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Artist: Antonio Fiorentino ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Antonio Fiorentino.
- Giovanni Jacopo Caraglio
Mars and Venus, after Gian Giacomo Caraglio's engraving after Rosso Fiorentino
Engraving
1575
- Giovanni Jacopo Caraglio
Venus, after Jacopo Caraglio's engraving after Rosso Fiorentino
Engraving
16th century
- Giovanni Jacopo Caraglio
Proserpina, after Jacopo Caraglio's engraving after Rosso Fiorentino
Engraving
16th century
- Giovanni Jacopo Caraglio
Mars, after Jacopo Caraglio's engraving after Rosso Fiorentino
Engraving
16th century
- Giovanni Jacopo Caraglio
Ariadne, after Jacopo Caraglio's engraving after Rosso Fiorentino
Engraving
16th century
- Giovanni Jacopo Caraglio
Hercules Killing the Centaur Nessus, from The Labors of Hercules after Rosso Fiorentino
Engraving
16th century
- Giovanni Jacopo Caraglio
Mercury, after Rosso Fiorentino, from the series Mythological Gods and Goddesses
Engraving
late 16th century
- Giovanni Jacopo Caraglio
Opis, after Rosso Fiorentino, from the series Mythological Gods and Goddesses
Engraving
late 16th century
- Giovanni Jacopo Caraglio
Apollo, after Rosso Fiorentino, from the series Mythological Gods and Goddesses
Engraving
late 16th century
- Giovanni Jacopo Caraglio
Pluto, after Rosso Fiorentino, from the series Mythological Gods and Goddesses
Engraving
late 16th century
- Giovanni Jacopo Caraglio
Hercules defeating the River God Achelous in the Form of a Bull, after Rosso Fiorentino
Engraving
16th century
- Giovanni Jacopo Caraglio
copy in reverse after Caraglio's engraving Hercules Killing the Centaur Nessus, after Rosso Fiorentino
Engraving
16th century
- Giovanni Jacopo Caraglio
Jupiter, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Juno, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Pluto, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Hercules,after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Mars, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Proserpina, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Vulcan, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Neptune, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Bacchus, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Ceres, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Saturn, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Jupiter, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
16 - 17th century
- Giovanni Jacopo Caraglio
Mars, pl. 9 from the series Mythological Gods and Goddesses after Rosso Fiorentino, retouched by Francisco Villamena
Engraving
16th century
- Cherubino Alberti
The Agony in the Garden, after Rosso Fiorentino
Engraving
1574
- Jacopo Fiorentino
Les Noces de Vertumne et de Pomone
1542
- Enea Vico
The Battle of the Lapiths and the Centaurs, after Rosso Fiorentino
Engraving
1542
- Giovanni Jacopo Caraglio
Hercules Killing the Hydra of Lerna
Engraving
16th century The Metropolitan Museum of Art
- Portrait of a Man, 1521 Tommaso Fiorentino (Tommaso di Stefano Lunetti) (Italian, Florentine, born about
- Antonio Montauti
Antonio Magliabechi
17th - 18th century
- Rosso Fiorentino - Portrait of a Man early 1520's oil on panel National Gallery of Art Italian
- Giovanni Jacopo Caraglio
Pallas
Engraving
1526
- Giovanni Jacopo Caraglio
Diogenes, after Parmigianino
Engraving
16th century
- Giovanni Jacopo Caraglio
[Hercules Fighting Centaurs]
16th century
- Giovanni Jacopo Caraglio
The Annunciation, after Raphael
Engraving
16th century
- Pordenone (Giovanni Antonio de Sacchis)
St. Joseph Being Expelled from the Temple
Engraving
mid 16th century
- Giovanni Jacopo Caraglio
Battle Scene with a Shield and a Lance
Engraving
16th century
- Giovanni Jacopo Caraglio
The Adoration of the Shepherds, after Parmigianino
Engraving
1526
- Antonio Visentini
Piazza San Marco, looking towards S. Geminiano; pl.11 from Part III of the series Urbis Venetiarum Prospectus Celebriores Ex Antonio Canal...
