Artist: Walter Crane (1845 - 1915)
Nationality: British
Movement: Arts and Crafts Movement
Media: Illustration
Influences:

Biography:
Walter Crane worked in a variety mediums throughout his career including illustration, design, and writing but is best known for his work as an illustrator of children’s books. In addition, he was a leading figure in the Arts and Crafts movement and an advocate of art education. He taught in Manchester and Reading during the 1890’s and became principal of the Royal College of Art in 1898.

Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Walter Crane.

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Walter Crane Walter Crane*s Picture Book (London: Frederick Warne & Co., 1900) book with color plates 1900
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Walter Crane Second illustration, on unnumbered page 2, of The Absurd ABC in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circ
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Walter Crane First illustration, on unnumbered page 1, of The Absurd ABC in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circ
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Walter Crane Third illustration, on unnumbered page 3, of The Absurd ABC in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa
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Walter Crane Fifth illustration, onunnumbered page 6, of The Absurd ABC in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1
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Walter Crane Third illustration, on page 3, of Old Mother Hubbard in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane Third illustration, on page 3, of Puss in Boots in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane Second illustration, on page 2, of Old Mother Hubbard in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane First illustration, on page 1, of Old Mother Hubbard in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane Fifth illustration, on page 6, of Orson and Valentine in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane Fifth illustration, on page 6, of Puss in Boots in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane Fifth illustration, on page 6, of Old Mother Hubbard in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane First illustration, on page 1, of Puss in Boots in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane First illustration, on page 1, of Orson and Valentine in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane Second illustration, on page 2, of Orson and Valentine in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane Third illustration, on page 3, of Orson and Valentine in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane Second illustration, on page 2, of Puss in Boots in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane The Marquis of Carabas' Picture Book/withThirty-two pages of illustrations by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) bound book of color wood engravings circa 1875
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Walter Crane Seventh illustration, on unnumbered page 8, of The Absurd ABC in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circ
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Walter Crane Fourth illustration, on unnumbered pages 4 and 5, of The Absurd ABC in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engravin
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Walter Crane Seventh illustration, on page 8, of Orson and Valentine in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 187
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Walter Crane Sixth illustration, on unnumbered page 7, of The Absurd ABC in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa
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Walter Crane Seventh illustration, on page 8, of Old Mother Hubbard in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane Sixth illustration, on page 7, of Old Mother Hubbard in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane Sixth illustration, on page 7, of Puss in Boots in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane Seventh illustration, on page 8, of Puss in Boots in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane Sixth illustration, on page 7, of Orson and Valentine in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving circa 1875
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Walter Crane Fourth illustration, on unnumbered pages 4 and 5, of Orson and Valentine in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood en
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Walter Crane Fourth illustration, on unnumbered pages 4 and 5, of Old Mother Hubbard in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood e
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Walter Crane Fourth illustration, on unnumbered pages 4 and 5, of Puss in Boots in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875]) color wood engraving
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Walter Crane - A Herald of Spring 1872 egg tempera Birmingham Museums and Art Gallery British
Museum of Fine Arts -
Walter Crane, English, 1845-1915 The King"s Guards Rescue the Miller"s Son from Pretended Drowning, one
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Walter Crane, English, 1845-1915 Tulips, One of three Illustrations to Flora"s Feast 1889 Hand-colored lithograph
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Walter Crane Reverend Henry Parry 19th - 20th century
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Walter Crane Danseuse aux Cymbales Lithograph 1894
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Walter Crane The Hydropult graphite and brown ink 19th - 20th century
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Walter Crane A Book of Old Songs (London: George Routledge and Sons, 1883) book with color wood engravings 1883
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Walter Crane Frontispiece in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane Title page in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane Frontispiece in the book The History of Reynard the Fox ...Metrical Version of the Old English translation by F.S. Ellis (London: David Nutt, 1897) wood engraving 1897
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Walter Crane May Aegloga Quinta, page (31) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) book with 15 wood engravings plus uncounted page borders 1898
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Walter Crane Title page in the book The History of Reynard the Fox ...Metrical Version of the Old English translation by F.S. Ellis (London: David Nutt, 1897) wood engraving 1897
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Roi (Roy) Partridge The Idle Crane ET 1921
