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Artist: Alfred Egerton Cooper ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Alfred Egerton Cooper.

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Henry Cousins Portrait of J. Egerton Mezzotint 19th century
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John Smith Portrait of John Egerton, Earl of Bridgwater Mezzotint 17th - 18th century
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John Henry Robinson The Lady Blanche Egerton. 18th - 19th century
Museum of Fine Arts -
Sir Joshua Reynolds, British, 1723-1792 Mrs. Richard Hoare Holding her Son, Henry about 1763 Oil
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Randolph Caldecott Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) book with 81 wood engravings 1883
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Henri de Toulouse-Lautrec - Alfred la Guigne 1894 oil on cardboard National Gallery of Art French
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Randolph Caldecott Illustration on page [73], first illustration for The Ox and the Frog in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 75, third illustration for The Ox and the Frog in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [74], second illustration for The Ox and the Frog in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [62], second illustration for The Man and His Two Wives in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 71, third illustration for The Eagle and the Fox in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 67, third illustration for The Fox Without a Tail in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [70], second illustration for The Eagle and the Fox in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [69], first illustration for The Eagle and the Fox in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [66], second illustration for The Fox Without a Tail in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [65], first illustration for The Fox Without a Tail in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 63, third illustration for The Man and His Two Wives in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [1], first illustration for The Fox and the Crow in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 2, second illustration for The Fox and the Crow in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [61], first illustration for The Man and His Two Wives in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustrations on page 3, third illustration for The Fox and the Crow in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page following introductory note in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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William Dunlap - Mrs. Thomas A. Cooper n.d. oil on canvas Cleveland Museum of Art American
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Randolph Caldecott Illustration on page [72], fourth illustration for The Eagle and the Fox in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [25], first illustration for TheDog and the Wolf in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [4], fourth illustration for The Fox and the Crow in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [26], second illustration for TheDog and the Wolf in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 27, third illustration for TheDog and the Wolf in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [18], second illustration for The Coppersmith and His Puppy in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [58], second illustration for The Wolf and the Lamb in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [30], second illustration for The Stag Looking into Water in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page31, third illustration for The Stag Looking into Water in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [68], fourth illustration for The Fox Without a Tail in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [29], first illustration for The Stag Looking into Water in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [64], fourth illustration for The Man and His Two Wives in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 59, third illustration for The Wolf and the Lamb in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [57], first illustration for The Wolf and the Lamb in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [5],first illustration for The Ass in the Lion's Skin in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [76], fourth illustration for The Ox and the Frog in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 19, third illustration for The Coppersmith and His Puppy in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [13], first illustration for The Jackdaw and the Doves in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [9], first illustration for The Fisherman and the Little Fish in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 43,third illustration forThe Fox and the Stork in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [42], second illustration forThe Fox and the Stork in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [41], first illustration forThe Fox and the Stork in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 7,third illustration for The Ass in the Lion's Skin in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [10], second illustration for The Fisherman and the Little Fish in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 11, third illustration for The Fisherman and the Little Fish in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [17], first illustration for The Coppersmith and His Puppy in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [14], second illustration for The Jackdaw and the Doves in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 15, third illustration for The Jackdaw and the Doves in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [6], second illustration for The Ass in the Lion's Skin in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [53], first illustration forThe Ass, the Lion, and the Cock in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 51, third illustration forThe Cock and the Jewel in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [46], second illustration forThe Horse and the Stag in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 79, third illustration for The Hawk Chasing the Dove in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [60], fourth illustration for The Wolf and the Lamb in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 47, third illustration forThe Horse and the Stag in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [77], first illustration for The Hawk Chasing the Dove in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [54], second illustration forThe Ass, the Lion, and the Cock in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [38], second illustration forThe Lion and Other Beasts in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [45], first illustration forThe Horse and the Stag in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 39, third illustration forThe Lion and Other Beasts in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [44], fourth illustration forThe Fox and the Stork in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [78], second illustration for The Hawk Chasing the Dove in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [49], first illustration forThe Cock and the Jewel in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [37], first illustration forThe Lion and Other Beasts in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [50], second illustration forThe Cock and the Jewel in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [8], fourth illustration for The Ass in the Lion's Skin in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page[32], fourth illustration for The Stag Looking into Water in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [28], fourth illustration for TheDog and the Wolf in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 23, third illustration for The Frogs Desiring a King in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [22],second illustration for The Frogs Desiring a King in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [21], first illustration for The Frogs Desiring a King in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 55, third illustration forThe Ass, the Lion, and the Cock in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [56], fourth illustration for The Ass, the Lion, and the Cock in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [20],fourth illustration for The Coppersmith and His Puppy in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [16], fourth illustration for The Jackdaw and the Doves in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [12], fourth illustration for The Fisherman and the Little Fish in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [24], fourth illustration for The Frogs Desiring a King in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [80], fourth illustration for The Hawk Chasing the Dove in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [40], fourth illustration forThe Lion and Other Beasts in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [52], fourth illustration forThe Cock and the Jewel in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page[33], first illustration forThe Frogs and the Fighting Bulls in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [48], fourth illustration forThe Horse and the Stag in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page 35, third illustration forThe Frogs and the Fighting Bulls in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page[34], second illustration forThe Frogs and the Fighting Bulls in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [36], fourth illustration forThe Frogs and the Fighting Bulls in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Alfred Brannon The picturesque Beauties of the Isle of Wight (Newport, Isle of Wight: Alfred Brannon, 1864) book with engravings 1864
The Metropolitan Museum of Art -
Alfred Dedreux (1810-1860) as a Child, 1818 Jean-Louis-André-Théodore Gericault (French, 1791-1824)Oil on canvas; 18 x
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Alfred Kubin Saturn Lithograph 1911
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Jean Alfred TaÔÈe Paris En Train 1868
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Peter Van Valkenburgh Alfred, Lord Tennyson lithograph 1929
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Alfred Boilot Revolte de Pavie Etching 1895
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Alfred Rethel Totentanz, No. 5 Woodcut 1849
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Alfred Rethel Totentanz, No. 4 Woodcut 1849
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Alfred Rethel Totentanz, No. 3 Woodcut 1849
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Alfred Rethel Totentanz, No. 2 Woodcut 1849
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Alfred Rethel Totentanz, No. 6 Woodcut 1849
Museum of Fine Arts -
Ludolf Bakhuysen, Dutch, 1631-1708 View across the River Y toward Amsterdam Oil on canvas 42.2