Etching
1735
- Giovanni Jacopo Caraglio
The Annunciation, after the lost painting by Titian
Engraving
16th century
- Francisco de Goya - Don Antonio Noriega 1801 oil on canvas National Gallery of Art Spanish
- Giovanni Jacopo Caraglio
Marriage of the Virgin, after Parmigianino
Engraving
16th century
- Giovanni Jacopo Caraglio
The School of an Ancient Philospoher, after an unknown artist
Engraving
16th century
- Federico Brandani - Antonio Galli n.d. bronze The Frick Collection Italian
- Gioan Antonio Lorenzini
The Holy Family
Etching
17th - 18th century
- Giovanni Jacopo Caraglio
The Martyrdom of St. Peter and St. Paul, after Parmigianino
Engraving
16th century
- Antonio Tempesta
Roman Battle Scene, after Antonio Tempesta (?)
Etching
16th - 17th century
- Antonio Tempesta
The Entry of Alexander into Babylon, after Antonio Tempesta
Engraving
16th - 17th century
- Giovanni Jacopo Caraglio
The Adoration of the Shepherds, copy of the engraving by Caraglio after Parmigianino
Engraving
16th century
- Giovanni Antonio Faldoni
Two Nude Shepherds, after Parmigianino
Engraving
1724
- Gioan Antonio Lorenzini
The Ascension of the Virgin, after Guido Reni
Etching
17th century
- Giovanni Jacopo Caraglio
The Virgin and Child with St. Elizabeth and the Infant John the Baptist, after Raphael
Engraving
16th century
- Francisco de Goya - Don Juan Antonio Cuervo 1819 oil on canvas Cleveland Museum of Art Spanish
- Ipolito Salazar
ILMO. Sr.Dr.JOS
ANTONIO ZUBIRIA,/ Obispo de Durango (Most Illustrious Sir and Doctor JosÈ Antonio Zubiria, Bishop of Durango
Lithograph
19th century
- Giovanni Antonio da Brescia
Hercules and Antaeus, after Giovanni Antonio da Brescia's engraving after Mantegna
Metalcut
circa 18 - 19th century
- Giovanni Jacopo Caraglio
Cupid and Psyche, a reduced copy of Caraglio's engraving after Perino del Vaga from The Loves of the Gods
Engraving
16th century J. Paul Getty Museum
- Study of a Male Figure
- Antonio Baratta
L'Adulatore, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Antonio Baratta
Moliere, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Antonio Baratta
Frontispiece for Opere di Carlo Goldoni, after Novelli
Engraving
1761
- Antonio Baratta
La Serva Amorosa, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Antonio Baratta
Illustration To I Rusteghi, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Francisco Jose de Goya y Lucientes - Jose Antonio, Marques de Caballero 1807 Oil on canvas Lowe Art Museum, University of Miami Spanish
- Antonio Frasconi
Woodcuts by Antonio Frasconi/Weyhe Gallery March 27 - April 30, 1954
Woodcut
20th century
- Gioan Antonio Lorenzini
The Virgin and Child with St. John the Baptist, a Bishop Saint and Two Donors, after Veronese
Engraving
17th - 18th century
- Carlo Antonio Porporati
Il Bagno di Leda (Leda's bath), after Correggio
Engraving
18th century
- Antonio Visentini
Piazza San Marco, View Between Church and Tower, pl. III from a series of four scenes of the Piazza after Canaletto
Etching
circa 1745
- Antonio Visentini
Piazza San Marco, View of the Public Library, pl. IV from a series of four scenes of the Piazza after Canaletto
Etching
circa 1745
- Pietro Rotari
Saint Sebastian, after Antonio Balestra
Etching
1725
- Francesco Villamena
A Battle Scene, after Antonio Tempesta
Engraving
16 - 17th century
- Antonio Frasconi
See Again, Say Again by Antonio Frasconi (New York: Harcourt, Brace & World, [1964])
book with uncounted pages of reproductions of color woodcuts
1964
- Antonio Frasconi
See and Sayä, A Picture Book in Four Languages by Antonio Frasconi (New York: Harcourt, Brace, [1955])
book with uncounted reproductions of color woodcuts
1955
- Antonio Frasconi
Woodcuts by Antonio Frasconi, catalogue cover for Smithsonian Institution Traveling Service 1953-1954
Color woodcut
20th century
- Antonio Tempesta
La Primavera, from The Four Seasons
Etching
1592
- Giulio di Antonio Bonasone
The Wounded Scipio, after Polidoro da Caravaggio
Engraving
16th century
- Giulio di Antonio Bonasone
The Birth of John the Baptist
engraving
circa mid 16th century
- Antonio LafrÈry (LafrÈri)
Solitauriliorum sacrificiorum etc.
