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Artist: 'pseudo' Pier Francesco Fiorentino ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by 'Pseudo' Pier Francesco Fiorentino.
The Metropolitan Museum of Art
- Madonna and Child with the Infant Saint John the Baptist and Angels Master called Pseudo-Pier The Metropolitan Museum of Art
- Madonna and Child with the Infant Saint John the Baptist and an Angel Master called
- Giovanni Jacopo Caraglio
Jupiter, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
16 - 17th century
- Giovanni Jacopo Caraglio
Bacchus, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Ceres, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Neptune, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Hercules,after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Mars, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Proserpina, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Pluto, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Juno, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Saturn, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Vulcan, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Giovanni Jacopo Caraglio
Jupiter, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses
Engraving
1771
- Pier Francesco Mola
Rest on the Flight into Egypt
Etching and engraving
mid 17th century
- Pier Francesco Mola
Madonna and Child
Etching
17th century The Metropolitan Museum of Art
- The Rest on the Flight into Egypt Pier Francesco Mola (North Italian, 1612-1666)Oil on copper;
- Giovanni Jacopo Caraglio
Mars, pl. 9 from the series Mythological Gods and Goddesses after Rosso Fiorentino, retouched by Francisco Villamena
Engraving
16th century
- Pier Francesco Mola
Tomb in Landscape
Pen and brown ink, brown ink wash and red chalk on laid paper mounted on a heavier sheet
17th century
- Pier Francesco Mola
Bacchus and Ariadne
Pen and brown ink and brown wash over black chalk on laid paper mounted to heavier sheet
17th century J. Paul Getty Museum
- The Vision of Saint Bruno
- Pier Francesco Mola
Conversion of St. Paul and other figures, studies for frescoes in the Ravenna Chapel of Il Ges* in Rome
Pen and brown ink, brown wash, and red chalk on laid paper mounted on a heavier sheet
circa 1656
- David Alfaro Siqueiros - Strike on the Pier 1954 gouache on board mou Cleveland Museum of Art Mexican
- Claes Oldenburg - Spoon Pier 1975 soft-ground etching, The Mint Museums American
- Giovanni Jacopo Caraglio
Ariadne, after Jacopo Caraglio's engraving after Rosso Fiorentino
Engraving
16th century
- Giovanni Jacopo Caraglio
Venus, after Jacopo Caraglio's engraving after Rosso Fiorentino
Engraving
16th century
- Giovanni Jacopo Caraglio
Proserpina, after Jacopo Caraglio's engraving after Rosso Fiorentino
Engraving
16th century
- Giovanni Jacopo Caraglio
Mars, after Jacopo Caraglio's engraving after Rosso Fiorentino
Engraving
16th century The Metropolitan Museum of Art
- Madonna and Child Enthroned with Angels Master called Pseudo-Master of Varlungo (Italian, Florentine, active fourth
- Harvey Ellis - Summerville Pier and Lighthouse 1884 watercolor on paper Memorial Art Gallery of the University of Rochester American
- Giovanni Jacopo Caraglio
Hercules Killing the Centaur Nessus, from The Labors of Hercules after Rosso Fiorentino
Engraving
16th century
- Giovanni Jacopo Caraglio
Pluto, after Rosso Fiorentino, from the series Mythological Gods and Goddesses
Engraving
late 16th century
- Giovanni Jacopo Caraglio
Apollo, after Rosso Fiorentino, from the series Mythological Gods and Goddesses
Engraving
late 16th century
- Giovanni Jacopo Caraglio
Opis, after Rosso Fiorentino, from the series Mythological Gods and Goddesses
Engraving
late 16th century
- Giovanni Jacopo Caraglio
Mercury, after Rosso Fiorentino, from the series Mythological Gods and Goddesses
Engraving
late 16th century
- Sargent Beartom
General Lee Surrendering to General Grant
pen and ink and opque watercolor over reproduction cut out mounted against pen and ink (pseudo-silhouette)
1939
- Giovanni Jacopo Caraglio
