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Artist: Samuel Melton Fisher ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Samuel Melton Fisher.

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Edwin White - The Fisher Boy 1840 oil on canvas Florence Griswold Museum American
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Harrison Fisher Man and Woman on Sofa drawing early 20th century
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Winslow Homer - The Fisher Girl 1894 oil on canvas Mead Art Museum, Amherst College American
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John Constable - Mrs. Mary Fisher 1816 oil on canvas The Fitzwilliam Museum British
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Harrison Fisher Young Woman with Tennis Racquet watercolor early 20th century
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Harrison Fisher Have You Answered the Red Cross Christmas Roll Call? - World War I Poster lithograph poster 1918
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Harrison Fisher I Summon You to Comradeship in the Red Cross - World War I Poster lithograph poster circa 1917 - 1918
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Harrison Fisher Penelope, on page [59] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher She Took My Fido, on page [31] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher On Her Sunny Way She Goes, on page [91] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher Unidentified, on page [95] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher Frontispiece , on page [6] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher My Sweetheart, on page [79] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher Unidentified, on page [97] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher Woman Rules, on page [67] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher Amy, Why Turn from My Sight, on page [27] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) Color photoreproduction of painting by the artist 1919
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Harrison Fisher A Woman's Letter, on page [83] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher A Peppercorn Is Very Small, on page [63] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher Why Pretty Rogue, on page [75] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher There Is a Garden in Her Face, on page [51] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher In Teacup Times, on page [35] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher Your Dreams Have Never Known a World So Fair, on page [55] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by th
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Harrison Fisher I Care Not Though Her Teeth Are Pearls, on page [43] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artis
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Asahel Powers - Hannah Fisher Stedman 1833 oil on wood National Gallery of Art American
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Harrison Fisher She Needs Not Fashion's Narrow Rule, on page 39] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 19
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Harrison Fisher She Displays a Dainty Glove, on page [47] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909 color photoreproduction of painting by the artist 1909
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Harrison Fisher Lips that Were Curled for Kisses, on page [23] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher She Sports a Witching Gown, on page [19] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher Who Robbed the Ocean Cave, on page [71] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher Her Bosom's Like a Frozen Lake, on page [15] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher Her Eyes Were Made to Worship, on page [87] in the book American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) color photoreproduction of painting by the artist 1909
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Harrison Fisher American Beauties by Harrison Fisher with decorations by E. Stetson Crawford (Indianapolis: The Bobbs Merrill Company, 1909) Book with 23 color photoreproductionsof paintings and uncounted reproductions of decorated pages with text in vers
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Hugo Anton Fisher St. Martin's 19th - 20th century
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Hugo Anton Fisher Christmas Greetings Dec. 1898 19th - 20th century
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Hugo Anton Fisher Hunter in the Forest transparent and opaque watercolor 19th - 20th century
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Hugo Anton Fisher Fallen Leaf Lake and Mt. Tallac near Lake Tahoe watercolor circa 1900
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Alfred Hugh Fisher Julius Knight in a Hat Drypoint 1933
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Samuel Palmer "Christmas" etching in Samuel Palmer, a memoir by A. H. Palmer etching 19th century
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Alfred Hugh Fisher Kingsgate, Winchester etching 19th - 20th century
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Carl Armin Hansen The Salmon Fisher Etching 1922
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Carl Armin Hansen Fisher Boats Etching 1923
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Carl Armin Hansen Fisher Houses Etching 1926
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Jacobus Houbraken (Fisher, Bishop of Rochester) 17th - 18th century
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Christian Ferdinand Moller No.40, Fisher Boat. 19th century
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Alfred Hugh Fisher Canton: The British Bridge 19th - 20th century
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Alfred Hugh Fisher Palace of the Maharajah of Udaipur, India 19th - 20th century
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Samuel Palmer The Bellman ET 1879
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Henry Wolf Kitty Fisher Wood Engraving 19th - 20th century
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Jan Sirks View of windmill and fisher in boat Etching 20th century
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Carl Armin Hansen Fisher Families Etching 1930
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Carl Armin Hansen Fisher Crew Drypoint 1924
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Alfred Hugh Fisher Head of the Great Tasman Glacier, New Zealand 19th - 20th century
