Artist: Jean-michel Frank ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Jean-Michel Frank.

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Jean Michel Moreau the Younger Les petits parains (The little godfathers) Engraving 18th - 19th century
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Jean Michel Liotard Franciscus Guicciardinius 18th century
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Frank Lobdell The Music of the Spheres by Michel Tournier (Berkeley: Okeanos Press, 1992) book with one etching 1992
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Jean Baptiste Michel Hagar Engraving and etching 1785
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Jean Baptiste Michel Le Repos de la Volupte Engraving 18th - 19th century
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Jean Marie Delatre Mont St. Michel color etching 1887
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Jean Michel Moreau the Younger La foire de Gonesse Engraving 1772
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Jean Michel Moreau the Younger HÈlas! Voil‡ ce que l'amour me coute! - Illlustration to work of Voltaire (La Prude, Act III, Sc.3) engraving 1801
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Jean Michel Moreau the Younger Serment de Louis XVI a son Sacre Etching 1779
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Jean Baptiste Michel Moses striking the Rock St. Engraving 18th - 19th century
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Jean Michel Moreau the Younger Pygmalion (Paris: J. Lemonnyer, 1883) book with facsimiles of engravings 1883
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Jean Michel Moreau the Younger Adelaide! - Illlustration to work of Voltaire (Adelaide de Gueselin, Act II, Sc.3) engraving 18th - 19th century
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Jean Michel Moreau the Younger Un vieux fou - Illlustration to work of Voltaire (La Femme qui a raison, Act II, Sc.5) engraving 18th - 19th century
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Jean Michel Moreau the Younger Les adieux Engraving 18th - 19th century
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Jean Michel Moreau the Younger Le Festin Royal Line engraving 1782
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Jean Michel Moreau the Younger Le Festin Royal Line engraving 1782
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Jean Michel Moreau the Younger Le pardon obtenu 18th - 19th century
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Jean Michel Moreau the Younger Lorsque le Consolateur...(John15:26), opposite page 195 in the book Le Nouveau Testament en latin et en franÁais, tr. by Sacy (Paris: Saugrain, 1793), vol. 4, le Saint Evangile de JÈsus Christ selon Saint Jean
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Jean Baptiste Michel Portrait of Teniers Engraving with hand coloring 18th - 19th century
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Jean Michel Moreau the Younger Proof before the title of: HÈlas! Voil‡ ce que l'amour me coute! - Illlustration to work of Voltaire (La Prude, Act III, Sc.3) engraving 1801
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Jean Michel Moreau the Younger O mon Dieu tutÈlaire! - Illlustration to work of Voltaire (Tanerede, Act IV, Sc.4) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Le voile est dÈchirÈ - Illlustration to work of Voltaire (Le Duc de Foix, Act V, Sc.2) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Regarde la, te dis-je - Illlustration to work of Voltaire (Zaire, Act V, Last scene) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Voil‡ mon coeur frappez - Illlustration to work of Voltaire (Mariamne, Act III, Sc.2) engraving 18th - 19th century
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Jean Michel Moreau the Younger Le Duc de Foix - Illlustration to work of Voltaire (La Princesse de Navarre, Act I, Sc.5) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Je tombe ‡ vos genoux - Illlustration to work of Voltaire (Les Scythes, Act IV, Sc.7) engraving and etching 18th - 19th century
The Minneapolis Institute of Arts -
Artist: Jean Michel "Le Jeune" Moreau Title: Le Rendezvous pour Marly Date: 1776 - 1783
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Jean Michel Moreau the Younger Memnon Ou L'Ecoeuil Du Sage 18th - 19th century
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Jean Michel Moreau the Younger Arrivee de la Reine a l'Hotel de Ville Etching 1782
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Jean Michel Moreau the Younger Proof before the title of: Adelaide! - Illlustration to work of Voltaire (Adelaide de Gueselin, Act II, Sc.3) engraving 18th - 19th century
