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Artist: Charles Allston Collins ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Charles Allston Collins.
- Charles Allston Collins - Wilkie Collins (1853) 1853 oil on panel The Fitzwilliam Museum British Museum of Fine Arts
- Attributed to William Walker, English, 1725-1793 Washington Allston Oil on canvas Museum of Fine Arts, Museum of Fine Arts
- Washington Allston, American, 1779-1843 The Poor Author and the Rich Bookseller 1811 Oil on canvas
- Thomas Gainsborough - Portrait of Mrs. Collins c. 1770-1775 Oil on canvas Lowe Art Museum, University of Miami English
- Washington Allston
Dr. John King
oil on canvas
1814
- Washington Allston
The Prophet Elijah, plate 16 in the book, Choice Etchings (London: Alexander Strahan, 1887)
etching
1887
- Washington Allston
Mrs. William Channing (Lucy Ellery Channing)
oil on canvas
1811
- Dailliard
Huipil
cotton
1970 - 1980
- Dailliard
Skirt
cotton
1970 - 1980
- R.J. Horner
Skirt
[cotton?]
1970 - 1980
- Dailliard
Huipil
cotton
1970 - 1980
- Dailliard
Huipil
cotton
1970 - 1980
- Dailliard
Skirt
cotton
1970 - 1980
- Dailliard
Skirt
cotton?
1970 - 1980
- Dailliard
Huipil
cotton
1970 - 1980
- Dailliard
Skirt
cotton?
1970 - 1980
- Dailliard
Huipil
cotton
1970 - 1980 The Metropolitan Museum of Art
- Portrait of a Man Samuel Collins (British, 1735?–1768)Ivory; Oval, 1 5/8 x 1 1/4 in.
- Dailliard
Huipil
cotton? and silk
1970 - 1980
- Dailliard
Skirt (enredo)
cotton
1970 - 1980
- Dailliard
Huipil
cotton and rayon?
1970 - 1980
- Dailliard
Huipil
cotton? and wool
1970 - 1980
- Dailliard
Shawl (rebozo)
cotton?
1970 - 1980
- Dailliard
Skirt (posahvancos)
cotton?
1970 - 1980
- Dailliard
Skirt (enrdeo)
wool
1970 - 1980
- Dailliard
Shawl (rebozo)
cotton
1970 - 1980
- Dailliard
Headpiece (rodete) red
wool
1970 - 1980
- Dailliard
Man's pants
cotton
1970 - 1980
- Dailliard
Sash (pretina)
silk
1970 - 1980
- Dailliard
Man's shirt
cotton
1970 - 1980
- Dailliard
Skirt
wool and cotton
1970 - 1980
- Samuel Walters - Jenny Lind Departing Liverpool aboard the Collins 1850 oil on canvas Peabody Essex Museum English The Metropolitan Museum of Art
- George Howard (1773-1848), Lord Morpeth Richard Collins (British, 1755-1831)Ivory; Oval, 2 x 1 5/8 in.