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Samuel Palmer Moonlit Scene graphite 1863
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Samuel William Reynolds, Senior Samuel Whitbred, Esq. Mezzotint 18th - 19th century
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Samuel Palmer The Willow ET 19th century
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Samuel Palmer The Sepulchre ET 19th century
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Samuel Palmer The Skylark ET 19th century
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Samuel Palmer The Cypress Grove etching 1883
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Samuel Palmer The Cypress Grove ET 19th century
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Samuel Palmer The Homeward Star ET 19th century
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Samuel Palmer The Herdsman, or The Weary Ploughman 1865
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Samuel Palmer Moeris and Galatea ET 19th century
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Samuel Palmer The Willow etching 19th century
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Samuel Palmer The Rising Moon ET 19th century
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Samuel Palmer The Early Ploughman ET 19th century
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Samuel Palmer Opening the Fold; or, Early Morning ET 19th century
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Samuel Palmer An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) book with 5 etchings and 9 photogravures after drawings 1883
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William Dunlap - Samuel Griffin c. 1809 oil on canvas National Gallery of Art American
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Eastman Johnson - Samuel W. Rowse c. 1881 oil on board Cleveland Museum of Art American
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Benjamin West - Dr. Samuel Boude 1755 oil on canvas National Gallery of Art American
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Washington Allston - Samuel Williams c. 1817 oil on canvas Cleveland Museum of Art American
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Thomas Lawrence - Samuel Woodburn c. 1820 oil on panel The Fitzwilliam Museum British
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Carl Armin Hansen Fisher Harbor (The Harbor of Ostende) Drypoint 1927
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Samuel Palmer The Herdsman's Cottage; or sunset ET 19th century
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Samuel Palmer The Sleeping Shepard; Early Morning ET 19th century
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Samuel Palmer Opening the Fold; or, Early Morning ET 19th century
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Samuel Palmer The Herdsman's Cottage or Sunset etching from a steel plate 1850
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Ray "Uncle Bill" (Vice-Admiral Sir Frederic William Fisher) Men of the Day No. 1312, from Vanity Fair Supplement Lithograph 1912
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Samuel Palmer "O fortunate old man...",second illustration for Eclogue 1, opposite page 20 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "O fortunate old man...",first illustration for Eclogue 1, opposite page 18 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Walter Ufer - Portrait of Samuel Lustgarten c. 1925-1927 oil on canvas Los Angeles County Museum of Art American
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Winthrop Chandler - Mrs. Samuel Chandler c. 1780 oil on canvas National Gallery of Art American
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Samuel Palmer "Thy very cradle quickens...", illustration for Eclogue 4, opposite page 48 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Gilbert Stuart - Samuel Alleyne Otis 1811-1813 oil on wood National Gallery of Art American
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Henry Dexter - Samuel Atkins Eliot 1837 plaster bust Boston Athenaeum American
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Leopold Seyffert - Samuel Henry Kress 1953 oil on canvas National Gallery of Art American
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John Trumbull - Judge Samuel Livermore 1792 oil on panel Currier Museum of Art American
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Samuel Palmer "Tis gentle Phillis I love best of all...", illustration for Eclogue 3, opposite page 40 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Ripe apples are our supper...",third illustration for Eclogue 1, opposite page 22 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Samuel Palmer "Pan came, Arcadian shepherd ever good",second illustration for Eclogue10, opposite page 94 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Pan came, Arcadian shepherd ever good...", first illustration for Eclogue10, opposite page 92 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Come fairest, if thou care for me at all..," illustration for Eclogue 7, opposite page 70 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "And while the troubled moon shrunk in and out...", second illustration for Eclogue 8, opposite page 82 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Samuel Palmer "Untimely lost and by a cruel deathä", illustration for Eclogue 5, opposite page 54 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Samuel Palmer "_till Vesper bade the swain...", illustration for Eclogue 6, opposite page 64 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Then, to our goats at milking time return..", illustration for Eclogue 9, opposite page 88 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Samuel Palmer "But see, the weary-pacing oxen, slow...", illustration for Eclogue 2, opposite page 30 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Scarce with her rosy fingers had the dawn...", first illustration for Eclogue 8, opposite page 76 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Augustus Saint Gaudens - The Puritan (Deacon Samuel Chapin) 1899 bronze Los Angeles County Museum of Art American
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William Mark Fisher - Land and Sea 1871 oil on canvas The Detroit Institute of Art American

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Fisher


Frye Art Museum: Stephan Fisher: Chimeras
In his work, the artist deals with illusion and the play of light and shadow on a dizzy array of objects, which are often grouped on reflective surfaces that dissolve the boundries between the object and its setting. Patterns created by floor tile...