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Jean Michel Moreau the Younger Arrette, audacieux coupable; - Illlustration to work of Voltaire (Sophonisbe, Act II, Sc.5) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Proof before the title of: Un vieux fou - Illlustration to work of Voltaire (La Femme qui a raison, Act II, Sc.5) engraving 18th - 19th century
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Jean Michel Moreau the Younger Les Èclairs sont moins prompts - Illlustration to work of Voltaire (MÈrope, Act V, Sc.6) engraving 18th - 19th century
J. Paul Getty Museum -
Dido Excoriates Aeneas
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Michel Georges-Michel The Opening of "La Parade' oil on board 1917
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Jean Michel Moreau the Younger Proof before the title of: Le Duc de Foix - Illlustration to work of Voltaire (La Princesse de Navarre, Act I, Sc.5) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Peux-tu meler l'amour ‡ moments d'horreurs? - Illlustration to work of Voltaire (Alzire, Act IV, Sc.4) engraving 18th - 19th century
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Jean Michel Moreau the Younger Proof before the title of: O mon Dieu tutÈlaire! - Illlustration to work of Voltaire (Tanerede, Act IV, Sc.4) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Proof before the title of: Le voile est dÈchirÈ - Illlustration to work of Voltaire (Le Duc de Foix, Act V, Sc.2) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Ah! formons ces doux noeuds au temple de VÈnus - Illlustration to work of Voltaire (Samson, Act IV Sc.3) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Proof before the title of: Je tombe ‡ vos genoux - Illlustration to work of Voltaire (Les Scythes, Act IV, Sc.7) engraving and etching 18th - 19th century
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Jean-Michel Moreau Le Triomphe de L'Amour sur les quatre elements Engraving 17th - 18th century
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Jean Michel Moreau the Younger La Modele Honnete Etching-engraving 18th - 19th century
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Jean Michel Moreau the Younger Si un homme ne renaÓt de l*eau et de l*Esprit-saint...(John 3:5) opposite page 25 in the book, Le in the book Le Nouveau Testament en latin et en franÁais, tr. by Sacy (Paris: Saugrain, 1793), vol. 4, le Saint
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Jean Michel Moreau the Younger Et celui-ci, Seigneur, que deviendra-t-il? (john 21:21), opposite page257 in the book Le Nouveau Testament en latin et en franÁais, tr. by Sacy (Paris: Saugrain, 1793), vol. 4, le Saint Evangile de JÈsus Christ
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Jean Michel Moreau the Younger Venus Anadyomene drawing: graphite under pen and black ink 18th - 19th century
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Louis Michel Halbou Illustration to Candide: Le Baron . . . voyant cette cause et cet effet . . . Ch. 1 Engraving 18th - 19th century
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Jean Michel Moreau the Younger Ah! ah! Monsieur vous sortez donc enfin! - Illlustration to work of Voltaire (Le Depositaire, Act II, Sc.4) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Proof before the title of: Arrette, audacieux coupable; - Illlustration to work of Voltaire (Sophonisbe, Act II, Sc.5) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Notus promettons, PompÈe, ‡ tes saerÈs genoux - Illlustration to work of Voltaire (Mort de CÈsar, Act II, Sc.4) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Octave, je sais trop que notre intelligence - Illlustration to work of Voltaire (Le Triumvirat, Act II, Sc.5) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Adieu! ne montre au moins ce portrait ‡ personne - Illlustration to work of Voltaire (L'Indiscret, Sc.7) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Proof before the title of: Les Èclairs sont moins prompts - Illlustration to work of Voltaire (MÈrope, Act V, Sc.6) engraving 18th - 19th century
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Jean Michel Moreau the Younger AglaÈ - Illlustration to work of Voltaire (Socrate, Act II, Sc.1) engraving 18th - 19th century
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Jean Michel Mathieux-Marie Pl. 1, from the portfolio Histoires D'Ombres Arbres 5 Pointes Seches de JM Mathieux-Marie Drypoint on chine collÈ 20th century
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Jean Michel Mathieux-Marie Pl. 4, from the portfolio Histoires D'Ombres Arbres 5 Pointes Seches de JM Mathieux-Marie Drypoint on chine collÈ 20th century
