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Artist: Esteban Frances ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Esteban Frances.

The Metropolitan Museum of Art -
The Crucifixion Bartolomé Esteban Murillo (Spanish, 1617-1682)Oil on canvas; 20 x 13 in. (50.8 x
The Minneapolis Institute of Arts -
Artist: Bartolomé Esteban Murillo Title: Penitent Magdelene Date: about 1660 Medium: oil on canvas Dimensions:
The Metropolitan Museum of Art -
Don Andrés de Andrade y la Cal, probably ca. 1665-72 Bartolomé Esteban Murillo (Spanish, 1617-1682)Oil
The Metropolitan Museum of Art -
Virgin and Child, ca. 1670-72 Bartolomé Esteban Murillo (Spanish, 1617-1682)Oil on canvas; 65 1/4 x
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William Hogarth - Frances Arnold 1738-1740 oil on canvas The Fitzwilliam Museum British
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Thomas Gainsborough - The Hon. Frances Duncombe c. 1777 oil on canvas The Frick Collection British
J. Paul Getty Museum -
Young John the Baptist; History Scene
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Joshua Reynolds - Lady Frances Warren 1759 oil on canvas Kimbell Art Museum English
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Frances A. Atwell Quilt, Album/Christmas Cross/Chimney Sweep cotton 1850
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Esteban Vicente - Batavia 1963 oil on canvas Memorial Art Gallery of the University of Rochester American
The Metropolitan Museum of Art -
A Knight of Alcántara or Calatrava, ca. 1650-55 Bartolomé Esteban Murillo (Spanish, 1617-1682)Oil on canvas;
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Elizabeth Frances Batty Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) book with 60 engravings 1820
J. Paul Getty Museum -
The Christ Child as the Good Shepherd
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Sir Peter Lely - Portrait of Anne, first wife of Sir Frances Warre n.d. oil on canvas Mead Art Museum, Amherst College Dutch
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Frances F. Palmer "Wooding Up" on the Mississippi Lithograph with hand coloring 1863
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Frances F. Palmer American Farm Scenes. No. 1. from a set of 4 Lithograph with hand coloring 1853
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Frances F. Palmer The Farmers Home - Harvest Lithograph with hand coloring 1864
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Bartolome Esteban Murillo - The Immaculate Conception 1670-80 oil on canvas Dayton Arts Institute Spanish
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Bartolome Esteban Murillo - Penitent Magdalene c. 1650-65 oil on canvas Minneapolis Institute of Arts Spanish
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Bartolome Esteban Murillo - The Return of the Prodigal Son 1667-1670 oil on canvas National Gallery of Art Spanish
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Bartolome Esteban Murillo - Two Women at a Window c. 1655-1660 oil on canvas National Gallery of Art Spanish
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Bartolome Esteban Murillo - Four Figures on a Step c. 1655-60 oil on canvas Kimbell Art Museum Spanish
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Bartolome Esteban Murillo - The Flight into Egypt c. 1647-50 oil on canvas The Detroit Institute of Art Spanish
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Bartolome Esteban Murillo - The Immaculate Conception 1670's oil on canvas Cleveland Museum of Art Spanish
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Bartolome-Esteban Murillo - Christ after the Flagellation n.d. oil on canvas Krannert Art Museum Spanish
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Elizabeth Frances Batty Coliseum, opposite page 75 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty La Riccia, opposite page 123 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Venice, opposite page 166 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Pisa, opposite page 39 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Florence, opposite page 44 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Rapallo, opposite page 37 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Bay of Genoa, opposite page 34 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Don Alonso Miguel De Tobar (or Tovar) Bartolome Esteban Murillo...fourteenth plate in the book... El Real Museo de Madrid y las joyas de la pintura en Espana ([Madrid]: Juan JosÈ Martinez, [1857]) Lithograph 17th - 18th century
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Frederick R. Spencer - Frances Ludlum Morris (Mrs. Robert Morris) oil on canvas National Gallery of Art American
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Elizabeth Frances Batty Pass of Bramante, opposite page 5 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Scene at Tivoli, opposite page 120 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Castle of St. Angelo, opposite page 83 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty View from the Chiaja, opposite page 143 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Castle Gandolfo, opposite page 126 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Arch of Janus, opposite page 87 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Cascade at Tivoli, opposite page 121 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Lake of Albano, opposite page 128 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Naples from St. Elmo, opposite page 130 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Naples, from the Mole, opposite page 141 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Lake Avenue, opposite page 155 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Lago d'Agnano, opposite page 153 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Arco Felice, opposite page 158 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Bridge of Gondo, opposite page 192 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Genoa, Lighthouse, opposite page 20 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Virgil's Tomn, opposite page 145 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Village of Simplon, opposite page 194 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Domo d'Ossola, opposite page 188 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Untitled title page vignette in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Frances F. Palmer American Country Life: Pleasures of Winter Lithograph with hand coloring 1855
