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Artist: Gonzalo Endara Crow ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Gonzalo Endara Crow.

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Marsden Hartley - Crow with Ribbons 1941-1942 oil on fiberboard Hirshhorn Museum American
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George Catlin - A Crow Chief at His Toilette 1861-1869 oil on card mounted National Gallery of Art American
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George Catlin - Distinguished Crow Indians 1861-1869 oil on card mounted National Gallery of Art American
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George Catlin - Crow Warriors Bathing 1861-1869 oil on card mounted National Gallery of Art American
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George Catlin - Crow Chief, His Wife, and a Warrior 1861-1869 oil on card mounted National Gallery of Art American
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George Catlin - A Crow Village on the Salmon River 1855-1869 oil on card mounted National Gallery of Art American
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George Catlin - Ba-Da-ah-chon-du (He Who Outjumps All), a Crow Chief on Horseback c. 1865-1870 oil on canvas Virginia Museum of Fine Arts American
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George Catlin - A Crow Village and the Salmon River Mountains 1855-1869 oil on card mounted National Gallery of Art American
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Robert Colescott - Auvers-sur-Oise (Crow in the Wheat Field) 1981 acrylic on canvas Corcoran Gallery of Art American
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Joseph Henry Sharp - Crow Reservation - Teepees and Indians (Sweat Lodge) 1920 oil on canvas Fred Jones Jr. Museum of Art at The University of Oklahoma American
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George Catlin - A Crow Village of Skin Tents on the Salmon River 1855-1869 oil on card mounted National Gallery of Art American
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J. Bevans The Crow - Uranographia Britannica circa 1750
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Paul Pontius Gonzalo Coques, (after painted self-portrait) etching and/or engraving 17th century
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In Revenge, Gonzalo Gustos Slays Nine Moors, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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The Sister of Almanzor Consoles Gonzalo Gustos, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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Kyosai (Gyosai) Crow on a Plum Branch color woodcut 1880 - 1910
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Gonzalo Gustos Comes to Ruy Velazquez Promising Satisfaction for His Son’s Deeds, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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Seeking Revenge, Ruy Velazquez Wounds Gonzalo Gomez, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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The Letter Orders the Murder of Gonzalo Gustos and the Capture of the Infantes, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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Coalport Factory Plate Crow Nest from Bull Hill, Hudson River, America porcelain 1820 - 1830
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In the Presence of Almanzor, Gonzalo Gustos Identifies the Severed Heads of His Sons, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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Alvar Sanchez, Nephew of Doña Lambra, Insults Gonzalo Gomez and is Slain by Him, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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Woodrow Wilson Crumbo (Woody Crumbo) Crow Dancer Screenprint 20th century
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Ruy Velazquez Asks Gonzalo Gustos to Deliver a Letter to King Almanzor of Cordoba, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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Doña Lambra Orders a Villager to Strike Gonzalo Gomez with a Cucumber Drenched in Blood, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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Gonzalo Gustos Outlines the Fate of His Unborn Child, Turning Over the Ring to be Given to it is it is a Male, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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The Infante Gonzalo Gomez Excels at the Game and Doña Lambra Insults the Infantes and Their Mother, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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ThÈophile Alexandre Steinlen The adventures of an alcoholic crow. Gillotype 19th - 20th century
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Michinoomi no Mikoto following a crow to the enemy’s lair, Tsukioka Yoshitoshi (Japan, 1839 - 1892) , February 20, 1880, Color woodblock print
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Leonard Baskin Crow Wood Engraving 20th century
