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Artist: Angelo Michele Colonna ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Angelo Michele Colonna.
- Luigi Rossini
Veduta della Colonna Antinina, o sia Piazza Colonna (View of the Piazza Colonna)
Etching
1823
- Luigi Rossini
Veduta della Colonna Antinina, o sia Piazza Colonna (View of the Antonine Column in the Piazza Colonna)
Etching
1823 The Metropolitan Museum of Art
- Madonna and Child with the Infant Saint John the Baptist, probably late 1490s Michele da
- Domenico Veneziano - Portrait of Michele Olivieri c. 1440-55 tempera on panel Chrysler Museum of Art Italian
- F.-Pierre Duflos
Colonna Traiana
18th century The Metropolitan Museum of Art
- The Man of Sorrows, ca. 1430 Michele Giambono (Michele Giovanni Bono) (Italian, Venetian, active 1420-62)Tempera
- Gaetano Cottafavi
Colonna Antonina. Colonne Antonine
19th century
- P. Ruga
Beduta della Colonna oretta dal senato Romano...
19th century
- Francesco Piranesi - View of Castel S. Angelo and Bridge mid 18th centur etching Arkansas Arts Center Italian
- F.-Pierre Duflos
Colonna di M. Aurelio (The Column of Marcus Aurelius in Rome)
Etching
18th century
- Michele Benedetti
Roman Charity
St. Engraving
circa 1796
- Michele Amodio
Royal Palace, Naples
Albumen print
circa 1870
- Michele Amodio
Royal Palace, Naples
Albumen print
circa 1870 The Metropolitan Museum of Art
- Mandolin, ca. 1900 Made by Angelo Mannello, 1858-1922New York, New York, United States of AmericaWood,
- Giovanni Battista Mercati
Castelo St. Angelo (Castel Sant*Angelo), pl. 29 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome)
Etching
1629
- A. Verico
Chiesa e Piazza S. Michele, Lucca, 1825
color etching
1825
- Joseph Nash
Convent of St. Michele and the Island of Murano
Lithograph
1843
- Alexis Angelo Podchernikoff
Evening
Lithograph
20th century
- Fred Richards
St. Angelo
Etching
1913
- Alexis Angelo Podchernikoff
Tank Cars
Lithograph
20th century Museum of Fine Arts
- Lucas Cranach the Elder, German, 1472-1553 The Lamentation with the Two Thieves Crucified 1515 Oil
- Angelo Biasioli
Trionfo di Bacco
Aquatint
18th - 19th century
- Angelo Falco
The Syrens
ENG
17th century
- Gaetano Cottafavi
Piazza Colonna, seventh plate in the book, Raccolta delle principali vedute di Roma e suoi contorni (Rome: Tommaso Cuccioni, 1837)
Etching and engraving
19th century
- Thomas Rowlandson
A Treatise on the Utility and Advantages of Fencingä A Dissertation on the Use of the Broad Swordä (London: Mr. [H.?] Angelo, 1817)
book with etchings, engravings, mezzotint engraving
1817
- Henry Wolf
Young Michael Angelo
19th - 20th century
- Alexis Angelo Podchernikoff
San Francisco Dock
Lithograph
circa 1930 - 1940
- Giovanni Battista Mercati
Colonna Traiana (Trajan*s Column), pl. 23 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome)
Etching
1629
- Alphonse Francois
M. Angelo Buonarroti from Art Journal l876, p. 57, after self-portrait by the artist
19th century
- James Anderson
Saint Angelo, Rome
albumen print
19th century
- Michele Pollman Ferandell
Proceeding Right-Gray, Standstill Red
Color etching diptych on Gampi silk tissue paper, folded
1983
- Angelo Falco
Le Trombea d'un homme de Lettres
ENG
17th century
- Francesco Barbazza
View of Castle and Bridge of San Angelo (Views of Rome)
18th century
- Angelo Testa
La Divina Pastora Des Las Almas Maria, after Franciscus Rodriguez
Engraving
19th century The Metropolitan Museum of Art
- Harpsichord, ca. 1675 Made by Michele TodiniRome, ItalyWood, various materials; L. of inner instrument 8
- Edward Lear
San Michele di Monte Voltore, plate 20 opposie page 268 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Angelo Biasioli
Veduta del nuovo Ponte, del Fiume PÚ, e della Chiesa detta del Monte
18th - 19th century
- Angelo Campanella
St. Eliae
engraving
18th - 19th century
- Michele Giambono - Saint Peter c. 1445-1450 tempera on panel National Gallery of Art Italian
- Angelo Campanella
Santa Juliana Falconieri
engraving
18th - 19th century
- Angelo Campanella
S. Eliae profetae erexit
engraving
18th - 19th century
- Cristofano di Michele Martini (Il Robetta)
Adoration of the Magi, after the painting Adoration of the Magi (1496) by Filippino Lippi
Engraving
circa 1496
- Lievin Cruyl
St. Peter*s and the Castel Sant*Angelo from the Tiber, probably one from a set of Twenty-five Views of Rome and Environs (published in 1665 or 1667)
Etching
1665 - 1667
- Angelo Campanella
The Wall Painting on an Ancient Roman House, after a drawing by Anton von Maron
Engraving
1786
- Thomas Rowlandson
Don Michele Getting Up the Ship's Side, thirteenth plate opposite page 323 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815)
color aquatint with addi
- Thomas Rowlandson
Don Michele Preparing for His Triumphal Expedition, seventeenth plate opposite page 366 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815)
color aquat
- Elizabeth Frances Batty
Castle of St. Angelo, opposite page 83 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820)
engraving
1820
- Angelo Campanella
Presentation in the Temple, after a painting by Fra Bartolomeo for S. Marco, Florence, for the series Schola Italica Pictorae...
