Artist: Antonio Maria Esquivel ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Antonio Maria Esquivel.

-
Giovanni Antonio Faldoni Two Nude Shepherds, after Parmigianino Engraving 1724
-
Antonio Maria Zanetti St. James the Apostle, after Parmigianino, from the book Raccolta di varie stampe a chiaroscuro...Parte Prima Chiaroscuro woodcut in three blocks 1722
-
Antonio Maria Zanetti A Genie Aloft, after Parmigianino, from the book Raccolta di varie stampe a chiaroscuro...Parte Prima Chiaroscuro woodcut in three blocks 1722
-
Antonio Maria Vassallo - The Larder c. 1650-1660 oil on canvas National Gallery of Art Italian
-
Antonio Maria Zanetti The Virgin and Child chiaroscuro color woodcut 18th century
-
Antonio Maria Zanetti The Sacrifice of Noah, after Raphael Chiaroscuro woodcut print in 4 blocks (3 greys and a black) 1740
-
Antonio Maria Zanetti Apollo and Marsyas chiaroscuro color woodcut printed in blues circa 1720 - 1730
-
Antonio Maria Zanetti The Education in Music of the young Achilles by the Centaur Chiron, after Castiglione Etching 1758
-
Antonio Maria Zanetti Apollo and Marsyas chiaroscuro color woodcut prijnted in green and brownn circa 1720 - 1730
-
Antonio Maria Zanetti The Education in Geography of the young Achilles by the Centaur Chiron, after G. B. Castiglione Etching printed in sepia ink 1752
-
Antonio Montauti Antonio Magliabechi 17th - 18th century
-
Domenico Maria Bonavera A Christian Martyr Saint, after Domenico Maria Canuti Etching and engraving 17th century
The Metropolitan Museum of Art -
Venice: Santa Maria della Salute Canaletto (Giovanni Antonio Canal) (Italian, Venetian, 1697-1768)Oil on canvas; 18
-
Pordenone (Giovanni Antonio de Sacchis) St. Joseph Being Expelled from the Temple Engraving mid 16th century
-
Antonio Visentini Piazza San Marco, looking towards S. Geminiano; pl.11 from Part III of the series Urbis Venetiarum Prospectus Celebriores Ex Antonio Canal... Etching 1735
-
Canaletto - View of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo early 1730's oil on canvas The Fitzwilliam Museum Italian
-
Francisco de Goya - Don Antonio Noriega 1801 oil on canvas National Gallery of Art Spanish
-
Federico Brandani - Antonio Galli n.d. bronze The Frick Collection Italian
-
Gioan Antonio Lorenzini The Holy Family Etching 17th - 18th century
-
Antonio Tempesta Roman Battle Scene, after Antonio Tempesta (?) Etching 16th - 17th century
-
Antonio Tempesta The Entry of Alexander into Babylon, after Antonio Tempesta Engraving 16th - 17th century
-
Gioan Antonio Lorenzini The Ascension of the Virgin, after Guido Reni Etching 17th century
The Metropolitan Museum of Art -
Tommaso di Folco Portinari (1428-1501); Maria Portinari (Maria Maddalena Baroncelli, 1456-1495), probably 1470 Hans Memling
-
Edward J. Steichen - Alphonse Maria Mucha 1901 gum platinum print The Royal Photographic Society American
-
Charles Peale Polk - Anna Maria Cumpston c. 1790 oil on canvas National Gallery of Art American
-
Cornelis Jonson van Ceulen - Anna Maria van Schurman 1657 oil on panel National Gallery of Art Dutch
-
Francisco de Goya - Don Juan Antonio Cuervo 1819 oil on canvas Cleveland Museum of Art Spanish
-
Ambrogio de Predis - Bianca Maria Sforza c. 1493 oil on panel National Gallery of Art Italian
-
Oliviero Gatti The Creation of Man, second in a series of four Old Testament Subjects, after the frescoes by Pordenone on the dome of Santa Maria di Campagna in Piacenza Engraving 1625
-
Ipolito Salazar ILMO. Sr.Dr.JOS… ANTONIO ZUBIRIA,/ Obispo de Durango (Most Illustrious Sir and Doctor JosÈ Antonio Zubiria, Bishop of Durango Lithograph 19th century
-
Hesiquio Iriarte Sta. Maria de Toscanella/ en los Estados Pontificios (Sta. Maria of Toscanella in the Papal States) Color lithograph 19th - 20th century
-
Giovanni Antonio da Brescia Hercules and Antaeus, after Giovanni Antonio da Brescia's engraving after Mantegna Metalcut circa 18 - 19th century
The Metropolitan Museum of Art -
