Artist: Edward Fischer ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Edward Fischer.

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Edward Fischer Jean-Baptiste Monnoyer, (after G. Kneller) mezzotint 18th century
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Otto Fischer Gewitterstimmung (Thunder clouds) ET 1896
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Otto Fischer Head of an old man ET 19th - 20th century
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F. Fischer Seated Man with a broom etching 20th century
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Otto Fischer Great Mountains 19th - 20th century
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Otto Fischer Waltersdorf (Landscape) ET 19th - 20th century
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Hans Fischer Flowers and Grasses Lith, black and white 20th century
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Alfred Kubin [Die Fischer], sixteenth plate in the book Die Bl‰tter mit dem Tod (Berlin: Bruno Cassirer, 1918) line block print 1918
Museum of Fine Arts -
Irma Fischer, Hungarian Sewing sampler Hungary, about 1885 Cotton plain weave embroidered with silk 26
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Lovis Corinth Winter am Walchensee (Hotel Fischer) Drypoint 1924
Museum of Fine Arts -
Lippo Vanni, Italian (Sienese), active about 1344-1375 Biccherna Cover: The Tribute Offering Mid 14th century
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Johann Christoph Weigel Der Fischer, plate 83 from the book Etwas f¸r Alle ä Stands- Ambts- Bewerbs-Persohnenäby Father Abraham ‡ Santa Clara (Nuremberg: Christoph Weigel, [1699]) engraving 1699
Museum of Fine Arts -
Auguste Lepčre, French, 1849-1918 Saint-Jean-de-Monts 1900-05 Black and red chalk and opaque watercolor on prepared
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Blanding Sloan Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) book with33 woodcuts 1932
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Blanding Sloan Untitled, on page [73] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, on page [18] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, on page [47] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, on page [118] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, on page [16] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, on page [143] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, on page [25] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, on page [133] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, on page [139] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, on page 21 in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Pieter van der Banck King Edward V, Son Of Edward Iv (1483-deposed) Engraving 17th century
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Blanding Sloan Untitled, on page [89] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut on red-orange paper 1932
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Blanding Sloan Untiled, on page [70] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut on red paper 1932
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Blanding Sloan 81 Theatre, vignette on page 62 in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, vignette on page 82 in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, vignette on page [93] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, vignette on page [108] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled (Mr. Bailey), on page [60] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, vignette on page 59 in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, on page [41] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut on blue paper 1932
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Blanding Sloan Untitled, on page [113] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut on red-orange paper 1932
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Blanding Sloan Untitled, end piece vignette on page 69 in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, on page [123] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut on blue paper 1932
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Pieter van der Banck King Edward III Of Windsor, Son Of Edward Ii (1327-1377) Engraving 17th century
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Pieter van der Banck King Edward II Of Carnarvon, Son Of Edward I (1307-1327) Engraving 17th century
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Blanding Sloan Untiled, opposite page [14] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcutprinted on red-orange paper 1932
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Blanding Sloan Title page in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) color woodcut printed in blue 1932
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Guillim Scrots - Portrait of Edward Vi c. 1551 oil on panel Los Angeles County Museum of Art Dutch
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Hans Holbein the Younger - Edward VI as a Child c. 1538 oil on panel National Gallery of Art German
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Thomas Gainsborough - Edward Swinburne 1785 oil on canvas The Detroit Institute of Art English
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Thomas Sully - Dr. Edward Hudson 1810 oil on canvas The Detroit Institute of Art American