Hercules defeating the River God Achelous in the Form of a Bull, after Rosso Fiorentino
Engraving
16th century
- Giovanni Jacopo Caraglio
Mars and Venus, after Gian Giacomo Caraglio's engraving after Rosso Fiorentino
Engraving
1575
- Giovanni Jacopo Caraglio
copy in reverse after Caraglio's engraving Hercules Killing the Centaur Nessus, after Rosso Fiorentino
Engraving
16th century
- Pier Francesco Mazzucchelli - The Ecstacy of Saint Francis c. 1615 oil on canvas Los Angeles County Museum of Art Italian
- Pier Francesco Bissolo - The Holy Family with a Donor in a Landscape early 1520's oil on wood panel Dayton Arts Institute Italian
- Giovanni Jacopo Caraglio
Diogenes, after Parmigianino
Engraving
16th century
- Roger Fenton - Harbour at Balaklava, The Cattle Pier, Crimea 1855 salted paper print f The Royal Photographic Society English
- Giovanni Jacopo Caraglio
The Adoration of the Shepherds, after Parmigianino
Engraving
1526
- Cherubino Alberti
The Agony in the Garden, after Rosso Fiorentino
Engraving
1574 J. Paul Getty Museum
- Iris Appearing to Turnus
- Giovanni Jacopo Caraglio
Marriage of the Virgin, after Parmigianino
Engraving
16th century
- Giovanni Jacopo Caraglio
The Martyrdom of St. Peter and St. Paul, after Parmigianino
Engraving
16th century
- Jacopo Fiorentino
Les Noces de Vertumne et de Pomone
1542
- Francois de Poilly
Alexandre Falguiere
engraving
1887
- Giovanni Jacopo Caraglio
The Adoration of the Shepherds, copy of the engraving by Caraglio after Parmigianino
Engraving
16th century
- The Pseudo-Gherardi
Warriors Dying on a Battlefield
Pen and gray-brown ink with white opaque watercolor on laid paper mounted to heavier sheet
16th century
- Enea Vico
The Battle of the Lapiths and the Centaurs, after Rosso Fiorentino
Engraving
1542
- Herman Volz
Pier 39
Lithograph
20th century
- Arthur Pond
[Caricature]
18th century
- Paul Whitman
Cannery Pier
Etching
1927
- Cadwallader Washburn
A Landing Pier (Monterey)
Drypoint
19th - 20th century
- Douglas I. Smart
The Pier
Etching
19th - 20th century
- Edmund Blampied
Old Pier Head
Drypoint
1921
- Giovanni Jacopo Caraglio
Hercules Killing the Hydra of Lerna
Engraving
16th century
- Frances Hammel Gearhart
The Boat Pier
Color woodcut
19th - 20th century
- James Abbott McNeill Whistler
The Pier: A Grey Note
oil on panel
1884 The Minneapolis Institute of Arts
- Artist: Pier Leone Ghezzi Title: The Prodigal Son Date: about 1720 - 1730 Medium: oil The Metropolitan Museum of Art
- Portrait of a Man, 1521 Tommaso Fiorentino (Tommaso di Stefano Lunetti) (Italian, Florentine, born about The Minneapolis Institute of Arts
- Artist: Pier-Leone Ghezzi Title: Portrait of Duke Beccadelli Date: about 1710 Medium: pen and ink The Metropolitan Museum of Art
- Bust of the Pseudo-Seneca, before 1626 Peter Paul Rubens (Flemish, 1577-1640)Pen and brown ink over
- Carl Armin Hansen
The Large Pier
drypoint
1925
- Pier Leone Ghezzi
Un Pizzicaruolo
17th - 18th century The Minneapolis Institute of Arts
- Artist: Berenice Abbott Title: Waterfront, from Pier 19, East River, New York City Date: August
- Giovanni Francesco Barbieri - Cardinal Francesco Cennini 1625 oil on canvas National Gallery of Art Italian
- Horatio Nelson Poole
Pier Sixteen
Etching
1919 The Minneapolis Institute of Arts
- Artist: Pier-Leone Ghezzi Title: Caricature of Giovanni Battista Maini Date: 1749 Medium: pen and brown
- Joseph Nash
The Back of Old Leith Pier
Litho
19th century
- Joseph Nash
The Back of Old Leith Pier
Color Litho
1847 The Minneapolis Institute of Arts
- Artist: artist unknown Title: Pier Table Date: about 1820 Medium: painted cherry, maple, tulip poplar The Minneapolis Institute of Arts
- Artist: artist unknown Title: Pier Glass Date: about 1750 Medium: wood, gilt, mirror Dimensions: H.89 The Minneapolis Institute of Arts
- Artist: Berenice Abbott Title: "Theoline", Pier II, East River, Manhattan Date: 1936 Medium: gelatin silver
- Rosso Fiorentino - Portrait of a Man early 1520's oil on panel National Gallery of Art Italian
- Joseph Mallord William Turner
Inverary Pier. Loch Fyne. Morning
etching and mezzotint
1811
- Pier Leone Ghezzi