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Jean Michel Mathieux-Marie Pl. 5, from the portfolio Histoires D'Ombres Arbres 5 Pointes Seches de JM Mathieux-Marie Drypoint on chine collÈ 20th century
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Jean Michel Mathieux-Marie Pl. 2, from the portfolio Histoires D'Ombres Arbres 5 Pointes Seches de JM Mathieux-Marie Drypoint on chine collÈ 20th century
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Jean Michel Mathieux-Marie Pl. 3, from the portfolio Histoires D'Ombres Arbres 5 Pointes Seches de JM Mathieux-Marie Drypoint on chine collÈ 20th century
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Jean Michel Moreau the Younger Je suis la voix de celuiqui crie dans le dÈsert...(John 1:23), opposite page 9 in the book Le Nouveau Testament en latin et en franÁais, tr. by Sacy (Paris: Saugrain, 1793), vol. 4, le Saint Evangile de JÈ
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Jean Michel Moreau the Younger Seigneur, venez avant que mon fils meure (John 4:49), opposite page 47 in the book Le Nouveau Testament en latin et en franÁais, tr. by Sacy (Paris: Saugrain, 1793), vol. 4, le Saint Evangile de JÈsus Christ se
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Jean Michel Moreau the Younger Cassandre - Illlustration to work of Voltaire (Olimpie, Act III, Sc.5) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Mon pËre - Illlustration to work of Voltaire (L'Enfant Prodigue, Act V, Sc.6) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Si, Si, brindisi ‡ te - Illlustration to work of Voltaire (Le Baron d'Otrante, Act III, Sc.3) engraving 18th - 19th century
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Jean Michel Moreau the Younger O Dieux! - Illlustration to work of Voltaire (Oedipe, Act IV, Sc.3) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Proof before the title of: Ah! ah! Monsieur vous sortez donc enfin! - Illlustration to work of Voltaire (Le Depositaire, Act II, Sc.4) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Allez raconter ‡ Jean...(Matthew 2:4), opposite page 103 in the book Le Nouveau Testament en latin et en franÁais, tr. by Sacy (Paris: Saugrain, 1793), vol. 1, le Saint Evangile de JÈsus Christ selon Sain
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Jean Michel Moreau the Younger Proof before the title of: Adieu! ne montre au moins ce portrait ‡ personne - Illlustration to work of Voltaire (L'Indiscret, Sc.7) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Proof before the title of: Octave, je sais trop que notre intelligence - Illlustration to work of Voltaire (Le Triumvirat, Act II, Sc.5) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger La Foire de Gonesse pen and black ink with brown wash over graphite on cream laid paper 1772
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Jean Michel Mathieux-Marie Portfolio cover for Histoires D'Ombres Arbres 5 Pointes Seches de JM Mathieux-Marie Embossing on green paper 20th century
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Eugene Bejot Le Pont St. Michel Paris 1909
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Jean Michel Moreau the Younger J'embrasse mes enfans - Illlustration to work of Voltaire (Mahomet, Act IV, Sc.5) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Ah! Je suis votre fils,... - Illlustration to work of Voltaire (Semiramis, Act IV, Sc.4) engraving 18th - 19th century
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Jean Michel Moreau the Younger Proof before the title of: AglaÈ - Illlustration to work of Voltaire (Socrate, Act II, Sc.1) engraving 18th - 19th century
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Jean Michel Moreau the Younger Glycere - Illlustration to work of Voltaire (Les deux Tonneaux, Act III, Sc.1) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Le Nouveau Testament en latin et en franÁais, tr. by Sacy (Paris: Saugrain, 1793), vol. 4, le Saint Evangile de JÈsus Christ selon Saint Jean Book with 16 full-page engravings 1793
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Jean Michel Moreau the Younger Point de remerciment point de reconnaissance - Illlustration to work of Voltaire (L'Ecossaise, Act II, Sc.6) engraving 18th - 19th century
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Jean Michel Moreau the Younger Je laisse entre vos mains - Illlustration to work of Voltaire (Eryphile, Act IV, Sc.5) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Proof before the title of: Cassandre - Illlustration to work of Voltaire (Olimpie, Act III, Sc.5) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Proof before the title of: Si, Si, brindisi ‡ te - Illlustration to work of Voltaire (Le Baron d'Otrante, Act III, Sc.3) engraving 18th - 19th century