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Cooper


Cooper Union for the Advancement of Science and Art: Call for Aritsts: The Cooper Union School of Art Summer Residency Program
Application deadline
Friday, March 4, 2005 For more information and an application please visit our website: www.cooper.edu/artsummer On campus housing is available. Financial ...

Cooper Union for the Advancement of Science and Art: Exhibition of Works by Sculptor Franca Ghitti
Ghitti has been working with the theme of maps through an art since the 1960s and, by utilizing salvaged wooden planks, the bottoms of large barrels, iron cables and scraps of old notebooks, she tried to define a relationship between habita...

Haunch of Venison: Thomas Joshua Cooper: Point of No Return
Cooper’s most ambitious project is The World’s Edge – The Atlantic Basin Project, an epic endeavour begun in 1990 to map the extremities of the land and islands that surround the entire Atlantic Ocean. The Haunch of Venison exhibition, point of ...

Cooper Union for the Advancement of Science and Art: Call for Artists: Second Annual Summer Residency Program
Residents of The Cooper Union Summer Residency Program have the option of participating in a wide range of seminars and events, including critiques. A staff of master technicians, who are also practicing artists, provide valuable technical supp...

Siam Art Space: 1+2, a crappy exhibition in too many parts
Though 1+2 takes the style of silent, black and white films, it references many universal and contemporary themes such as domestic violence, love and hate and more recently the uncompromising struggle between Western and Arab cultures. 1+2 views...

Cooper-Hewitt National Design Museum: Solos: Future Shack
The second installment of Cooper-Hewitt's Solos exhibition series, which explores groundbreaking, innovative international and contemporary architecture and design works, spotlights FutureShack because it represents a departure from what we think ...

Philadelphia Museum of Art: Milton Glaser: Graphic Design
Born in 1929 in New York City, Mr. Glaser studied at The Cooper Union Art School and later, as a Fulbright Scholar, attended the Academy of Fine Arts, Bologna, Italy. Throughout a celebrated career, he has ...

Cooper-Hewitt National Design Museum: The Opulent Eye of Alexander Girard
His stores, showrooms, exhibitions, and houses introduced modern design to millions of Americans, while his restaurants dazzled the public with their theatricality. ...

Presentation House Gallery: TELEPHONES: CHRISTIAN MARCLAY
IMAGE:
Christian Marclay,
Telephones, 1995,
video still.
...

Victoria and Albert Museum: Inventing New Britain: The Victorian Vision 5
The exhibition will challenge perceptions of the Victorians. Paul Atterbury, curator of the exhibition, says: “The world of the Victorians relates to our world far more than...

Art Dealers Association of Greater Washington: Art At The Millenium: Part II
...

Neues Museum - Staatliches Museum für Kunst und Design in Nürnberg: Ladislav Sutnar: Designer in Two Worlds
Having immigrated to the United States in 1939, he continued to play a role as one of the foremost personalities in the Euro-American avant-garde. His futuristic vision paved the way for the development of today’s principles of information design....

New Museum of Contemporary Art: World Views Exhibition

The exhibition at the New Museum will include works by Simon Aldridge, Naomi Ben-Shahar, Monika Bravo, Laurie Halsey Brown, Justine Cooper, Lucky Debellevue, Carola Dertnig, Mahmoud Hamadani, Kara Hammond, Jeff Konigsberg, Motonobu Kurokawa, Ge...
Museum of Contemporary Photography: on View: Antonia Contro and Maurizio Pellegrin, David Ireland, Clement Cooper
Originally a painter, Chicago artist Antonia Contro creates intricate installations that explore themes of journey and transformation inspired by her own Venetian heritage. Using a SX-70 Polaroid camera, Contro creates both concrete and ethereal ...