- Dailliard
Skirt (tzek)
cotton and wool
1970 - 1980
- Dailliard
Headdress (tlacoyatl) black
wool
1970 - 1980
- Dailliard
Huipil
cotton
circa late 19th century
- Dailliard
Magic bracelet or necklace? (rosario)
tin, wool, and cotton
1970 - 1980
- Dailliard
Belt maroon, with purple border stripe
wool
1970 - 1980
- K.A. Abrokwah
Necklace
glass and painted beads & buttons on string
1970 - 1980
- Dailliard
Hair cords (cordones) red with black borders
cotton and wool
1970 - 1980
- Dailliard
Blouse pink, yellow, blue and green around neck
cotton
1970 - 1980
- Dailliard
Belt (foja) red with black dots on gold
wool and cotton
1970 - 1980
- Dailliard
Necklace blue adn red bands and geometric pattern
beads strung on cotton
1970 - 1980
- Dailliard
Five hair cords (rodete or petob) green with tasseled ends
wool
1970 - 1980
- Washington Allston - Belshazzar's Feast 1817-1943 oil on canvas The Detroit Institute of Art American
- K.A. Abrokwah
Necklace (papelillo beads)
glass beads strung on cotton (11 strands)
1970 - 1980
- Dailliard
Belt (cenidor) black stripes on red with braided tie of red, black and white
wool
1970 - 1980
- Washington Allston - The Flight of Florimell 1819 oil on canvas The Detroit Institute of Art American
- Washington Allston - Samuel Williams c. 1817 oil on canvas Cleveland Museum of Art American
- Washington Allston - The Opening of the Casket c. 1807 oil on canvas Boston Athenaeum American
- Washington Allston - Italian Landscape 1828-30 oil on canvas The Detroit Institute of Art American
- Washington Allston - Italian Shepherd Boy 1819 oil on canvas The Detroit Institute of Art American
- William Faithorne
Portrait of Samuel Collins
engraving
17th century Museum of Fine Arts
- Alonzo Chappel, American, 1828-1887 Washington Allston about 1862 Oil and gouache on paper 42.86 x
- James Collins
The South Prospect of Hatfield House
etching
18th century Museum of Fine Arts
- Washington Allston, American, 1779-1843 Rising of a Thunderstorm at Sea 1804 Oil on canvas 97.15 Museum of Fine Arts
- Washington Allston, American, 1779-1843 William Ellery Channing 1811 Oil on canvas 79.37 x 70.17 cm Museum of Fine Arts
- Washington Allston, American, 1779-1843 Moonlight 1819 Oil on canvas 63.82 x 90.8 cm (25 1/8 Museum of Fine Arts
- Washington Allston, American, 1779-1843 Beatrice 1819 Oil on canvas 76.83 x 64.45 cm (30 1/4
- Washington Allston - Hermia and Helena before 1818 oil on canvas Smithsonian American Art Museum American Museum of Fine Arts
- Washington Allston, American, 1779-1843 Study for Belshazzar"s Feast 1817 Oil on paperboard 64.45 x 87.63 Museum of Fine Arts
- Washington Allston, American, 1779-1843 Landscape, American Scenery: Time, Afternoon, with a Southwest Haze 1835 Oil Museum of Fine Arts
- Washington Allston, American, 1779-1843 Head of a Jew 1817 Oil on canvas 76.2 x 63.82
- Dailliard
Belt (soyate) half straw, half red with red, yellow black and white border
wool, cotton and straw
1970 - 1980 Museum of Fine Arts
- Jean Désiré Gustave Courbet, French, 1819-1877 The Quarry (La Curée) 1856 Oil on canvas 210.2
- Cham (AmÈdÈe Charles Henri de NoÈ)
Cylinder with Seated Lord Holding a Mirror
Earthenware, pigment
600900 Museum of Fine Arts
- Washington Allston, American, 1779-1843 Self Portrait 1805 Oil on canvas 80.33 x 67.31 cm (31 Museum of Fine Arts
- Washington Allston, American, 1779-1843 Donna Mencia in the Robber"s Cavern 1815 Oil on canvas 141.92 Museum of Fine Arts
- Washington Allston, American, 1779-1843 Elijah in the Desert Painting 1818 Oil on canvas 125.09 x Museum of Fine Arts
- Washington Allston, American, 1779-1843 The Angel Releasing St. Peter from Prison 1814-16 Oil on canvas
- Cecil Collins - Night 1932 oil on canvas The Fitzwilliam Museum British
- Mary Susan Collins - Primrose 1929 oil on canvas Cleveland Museum of Art American
- William Collins - The Reluctant Departure 1815 oil on canvas Birmingham Museums and Art Gallery British
- Burgess Collins - A Panic That Can Still Come Upon Me: Salvages II 1963-72 oil on canvas over o Des Moines Art Center American
- John Martin
The Paradise Lost of Milton (London: Charles Tilt, 1838)
book with 24 mezzotints
1838
- John Martin
The Paradise Lost of John Milton (London: Charles Whittingham, 1846)
book with twenty-four mezzotints
1846 Museum of Fine Arts
- Ruth Collins, American Sampler United States, Rhode Island, late 18th century Linen plain weave embroidered
- Jacques Charles Bar
Charles Rollin
18th - 19th century
- John Martin