Museum of Fine Art, Houston: Vernon Fisher's File OO
In a file marked '00' and in other archives, Fisher accumulates source material that consists of photographs from magazines or newspapers; maps, charts, and diagrams torn from scienti...

Florence Lynch Gallery: Craig Fisher: Paintings
As Maurice Fréchuret (Director of the CAPC Museum, Bordeaux, France) writes, "For Craig Fisher, the space of the canvas cannot be defined in an unequivocal way. Rather, it is simultaneously a surface on which his artistic ends are rigorously an...

International Quilt Festival - Geo. R. Brown Convetion Center: Mary Fisher: Abataka
Abataka is a collection of twenty-three quilts sewn by Fisher after a visit to the African nation of Ruwanda where she witnessed “suffering added to suffering, death heaped atop death.”  Abtataka is a pan-African term for family, tribe, or communi...

Brooklyn Museum of Art: Passages: Photographs in Africa by Carol Beckwith and Angela Fisher
Among the images in the exhibition are coming of age ceremonies for Maasai boys in Kenya and Krobo girls in Ghana; an extraordinary stick fight for brides among the Surma of southwestern Ethiopia; and wedding adornment for Himba brides in nort...

Kemper Museum of Contemporary Art: Naomi Fisher: Clear Cut
Fisher's "ladies," as she calls them, are drawn from characters imagined or inspired by horror films, feminist literature, music, mythology, and art history. Her tough-girl images reflect a shift in the representation of women in today's culture...

Association of Photographers Gallery: 7 - Seven Incredible Photographers
AOP members Marcus Lyon, Julie Fisher, Luc Beziat, Roger Hutchings, Dod Miller, Andy Wilson and Matthew Stuart have brought together some of their most thought provoking and stunning Black and White images. In ‘7’ Roger Hutchings lifts the ...

Peabody Museum of Archeology and Ethnology: Gifting and Feasting in the Northwest Coast Potlatch
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Monash Gallery: RE-TAKE : Contemporary Aboriginal and Torres Strait Islander Photography
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Australian Center for Photography: PHOTO TECHNICA AWARD for NEW AUSTRALIAN PHOTO-ARTIST of the YEAR

This year's judges will be Isobel Crombie, Senior Curator of Photography, National Gallery of Victoria, Jonathan Morris, Publisher, 3D World Publishing and Alasdair Foster, Director, Australian Centre for Photography. Artists included are:
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Hirshhorn Museum and Sculpture Garden: Ed Ruscha
This retrospective has been co-curated by the Hirshhorn's former Assistan Director for Art and Public Programs Neal Benezra, now with the Art Institute of Chicago, and Kerry Brougher, Director of the Museum of Modern Art in Oxford, England. Afte...

Museum of Contemporary Art, Chicago: Ed Ruscha
The show will consist of approximately sixty paintings, twenty-five drawings, and several books This exhibition is coordinated by Manilow Senior Curator Francesco Bonami. This exhibition has been organized by the Hirshh...

Colville Place Gallery: Kerry John Andrews
As an inter-disciplinary digital artist and composer, Andrews current practice is focused upon constructing work that has no single medium, but transfers ideas across forms and languages, creating pieces that reside outside their physical forms...

MoMA QNS: Kiki Smith: Prints, Books & Things
Smith's passion for paper inspires her creative approaches to printmaking and reinforces the importance of this aspect of her work. A catalogue with numerous original interventions by the artist accompanies the exhibition. Organized by Wendy We...

Visual Art League: Funding for Visual Online Experiments
See an example at: http://www.fine-art.com/valweb/floatart/about_floatart.htm The Visual Arts League began 7 years ago. There have been many ...

Govett-Brewster Art Gallery: Makeover: Paintings by Seven Pacific Rim Artists
The artists in MAKEOVER display an awareness of the history of painting and the self consciousness that Modernism delivered to all art making, yet this is no longer the loaded device it once was. The strict adherence to oppositional positions with...

Fusebox: Jason Gubbiotti: New Ways of Living
The characteristic bubbles and clouds of color that scudded across Gubbiotti’s luscious surfaces have morphed into crisp-edged, angular shapes reminiscent of the aerial outlines of buildings, architectural footprints for connecting rooms, walkways...