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Petrus Christus - Edward Grimston 1446 oil on oak The National Gallery, London Netherlandish
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Gilbert Stuart - Edward Stow c. 1803 oil on wood National Gallery of Art American
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Thomas Sully - Mrs. Edward Hudson 1814 oil on canvas The Detroit Institute of Art American
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Blanding Sloan Untitled, head piece vignette for Baltimore on page 127 in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Blanding Sloan Untitled, head piece vignette for Norfolk, Va. on page 109 in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 1932
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Pieter van der Banck King Henry VII, Descendant Of Edward III, Son-in-law Of Edward IV (1485-1509) Engraving 17th century
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Blanding Sloan "Ah Sho Wish Ah Was Back in Birmingham", head piece vignette for B irmingham on page[49] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcu
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Blanding Sloan Untitled, page following title page in the book )Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut printed on blue paper 1932
The Metropolitan Museum of Art -
Portrait of a Man Sir Thomas Lawrence (British, 1769-1830)Oil on canvas; 50 3/8 x 40
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Blanding Sloan "In That Great Gittin' Up Mornin'", head piece vignette for Nashville, on page 31 in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 193
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Blanding Sloan "Can't Yo' Hear Dem Lowdown Blues?", head piece vignette for St. Louis on page [15] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 193
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Blanding Sloan "Listen to Dat Barber Shop chord", head piece vignette for Chattanooga, on page [39] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 19
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Blanding Sloan ""Goin' Ter Climb Dat Glory Road", head piece vignette for Durham on page [99] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woodcut 193
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Blanding Sloan "Drip Coffee, Mardi Gras and Gumbo Filet", head piece vignette for New Orleans on page [81] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]) woo
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Graham Sutherland - The Hon. Edward Sackville West 1857-1858 oil on canvas Birmingham Museums and Art Gallery British
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William Morris Hunt - Portrait of Edward Wheelwright 1857 oil on canvas Los Angeles County Museum of Art American
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Joseph Bridge - Edward, 3rd Earl of Powis 1891-1892 oil on canvas The Fitzwilliam Museum British
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M.W. Hopkins - Pierrepont Edward Lacey and His Dog, Gun 1835-36 oil on canvas Memorial Art Gallery of the University of Rochester American
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Pieter van der Banck King Edward IV, Plantagenet, Descendant Of Edward Iii (1461-1470) Deposed (1471-1483) Engraving 17th century
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Thomas Gainsborough - Sir John Edward Swinburne 1785 oil on canvas The Detroit Institute of Art English
The Metropolitan Museum of Art -
Portrait of a Man, Called Dr. Blake Sir Henry Raeburn (Scottish, 1756-1823)Oil on canvas; 51
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Edward Borein Mexican Vaquero Etching 1915
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Edward Lear A Book of Nonsense by Edward Lear (London: Routledge, Warne, and Routledge , [1862]) Book with 113 lithographs and lithographed cover ca. 1862
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Edward De Witt Taylor The Quiet Bay Etching 1932
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Edward Borein Navajo Indians at the Water etching 1915
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Richard Leopold Seyffert Jr. Portrait of T. Edward Hanley charcoal with white chalk heightening 1959
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Edward Lear *There was an Old Person of Cadiz...,* on page 36 in the book, A Book of Nonsense by Edward Lear (London: Routledge, Warne, and Routledge,[1862]) Lithograph 1862
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Edward Borein A Bronc Etching 19th - 20th century
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Stephen Slaughter - Portrait of Sir Edward Walpole's Children 1747 oil on canvas Minneapolis Institute of Arts British
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Edward De Witt Taylor The Hull Drypoint etching 1931
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Edward De Witt Taylor Still Waters Drypoint etching 1930
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Edward De Witt Taylor A Farm in the Hills linoleum cut 1930
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Edward De Witt Taylor Eulecka II Drypoint Etching 1934
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Edward Borein Arizona Cow Punchers Etching 19th - 20th century