[Satan Tempting Eve] Book 9 line 780, bound at p. 265 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)[Creation of Light] Book 7, line 339, bound at p. 203 in the book, The Paradise Lost of John Milton (Lond
- Philippe de Champaigne - Charles II 1653 oil on canvas Cleveland Museum of Art French
- Richard Verbrick - Charles Cox 1835 watercolor on ivory Cincinnati Art Museum American Museum of Fine Arts
- Attributed to Master of Alkmaar, Dutch, active about 1504-1540 Christ Before Pilate and Christ as Museum of Fine Arts
- John Smibert, American (born in Scotland), 1688-1751 Judge Charles Chambers 1743 Oil on canvas 121.6
- Pierre Charles Ingouf
Paul-Charles Lorry
18th - 19th century
- John Martin
[Pandemonium] BOOK 1. LINE 710, bound at p.25 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)
mezzotint
1825
- Charles Turner
Charles John, Crown Prince of Sweden
18th - 19th century
- John Martin
[The Courts of God] Book 3. line 365., bound at p.79 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)
mezzotint
1825
- John Martin
[The Courts of God], Book 3 line 365, bound at p. 79 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838)
mezzotint
1824
- John Martin
[Eve at the Fountain] Book 4 line 453, bound at p.107 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)
mezzotint
1826
- John Martin
[Bridge over Chaos] Book 10, line 312 & 347., bound at p. 291 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)
mezzotint
1826
- John Martin
[The Fall of the Rebel Angels] Book 1. line 44, bound at p. 3 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)
mezzotint
1825
- John Martin
[Eve at the Fountain], Book 4 line 453, bound opposite p.108 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838)
mezzotint
1825
- John Martin
[Creation of Light] Book 7. line 339, bound at p. 203 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)
mezzotint
1825
- John Martin
[Pandemonium], Book 1 line 710, bound at p. 25 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838)
mezzotint
1824
- John Martin
[Adam Reproving Eve], Book 10, line 863, bound at p. 311 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)
mezzotint
1826
- John Martin
[Approach of the Archangel Michael] Book 11. line 226, bound at p. 327 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)
mezzotint
1826
- John Martin
[Adam and Eve Driven Out of Paradise] Book 12, line 641, bound at p. 373 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)
mezzotint
1827
- John Martin
[HeavenãRivers of Bliss] Book 11. line78, bound at p. 321 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)
mezzotint
1825
- John Martin
[Eve*s DreamãSatan Aroused] Book. 4 line, 813., bound at p.121 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)
mezzotint
1825
- John Martin
[Satan on the Burning Lake] Book 1. line 192, bound at p. 7 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)
mezzotint
1825
Artnews Articles and Exhibition Information: (30) Click on any of the links below to read about artnews or exhibitions related to Collins
Center for Fine Art Photography: Call for Artists: Intimate Floral - Photography Submission by slides and CD images. Details and entry at: www.c4fap.org. Deadline: March 19.
Additionally, entries are being accepted for The Essence of Self Portraiture exhibition. Deadline May 2.
The...
Site Gallery: Transporting Skies: New Work by Susan Collins Visitors to Site Gallery, Sheffield may find themselves beamed to Newlyn Art Gallery, Penzance, and vice versa. The work makes it possible for visitors to both galleries to become active participants in the realisation of the work, embodied as liv...
Cape Cod Museum of Fine Arts: Experiment and Mastery: Jan Collins Selman >a href=http://www.jancollinsselman.com>Jan Collins Selmans Expressionistic landscape
paintings have won her a place in the permanent collections
of three Massachusetts museums: Cape Museum of Fine
Arts, Duxbury Art Museum Complex, and Prov...
Center for Fine Art Photography: Call for Artists: 2005 International Exhibition Awards include:
$2,000 to Best of Show &
Cover of ShowCaseTM December Issue
Solo Show Award
Director's Award
Selected works by 10 - 15 artists will be
included in ShowCase Publication
Inclusion in the 2005 Exhib...
Galerie Sollertis: Hannah Collins: InnerViews "This exhibiton will exhibit some of my recent images which are concerned with the temporal nature of our relationship to inner space, both mental and physical and its ability to reflect and question surrounding physical and social structures. All...
