roms, DVDs, soundtracks or any other visual document that may serve in assessing your proposal
- A descriptive list of your visual documentatio...
Sterling and Francine Clark Art Institute: Jean-François Millet: Drawn into the Light
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Eiteljorg Museum of American Indians and Western Art: Trailing Lewis and Clark, Featuring the Art of Ken Holder
Artist Ken Holder, inspired by Stephen Ambrose’s book, “Undaunted Courage: Meriwether Lewis, Thomas Jefferson and the Opening of the American West,” traveled the trail of Lewis and Clark. He was excited by the thought of creating his own “voyage o...
Collins Gallery: Designs Drawings & Processes: John K Clark, Glasspainter
Little however, is ever revealed about the techniques and processes involved and this is a unique opportunity to examine the evolution of some of the most technically complex stained glass ever created.
Clark Art Institute of Art: Noble Dreams, Wicked Pleasures: Orientalism in America, 1870-1930
The rich history of this American Orientalism will be the subject of Noble Dreams, Wicked Pleasures: Orientalism in America, 1870-1930, a traveling exhibition organized by the Sterling and ...
MASS MoCA: Off the Shelf: Contemporary Artists' Books from the Clark Art Institute Library, the Williams College Museum of Art and the Chapin Library of Rare Books
All of the books in Off the Shelf were created between 1985 and 2000. Among the well-known book-artists featured are Angela Lorenz, Richard Tuttle, Gunnar Kaldewey, Johanna Drucker, and Philip Zimmermann. Also, many of the books are by well-kn...
ProArts Gallery: Call for Artists: New Visions - Introductions 2005 at Pro Arts
New Visions: Introductions 2005 is organized by Christian L. Frock, Director of Exhibitions & Programming and is an annual juried exhibition produced by Pro Arts. Selections are made from actual works in person. Participation is open to all ar...
La Viande Gallery: Art in Mind: Works by The Tate Sisters, India Ritchie, Carlos Calvet, Jackie Clark, Emma Glibbery, Fester and Satoshi Matsuyama
Satoshi Matsuyama was born in Kamiisityou, Hokkaido in 1958. Satoshi's first true love, MUSIC (jazz and gospel) developed in his early teens where he took up saxophone. After 11 years on the Tokyo club circuit he began to reassess his life goal...
La Viande Gallery: Art in Mind: Works by The Tate Sisters, India Ritchie, Carlos Calvet, Jackie Clark, Emma Glibbery, Fester and Satoshi Matsuyama
Satoshi Matsuyama was born in Kamiisityou, Hokkaido in 1958. Satoshi's first true love, MUSIC (jazz and gospel) developed in his early teens where he took up saxophone. After 11 years on the Tokyo club circuit he began to reassess his life goal...
Henry Moore Foundation Studio: Robert Clark: Plans For The Real World, Parts 1–12
Plans For The Real World, Parts 1–12 takes its evocative base from the atmosphere of expectation and suspense of dawn and dusk. Prominent elements of painting, drawing and text are disorientated by combination with photography, sculpture,...
MASS MoCA: Mirror Mirror: Reflective Contemporary Work
The "mirror stage" when children first recognize themselves is widely understood as a critical phase of human development. Mirrors, both symbolically and practically, are the fulcrum within that development, and this exhibition features artw...
Hayward Gallery: Force Fields: Phases of the Kinetic
Over 100 paintings, sculptures, drawings, installations and films made by artists from the 1920s to the early 1980s have been brought together by the exhibition’s curator Guy Brett. Among the seminal works in the show are Calder’s early mobiles, D...
Photographer's Gallery: Corinne Day: Diary
Alternately shocking and sad, bleak and tender, the series draws comparison with the work of Nan Goldin and Larry Clark for its uncompromising honesty, its hard-hitting subject matter, and its understa...
Michael C. Carlos Museum: Uses of Photography in Contemporary Art
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Artspace New Haven: Soft: Curated by Debbie Hesse
Featuring works by: James Clark, Eric Conrad, Joseph Fucigna, Anne George, Sarah Gjertson, Ron Janowich, Clint Jukkala, Jane Miller, Amy Punckak, Orit Raff, Janice Redman, Mary Temple, Leo Villareal and Dina Weiss James Clark, Leo Villareal, ...
Museum of Contemporary Art: The Experiment of Exercise and Freedom
These artists shared beliefs that their artwork was to be regarded not only as an aesthetic object for passive contemplation, but also as a participatory and transformative experience that advocated new relationships between art, life, and socie...
MASS MoCA: Mark Taylor: Grave Matters
In Grave Matters, Williams College Professor Mark Taylor and photographer Deitrich Christian Lammerts present beautiful and disturbing black and white photographs of the gravesites of 150 artists, architects, writers, philosophers, and musician...
Virtual Tart: Genomegram: Recent photographic work by Fiona Clark
I am a documentary photographer. It was a natural progression for me to turn my camera from the external world onto myself. My body, my experiences are the essence of this work. The Brain, my Brain,...
Leeway Foundation: The Fine Art of Sculpture & Three-Dimensional Craft: Celebrating the 1999 Leeway Foundation Award Recipients
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George Rogers Clark Park: Peter Caley to Attend PawPaw Moon Pow wow
His breathtaking detail and mastery are explained more in depth by Cynthia Christensen & James Leonard-Amodeo in the Art Gallery news Letter and magazine. absoluteart.com readers may remember Caley’s very large oil paintings of racing yachts and ...
Michael C. Carlos Museum of Emory University: Surreal Anatomies: Works on Paper by Hans Bellmer and Dorothea Tanning
Prints from the permanent collection of the Michael C. Carlos will explore the fantastic, sometimes shocking, representations of the human figure reflect the personal visions and psychological experiences of each of the Surrealist artists....
Scottish National Portrait Gallery: The Fine Art of Photography
Among the twentieth-century work on show will be photographs by Alfred Stieglitz, Bill Brant, Roger Fenton, Eve Arnold and Annie Leibovitz. ...
Peabody Essex Museum: The Artful Teapot: 20th Century Expressions from the Kamm Collection
The Artful Teapot demonstrates how the teapot can be provocative, playful, and profound as well as conventional. Addressing aesthetic, social, and political issues, the exhibition examines the teapot's ability to be more than just a device to serv...

Further Artwork and Information:

Kate Freeman Clark
Freeman Clark - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
Kate Freeman Clark
CGFA- Misc. Artists -C- Page 9
Kate Freeman Clark
Kate Freeman Clark
Kate Freeman Clark Museum
Portrait of Kate Freeman Clark
Portrait of Kate Freeman Clark
VisitHollySprings.org: Attractions - Kate Freeman Clark Art Gallery

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