Artist: Michele Felice Corne ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Michele Felice Corne.

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Thomas Rowlandson Don Michele Getting Up the Ship's Side, thirteenth plate opposite page 323 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with addi
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Thomas Rowlandson Don Michele Preparing for His Triumphal Expedition, seventeenth plate opposite page 366 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquat
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Paulus Potter La Vache a la corne crochue Etching 17th century
The Metropolitan Museum of Art -
Madonna and Child with the Infant Saint John the Baptist, probably late 1490s Michele da
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Domenico Veneziano - Portrait of Michele Olivieri c. 1440-55 tempera on panel Chrysler Museum of Art Italian
The Metropolitan Museum of Art -
The Man of Sorrows, ca. 1430 Michele Giambono (Michele Giovanni Bono) (Italian, Venetian, active 1420-62)Tempera
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Giulio Tomba The Studio of Francesco Rosaspina, after Felice Giani Engraving 1811
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Michele Benedetti Roman Charity St. Engraving circa 1796
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-7/16 x W.8-1/4
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-1/2 x W.8-1/4
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-5/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-3/8
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-3/8
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-7/16 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-3/4 x W.11-1/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-15/16 x W.8-15/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-3/8
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-5/16 x W.7-13/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-3/16 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-7/16 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-1/4 x W.10-3/8
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-7/16 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-1/4 x W.10-5/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-5/16 x W.8-1/4
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-5/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-7/16 x W.11
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-5/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-3/8 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-7/16 x W.8-3/16
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Michele Amodio Royal Palace, Naples Albumen print circa 1870
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Michele Amodio Royal Palace, Naples Albumen print circa 1870
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Francesco (Felice) Polanzani Ascension of the Virgin Mary etching 18th century
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A. Verico Chiesa e Piazza S. Michele, Lucca, 1825 color etching 1825
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Joseph Nash Convent of St. Michele and the Island of Murano Lithograph 1843
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William Strang Porta Felice, Palermo, Sicily drypoint 19th - 20th century
J. Paul Getty Museum -
Secundra Bagh Interior
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Francesco (Felice) Polanzani Old Woman Warming Her Hands at a Brazier, after Giuseppe Nogari Engraving (and etching?) 18th century
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Francesco (Felice) Polanzani Portrait of Giovanni Battista Piranesi, from the series Le Antichit‡ di Roma (The Antiquities of Rome) Etching 1750
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Michele Pollman Ferandell Proceeding Right-Gray, Standstill Red Color etching diptych on Gampi silk tissue paper, folded 1983
The Metropolitan Museum of Art -
Harpsichord, ca. 1675 Made by Michele TodiniRome, ItalyWood, various materials; L. of inner instrument 8
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Edward Lear San Michele di Monte Voltore, plate 20 opposie page 268 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852) lithograph 1852
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E. Gullan Island of Capri, twelfth plate opposite page 215 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint 1815
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Elizabeth Frances Batty Arco Felice, opposite page 158 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
Museum of Fine Arts -
Felice Casorati, Italian, 1886-1966 City Dwellers Oil on canvas 150.0 x 84.5 cm (59 1/16
Museum of Fine Arts -
Felice Casorati, Italian, 1886-1966 A Student Oil on plywood panel 123.7 x 86.7 cm (48
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I. Girtin Map of the Country, Islands, & etc. in the Vicinity of Naples, third plate opposite page 1 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) etching with
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Felice Beato - Satsuma's envoys c. 1864-1867 hand painted albumen The Royal Photographic Society British
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Anonymous False title page ,opposite frontispiece and preceding the title page, second plate in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with add
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I. Girtin Plan of the Barracks, Theatres, &c. of Pompeji, fifth plate opposite page103 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint 1815
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Anonymous A View near Naples, sixteenth plate opposite page 350 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand coloring 1815
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Michele Giambono - Saint Peter c. 1445-1450 tempera on panel National Gallery of Art Italian
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Anonymous View of the Temple of Isis in Pompeji, sixth plate opposite page 107 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand c
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Anonymous View of the Gate and High Street of Pompeji, seventh plate opposite page 124 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional
J. Paul Getty Museum -
Head Quarter Staff, Pehtang Fort
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Thomas Rowlandson Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) Book with 18 color aquatints with additional hand coloring 1815
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Felice A. Beato - Girl Playing the Samisen n.d. hand tinted black an Smith College Museum of Art Italian