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Edwin W. Dickinson Portrait of T. Edward Hanley charcoal and graphite on white wove paper 1936
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Edward Borein The Trail Boss Etching 19th - 20th century
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Edward De Witt Taylor Bare Branches Drypoint etching 1939
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Edward De Witt Taylor Wharf Along the Waterfront, Monterey Etching 1935
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Edward De Witt Taylor A Wharf in Monterey Drypoint etching 1929
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Edward De Witt Taylor Islair Creek Drypoint etching 1934
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Edward De Witt Taylor A Farm in the Hills Drypoint etching 1930
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Edward De Witt Taylor The Old Wharf Etching 19th - 20th century
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Edward De Witt Taylor Chin Yon Shrimp Camp Etching 1914
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Edward De Witt Taylor Slack Tide Drypoint etching 1930
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Edward De Witt Taylor Fish Camp, Hunter's Point DP 1933
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Edward De Witt Taylor Purse Seiner Drypoint etching 1936
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Edward Henry Potthast Ring Around the Rosy oil on panel 19th - 20th century
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Fannie Nampeyo Water storage jar Earthenware, pigment mid 20th century
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Edward De Witt Taylor Snow in San Francisco Hills DP, third state 1933
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Edward Borein Mexican Carreta Etching and drypoint 19th - 20th century
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Edward Borein Buckskin and Feathers Etching 19th - 20th century
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Edward Ruscha Mocha Standard Color screenprint 1969
Museum of Fine Arts -
Mastro Industries, American Designed by Mario Maccaferri, Italian, 1900-1993 Guitar (Romancer model) United States, New
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Arthur Hughes - Edward Robert Hughes as a child c. 1853-1854 oil on canvas The Fitzwilliam Museum British
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Edward Borein Sioux Scouts, Montana Etching 19th - 20th century

Artnews Articles and Exhibition Information: (21)
Click on any of the links below to read about artnews or exhibitions related to Fischer

Gallery 400, University of Illinois at Chicago: Marc Fischer: Paper Trails (Going Through Your Garbage)
Fischer's project is the first of six in Gallery 400's fall series "At the Edge" initiated to present new works that are difficult to show in commercial spaces, that extend a working artistís practice, and/or push the boundaries of art experime...
De/light me!: CALL FOR PAPERS AND ILLUSTRATIONS
We are interested into the following line of topics, left open for both textual and visual contributions; mental delightment ____________ overtheoretising ____________ forgotten theory ____________ authoring theory ____________ undead au...
Museum of Contemporary Art, Tucson: New! With Anti-Oxidants
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Haus der Kunst: Grand Art Exhibition 2005
Besides renowned, accomplished sculptors such as Lothar Fischer, Otto Herbert Hajek, Joseph Michael Neustifter, Hans Peter Reuter, Michael Schoenholtz, Voré and Rudolf Wachter, young artists from Germany and neighbouring European countries have...
Mountclair Art Museum: Paris 1900: The American School at the Universal Exposition
Works of art exhibited in Paris have been lent by museums across the United States and Europe, including Whistler's Symphony in White No. 2 from the Tate Gallery ...
Art Forum Berlin: Art Forum Berlin 2002 Presents Emerging Contemporary Art
Participants in this year’s fair include 150 galleries, from approximately 25 nations. Exhibition areas will allows visitors to view and interact with the work, presented by both established and up and coming galleries, including: the Galeria Helg...
Judy A Saslow Gallery: The Artists of Gugging
In 1981, Navratil founded "The Center for Art and Psychotherapy" where he invited many of these talented patients to live and work together in one house. In 1986, Navratil retired and Dr. Johann Feilacher became his successor. Dr. Feilacher chang...
Americas Society: GENEVIEVE CADIEUX
She presents each disparate subject in a similar format and with an equally intense emotional tenor, suggesting equivalencies and interrelationships among them. Their large scale, sparseness, and often tight, close-up framing give them an emotio...
New Mueum for Art and Design: Richard Artschwager. Up and Across
Characteristic is also the artist’s use of industrial materials, such as wood veneers, patterned melamine and hardboard. Artschwager often uses the hardboard reverse as a support for painting, giving the images a specific look and feel. A further ...
Camden Arts Centre: Pioneer American Conceptual Artist Douglas Huebler
Many of the works are self-portraits and photographs documenting personal activities (following the sound of bird-calls in Central Park), photographs of friends and family (the artist Bernd Becher pulling faces), or photographs of strangers in cit...