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Elizabeth Frances Batty Villa on the Coast of Posilipo, opposite page 161 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Tomb of the Family of Plautius, opposite page 111 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty TEmple of Minerva Medica, opposite page 97 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Turin, from Vigna Andisano, opposite page 11 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Genoa, from the Imperial Hotel, opposite page 27 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Remains of Hadrian's Villa, opposite page 113 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Villa Borghese, near Florence, opposite page 56 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Papignea, on the Road to the Cascades, opposite page 70 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Naples from above the Grotto of Posilipo, opposite page 159 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Terni, from the Road to the Cascade, opposite page 69 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Porta del Palazzo, near Florence, opposite page 67 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Florence, from the Road to Arezzo, opposite page 59 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty The Temple of Venus & Rome,, opposite page 79 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Naples, from Capo di Chino, opposite page 165 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Naples, from Mr. Heigelin's Villa, opposite page 138 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Remains of the Temple of Nerva, opposite page 91 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Venice, Piazzetta di San Marco, opposite page 170 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
Museum of Fine Arts -
School of Bartolomé Esteban Murillo, Spanish, 1617-1682 Crucifixion undated Pen and brown ink with brush
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Frances F. Palmer "Rounding a Bend" on the Mississippi. The parting Salute Color lithograph with hand coloring 1866
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Elizabeth Frances Batty Final page vignette (Vesuvius Erupting), on page 197 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty South East View of Florence, opposite page 60 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Castle of Lavenza between Sarzana and Massa..., opposite page 38 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Part of Rome, from the Palatine Hill, opposite page 71 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Genoa, Porta della Lanterna, opposite page 21 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Aiguebelle, Ascent to Mont Cenis, opposite page 4 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty St. Peters, from the Gardens of Villa Lanti, opposite page 99 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty View from Arona, Lago Maggiore, opposite page 179 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty View of Ischia and Procida, from Camaldoli, opposite page 149 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Simplon Road, between Bavena and Gravellona, opposite page 187 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Tivoli, from below the Villa of Quintilius Varus, opposite page 117 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Tivoli, View from the Temple of Vesta, opposite page 115 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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James McNeill Whistler - Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland 1872-73 oil on canvas The Frick Collection American
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Batolome Esteban Murillo - Vision of St. Anthony of Padua 1650-1670 oil on panel Birmingham Museums and Art Gallery Spanish
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Bartolome-Esteban Murillo - The Birth of St. John the Baptist c. 1655 Oil on canvas Norton Simon Museum Spanish
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Elizabeth Frances Batty Lans Le Bourg, Ascent to Mount Cenis, opposite page 7 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Ross Boden Glacier and Fletsch Horn, opposite page 195 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty The Temple of Antoninus and Faustina, on the CAmpo Vaccino, opposite page 80 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Santa Croce di Gerusalemme & Walls of Rome, opposite page 95 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Frances Hammel Gearhart On the Salinas River Color woodcut 1920
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Bartolome Esteban Murillo - The Vision of Fray Lauterio n.d. oil on canvas The Fitzwilliam Museum Spanish
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Elizabeth Frances Batty Turin, Bridge of Bonaparte from Palazzo Valentino, opposite page 18in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Forence, View of the Ponte della Trinita from ~schneider's Hotel, opposite page 48 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Lago Maggiore and Isola Superiore, from Casa Boromeo on the Isola BBella, opposite page 184 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1
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Frances Hammel Gearhart After The Rain Color woodcut 19th - 20th century
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Frances Hammel Gearhart Clearing Color woodcut 19th - 20th century
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Frances Hammel Gearhart Easter in San Joaquin color woodcut 20th century