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Walter Crane December Aegloga Duodecima, page (99) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane August Aegloga Octava, page (61) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane Januarie Aegloga Prima, page (1) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane Februarie Aegloga Secunda, page (7) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane March Aegloga Tertia, page (17) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane April Aegloga Quarta, page (23) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane Emblem of Chiswick Press, page 119 in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane June Aegloga Sexta, page (43) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane July Aegloga Septima, page (51) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane September Aegloga Nona, page (71) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane October Aegloga Decima, page (81) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane November Aegloga Undecima, page (89) in the book The Shepheard*s Calender by Edmund Spenser (New York & London: Harper & Brothers, 1898) wood engraving 1898
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Walter Crane Plate 2 after page 2 in the book The Yellow Dwarf(London & New York: George Routledge and Sons] color wood engraving ca. 1870
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Walter Crane Plate 3 after page 3 in the book The Yellow Dwarf(London & New York: George Routledge and Sons] color wood engraving ca. 1870
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Walter Crane Don Quixote Arrested, page 30 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Title page in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane The Disputed Pommel, page 220 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Of the Adventure of the Two Armies , page 75 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Of the Rare Adventures at the Inn, page 198 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Of a Wonderful Adventure, page 83 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane The Discovery of Dorothea, page 152 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane The Story of Cardenio, page 118 in the book Don Quixote of the Mancha , retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Plate 1 opposite page 1 in the book The Yellow Dwarf(London & New York: George Routledge and Sons] color wood engraving ca. 1870
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Walter Crane Plate 4 opposite page 6 in the book The Yellow Dwarf(London & New York: George Routledge and Sons] color wood engraving ca. 1870
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Walter Crane Andrew Salutes Don Quixote, page 184 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Don Quixote Frees the GalleySlaves, page 98 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Don Quixote Watching His Armor, page 7 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Don Quixote to the Rescue of Andrew, page 21 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Plate 4, second plate following page 3 in the book Princess Belle Etoile (London & New York: George Routledge and Sons, [ca. 1870]) color wood engraving ca. 1870
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Walter Crane The Yellow Dwarf(London & New York: George Routledge and Sons] book with four color wood engravings (one double page) and printed cover ca. 1870
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Walter Crane The Destruction of Don Quixote's Library, page 30 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane The Curate and the Barber in Disguise,page 136 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane The Story of Cardenio Continued, page 143 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane The Manner of Don Quixote's Travel to the Inn, page 58 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Plate 1, opposite page 1 in the book Princess Belle Etoile (London & New York: George Routledge and Sons, [ca. 1870]) color wood engraving ca. 1870
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Walter Crane Plate 6, opposite page 6 in the book Princess Belle Etoile (London & New York: George Routledge and Sons, [ca. 1870]) color wood engraving ca. 1870
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Walter Crane Plate 2, opposite page 2 in the book Princess Belle Etoile (London & New York: George Routledge and Sons, [ca. 1870]) color wood engraving ca. 1870
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Walter Crane Plate 5, opposite page 5 in the book Princess Belle Etoile (London & New York: George Routledge and Sons, [ca. 1870]) color wood engraving ca. 1870
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Walter Crane The Knighting of Don Quixote, opposite page 14 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane Don Quixote and the Windmills,opposite page 38 , in the book Don Quixote of the Mancha , retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane Don Quixote and the Goatherds, opposite page 48 in the book Don Quixote of the Mancha , retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane The Enchantment of Don Quixote, opposite page 212 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane Princess Belle Etoile (London & New York: George Routledge and Sons, [ca. 1870]) book with 6 color wood engravings and printed paper cover ca. 1870
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Walter Crane Plate 3, first plate fololwing page 3 in the book Princess Belle Etoile (London & New York: George Routledge and Sons, [ca. 1870]) color wood engraving ca. 1870
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Walter Crane Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) book with 12 color lithograph pages and 19 half-page lithographs 1900
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Walter Crane Sancho Panza Recovers His Dapple, page 168 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane The Manner of Don Quixote's Return Home, page 236 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Don Quixote Meeting Cardenio, opposite page 108 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane Doon Quixote Doing Penance, opposite page 126 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane The Meeting of Dorothea and Don Quixote, opposite page 160 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane Don Quixote Addressing Dorothea, page 205 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900)Of the Rare Adventures at lithograph 1900
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Walter Crane The History of Reynard the Fox ...Metrical Version of the Old English translation by F.S. Ellis (London: David Nutt, 1897) book with wood engraved frontispiece and uncounted page ornaments and chapter headings 1897
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Walter Crane Don Quixote's Extraordinary Battle, opposite page 191 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane How Sancho Paid the Reckoning, opposite page 68 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) color lithograph 1900
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Walter Crane Sancho's Story of His Visit to the Lady Dulcinea, page 177 in the book Don Quixote of the Mancha, retold by Judge Parry (London: Blackie & Son and Manchester: Sherratt and Hughes, 1900) lithograph 1900
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Walter Crane Title page in the book The Quiver of Love, a Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876) color letterpress 1876

Artnews Articles and Exhibition Information: (14)
Click on any of the links below to read about artnews or exhibitions related to Crane