Engraving
1771
- Luzzi da Todi (Luzio Romano)
Two Warriors, possibly a design for a lunette in the library of the Castel Sant* Angelo, Rome
Pen and brown ink on laid paper mounted to a heavier sheet
16th century Museum of Fine Arts
- Marco Angelo del Moro, Italian, about 1537 – after 1586 Augustus and the Tiburtine Sibyl The Metropolitan Museum of Art
- Phonurgia nova, sive conjugium mechanico-physicum artis & natvrae paranympha phonosophia concinnatum . . ., 1673 The Metropolitan Museum of Art
- Descrizione degli" istromenti armonici d"ogni genere . . ., 1806 Author: Filippo Buonanni (Italian, 1638-1725)Presso
- Angelo Uggeri
Temple de La Toux, study for plate 21 of the book Giornate pittoresche degli edifizi antiche de* circondari di Roma ( Rome: 1800-1814)
Pen and brown ink and brown wash on wove paper mounted to a heavier sheet
circa 1800
- Angelo Caroselli - The Plague of Ashdod (after Poussin) 1631 oil on canvas The National Gallery, London Italian
- Gaetano Cottafavi
Ponte e Mausoleo di Adriano oggi Castel * S. Angelo, tenth plate in the book, Raccolta delle principali vedute di Roma e suoi contorni (Rome: Tommaso Cuccioni, 1837)
Etching and engraving
19th century Museum of Fine Arts
- Thomas Rowlandson, English, 1756-1827 Mr. H. Angelo"s Fencing Academy At the Opera House, Haymarket 1789-1790–91
- Gustave DorÈ
Angelo Cappara, illustration no. 314 on page 441 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874])
wood engr
- Francesco Bartolozzi
Four Naked Children playing, after Guercino, from the series Seventy-Three Prints, engraved by Bartolozzi &c. from the original drawings by Michel Angelo, Domenichino &c
Stipple Engravi
18th - 19th century
- Giovanni Battista Piranesi
Colonna Antonina (Column of Marcus Aurelius), from Vedute di Roma (Views of Rome)
Etching
1758 The Metropolitan Museum of Art
- Virtue and Abundance, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi The Metropolitan Museum of Art
- Abner"s Messenger before David (?); The Queen of Sheba Bringing Gifts to Solomon; (verso) The J. Paul Getty Museum
- Taddeo Returns to Rome Museum of Fine Arts
- Giovanni Paolo Castelli, Italian (Roman), active about 1687-1703 Peaches and Pears in a Glass Bowl The Metropolitan Museum of Art
- Metaphysics, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called The Metropolitan Museum of Art
- Grammar, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called The Metropolitan Museum of Art
- Arithmetic, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called The Metropolitan Museum of Art
- Portrait of a Woman Italian (Florentine) Painter, mid-16th centuryOil on wood; 38 1/2 x 30
- Cherubino Alberti
The Assumption of the Virgin
Engraving
1571 The Metropolitan Museum of Art
- Geometry, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called
- Cherubino Alberti
Expulsion of Adam and Eve
engraving
1628
- Cherubino Alberti
St. Jerome, after Michelangelo
Engraving
1575
- Cherubino Alberti
The Torture of Prometheus, after Michelangelo
Engraving
1580
- Cherubino Alberti
The Torture of Prometheus, after Michelangelo
Engraving
1580
- Cherubino Alberti
Transfiguration of Christ on Mount Taber
Engraving
1575
- Federico Zuccaro
Nativity, after Federico Zuccaro
Engraving
16th century
- Cherubino Alberti
The Madonna and Child in Glory with Angels
Engraving
17th century
- Cherubino Alberti
Angel Supporting the Body of Christ
Engraving
16th century
- Cherubino Alberti
The Agony in the Garden, after Rosso Fiorentino
Engraving
1574
- Cherubino Alberti
The Holy Family, after Francesco Potenzano