Northern Illinois University Art Gallery in Chicago: Doppelganger
Doppelganger, scheduled January 12 through March 10, 2001, focuses on explicit modes of artistic production that subvert the supposition of 'originality' in the fine art realm. Of particular interest is the method by which this exhibiti...
Haunch of Venison: Richard Long: The Time of Space
Since the mid-sixties Long has taken a radical approach to nature by expanding the potential scale of art through the medium of walking in the landscape. This exhibition reflects the global range of his work, from the Sahara to Scotland to Mong...
Kunsthalle Wien, Museumsquartier: Sculpture: Precarious Realism between the Melancholy and the Comical
The sculptures show what is human and everyday, and at the same time observe the disappearance and dissolution of the ordinary in its transitions from the human/animal/organic to the machine
tool
like or architectural. The sculptures’ character ...
Kunsthalle Bielefeld: Edvard Munch. 1912 in Germany
Born in Norway in 1863, Munch moved in 1909 to a secluded spot in Kragorř on the southern coast of Norway, where he found his quietest studio so far since his temporary studio in Hvitsten on the Oslo Fjord. His apprenticeship and journeyman years ...
Centro Galego de Arte Contemporanea: Compostela: Lars Arrhenius, Gabriele Basilico, Roland Fischer, Gunther Forg, Ruben Ramos Balsa, Humberto Rivas, Lorna Simpson, Montserrat Soto, Beat Streuli, Peter Wüthrich
Lars Arrhenius, Gabriele Basilico, Roland Fischer, Günther Förg, Rubén Ramos Balsa, Humberto Rivas, Lorna Simpson, Montserrat Soto, Beat Streuli and Peter Wüthrich were invited by Miguel Fernández-Cid, Head of the CGAC and curator of...
Bauhaus Dessau Foundation: Call for Artists: 2nd trimester of the IV. Bauhaus Kolleg Dot.City
The goal is to deconstruct the differentiation between public and private/physical and virtual respectively. They believe that there are overlapping calls for a new definition of urbanism as well as for new strategies to program urban processes. ...
Smart Museum of Art: Critical Mass
* Training: They usually hold degrees from art schools and many also teach or administrate at cultural institutions. * Sensibilities: They pursue an ethical, self-reflective practice and are committed to social engagement. They conside...
Palm Beach Institute of Contemporary Art: I Feel Mysterious Today: 25 International Emerging and Established Contemporary Artists
I feel mysterious today both emphasizes and reflects a current sensibility that gives privelage to allusive and subjective modes of expression over the more direct and strident political positioning characteristic of art celebrated in the globalis...
Kunsthalle Wien, Museumsquartier: A Baroque Party
Modernity and, in particular, contemporary art, takes up on aesthetic concepts from the Baroque period rather than the 19th-century idea of the Gesamtkunstwerk, say exhibition curators Sabine Folie and Michael Glasmeier. For the exhibition, conte...
Biennale of Sydney 2002, International Festival of Contemporary Art: (The World May Be) Fantastic.
The 2002 exhibition invites you to view My Living Room is a Martian Base (Gilles Barbier, France), see Nixon in Chains (Jeffrey Vallance, USA), hear A Strange Message From Another Star (Veli Granö, Finland), experience the killing in the Muriel...
MASS MoCA: Fantastic: The Land of Milk, Honey, and Extraterrestrials
In Fantastic, opening March 8, 2003, MASS MoCA (Massachusetts Museum of Contemporary Art) showcases five contemporary artists - Miguel Calderón, Gregory Crewdson, Alicia Framis, Nils Norman, and artist collective Temporary Services who embrace...

Further Artwork and Information:

Dr. Edward Fischers Homepage
Edward Fischer (1578 - 1617) Biography, Artwork Images, Exhibitions, Reviews
Neurology - Dr. Edward Fischer MD, Check Doctor Credentials
eads homepage
New Page 1
The genealogical tree of Edward Fischer
Question 5: by Edward Fischer
The genealogical tree of Edward Fischer
Edward Fischer, b: 1905 - Madison Co., Nebraska
Edward A. FISCHER/Lillian KEUTE

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