Saints Peter, Martha, Mary Magdalen, and Leonard Correggio (Antonio Allegri) (Italian, Parma, active by 1514,
-
Antonio Baratta Frontispiece for Opere di Carlo Goldoni, after Novelli Engraving 1761
-
Antonio Baratta L'Adulatore, from Opere di Carlo Goldoni, after Novelli Engravings 1761
-
Antonio Baratta Moliere, from Opere di Carlo Goldoni, after Novelli Engravings 1761
-
Giuseppe Maria Mitelli Conversacione considerabile (A Lot of Talking), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
-
Giuseppe Maria Mitelli Sig.ri amirativi (Amazed Gentlemen), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
-
Giuseppe Maria Mitelli Giocatori smafaroni (Gamesters), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
-
Giuseppe Maria Mitelli Non ho mai visto il piu* bello (I Have Never Seen Anyone More Handsome) , from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
-
Luigi Marie Sotta - Maria Celina Piqueri Wiltz 1841 oil on canvas Louisiana State Museum Italian
-
Domenico Maria Bonavera Rebecca at the Well Etching with engraving 1665
-
Anton Hohenstein - Portrait of Maria Deyoung Rhine 1859 Oil on Canvas Arkansas Arts Center American
-
Florence Maria Ahlberg Moonlit Wharf lithograph 20th century
-
Florence Maria Ahlberg Datura Series Group 1 lithograph 1938
-
Florence Maria Ahlberg Datura Series Group 2 lithograph 1938
-
Giuseppe Maria Mitelli Ballarina gentilissima ( Most Noble Ballerina), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
-
Giuseppe Maria Mitelli Oche belle persÛne (Look at the Handsome One), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
-
Giuseppe Maria Mitelli Sonatori sconcertati (Discordant Musicians), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
-
Sir Anthony van Dyck - Portrait of Queen Henrietta Maria 1638 oil on canvas Brooks Museum Flemish
-
Hans Mielich - Maria Kitscher, Frau von Freyberg 1545 oil on panel Cleveland Museum of Art German
-
Antonio Baratta La Serva Amorosa, from Opere di Carlo Goldoni, after Novelli Engravings 1761
-
Antonio Baratta Illustration To I Rusteghi, from Opere di Carlo Goldoni, after Novelli Engravings 1761
-
Francisco Jose de Goya y Lucientes - Jose Antonio, Marques de Caballero 1807 Oil on canvas Lowe Art Museum, University of Miami Spanish
-
Giuseppe Maria Mitelli Accademici scontornati (Drawing Academy for the Untalented), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
-
Antonio Frasconi Woodcuts by Antonio Frasconi/Weyhe Gallery March 27 - April 30, 1954 Woodcut 20th century
-
Gioan Antonio Lorenzini The Virgin and Child with St. John the Baptist, a Bishop Saint and Two Donors, after Veronese Engraving 17th - 18th century
-
Orazio Bramirro Allegorical Figures, after the frescos by Il Pordenone in the dome of Santa Maria di Campagna, Piacenza Pen and brown ink and gray-brown wash and white opaque watercolor over black chalk on laid paper onlaid to false margins circa 17th ce
-
Orazio Bramirro Allegorical Figures, after the frescos by Il Pordenone in the dome of Santa Maria di Campagna, Piacenza Pen and brown ink and gray-brown wash and white opaque watercolor over black chalk on laid paper onlaid to false margins circa 17th ce
-
Orazio Bramirro Allegorical Figures, after the frescos by Il Pordenone in the dome of Santa Maria di Campagna, Piacenza Pen and brown ink and gray-brown wash and white opaque watercolor over black chalk on laid paper onlaid to false margins circa 17th ce
-
Marie Louise Elisabeth Vigee-Le Brun - Portrait of Countess Maria Theresia Bucqoi 1793 oil on canvas Minneapolis Institute of Arts French
-
Giuseppe Maria Mitelli Uberiaconi fumanti (Totally Drunk[not a literal translation]), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
-
Carlo Antonio Porporati Il Bagno di Leda (Leda's bath), after Correggio Engraving 18th century
The Metropolitan Museum of Art -
Santa Maria della Salute Francesco Guardi (Italian, Venetian, 1712-1793)Oil on canvas; 21 x 33 3/4
-
Domenico Maria Bonavera Lot and His Daughters, after Annibale Caracci Etching 17th century
