Artist: William Robert Colton ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William Robert Colton.

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Arthur Henry Thomas Millier Farm near Colton Etching 19th - 20th century
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Agnes Jeffrey - Robert William Cunningham (1833-1841) c. 1840 watercolor on paper Memorial Art Gallery of the University of Rochester American
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Charles Willson Peale - William Smith and His Grandson, Robert Smith Williams 1788 oil on canvas Virginia Museum of Fine Arts American
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William Thomas Fry Robert Hills 18th - 19th century
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Robert Cooper William Shakespeare 18th - 19th century
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William Strang Portrait of Robert Annan of Glasgow DP 19th - 20th century
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Robert Edge Pine - General William Smallwood 1785-1788 oil on canvas National Gallery of Art American
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Agnes Jeffrey - Robert William Cunningham (1833-1841) and John George Cunningham (1835-1907) c. 1837 watercolor on paper Memorial Art Gallery of the University of Rochester American
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William Sharp The Right Honorable Robert Dundas 1790
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William Eley Teaspoon (one of twelve - 1986.35.33-44) silver 1821
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William Eley Teaspoon (one of twelve - 1986.35.33-44) silver 1821
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William Eley Teaspoon (one of twelve - 1986.35.33-44) silver 1821
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Robert White Portrait of William Bates, D.D. (age 74) Engraving 17th - 18th century
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Robert Henri - Portrait of Mrs. William Preston Harrison 1925 oil on canvas Los Angeles County Museum of Art American
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William Thomas Fry Robert Banks Jenkinson, Earl of Liverpool 18th - 19th century
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Robert Blyth To Sir William Forbes Etching 18th century
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WH Lt. Col. Sir Robert William Inglis, Men of the Day No. 2306, from Vanity Fair Supplement Lithograph 1913
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William Bell Teaspoon silver 1816
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William Elliot Teaspoon silver 1821
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Robert White Portrait of William and Mary, King and Queen Engraving 17th - 18th century
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California Landscape, William Wendt (Germany, Bernstadt, 1865 - 1946) , 1920, Oil on canvas
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William Theophilus Brown Study III lithograph 1983
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Robert Brandard Peterhead, plate opposite page 19 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London:
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Robert Brandard Broadstairs, Kent, plate opposite page 139 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
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Robert Brandard Newhaven Pier, Frith of Forth, plate opposite page 50 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William B
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Robert Brandard Slaines Castle, *near Peterhead, plate opposite page 17 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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Robert Wallis Hastings, plate opposite page 127 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London:
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Robert Wallis Scene at Fleetwood, on Wye, plate opposite page 137 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beatti
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Robert Wallis Banff, plate opposite page 9 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London: Georg
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Robert Wallis Harlech Castle, plate opposite page 64 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lon
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Robert Wallis Lytham, plate opposite page 180 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
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Words Appearing in a Dream of William Burroughs, Robert Rauschenberg (United States, Texas, Port Arthur, 1925 - 2008-05-12) , 1972, Offset lithograph
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Robert Wallis Dover, from the Ramsgate Road, plate opposite page 155 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Bea
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Robert Wallis New Bridge and Bronielaw, Glasgow, plate opposite page 46 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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Robert Wallis St. Bees College, plate opposite page 177 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
Museum of Fine Arts -
Sir Henry Raeburn, British, 1756-1823 Robert Hay Oil on canvas 77.5 x 64.1 cm (30
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Robert Wallis Leith Pier and Harbour, plate opposite page 43 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.
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William Van der Slice Pitcher silver circa 1865
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William Finden Rye (Sussex), plate opposite page 153 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lond
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William Richardson Dedication page, on p.[ 5,] and second plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring circa 1843
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The Pseudo-scopic Device/Robert Whitman with Philco-Ford, William Richard Crutchfield (United States, Indiana, Indianapolis, born 1932) , 1971, Black ink on paper
The Metropolitan Museum of Art -
The Old Bridge Hubert Robert (French, 1733-1808)Oil on canvas; Diameter 32 3/4 in. (83.2 cm)Gift
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William Richardson Whitby Abbey: Detail, third plate opposite p. 16, and sixth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1843
The Metropolitan Museum of Art -
Coat, ca. 1919 Designed by Paul Poiret (French, 1880-1944)French; Made Paris, Francesilk, wool, fur, kid;
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William Richardson Easby Abbey: Details, third plate opposite page 76, and sixty-fifth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1855
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William Richardson Nun-Monkton: Plan and Details, plate opposite page 84 ,and eightieth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1855
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William Richardson Egglestone Abbey: Details, second plate opposite page 74, and sixty-first plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1855
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William Richardson Selby Abbey: Details, third plate opposite page 58 , and fortieth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1855
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William Richardson Bolton Abbey: View, on page [59], and forty-first plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph on text page 1855
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William West Fantastic Landscape brown washes 19th century
Museum of Fine Arts -
Robert Salmon, English, 1775-1845 or after The New Ship "Duncan" 1832 Oil on panel 41.27
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William Richardson Fountains Abbey: Details, third plate opposite page 40, and twenty-third plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1848
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William Richardson Guisborough Priory: Interior, second plate opposite page 50, and thirty-third plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1848
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William Richardson Byland Abbey: Details, third plate opposite page 48, and thirtieth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1848
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William Richardson Kirkstall Abbey: Plan, third plate opposite page 20, and eleventh plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1843
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William Richardson Kirkstall Abbey: Details, second plate opposite page 20, and tenth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1843
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Amelia Jane Murray Pictorial and descriptive Sketches of the Odenwald ([London]: William Robert and Lowes Dickinson, [1848?]), 3 parts book with color lithographs with hand coloring 1848
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Le sixième âge (4e quart 18e siècle ; 1ère moitié 19e siècle) by NORMAND Charles Pierre Joseph (attribué à) ; SMIRKE Robert (inspiré par)
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William Richardson Easby Abbey: The Refectory, first plate opposite page 76, and sixty-third plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph 1848
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William Richardson Bolton Abbey: The Choir, first plate opposite page 60, and forty-second plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph 1848