University of Essex Art Gallery: Gorgeously Repulsive: Charlotte Bernstein, Simon Collins, Angela Edmonds, Daniel Lehan, Prudence Emma Staite, Kate Sully Artist Prudence Emma Staite who recently created
works for the Dali Universe, will craft a site-specific chocolate room
that can be interacted with and consumed. Angela Edmondsí recreates her
humorous 1994 work Sweet Tooth - a chocolate cak...
First Street Gallery: Perception and Memory: Mary K. Connelly Photographs of the artist's parents are referenced in the compositions epitomizing the mixed messages of the post-World War II era and the promise of the American Dream. Below the surface appearance of happiness and prosperity lie the darker trut...
Center for Fine Art Photography: Call for Artists: On the Road Awards include:
Solo Show
Best of Show
Director's Selection
Monetary - up to $1,500
Inclusion in the Center's Online Gallery for 12 months
Inclusion in the Center's annual Artists' ShowCase Collection CD, distributed...
Irish Museum of Modern Art: The Unblinking Eye: Lens-based Art from the Collection The Unblinking Eye comprises approximately 40 works, and draws on a wide range of practices, all of which incorporate the camera to make artworks of great diversity and technique. Works range from photoworks which document performances by artists...
Center for Fine Art Photography: Call for Artists: On the Road Awards include: 1) $1,000 in awards, 2) Best of Show, 3) Feature Artist in the February 2006 issue of Artists' ShowCase, 4) the selected works of approximately eight additional exhibitors will also be included in the print edition of Artists' Show...
Cafe Gallery Project: Story Telling Narrative Paintings by Debbie Lee It
seemed already the vision of an undying child, endowed with an awkward
grace that was utterly compelling. Could she hold onto that raw
creativity even in mature adulthoodNULL
- Timothy Hyman
Debbie Lee graduated with a first class...
Royal College of Art: The 20th Century British Art Fair It is the only fair to cover British art from 1900 to the present day and for five days, under one roof, art lovers can enjoy and marvel at the talent and diversity of painting, sculpture, photography and ceramics which incorporate 20th Century Briti...
Cork Gallery, Lincoln Center: Apple TART: Virtual Tart meets the Big Apple Sponsored by Visual Arts League Through having their work on the Virtual TART site they have hit the world.
Dale Copeland has packed some of everyones artwork into 4 big suitcases and brought it to New York. Complete with photos of the a...
Bell-Roberts Art Gallery: Guy Tillim: Departure - Photographic Exhibition and Book Launch His photographs also formed the basis of the exhibition and book Amulets and Dreams: War Youth and Changing Africa (Pretoria) 2002 which was exhibited at the launch of African Union, Durban, July 2002. More recently he was selected, among 100 phot...
Bolton Museum and Art Gallery: Celebrating Boxes: An Amazing Array of Beautifully Made Boxes Exquisite workmanship is only a starting point as the designers let you into their world, sharing their thoughts, desires and aspirations. From the lasting appeal of the classically designed jewellery box to the modern wooden hinged chest, the wid...
Schumacher Gallery, Capital University: African-American Artists of Central Ohio The exhibit is co-curated by David Barker and includes
artwork by Ron Anderson, Talle Bamazi, Garner Chapman, Larry
Collins, Ed Colston, Jenita Landerum-Bittles, Bruce
Robinson, Melissa Smith, Pheoris West, and Beverly
Whiteside. “African-...
Collins Gallery: Designs Drawings & Processes: John K Clark, Glasspainter Little however, is ever revealed about the techniques and processes involved
and this is a unique opportunity to examine the evolution of some of the most
technically complex stained glass ever created.
Center for Fine Art Photography: Call for Artists: Two Exhibitions - Landscapes of Desire - Intimate Floral 1 - Submissions Due February 2, 2005
Landscapes of Desire - Call for Entries - Awards include $1,500 Best of Show, a Solo Exhibition, Guaranteed Purchase Award. Submission by slides and CD images. Details and entry at www.c4fap.org. Also, en...
Cambridge Galleries: Translinear: 12 Canadian Artists The concise premise of the exhibition is that painting has a particular visual language and that paintings exist to generate a state of awareness or understanding on the part of the viewer which is not limited by context, time or place. By bringin...