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Ruy Velazquez Orders the Death of Nuño Salido, Gonzalez Gomez Comes to His Aid and Kills the Knight Gonzalo Sanchez, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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Gonzalo Gustos Recognizes His Son by Means of the Ring. Mudarra Pledges to Avenge the Death of the Infantes, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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Garci Fernandez and Gonzalo Gustos, Father of the Infantes, Persuade Ruy Velazquez to Make Peace, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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The Fates Weave the Life Thread of Mudarra, Son of Gonzalo Gustos. He is Dubbed a Knight by Almanzor., Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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Leonard Baskin Untitled (woman And Crow) Wood Engraving 1964
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Ruy Velazquez Again Wounds Gonzalo Gomez Who, in Turn, Strikes the Prince, Calling the Infantes and Knights to Arms, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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Crow on Snow-Covered Branch, Ohara Shoson (Koson) (Japan, 1877 - 1945) , circa 1926-1927, Color woodblock print
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Wedding Guests Depart from Burgos. Gonzalo Gustos Remains with Ruy Velazquez While the Infantes Accompany Doña Lambra to Barbadillo, Antonio Tempesta (Italy, Florence, 1555 - 1630) , 1612, Etching
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Kyosai (Gyosai) Crow Seated on Plum Branch in Rain woodcut printed in black and two shades gray circa 1875 - 1920
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The Daughter of Coroneus Changed into a Crow, Wilhelm Janson (died N/A) , Etching
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The Daughter of Coroneus Changed into a Crow, Wilhelm Janson (died N/A) , Etching
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Thomas Worth Eating Crow on a Wager: De Last Lap lithograph with hand coloring 1883
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Thomas Worth Eating Crow on a Wager: De Fust Brace lithograph with hand coloring 1883
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Randolph Caldecott Illustration on page 2, second illustration for The Fox and the Crow in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [1], first illustration for The Fox and the Crow in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustrations on page 3, third illustration for The Fox and the Crow in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Randolph Caldecott Illustration on page [4], fourth illustration for The Fox and the Crow in the book Some of Aesop*s Fables with Modern Instances...new translations by Alfred Caldecott (London: Macmillan, 1883) wood engraving 1883
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Kyosai (Gyosai) A Crow Pretending To Be a Cormorant, Hesitation in a Hateful World, (U no mane suru karasu, nikumare no yo ni habakaru) from an untitled series of comic prints color woodcut circa 1870 - 1874
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Antonio Tempesta Coronis in cornicem transformatur (The Daughter of Coroneus Changed into a Crow), pl. 15 from the series Ovid*s Metamorphoses Etching 17th century
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Antonio Frasconi The Fox and the Crow, illustration for the ninth fable in the book, Known Fables (New York: Spiral Press, 1964) Woodcut printed in black on Goyu paper 1964
The Minneapolis Institute of Arts -
Artist: Apsaalooka (Crow) Title: Painted Bison Robe Date: about 1860 Medium: bison hide with pigments
Museum of Fine Arts -
Montgomery Cunningham Meigs, American, 1816-1892 View from Crow"s Nest, West Point, 1851-1851 Graphite pencil and
Museum of Fine Arts -
Alfred Jacob Miller, American, 1810-1874 Snake Indian Pursuing a Crow Horse Thief about 1860 Transparent
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Albrecht D¸rer Crow Fool (Krahen-Narr) Woodcut 1507
Museum of Fine Arts -
Attributed to Gonzalo Peréz, Spanish (Valencian), active in first quarter, 15th century Virgin and Child
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Jacques Callot (One from) Lux Claustri (No.5 Crow and his Little Ones) Etching 1628
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Jacques Callot (One from) Lux Claustri ( No.8 Crow and the Snail) Etching 1628
Museum of Fine Arts -
A Crow"s Nest, fragment from THE STORY OF PENELOPE AND THE STORY OF THE CIMBRI
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Multiple Artists Fraternity by Stephen Spender (translated by Louis Aragon) (Paris: Stanley William Hayter, 1939). Book with 10 engravings on Montval hand-made cream laid paper; loose in protective boards covered with green paper; matching slipcase with
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Etude de cariatide (1645 vers ; 1649 vers) by CANO Alonso (attribué à)