South London Gallery: Walter Crane (1845-1915): Wallpaper, Costumes and Book Design Alongside The Triumph of Labour
Founded by philanthropist William Rossiter, the South London Gallery opened on its present site in 1891. Rossiter was supported by a group of prominent contemporary artists, including John Ruskin and Frederic, Lord Leighton. The aim of the foundin...
Sara Tecchia Roma New York: R E A D: A New Series of Paintings by Duston Spear
Spear explains: “I took up a relationship with Crane’s text, what critic Deborah Frizzell called ‘ventriloquizing his lines in word-image conjunctions.’[1] Crane has this black and white take on war—so sarcastic and haunting—‘these men were born t...
Site Gallery: Fine lines
Maria Marshall uses a wide range of filmic techniques and digital special effects to create a psychological space for the continuing exploration of her roles as both mother and artist. Maria Marshall has shown widely in the USA & Europe but this i...
National Arts Club: BALTIC ART EXHIBITION STAGES WORLD PREMIERE IN THE UNITED STATES
From New York the exhibition will travel to Washington, DC.In a choice of venues that may be fitting, given the role of the International Monetary Fund in post-Soviet economics, the exhibition will be hosted in the IMF`s Gallery March 9 throug...
California Palace of the Legion of Honor: Animals Real and Imagined: Artists Books from the Permanent Collection
The illustrated books selected for display in Animals Real and Imagined span a period of exactly 400 years. The earliest work in the exhibition is a 1592 edition of engravings depicting flora, fauna, and insects by the Flemish artist Jacob Hoefnagel ...
Sculpture Center: Ayse Erkmen: Busy Colors
Twin images of a small, jewel-like metal object (a sculpture of a landmine) are scaled up to billboard proportions and cover the entire 3,000 square foot surface of the courtyard. Inside, SculptureCenters main exhibition space remains empty of obj...
Indianapolis Museum of Art: Eiteljorg Gallery of African Art Opens Tomorrow!
The gallery is divided into five sections representing major cultural/geographic zones: Northern, Western, Central, Southern and Eastern Africa. The display also explores three major themes: diversity, connections and change. ...
Lump gallery/projects: Alphabet and A to Z: Two Exhibitions Curated by Baltimore's PostTypography and Richmond's The Drama
The 60 alphabets featured in Alphabet were created by artists in North America, Europe, and Asia, and represent work from well-known typographers and designers as well as rising artists and design students. The alphabets in the exhibition re...
Portland Museum of Art: Leonard Baskin: Monumental Woodcuts
Monumental woodcuts--fashioned from multiple blocks joined together--were made as early as the Renaissance by artists such as Jacopo de Barbari, Hans Schufelein, and Albrecht Durer. The subjects were usually grand views, narrative compositions, or...
Van Gogh Museum: Reflections: Japan and Japonism

Come now, isn’t it almost a true religion which these simple Japanese teach us, who live in nature as though they themselves were flowers. And you cannot study Japanese art, it seems to me, without becoming much gayer and happier, and we must r...
Brunei Gallery, School of Oriental and African Studies, University of London: After Hiroshima: Nuclear Imaginaries
After Hiroshima: Nuclear Imaginaries is timed to commemorate the 60th anniversary of this tragic time of man’s inhumanity to man and when the USA used Japan to test the power of a newly created weapon of mass destruction. The date was 6 August ...
Galeria Venezuela, General Consulate of Venezuala: Artistic Fusion: Valerie Craig, Kim Davolos, Cyril Donkor, Sandi Lovitz, Kyle Margiotta, Steve Oliver
Frank Bruno is an award-winning artist and teacher. A graduate of The York Academy of Arts, York, PA and he attended Pratt Institute, Brooklyn, NY.  Bruno who teaches art marketing for the serious artist has won several awards in the Annual Manhat...
Wadsworth Atheneum Museum of Art: Marsden Hartley: First Retrospective in over 20 Years
Widely acknowledged as the greatest of the early American modernists, Marsden Hartley (1877-1943) belonged to a circle of artists promoted by photographer and gallery owner Alfred Stieglitz that included Georgia O’Keeffe, John Marin, Arthur Dove, ...
Columbus Museum of Art: Illusions of Eden: Visions of the American Heartland
The exhibition and its national tour are sponsored by Philip Morris Companies Inc. Illusions of Eden is one component of The Heartland Project, a series of three traveling museum exhibitions and an interactive website that will evaluate t...

Further Artwork and Information:

Walter Crane Online
Walter Crane
Walter Crane
SurLaLune Fairy Tales: Illustrations of Walter Crane
ArtMagick - Your Source of Visual Intoxication
Walter Crane
Illustrious: The Walter Crane Fanlisting
Arts and Crafts Movement - Walter Crane
Walter Crane: New & Used Books Search Result for Walter Crane
Neptunes Steeds, Walter Crane

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