engraving
1576
- Cherubino Alberti
Perseus, from Friezes after Polidoro da Caravagio
Engraving
16 - 17th century
- Cherubino Alberti
Angel Supporting the Body of Christ
engraving
16th - 17th century
- Cherubino Alberti
Tobias and the Angel, after Pellegrino Tibaldi
engraving
1575
- Etienne Delaune
Peace
Engraving
16th century
- Etienne Delaune
Mercury
Engraving
16th century
- Etienne Delaune
Asia
Engraving
16th century
- Etienne Delaune
Seated woman
16th century
- Etienne Delaune
Famine
Engraving
16th century
- Etienne Delaune
Africa
Engraving
16th century
- Etienne Delaune
Europe
Engraving
16th century
- Cherubino Alberti
Adam and Eve after the Expulsion, after Polidoro da Caravaggio
Engraving
1628
- Cherubino Alberti
Winged Genius Gesturing and Holding a Palm Branch
engraving
1628
- Etienne Delaune
War (set of four engravings)
Engraving
16th century
- Cherubino Alberti
The Expulsion of Adam and Eve, after the engraving by Alberti after Polidoro da Caravaggio
engraving
1591
- Cherubino Alberti
Plate from the series Antique Vases, after Polidoro da Caravaggio
Engraving
1582
- Cherubino Alberti
Plate from the series Antique Vases, after Polidoro da Caravaggio
Engraving
1582
- Cherubino Alberti
Plate from the series Antique Vases, after Polidoro da Caravaggio
Engraving
1582
- Cherubino Alberti
Plate from the series Antique Vases, after Polidoro da Caravaggio
Engraving
1582
- Cherubino Alberti
Plate from the series Antique Vases, after Polidoro da Caravaggio
Engraving
1582
- Cherubino Alberti
Plate from the series Antique Vases, after Polidoro da Caravaggio
Engraving
1582
- Cherubino Alberti
Plate from the series Antique Vases, after Polidoro da Caravaggio
Engraving
1582
Artnews Articles and Exhibition Information: (3) Click on any of the links below to read about artnews or exhibitions related to Colonna
Culture Institute of Poland: Clone: Luca Curci, Richard Journo, Fabiana Roscioli and Jan Simon The artists duplicating an entire exhibition, put in question the
serialising process in the contemporary art. By doing so they reflect on one
hand on the uniformity to which consumer goods are subjected in order to be
distributed on a global ...
Fogg Museum, Harvard: Sacred and Profane Visions from Renaissance Venice Sacred and Profane Visions speaks to the core of the Harvard University Art Museum's unique mission, said James Cuno, the Elizabeth and John Moors Cabot Director of the Harvard University Art Museums. The works from our permanent collection, comp...
Hirshhorn Museum and Sculpture Garden: Zero to Infinity: Arte Povera 1962-1972 To launch the exhibition, co-curator Richard Flood of the Walker Art Center, Minneapolis, will present a lecture at 12:30 p.m. on the opening day (Oct. 24). On Sunday, Nov. 10, at 3 p.m., Michelangelo Pistoletto, one of the major artists associate...
Further Artwork and Information:
Grove Art Online
La vicenda della Colonna del Gargano
Il Quadraturismo
Comanducci Arte Italia - Catalogo Artitsti
IAT - Palazzo Ducale di Sassuolo - Satcom
La Sala del Consiglio
Oriente e Occidente
SASSUOLO
Joseph Michel-Ange POLLET Art Auction Sales and Market Information by artprice.com
Angeli in www.angelologia.it
Search the Art History Database for artists, titles, media, year, and other indepth information:
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Georgia O'keeffe Light Iris, 1924
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Last updated and links verified on: Monday October 10/05/09 06:30:47 AM
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