Museum of Fine Arts -
Felice Giani, Italian, 1760-1823 The Men of Ithaca Separated by Athena in the Guise of
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Felice Torelli - Martyrdom of St. Peter Martyr c. 1727 oil on laid paper The Detroit Institute of Art Italian
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Thomas Rowlandson Sleeping TÍte ‡ TÍte, at a First visit of Don Luigi's, eleventh plate opposite page 195 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 18
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Cristofano di Michele Martini (Il Robetta) Adoration of the Magi, after the painting Adoration of the Magi (1496) by Filippino Lippi Engraving circa 1496
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Giovanni Battista Piranesi Veduta del Castello dell'Acqua Felice (View of The Fontana dell'Acqua Felice) from Vedute di Roma (Views of Rome) Etching 1751
J. Paul Getty Museum -
Allegory on the Life of Canova
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Thomas Rowlandson First frontispiece page preceding the title page, first plate in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand
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Thomas Rowlandson A Bacchanalian Scene at Don Luigi's Ball, fifteenth plate opposite page 346 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with add
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Thomas Rowlandson Don Luigi's Baggage Seized by Four Lazzaroni, fourth plate opposite page 4 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with ad
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Thomas Rowlandson Ancient Greek Paintings from Herculaneum, eighth plate opposite page 166 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additi
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Thomas Rowlandson Ancient Greek Paintings from Herculaeum, tenth plate opposite page 178 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with addition
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Thomas Rowlandson The Letter Writer,eighteenth plate opposite page 375 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand coloring
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Thomas Rowlandson Don Luigi's Ball, fourteenth plate opposite page 342 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand coloring 1
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Felice A. Beato - Interior of Fort Immediately After Its Capture 1860 albumen print from w Cincinnati Art Museum British
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Thomas Rowlandson Don Luigi Meets Donna Anna in the Museum,ninth plate opposite page 176 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with addition
The Metropolitan Museum of Art -
Phonurgia nova, sive conjugium mechanico-physicum artis & natvrae paranympha phonosophia concinnatum . . ., 1673
The Metropolitan Museum of Art -
Descrizione degli" istromenti armonici d"ogni genere . . ., 1806 Author: Filippo Buonanni (Italian, 1638-1725)Presso
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Marcantonio Raimondi The Martyrdom of St. Felice Engraving 15th - 16th century
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Pasquale Ottino The Entombment Etching with some engraving 17
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Pasquale Ottino The Entombment Etching and engraving 17
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Antonio Beato Bronze Statue of Dai-Bouts, near Kamakura Albumen print mounted to an album page circa 1867
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Antonio Beato Columns in the Hypostile Hall-Harnak, Upper Egypt albumen print ca. 1865 - 1869
The Metropolitan Museum of Art -
Portrait of a Woman Italian (Florentine) Painter, mid-16th centuryOil on wood; 38 1/2 x 30
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Cherubino Alberti The Assumption of the Virgin Engraving 1571
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Cherubino Alberti Expulsion of Adam and Eve engraving 1628
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Cherubino Alberti St. Jerome, after Michelangelo Engraving 1575
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Cherubino Alberti The Torture of Prometheus, after Michelangelo Engraving 1580
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Cherubino Alberti The Torture of Prometheus, after Michelangelo Engraving 1580
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Cherubino Alberti Transfiguration of Christ on Mount Taber Engraving 1575
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Cherubino Alberti The Madonna and Child in Glory with Angels Engraving 17th century
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Cherubino Alberti Angel Supporting the Body of Christ Engraving 16th century
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Cherubino Alberti The Holy Family, after Francesco Potenzano engraving 1576
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Cherubino Alberti The Agony in the Garden, after Rosso Fiorentino Engraving 1574
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Cherubino Alberti Perseus, from Friezes after Polidoro da Caravagio Engraving 16 - 17th century
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Cherubino Alberti Angel Supporting the Body of Christ engraving 16th - 17th century
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Cherubino Alberti Tobias and the Angel, after Pellegrino Tibaldi engraving 1575
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Cherubino Alberti Adam and Eve after the Expulsion, after Polidoro da Caravaggio Engraving 1628
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Cherubino Alberti Winged Genius Gesturing and Holding a Palm Branch engraving 1628
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Cherubino Alberti The Expulsion of Adam and Eve, after the engraving by Alberti after Polidoro da Caravaggio engraving 1591
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Cherubino Alberti Plate from the series Antique Vases, after Polidoro da Caravaggio Engraving 1582
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Cherubino Alberti Plate from the series Antique Vases, after Polidoro da Caravaggio Engraving 1582
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Cherubino Alberti Plate from the series Antique Vases, after Polidoro da Caravaggio Engraving 1582
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Cherubino Alberti Plate from the series Antique Vases, after Polidoro da Caravaggio Engraving 1582
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Cherubino Alberti Plate from the series Antique Vases, after Polidoro da Caravaggio Engraving 1582

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