Artnews Articles and Exhibition Information: (16)
Click on any of the links below to read about artnews or exhibitions related to Endara Crow


Axiom Gallery: Peter Cramond, Bryce Brown and Graham Grow Bare Their Figures
After spending time working on complex paintings that focused on surface rather than image, Crow is excited about his return to his artistic roots. His latest mixed media drawings show a distinct return to basics with the human form being the pr...

Crow Collection: The Lost Buddhas of Bamiyan: Photographs by Volker
According to Thewalt: „The construction of the monasteries and cells was started under Kanishka, the Kushan emperor, in the second century. Stylistically, the Buddhas and the decoration of the monasteries around them are a mixture of Greco-Roman a...

Buffalo Bill Historical Center: Plains Indian Museum to Reopen
This nine-month renovation project is a comprehensive reinterpretation of the Plains Indian Museum. The new Plains Indian Museum will tell the significant story of the liv...

Crow Gallery: How The land Lies: Digital Prints and Paintings by Diana Caramaschi
"My work is primarily concerned with the relationship between the unconscious and consciousness. Jungian dream psychology informs much of my work. I look for the symbols of everyday life that determine dreams in my unconscious and inform the visua...

Crow Collection of Asian Art: Western Tradition, Eastern Innovation: Contemporary Japanese Quilts
Quilting, which originated in Asia, was taken to Europe by Marco Polo and then brought to America by immigrants. It has since gone back to Japan thanks to the quilt revival that came with the Bicentennial of America. Japanese women who had come to...

New Media Art Project Network: Call for Artists: Monthly Project Features
Any technology will be considered, however, they must have a URL of their own and available online for at least one year from the start of the respective feature. The projects must originate from 2003 or 2004, and most important is the qual...

Crow Collection of Asian Art: From the Fire: Contemporary Korean Ceramics
The power and enchantment of the exhibition is the wide spectrum given to the technique, subject matter, texture and color of the various works displayed. Nearly every aspect of ceramic art is represented from clean lines, smooth surfaces and esta...

Crow Collection of Asian Art: Treasures From an Unknown Reign: Shunzi Porcelain
Until the 1980s, Shunzhi's reign had been neglected by scholars and researchers in China and the West. During this era, exports were greatly reduced and Imperial porcelain was not produced. However, scholarly findings and a series of exhibiti...

Crow Collection of Asian Art: Focus on Burma (Myanmar): Photographer's Treasures from the Collection of Marianne Howard
The exhibition features in part, images of vendors selling their wares in Myityian, at the candlelight night market, and villagers' faces from Putao- situated on the fringe of the Himalayan mountains and home to the Kachin and Lisu, Bamar and Shan...

NURTUREart Non-Profit, Inc.: Fresh, A Limited-Edition Collection Of Original Artwork
Released in an edition of 100 and attractively priced at $40, Fresh makes a fantastic gift for that hard-to-shop for person on your holiday list. The price increases to $50 as of January 1, 2003. The artists chosen for this project are: Kr...

Skirball Cultural Center: Time/Space, Gravity, and Light: Digital Art and Multimedia Installation
On display will be Listening Post, by Mark Hansen and Ben Rubin, offering a real-time representation of global communication moving at the speed of light; Protrude, Flow, by Sachiko Kodama and Minako Takeno, an electromagnetic installation in whic...

University of Kentucky Art Museum: Contemporary Art Quilts from the John M. Walsh III Collection
According to Walsh:
… the lecturer stated that there was so much good work going on that it was a tragedy that there were almost no persons who were dedicated to collecting contemporary quilts ... artists were getting discouraged because muse...

J. Paul Getty Center: The Geometry of Seeing: Perspective and the Dawn of Virtual Space
Thomas Crow, director of the Getty Research Institute, remarked, For all the visitors who responded so enthusiastically to Devices of Wonder, which the Research Institute ...

Site Gallery: Con Art: Magic/Object/Action
The notion of the audience as a willing participant in what they know to be an intentional game or illusion can be traced to stage drama in the Middle Ages and magic performance in the Enlightenment. This idea of viewer/audience complicity unde...

Frick Art and Historical Center: INTERNATIONALLY-ACCLAIMED CAMERA ARTIST VIK MUNIZ REMAKES HISTORY
While at the Frick, Mr. Muniz became fascinated by the concepts, histories, and collections contained in and around Clayton, the restored nineteenth-century estate of industrialist and art collector ...

FOUR: LAUNCH 08: Peter Cabocky, Sabina MacMahon and Ian Slattery
IAN SLATTERY was born in Dublin, Ireland in 1985. He studied Graphic Design and Printmaking at Ballyfermot College of Further Education, and Fine Art at the Dublin Institute of Technology. Slattery uses film, projection and existing media ...

Further Artwork and Information:

Gonzalo Endara Crow
Gonzalo Endara Crow
Gonzalo Endara Crow
artnet.com: Resource Library: Endara Crow, Gonzalo
Gonzalo Endara Crow (1856 - 1936) Biography, Artwork Images, Exhibitions, Reviews
Sin título (1985) Gonzalo Endara Crow
ENDARA CROW
Endara Gonzalo
1Endara
palabra e imagen - marco antonio rodríguez

 

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