Huntington Library, Art Collections, and Botanical Gardens: Pictures in Private: British Portraiture in Domestic Spaces, 1680-1830
Rather than the narrative painting celebrated on the Continent, portraiture was the most popular genre of art in eighteenth-century Britain. Collectors displayed not only large-scale painted portraits, but also portrait prints, drawings, and m...

Frick Collection: Constable's Salisbury Cathedral: Two Versions Reunited

Art Gallery of South Australia: Painting Forever: Tony Tuckson
Tony Tuckson held only two solo exhibitions towards the end of his life. His private devotion to his art and his openness to the art of others was such that this restricted painterly career produced some of the greatest expressionist painting in ...

Woman Made Gallery: 8th International Open: Diversity and Spirit - Works by 50 US and International Women
Warren continues, "The number of entries made the competition to be in the exhibition very tight; I unfortunately was faced with very tough decisions and must say that I admired many of the artists' submissions that could not be included, because ...

George Billis Gallery, L.A.: Summer Salon: Paintings and Photographs by Gallery Artists
The Summer Salon will highlight the work of artists new to the gallery, as well as recent work by painters and photographers the gallery has exhibited since opening in September of last year. The works on view will demonstrate the diverse style...

Frye Art Museum: The Perception of Appearance: A Decade of Contemporary American Figure Drawing
The scope of subject matter extends from nudes to narrative, while styles range from spontaneous to painstaking renderings. The wide range of movements, linear rhythms, and points of view depicted with technical virtuosity and extraordinary draugh...

Museum of Fine Arts, Houston: Star Wars: The Magic of Myth
The exhibition was organized by the Smithsonian Institution Traveling Exhibitions Service. All artifacts in the exhibition are on loan from the archives ...

Baltimore Museum of Art: Picasso: Portrait and Figure
Picassos knowledge of the classical figure is evident in a number of finely rendered pen drawings from 1904-1905, drawn in contour without modeling. Gradually, through his study of Iberian sculpture and the influence of Cezanne, Picasso began ...

ANDLAB: VULNERABLE: Peter Liashkov, Susan Rankaitis
Liashkov's large scale, iconic nudes are executed in charcoal, crayon, acrylic, pastel, oil, and metallic powders and pigments on a surface called Synskin. The vellum-like translucent fiberglass has flesh-like properties that are especially well s...

China Art Archives and Warehouse: Misleading Trails: Enrique Chagoya, Xie Xiaoze, Hai Bo, Dan Mills, Hong Hao, Ai Weiwei, Vernon Fisher
“Misleading Trails” in Multiple Perspectives (from the introductory essay by Xie Xiaoze) In the spring of 2003, Dan Mills and I came to Beijing for a project called “Rebirth: Chinese Contemporary Art from China and America” and we visi...

Visual Arts League at Johnson Med. School-Univ. of Med. and Dent.: 3 Americas! Brings Together Works from the Western Hemisphere
We will get a fresh concept of America by looking at these faces and figures from all over the great strip of ...

Gallery 218: After Duchamp: 23 Works of Art from US Artists
The "players" or Artists exhibiting (in no particular order, of course) are: Elaine Fisher, (MA), Florence Alfano McEwin (WY), Thomas Kovacich (WI), George Jones V.(WI), Fred Stein (WI), Ron Koehler (MS), Carl S. Richards (MA), Jean Sobon (WI), He...

Los Angeles County Museum of Art: MAKING: Unique Installations Created by 5 Art Schools
MAKING is intended to bring the interests, perspectives, and insights of L.A.’s next generation of artists to museum audiences, as the artists examine the dynamics of art making through collaborative projects. The four large-scale installations el...

Further Artwork and Information:

Samuel Melton Fisher Online
Samuel Melton Fisher (1948 - ) Biography, Artwork Images, Exhibitions, Reviews
Samuel Melton Fisher Section of www.artexpression.com
Wath Registers 1598-1778/Baptisms
Phryne - Works by Fisher
Samuel Blackwell, Melton Mowbray, the Melbourne Cup, and the Racehorse Panic.
Descendants of Simon Davis
Rutherford County, NC Deed Index
Artcyclopedia: Artist Names Beginning FI through FO
Descendants of William Melton I

 

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