Artnews Articles and Exhibition Information: (6)
Click on any of the links below to read about artnews or exhibitions related to Colton

VIRTUALITAS Fine Arts online: E. COLTON: Mit der Geschwindigkeit des Lichtes [with the rate of the light]
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Ormond Memorial Art Museum and Gardens: Four Footed: Artists Interpret Creatures
Four- Footed illustrates that at some point in their careers, most artists cannot resist some casual exploration into the animal form. For some it is a simple case of respite from the larger, more complex and grueling subject matter which they re...
Raid Projects: Call for Artists: The Artist In Residence Program (AIR)
AIR's resident artists are predominantly international, but we also host US artists whose projects are suitable to a LA residency. The residency fee is $1400US per month. As this program has a proven track record Raid can facilitate artist's fundi...
San Bernardino County Museum, Fisk Gallery: In Our Midst: Work by Susan Beiner, Richard Johnston, and Don Woodford
Susan Beiner, a ceramics artist who lives in Colton, California, earned her Master of Fine Arts at the University ...
Osceola Center for the Arts: Florida Sculptors Guild: First All Sculpture Group Exhibition
Artists exhibiting include: Stefan Alexandres, Nick Bingham, Cheryl Bogdanowitsch, Susan Carter, Mindy Z. Colton, Marcos Cruz, Marsha DeBroske, Arsalan D, David David Figueroa, Irene Franz, Daryl Golden, Jim Hosner, Katherine Mathisen, Victoria Na...
Museum of Florida Art: The Florida Biennial
IMAGE
Cecil Herring
Title: St Johns River View
Year Created: 2008
Medium: Painting Acrylic
Width: 80 inches
Height: 30 inches
Price: US$ 1200

Further Artwork and Information:

William Robert Colton Online
Ancestors of Michael B Gledhill William(Robert) Hood
(Vivian Collins - Robert Colwell )
Ancestors of Michael B Gledhill Mrs. William Hood
Genealogy Data
Freedom Art Quotations -- The Painters Keys Community :: Resource of Art Quotations
Lancaster Uk Family Tree - Name Index - Generated by Ancestry Family Tree
Military Chapel - All Gave Some, Some Gave All - militarychapel.org militarychapel.net
1851 Census
1851 Census

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