Center of Contemporary Art: 'The Middle Way: Christchurch Meets Bangkok, Bangkok Meets Christchurch 'The Middle Way' in Thai Buddhist terms means: "Travelling the middle way, refuting the extremes and having tolerance for others" and for New Zealand/European artists this could mean, finding 'a type of middle ground'.
The Thai artists invol...
National Portrait Gallery: Gemma Levine: Portrait Photographer 25 years Politics is represented by Baroness Thatcher
and Tony Blair, Philosophy by Sir Isiah Berlin, Art by Elizabeth
Frink, David Hockney and Henry Moore, Theatre by Dame Judi Dench,
Sir John Gielgud and Sir Nigel Hawthorne. Other si...
Miami Modernism: Miami Modernism For more information or to order Gala Preview Tickets call (248) 334-9660 or (305) 861-0108, or email: jcaussin@aol.com
As the review of last year's show in Antiques and the Arts Weekly put it, MIAMI MODERNISM is a boffo production!...
Springfield Museum of Art: Ohio Art League 93rd Annual Spring Juried Exhibition: Ohio's Premiere Contemporary Artists The Ohio Art League exhibition will include work in any visual medium, traditional to non-traditional. Seven artists will be recognized with awards of merit, ranging from $50 to $1000, including a purchase award for the permanent collection of the...
Contemporary Arts Center: Somewhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art Such recognized contemporary artists as Vanessa Beecroft, Janet Cardiff and Yinka Shonibare will be featured alongside established and emerging artists from the Americas, Cuba, Europe, Asia and the Middle East. The largest exhibition presented in ...
Tullie House Museum and Art Services: Stranger than Fiction: Photographs, Video and Film by Artists Living in Britian Jananne Al-Ani explores Western perceptions of women in the Middle East;
Zineb Sedira's triptych of life sized veiled figures confounds common
prejudices about veiled women. The self is a readily available subject for
art investigating identity...
Victoria and Albert Museum: Seeing Things: Photographing Objects 1850-2001 It features many of the greatest practitioners of photography,
including Julia Margaret Cameron, Eugene Atget, Man Ray, Henri Cartier-Bresson, William
Eggleston, Helen Chadwick as well as prominent younger photographers. Natural Things
...
PS1 Contemporary Art Center: Uniform: Order and Disorder
The artists: Adel Abdessemed, Matthew Barney, Vanessa Beecroft, Lina
Bertucci, Joseph Beuys, Alighiero Boetti, Chris Burden, Maurizio Ca...
Tullie House Museum and Art Services: Celebrating Boxes: Art Boxes from Around the World The idea of an international box exhibition had been a seed in the back of Peter Lloyd’s mind for a long time, and grew out of a strong sense of curiosity about what was happening elsewhere.
Box-makers are fairly thin on the ground in Britai...
Colville Place Gallery: Kerry John Andrews As an inter-disciplinary digital artist and composer, Andrews current practice is focused upon constructing work that has no single medium, but transfers ideas across forms and languages, creating pieces that reside outside their physical forms...
Leigh Yawkey Woodson Art Museum: Chair Show 4 and Sitting Pretty: Contemporary Wisconsin Chairs In honor of this most affable and universal of furniture pieces, the Leigh Yawkey Woodson Art Museum, Wausau, presents The Chair Show 4 and Sitting Pretty: Contemporary Wisconsin Chairs from February 2 – April 7, 2002. The exhibitions feature the ...
Further Artwork and Information:
Charles Allston Collins Online
ArtMagick - Your Source of Visual Intoxication
Charles Allston Collins
Wilkie Collins - Charles Allston Collins
Charles Allston Collins (British, 1828 - 1873)
Collins, Charles Allston (1828-1873)
Paintings by Charles Allston Collins
Convent Thoughts by Charles Allston Collins
The Monna Vanna Art Studio/Charles Allston Collins
Wilkie Collins (1853)| Collins, Charles Allston| painting| painting| 676
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Norman Rockwell Freedom to Worship
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Wassily Kandinsky Aufleuchten
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Vincent van Gogh Feld Mit Mohnblumen
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Claude Monet Lunch in the Garden
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Norman Rockwell Fleeing Hobo
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