-
Sir Anthony van Dyck - Queen Henrietta Maria with Sir Jeffrey Hudson 1633 oil on canvas National Gallery of Art Flemish
-
Paul Cezanne - Maison Maria with a View of Chateau Noir c. 1895 oil on canvas Kimbell Art Museum French
-
Antonio Visentini Piazza San Marco, View Between Church and Tower, pl. III from a series of four scenes of the Piazza after Canaletto Etching circa 1745
-
Antonio Visentini Piazza San Marco, View of the Public Library, pl. IV from a series of four scenes of the Piazza after Canaletto Etching circa 1745
-
Benjamin West - Maria Hamilton Beckford (Mrs. Willam Beckford) 1799 oil on canvas National Gallery of Art American
-
Pietro Rotari Saint Sebastian, after Antonio Balestra Etching 1725
-
Maria Martinez Bowl ceramic circa 1960
-
Francesco Villamena A Battle Scene, after Antonio Tempesta Engraving 16 - 17th century
-
Antonio Frasconi See Again, Say Again by Antonio Frasconi (New York: Harcourt, Brace & World, [1964]) book with uncounted pages of reproductions of color woodcuts 1964
-
Joseph Mallord William Turner - The Dogana and Santa Maria della Salute, Venice 1843 oil on canvas National Gallery of Art British
-
Antonio Frasconi See and Sayä, A Picture Book in Four Languages by Antonio Frasconi (New York: Harcourt, Brace, [1955]) book with uncounted reproductions of color woodcuts 1955
-
Antonio Frasconi Woodcuts by Antonio Frasconi, catalogue cover for Smithsonian Institution Traveling Service 1953-1954 Color woodcut 20th century
-
Pietro da Cortona - Portrait of Cardinal Pietro Maria Borghese c. 1633-35 oil on canvas Minneapolis Institute of Arts Italian
-
Pieter Jansz Saenredam - Church of Santa Maria della Febbre, Rome 1629 oil on panel National Gallery of Art Dutch
-
Francisco de Goya - Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon 1783 oil on canvas National Gallery of Art Spanish
-
Jacopo da Carrucci Pontormo - Portrait of Maria Salviati with a Little Girl (probably Giulia de' Medici) n.d. oil on panel The Walters Art Museum Italian
-
Antonio Tempesta La Primavera, from The Four Seasons Etching 1592
-
Giulio di Antonio Bonasone The Wounded Scipio, after Polidoro da Caravaggio Engraving 16th century
-
Giulio di Antonio Bonasone The Birth of John the Baptist engraving circa mid 16th century
-
Antonio LafrÈry (LafrÈri) Solitauriliorum sacrificiorum etc. Engraving 1553
-
Antonio LafrÈry (LafrÈri) Solitauriliorum sacrificiorum etc. Engraving 1553
J. Paul Getty Museum -
Gradual
-
Antonio Beato Bronze Statue of Dai-Bouts, near Kamakura Albumen print mounted to an album page circa 1867
-
Giuseppe Maria Mitelli Zuog dal cacciator (Game of the Hunter) 1699
-
Johann Friedrich Greuter Arcanis Nodis: Palladium, after Antonio Pomeranci Engraving 17th century
-
Maria Martinez Bowl ceramic circa 1950 - 1960
-
JosÈ Maria Montes de Oca Mater Immaculata Engraving 18th century
-
Maria Martinez Plate ceramic circa 1960 - 1965
-
Gilbert Stuart - Anna Maria Brodeau Thornton (Mrs. William Thornton) 1804 oil on canvas National Gallery of Art American
The Metropolitan Museum of Art -
Violin, 1693 Made by Antonio Stradivari (1644-1737)Cremona, ItalyWood; L. 23 1/4 in. (59.4 cm); W.
-
J.A. Faldoni Maria de Jesus Monialis engraving 1754
-
Antonio Frasconi Untitled (grasses), and first image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
-
Antonio Frasconi The Snow and the Sun /La Nieve y el Sol, translated by Antonio Frasconi (New York: Harcourt, Brace & World, [1961]) book with uncounted pages of reproductions of color woodcuts 1961
-
Antonio Frasconi Untitled (young man), and fifth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
-
Antonio Frasconi Untitled (standing man), and second image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960

[an error occurred while processing this directive]

Further Artwork and Information:

[an error occurred while processing this directive]

Search the Art History Database for artists, titles, media, year, and other indepth information: