Artist: William John Cooke ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William John Cooke.

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William John Cooke The City of Nahun. Himalaya Mountains. 18th - 19th century
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William Bernard Cooke Source of The Tamer and Torridge 1816
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William Bernard Cooke Ilfracombe North Devon 1818
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William Bernard Cooke Caernarvon Castle, North Wales wood engraving 18th - 19th century
The Metropolitan Museum of Art -
Mrs. Bryan Cooke (Frances Puleston, 1765-1818), ca. 1787-91 George Romney (British, 1734-1802)Oil on canvas; 50
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George Cooke Gateway 18th - 19th century
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Cooke and Leconte View of Sacramento City lithograph mid 19th century
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T. Cooke Cataract of the Bantry River in Ireland 18th - 19th century
Museum of Fine Arts -
George Cooke, English, 1781-1834 Engraved by William James Bennett, American (born in England), 1787-1844 West
The Minneapolis Institute of Arts -
Artist: Will M. Agar Title: Meditation, Jay Cooke Park, Minnesota Date: 1973 Medium: gelatin silver
The Minneapolis Institute of Arts -
Artist: Will M. Agar Title: Jay Cooke State Park Date: 1989 Medium: gelatin silver print
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Joseph Mallord William Turner Cover sheet of River Scenery, by Turner and Girtin, with Descritions 1827
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Joseph Mallord William Turner Cover sheet of River Scenery, by Turner and Girtin, with Descritions 1827
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John Saddler St. Michael's Mount Cornwall 19th century
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John Saddler Sunset, Essex Engraving 19th century
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John Saddler Kentish Hop Gardens wood engraving 19th century
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John Saddler The Thames from Richmond Hill engraving 19th century
Museum of Fine Arts -
After Joseph Mallord William Turner, English, 1775-1851 George Cooke, English, 1781-1834 Edinburgh from the Calton
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William Finden Ramsgate, plate opposite page 116 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London:
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William Finden Gosport, Flag Ship Saluting, plate opposite page 108 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beat
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Edward Francis Finden Men of War at Spithead, plate opposite page 98 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Bea
Museum of Fine Arts -
Giovanni Paolo Pannini, Italian (Roman), 1691-1765 Fountain of Trevi, Rome Oil on canvas 50.2 x
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Edward Francis Finden Yarmouth, Norfolk, plate opposite page 160 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie
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William Finden Rigging Hulk and Frigate, Portsmouth, plate opposite page 96 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by Will
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John B. Neagle William Helmuth (or John Henry Helmuth) oil on canvas 1834
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Edward Francis Finden Entrance to Portsmouth Harbour, plate opposite page 95 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by Wil
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Edward Francis Finden View from the Saluting Platform, Portsmouth, plate opposite page 103 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descr
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William St. John Harper (sculpture) engraving 1889
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William Strang John Bunyan, frontispiece portrait and first plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) book with 14 etchings 1895
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Colonel Cockburn Street Scene in the City of Pompeii, on Passing the gates Leading to Rome engraving 1817
Museum of Fine Arts -
Cylinder seal Near Eastern, Mesopotamian, Sumerian Early Dynastic Period, 2900-2334 B.C. Sumeria, Jemdet Nasr Lapis
Museum of Fine Arts -
Cylinder seal Near Eastern, Mesopotamian Early Dynastic Period, 2900-2334 B.C. Sumeria, Jemdet Nasr Marble 0.031
Museum of Fine Arts -
Cylinder seal Near Eastern, Mesopotamian Early Dynastic Period, 2900-2334 B.C. Sumeria Marble 0.034 L. Museum
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William John Hennessy Child Sitting in a Field charcoal on paper 1863
Museum of Fine Arts -
Cylinder Seal Near Eastern, Mesopotamian, Akkadian Akkadian Period 2334-2154 B.C. White limestone .27 x .17
Museum of Fine Arts -
Cylinder seal Near Eastern, Mesopotamian Early Dynastic Period, 2900-2334 B.C. Sumeria Yellowish Limestone .19 x
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William Strang The Man with the Muckrake, opposite page 230 and eleventh plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
Museum of Fine Arts -
Cylinder Seal Near Eastern, Mesopotamian Early Dynastic Period, 2900-2334 B.C. Sumeria Diorite, intaglio 0.025 L.
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William St. John Harper Cleopatra etching 1887
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John Singleton Copley William Vassall and His Son Leonard oil on canvas circa 1770 - 1772
Museum of Fine Arts -
Cylinder seal Near Eastern, Mesopotamian, Akkadian Akkadian Period, 2334-2154 B.C. Sumer-Akkadian Green jasper, intaglio 0.028
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William Strang The Scourging of Faithful, opposite page 112 and eighth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang The Slough of Despond,opposite page 6 and fourth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang Christian Loses His Burden,opposite page 38 and fifth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang The Butcher and the Sheep, opposite page 240 and twelfth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang Mercy at Her Work, opoosite page 272 and thirteenth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
Museum of Fine Arts -
Cylinder seal Near Eastern, Mesopotamian Early Dynastic Period, 2900-2334 B.C. Sumeria Serpentine .27 x .14
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William Strang Bunyan*s Wife Reading the Bible to Him,title page and second plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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John William Orr Ninigret 19th century