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Frances


Michael Commerford Gallery: Frances Fussell: Resent Paintings
The artist was born in Holland and came to Australia with her parents. Fussell was an art teacher with the Education Department after completing a full time art course and subsequently worked as a ...

Frances Lehman Loeb Art Center, Vassar College: The Power of Appearances: Renaissance and Reformation Portrait Prints
The exhibition of 62 prints is organized by the National Lending Service of the National Gallery of Art in Washington. It will comprise prints ranging in date from 1500 to 1601. Together, they suggest that the portrait is inextricable from its so...

: U.S. Writer Wins WWII Art Suit
...

Centauri Arts: Schedule Available: Summer Retreats for Fine Artists and Creative Writers
Course include:
Exploring the Visual Metaphor - 22 July to 28 July 2001
Examine the manner in which a single metaphor or idea can germinate into divergent works of art. Participants select and work with an idea or object which has perso...

Bartley Nees Project: Monique Jansen, Esther Leigh and Sara Hughes
Their paintings, which show a delight in process, explore the effect, affect and impact of repetitive patterns. Entering the territory of op art and even pop art they are at once ethereal and sensual, transparent and dense, serious and light-he...

Frances Lehman Loeb Art Center, Vassar College: The Photography of John Gutmann: Culture Shock

Gutmann trained a skeptical and amused European eye upon the vibrant American urban scene, employing a graphic sophistication he had absorbed from the innovative photojournals of 1920s Weimar Germany. >From the Great Depression to the Wor...
Frances Lehman Loeb Art Center, Vassar College: From Manet to Picasso: Impressionist and Post-Impressionist Prints and Drawings
Prints and drawings ranging from the time of Edouard Manet in mid-century to the early Picasso at the end of the century comprise this survey of works by some of the most well known artists of the time. Impressionists in the exhibition include Ed...

Dahesh Museum of Art: Gerome and Goupil: Art and Enterprise
The widespread dissemination of Goupils prints made Gérôme into a national celebrity, ...

Carnegie Museum of Art: Landscapes of Retrospection: The Magoon Collection of British Drawings and Prints,1739-1860
...

NSA Gallery: Icons: A Group Exhibition
Andrew states that I chose ‘Icons’ as the theme of the exhibition, because icons offer interesting visual potential for the merging of symbolism with design. Icons tend to be compact and ‘loaded’ images and can range from traditional symbols of th...

Auckland Art Gallery: Face to Face: Self portraits by New Zealand artists
The images in Face to Face contradict the common viewer expectation that self portraits should present at the very least, a visual likeness of the artist. Works such as Frances Hodgkins’ Self Portrait Still Life c.1935 demonstrate that a ...

Montgomery Museum of Fine Arts: Voices Rising: Alabama Women at the Millennium
Alabama is the fifteenth state to mount such an exhibition. After opening in Washington in the summer of 2000, an expanded version of the exhibition will travel throughout the state of Alabama. Featured artists include Pinky Bass, Fairhope; ...

Wayne County Council for Arts, History & Humanities: Wayne County - The Artists Among Us Exhibition
Secondly, Artists Among Us is an extraordinary ARTnership featuring collaborations between visual artists, poets and musicians. Here's how it works: top Wayne County poets and musicians will perform works inspired by the juried artworks during...

Frances Lehman Loeb Art Center, Vassar College: Summer Reading: The Recreation of Language in Twentieth-Century Art
Drawn from the collections of the Loeb Art Center and 14 public and private sources, this international survey unites paintings, photographs, prints, drawings, collages, books and book-objects, poet-artist collaborations, and more by over 50 ar...

Art Institute of Chicago: focus: Magnus von Plessen
Painted on small canvases, portraits, scenes of daily activities, simple actions and architectural views sometimes appear from a monochrome background, and other times dissolve into it. His economical and direct expressions are virtual lexicons of...

MoMA QNS: Masterworks of German Expressionism
Also featured are works by artists active after World War I, such as Max Beckmann and Käthe Kollwitz, who found that the bold, graphic use of black-and-white printmaking perfectly suited their stark, socially critical imagery. Printmaking was of c...

Textile Museum of Canada: e-textiles: Work of 11 Prominent Artists from Canada, the United States, Australia and Japan.
Participating artists are Junichi Arai (Japan); Lia Cook (USA); Frances Dorsey (Canada); Emily DuBois (USA); Laura Foster Nicholson (USA); Ruth Scheuing (Canada); Cynthia Schira (USA); Liz Williamson (Australia); Hideo Yamakuchi (Japan); and B...