Una Guardia Canterna
Pen andbrown ink and brown wash on laid paper
18th century
- Giovanni Jacopo Caraglio
Pallas
Engraving
1526
- William R. A. Daniell
Boscastle Pier on the coast of Cornwall
Color Aquatint
18th - 19th century
- Pier Leone Ghezzi
Dona Luizella
Pen and brown ink and brown wash on laid paper
17th - 18th century J. Paul Getty Museum
- Table with Supports in Form of Winged Rams
- Giovanni Jacopo Caraglio
[Hercules Fighting Centaurs]
16th century
- Francis Seymour Haden
Little Calais Pier
Etching and drypoint
1865
- Francis Seymour Haden
Little Calais Pier
Etching and drypoint
1865
- Giovanni Jacopo Caraglio
The Annunciation, after Raphael
Engraving
16th century
- Giovanni Jacopo Caraglio
Battle Scene with a Shield and a Lance
Engraving
16th century
- Pier Leone Ghezzi
Doctor Fossambroni
Pen and brown ink on laid paper onlaid to a heavier sheet
circa 1729 - 1730
- Francis Seymour Haden
Little Calais Pier
Etching and drypoint on vellum
1865
- Giovanni Jacopo Caraglio
The Annunciation, after the lost painting by Titian
Engraving
16th century
- Joseph Pennell
London Bridge Pier
Etching
19th - 20th century
- Giovanni Jacopo Caraglio
The School of an Ancient Philospoher, after an unknown artist
Engraving
16th century
- Francis Seymour Haden
Little Calais Pier
Etching and drypoint with type on verso
1865 The Metropolitan Museum of Art
- Holy Family Jacopino del Conte (Italian, Florentine, 1515-1598)Oil on wood; 47 1/2 x 33 3/4
- Pier Leone Ghezzi - The Prodigal Son c. 1720-30 oil on canvas Minneapolis Institute of Arts Italian
- David Cox
Grey Day, Calais Pier
watercolor
18th - 19th century
- Francis Seymour Haden
Little Calais Pier
Etching and drypoint with graphite additions (two moons)
1865 The Metropolitan Museum of Art
- Saint Lucy Francesco Zaganelli (Francesco di Bosio) (Italian, Romagnole, active by 1499, died 1532)Tempera and
Artnews Articles and Exhibition Information: (2) Click on any of the links below to read about artnews or exhibitions related to Fiorentino
Frick Collection: Master Drawings from the Smith College Museum of Art Among the other artists represented in the exhibition are Northern European masters Matthias Grünewald, Jan van Goyen, Adoph von Menzel, Piet Mondrian, and Paul Klee. Italian artists include Fra Bartolommeo, Rosso Fiorentino, Federico Barocci, Gi...
National Gallery of Art: Virtue and Beauty: Leonardo's - Ginevra de' Benci - and Renaissance Portraits of Women The Gallery is pleased to present this remarkable exhibition that brings together some of the most
outstanding examples of Florentine portraits of women from the mid-15th and 16th centuries, said Earl
...
Further Artwork and Information:
Pseudo-pier Francesco Fiorentino (1465 - 1529) Biography, Artwork Images, Exhibitions, Reviews
pseudo Pier Francesco Fiorentino
Pseudo Pier Francesco Fiorentino Online
artnet.com: Resource Library: Masters, anonymous, and monogrammists, §I: Pseudo-Pier Francesco Fiorentino
artnet.com: Resource Library: Pier Francesco Fiorentino
BJU - Pseudo-Fundamentalists: The New Breed in Sheeps Clothing
Art/Auctions: Old Masters at Sothebys, January 25, 2001
Artcyclopedia: Artist Names Beginning FI through FO
www.nga.gov/press/2002/exhibitions/florence/florence.pdf
Restauro Filippo Lippi
pseudo Pier Francesco Fiorentino
Pseudo-pier Francesco Fiorentino (1465 - 1529) Biography, Artwork Images, Exhibitions, Reviews
Pseudo Pier Francesco Fiorentino Online
artnet.com: Resource Library: Masters, anonymous, and monogrammists, §I: Pseudo-Pier Francesco Fiorentino
artnet.com: Resource Library: Pier Francesco Fiorentino
BJU - Pseudo-Fundamentalists: The New Breed in Sheeps Clothing
Art/Auctions: Old Masters at Sothebys, January 25, 2001
The Metropolitan Museum of Art - Works of Art: European Paintings
Artcyclopedia: Artist Names Beginning FI through FO
Restauro Filippo Lippi
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Wassily Kandinsky Hommage to Grohmann
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Last updated and links verified on: Monday October 10/05/09 06:32:35 AM
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