Fogg Museum, Harvard: Philip Guston: A New Alphabet Brings Pivotal Group of Paintings Together for First Time
The exhibition is co-organized by Harry Cooper, associate curator of modern art at the Fogg Art Museum, and Joanna Weber, acting curator of European and contemporary art at the Yale Art Gallery, with the help of Laura Greengold, a recent graduate ...

Cooper-Hewitt, National Design Museum, Smithsonian Institution: The Work of Charles and Ray Eames: A Legacy of Invention
At a critical moment in American history, Charles (1907-1978) and Ray (1912-1988) Eames responded to emerging postwar consumer needs and demands with experimentation and an aesthetic approach that was a uniquely American interpretation of European...

Organization of Independent Artists: Patterned Behavior - Moku-Hanga: Japanese Waterbase Woodcuts by April Vollmer and Sarah Hauser
April Vollmer received an M.F.A. at Hunter College. In addition to a recent solo exhibit at A.I.R. Gallery, the artist has exhibited at the Islip Art Museum, Goddard Riverside Art Center, Dieu DonnÈ Papermill and other galleries nationally a...

Centre of Attention: Featuring...Curated by Pierre Coinde and Gary O'Dwyer
Al+Al
Oreet Ashery
estate of H.W Auden
Simeon Banner
Benedict Carpenter
Rosie Cooper
Greg Daville
Eveleigh and Evans
Nooshin Farhid
A.M. Hanson ('alexcalledsimon')
Jasper Joffe
Tina Keane
...

Kabat Wrobel Gallery: Paula Braswell and Dionne Simpson: Urban Decay
Paula Braswell holds an MFA from Florida State University. She has been showing her work in many galleries (public and commercial) across the USA and in Canada. Dionne Simpson's mixed media paintings explore an urbanscape in a contemporary ...

New Museum of Contemporary Art: World Views Open Studio Exhibition
New Museum Henry Luce III Director Lisa Phillips said: It is crucial for cultural institutions to work together now and we felt it was important to support a vital downtown arts institution in need. The exhibition at the New Museum will pres...

Virginia Historical Society: Robert Gwathmey: a Retrospective
Gwathmey developed a two-dimensional style that was uniquely his own. His paintings juxtapose primitive, carefully chosen shapes and angles against startling color, often outlined in black. In choosing color, Gwathmey sometimes arranged co...

Museum of Contemporary Art, San Diego: A Unique American Vision: The Paintings of Gregory Gillespie
Also on view are portraits, still-lifes, and devotional images that Gillespie calls shrines, which combine tour-de-fo...

ARTSCI'99:
BUCKY - a one-man performance
Through the powerful universal principles that Buckminster Fuller discovered and utilized during his lifetime, namely, Synergy, Precession, Ephemeralization, and Acceleration of Acceleration, we can explain and predict some of the fastest mutatin...

Esso Gallery: Francesco Simeti: NOW I KNOW MY ABC's
His patterns show images of conflict, crowds of people or military personnel engaged in non-natural disasters and the words are derived from a media-created language. The ability of Francesco Simeti to subvert a given system by using it's own l...

Busch-Reisinger Museum, Harvard: Mondrian: The Transatlantic Paintings
Drawing upon public and private collections in Europe and America, the exhibition will unite for the first time fifteen of Mondrian's seventeen transatlantic paintings, including works from the Museum of Modern Art, The Tate Modern, The Phillips C...

Rice Unversity Art Gallery: Untitled (Series No. 2): French Sound Artist Celeste Boursier-Mougenot
Boursier-Mougenot's installation at Rice Gallery will include three large inflatable swimming pools, each fitted with silent water pumps and filled with floating porcelain bowls of varying size and dimension. Caught in the current of the circula...

Art Gallery of South Australia: 2002 Adelaide Biennial - conVerge: where art and science meet
Each of the artists in the exhibition are actively engaged with scientific research at the beginning of the 21st century. The exhibition explores some of the fundamental issues facing modern Australia, through creative encounters with diverse syst...

Cleveland Center for Contemporary Art: Margaret Morton: The Tunnel
Residents dwell in continual darkness, constructing homes of cinder-block bunkers and freestanding hand-made structures in alcoves and on ledges. With sensitivity and compassion, Margaret Morton has chronicled the lives and living spaces of the tu...

Montclair Art Museum: Whitfield Lovell: Portrayals
Lovells work has been shown in solo exhibitions at the Andy Warhol Museum in Pittsburgh, the Southeastern Center for Contemporary Art in Winston-Salem, North Carolina and the Jersey City Museum.  Whitfield Lovell: Portrayals was organized by T...

Harvard University, Arthur M. Sackler Museum: Medardo Rosso: Second Impressions
Medardo Rosso: Second Impressions will focus on five sculptures spanning Rosso’s mature career. The works are Aetas aurea (The Golden Age), 1886–87; Grande rieuse (Large Laughing Woman), 1891; Bambino ebreo (Jewish Boy), c. 1892–93; Bookmaker, c. ...

Further Artwork and Information:

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