Parsons Exhition Center: Drawing in the Present Tense
This show is based on a series of simple observations about the drawing process. The creative process itself often has its origins in drawing. In this view, drawing comes about from a succession of traces, impulses and sensations that form an end...

Kunsthalle Basel: Personal Plans: Twelve Current Positions in the Genre of Drawing
Works included are by: Rita Ackermann (born 1968, Budapest/New York), Anna Ammadio (born 1963, Basel), Edgar Arceneaux (born 1972, Los Angeles), Thomas Baumann (born 1967, Vienna), Annelise Coste (born 1973, France/Zurich), and Andro Wekua (bo...

University Art Museum, California State University, Long Beach: Carrie Mae Weems: The Hampton Project
The installation is comprised of large hanging scrims, original and historical photographs and reproductions, and lyrical audio recordings. Images from The Hampton Album, rare, original photographs by Frances Benjamin Johnston (1864-1952)—one of t...

National Gallery of Australia: 2004: Emerging Trends in Contemporary Australian Art
2004 - unbounded by media or thematic parameters - shows how artists, crafts workers, game-designers, networked media creators, architects and moving image makers are confronting rapid change in new and old media. It draws individual artists into...

Aron Packer Gallery: Natural History: Group Show
Aron Packer Gallery is pleased to present a small survey of some of the artists working in relation to this genre locally, nationally, and internationally. The gallery transforms into a curiosity cabinet of its own, finding connections and relati...

Art Institute of Chicago: focus: Roni Horn
For Roni Horn's focus exhibition, the artist will present an installation of photo-lithographs from the series Still Water (1999-present), an on-going, poetic study of the Thames River that was inspired by the artist's interest in the visual and l...

Kettle's Yard Gallery: Kettle's Yard Open 2002
Artists include: Jeremy Andrews , Alexandra Baraitser, Jutta Bastian, Susan Dalladay, Matt Davis, Mark Edwards, Neil Henderson , Frances Kearney, Jonathan Keep, David Kefford , Graham Murrell, Elspeth Owen, Martha Winter, Simon Whitnall, Fiona Saf...

ARTSPACE, Auckland: TIFFANY'S KYOTO A MAJOR JIM SPEERS PROJECT
A few years back Speers explained nothing by describing his works as neither ordinary objects passing themselves off as art, nor works of art passing themselves off as everyday things. Since then he has cemented his position as a key figure i...

National Gallery of Victoria: Seeing the Centre: The Art of Albert Namatjira 1902 – 1959
"As traditional custodian for the land he painted - the Western Aranda country in central Australia - Namatjira's personal and spiritual attachment flows through every work. "It is hard for anyone to view these works without sensing the powerful ...

Plus Ultra Gallery: Jennifer Dalton: Getting to Know the Neighbors
Having been dubbed the "superego" of the art world1 and, more recently, "the art world's private cardiologist"(2) for her installations and multimedia work that catalog and deconstruct the marketing and critiquing systems of contemporary art, Dalt...

Virginia Museum of Fine Art: Celebrating Art Nouveau: The Kreuzer Collection
“Their efforts produced the greatest collection of its kind in the world,” says Dr. Michael Brand, the museum’s director. “This new acquisition expands the scope of the museum’s already renowned collection of Art Nouveau decorative arts, est...

San Diego Museum of Art: Frederick Carl Frieseke: The Evolution of an American Impressionist
Organized by the Telfair Museum of Art in Savannah, Georgia, and guest curated by Nicholas Kilmer, Frieseke’s grandson, this traveling retrospective is the largest and most comprehensive exhibition of Frieseke’s work ever assembled, consisting of ...

Frances Lehman Loeb Art Center, Vassar College: Humanizing Landscapes: Geography, Culture and the Magoon Collection
Magoons collection of over 4,000 works by contemporary English and American artists, including such major Hudson River School painters as Frederic Edwin Church, Sanford Robinson Gifford and Asher B. Durand, immediately became an integral part...

Further Artwork and Information:

Esteban Frances Online
Esteban Frances - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
SI Art Image Browser: Thumbnails: Esteban Frances
Sans Fin
Il Contributo della Spagna
Sans fin :: Janvier :: 2002
www.coperve.ufsc.br/provas_ant/2002-2B.doc
Crystal Clear: The Mission
Bancos
Escuela Oficial de Idiomas de Madrid

 

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