Engraving
1553
- Antonio LafrÈry (LafrÈri)
Solitauriliorum sacrificiorum etc.
Engraving
1553
- Antonio Beato
Bronze Statue of Dai-Bouts, near Kamakura
Albumen print mounted to an album page
circa 1867
- Johann Friedrich Greuter
Arcanis Nodis: Palladium, after Antonio Pomeranci
Engraving
17th century The Metropolitan Museum of Art
- Violin, 1693 Made by Antonio Stradivari (1644-1737)Cremona, ItalyWood; L. 23 1/4 in. (59.4 cm); W.
- Antonio Frasconi
Untitled (grasses), and first image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
The Snow and the Sun /La Nieve y el Sol, translated by Antonio Frasconi (New York: Harcourt, Brace & World, [1961])
book with uncounted pages of reproductions of color woodcuts
1961
- Antonio Frasconi
Untitled (young man), and fifth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (standing man), and second image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (grasses), and first image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Tempesta
The Flight into Egypt
Etching
17th century
- Antonio Tempesta
A Battle Scene
Etching
17th century
- Antonio Tempesta
God Creating the Animals
Etching
17th century
- Antonio Tempesta
A Boar Hunt
Etching
17th century
- Antonio Beato
Columns in the Hypostile Hall-Harnak, Upper Egypt
albumen print
ca. 1865 - 1869
- Antonio Frasconi
Untitled (young man), and fifth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (standing man), and second image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Baratta
Stations of the Cross - XI
Engraving
1778
- Antonio Baratta
Stations of the Cross - I
Engraving
1778
- Antonio Baratta
Stations of the Cross - IV
Engraving
1778
- Francisco Antonio Melendez
The Annunciation
oil on canvas
1710
- Giulio di Antonio Bonasone
Cloelia Crossing the Tiber, after Polidoro da Caravaggio
Engraving
16th century
- Antonio Tempesta
The Battle Between the Greeks and the Amazons
Etching
1600
Artnews Articles and Exhibition Information: (2) Click on any of the links below to read about artnews or exhibitions related to Fiorentino
Frick Collection: Master Drawings from the Smith College Museum of Art Among the other artists represented in the exhibition are Northern European masters Matthias Grünewald, Jan van Goyen, Adoph von Menzel, Piet Mondrian, and Paul Klee. Italian artists include Fra Bartolommeo, Rosso Fiorentino, Federico Barocci, Gi...
National Gallery of Art: Virtue and Beauty: Leonardo's - Ginevra de' Benci - and Renaissance Portraits of Women The Gallery is pleased to present this remarkable exhibition that brings together some of the most
outstanding examples of Florentine portraits of women from the mid-15th and 16th centuries, said Earl
...
Further Artwork and Information:
Antonio Fiorentino Online
CGFA- Antonio Fiorentino: Crucifixion with the Madonna and St. John
Antonio Fiorentino
Autor: Antonio Fiorentino
Antonio Fiorentino Madonna and Child with Saints
Antonio Fiorentino Crucifixion with the Madonna and St John
Il posto di Antonio
CGFA- Antonio Fiorentino: Madonna and Child with Saints
Weblog
Città di Cosenza - Ufficio Stampa
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Last updated and links verified on: Monday October 10/05/09 06:32:35 AM
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