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John William Orr Rev. S.H. Tying, D.D. 19th century
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John William Joseph Winkler The Mantilla etching 1925
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W. H. Mote William Henry John,Son of Lieut.-Colonel John Sidney and Lady Susan North 19th - 20th century
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William Strang Christian and Hopeful in the Dungeon, opposite page 132 and ninth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang Marriage of Mercy and Matthew,opposite page 310 and fourteenth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang The Valley of the Shadow of Death,opposite page 70 and seventh plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang Christian Fights Apollyon, opposite page 64 and sixth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang Mercy Swoons Before the Gate,opposite page 224 and tenth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Poole St. Bernard*s Well, title page vignette for the first volume the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Etching and engraving 180
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William St. John Harper Queen Elizabeth etching 1889
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William Strang Portrait of John Galsworthy Lithograph 1912
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William Strang Portrait of John Galsworthy Lithograph 1912
Museum of Fine Arts -
Cylinder seal: Hunting scene in mountains Near Eastern, Mesopotamian, Akkadian Akkadian Period 2334-2154 B.C. Diorite,
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John Trumbull William Pinkney oil on canvas circa 1800
Museum of Fine Arts -
Marked by Richard Cooke, only mark entered 1799 Beaker drinking vessel London, England England, (London),
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John Singer Sargent - Mrs. William Shakespeare c. 1896 oil on canvas Memorial Art Gallery of the University of Rochester American
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John George Brown - Waiting for William 1879 oil on canvas Chrysler Museum of Art American
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John Trumbull - William Rogers 1804-1808 oil on canvas National Gallery of Art American
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William Poole Elgin Cathedral, title page vignette for volume 2 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Etching with engraving 1801
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John William Orr Rev. Eliphalet Nott, D.D., LL. D. 19th century
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John William Orr King Philip 19th century
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John Saddler "The Hop-gardens of England," facing pg. 13, in the book Cecil Lawson: A Memoir by Edmund W. Gosse (London: The Fine Art Society, 1883)~ Engraving from an oil painting on cream paper 1883
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Samuel Tucker Cooke - The Safari Lady's Party at the Primavera Ball 1974 graphite on Alexis B The Mint Museums American
Museum of Fine Arts -
Marked by Richard Cooke, only mark entered 1799 Coffeepot London, England England, (London), 1800-01 Silver,
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William Kent Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) Book with 52 engravings and uncounted ornamental end pieces 1729
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William Strang Portrait of John Bunyan etching 19th - 20th century
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L.M. Cooke - Salute to General Washinton in New York Harbor 1901 oil on canvas National Gallery of Art American
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John B. Pendleton and William S. One of Seven more plates from the same work lithography 1826
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John B. Pendleton and William S. One of Seven more plates from the same work lithography 1826
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John B. Pendleton and William S. One of Seven more plates from the same work lithography 1826
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John B. Pendleton and William S. One of Seven more plates from the same work lithography 1826
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John B. Pendleton and William S. One of Seven more plates from the same work lithography 1826
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John B. Pendleton and William S. One of Seven more plates from the same work lithography 1826
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John B. Pendleton and William S. One of Seven more plates from the same work lithography 1826
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John William Inchbold Study of Cliffs transparent and opaque watercolor 1871
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John William Joseph Winkler Alameda Etching 1919
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John William Joseph Winkler L'oiseleuse Etching 1923
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John William Joseph Winkler Wing Lee Etching 1919
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John William Joseph Winkler Low Tide Etching 1919
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John William Joseph Winkler Little Alley Etching 1916
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John William Joseph Winkler La Bouquiniste Etching 1923
The Metropolitan Museum of Art -
Sir William Hood, ca. 1766 John Smart (British, 1741-43–1811)Ivory; Oval, 1 1/2 x 1 1/4
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John William Joseph Winkler Gulls feeding Etching 1972
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William Strang Milton's Paradise Lost - Portrait of John Milton etching 1896
Museum of Fine Arts -
Marked by Richard Cooke, only mark entered 1799 Cream Jug London, England England, (London), 1800-01
Museum of Fine Arts -
Marked by Richard Cooke, only mark entered 1799 Tea Canister London, England England, (London), 1800-01
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John Singleton Copley - Sir William Pepperrell and His Family 1778 oil on canvas North Carolina Museum of Art American
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Agnes Jeffrey - Robert William Cunningham (1833-1841) and John George Cunningham (1835-1907) c. 1837 watercolor on paper Memorial Art Gallery of the University of Rochester American
Museum of Fine Arts -
Marked by Richard Cooke, only mark entered 1799 Teapot and Tray London, England England, (London),
Museum of Fine Arts -
Marked by Richard Cooke, only mark entered 1799 Sugar Bowl London, England England, (London), 1800-01

Artnews Articles and Exhibition Information: (14)
Click on any of the links below to read about artnews or exhibitions related to Cooke

Tatar Gallery: Jim Cooke and Sylvie Readman
Inspired by his upbringing in the English town of Coventry, Jim Cooke shifts his focus in a new collection of works at the Tatar Gallery from his usual fascination with monuments of Arcadian beauty to those of a more personal Arcadia – his own chi...
Irish Museum of Modern Art: Shifting Ground: Selected Works of Irish Art 1950 - 2000
Working closely with the Museum, the selectors have identified works which, for them, were key in each of the past five decades, taking account of works already in IMMA's Collection. Works are ...
Museum of Contemporary Art, Sydney: Bridget Riley: 1960 to Present
"No painter, dead or alive, has ever made us more aware of our eyes than Bridget Riley." - Robert Melville, The New Statesman, 1970. Included in this exhibition is a selection of the artist‚s dynamic black and white "dazzle" paintings, whi...
Cairns Regional Gallery: Kangaroo and Map: An Advertisement for Australia
In 1911 the Postmaster-General’s Department issued an invitation to skilled artists to submit competitive designs for a postage stamp that would represent the newly formed Federation of Australia. Over 1,000 designs were entered in the compe...
Peabody Essex Museum: The Endurance: Art at latitude 74 degrees south
His fingers cracked and bled in a freezing darkroom. He scaled icy peaks and towering masts in search of a unique perspective. He stripped off the insulating warmth of gloves and hat to operate more efficiently. He nearly blinded himself...
Kettle's Yard Gallery, University of Cambridge: Fred Sandback: Sculptures and Drawings
Distinctively, Sandback developed a way of working that dispensed with the mass and weight of materials, and ultimately used acrylic yarn, sometimes multi-coloured, stretched across architectural space. He made sculptures whose factual existen...
Dia Center for the Arts: Bridget Riley: Reconnaissance
Bridget Riley: Reconnaissance, installed on the fourth floor of Dia's exhibition facility at 548 West 22nd Street, will focus on key paintings from the 1960s and 1970s by this British artist. Riley's paintings fuse space, light, and drawing in a...
Crawford Municipal Art Gallery: 0044 Contemporary Irish Artists in Britain
The artists are: Kathy Prendergast, Daphne Wright, Paul Seawright, Andre Stitt, Cecily Brennan, John Carson, Anne Carlisle, Maud Cotter, Liadin Cooke, John Gibbons, Frances Hegarty, Siobhan Hapaska, Andrew Kearney, Mo Whit...
The British Museum: The Apocalypse
This exhibition, together with the associated publication, will examine the pictorial tradition it engendered as represented principally by illuminated ma...
Art Gallery of Ontario: Rodney Graham: A Little Thought
This first major North American tour of works by Rodney Graham is jointly organized by the Art Gallery of Ontario, The Museum of Contemporary Art, Los Angeles, and the Vancouver Art Gallery. Graham’s works have been widely shown throughout Canada ...
Guggenheim Museum, Berlin: Neo Rauch: Paintings and Drawings
Almost a decade has passed since the Deutsche Bank's art team encountered Neo Rauch and his work for the first time. Although his early works are certainly impressive, his present oeuvre is more figurative and on a grander scale, his use of forms ...
Penny McCall Foundation: Ordway Prize: The Most Generous Iinternational Art Prizes in the World
The 2005 winners were selected from among six finalists nominated by a distinguished panel of artists, curators, writers, museum professionals, scholars, philanthropists, and leaders in the field of contemporary art, all of whom were invited by Ms...
Dia:Beacon: Dia's Andy: Through the Lens of Patronage
A special publication, which takes Warhol's Interview magazine as a model, contextualizes the exhibition with images and facsimiles of published texts related to the works on view. Public programs include screenings of the artist's early films and...
Oakland Museum of California: Made in Oakland: The Furniture of Garry Knox Bennett
The exhibition features more than 80 pieces of furniture created from unique combinations of unexpected materials. These range from large-scale cabinets and trestle tables to playful clocks and ingenious lamps, and are accompanied by 60 smaller pi...

Further Artwork and Information:

John William Cooke
John William Cooke
1832 Assigned Convicts No 2 NSW
COOKE
Cooke & Early New England
William Cooke of Surry County, Virginia
William COOKE (Sir Knight)
WIRKSWORTH-Parish Records 1608-1899-Matlock Registers
Cook, Cooke, Koch links and researchers, Cooks Hangout, genealogy
John Cooke and Sarah Midgett

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