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Jean Michel Moreau the Younger Quoi! Toujours Charlot! - Illlustration to work of Voltaire (Charlot, Act II, Sc.3) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Saint John, opposite false title page in the book Le Nouveau Testament en latin et en franÁais, tr. by Sacy (Paris: Saugrain, 1793), vol. 4, le Saint Evangile de JÈsus Christ selon Saint Jean engraving 1793
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Jean Michel Moreau the Younger Vengeance, attends ma voix! - Illlustration to work of Voltaire (Les GuËbres, Act III, Sc.2) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger HÈlas! qu'alliez vous faire? - Illlustration to work of Voltaire (Oreste, Act IV, Sc.5) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Quel Bonheur effroyable! - Illlustration to work of Voltaire (Irene, Act III, Sc.6) etching and engraving 18th - 19th century
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Jean Michel Moreau the Younger Flagellation de JÈsus (Mark 15:17-19), opposite page 193 in the book Le Nouveau Testament en latin et en franÁais, tr.by Sacy (Paris: Saugrain, 1793), vol. 2, le Saint Evangile de JÈsus Christ selon Saint
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Jean Michel Moreau the Younger Priere de JÈsus au Jardin des Oliviers (Mark 14:36), opposite page 179 in the book Le Nouveau Testament en latin et en franÁais, tr.by Sacy (Paris: Saugrain, 1793), vol. 2, le Saint Evangile de JÈsus Chris
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Jean Michel Moreau the Younger Pendant que les hommes dormoient...(Matthew 13:25), opposite page 133 in the book Le Nouveau Testament en latin et en franÁais, tr. by Sacy (Paris: Saugrain, 1793), vol. 1, le Saint Evangile de JÈsus Christ se
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Jean Michel Moreau the Younger Que tout m'Ètonne - Illlustration to work of Voltaire (Le Droit du Seigneur, Act III, Sc.6) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Quel crime! Ah! juste Dieux - Illlustration to work of Voltaire (Don Pedre, Act V, Sc.2) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Vous me voyez tremblante ‡ vos genoux - Illlustration to work of Voltaire (Nanine, Act II, Sc.3) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Je baigne de mes pleurs vos genoux que j'embrasse - Illlustration to work of Voltaire (Agathoele, Act I, Sc.2) engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger O jour! tu luis encore ‡ mes yeux alarmÈs - Illlustration to work of Voltaire (Zulime, Act IV, Sc.1) engraving 18th - 19th century
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Jean Michel Moreau the Younger Eh bien! Je tombe aux pieds de ce maitre sÈvere - Illlustration to work of Voltaire (Orphelin, Act V, Sc.4) engraving 18th - 19th century
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Jean Michel Moreau the Younger Rends-moi ce que tu me dois (Matthew 18:23), opposite page 193 in the book Le Nouveau Testament en latin et en franÁais, tr. by Sacy (Paris: Saugrain, 1793), vol. 1, le Saint Evangile de JÈsus Christ selon Sain
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Jean Michel Moreau the Younger Je suis le bon pasteur...(John10:11), opposite page 125 in the book Le Nouveau Testament en latin et en franÁais, tr. by Sacy (Paris: Saugrain, 1793), vol. 4, le Saint Evangile de JÈsus Christ selon Saint Jean
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Jean Michel Moreau the Younger JÈsus est descendu de la croix par Joseph d'Arimathie (Mark 15:46), opposite page 197 in the book Le Nouveau Testament en latin et en franÁais, tr.by Sacy (Paris: Saugrain, 1793), vol. 2, le Saint Evangile de
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Pierre-Jean Mariette Cours d*architecture qui comprend les ordres de Vignole ä ceux de Michel-Ange by C.A. d'Aviler (Paris: Charles-Antoine Jombert, 1760) book with engravings 1760
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Jean Michel Moreau the Younger Image des vrais Dieux - Illlustration to work of Voltaire (Lois de Minos, Act II Sc.3) engraving and etching 18th - 19th century

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Frank

Neuberger Museum of Art: Mary Frank: Encounters
Universal themes of journey and passage, memory and dream, permeate her current oeuvre and reflect Frank's poetic sensibility. An illustrated catalogue with an essay by art historian ...
Museum of Fine Arts, Houston: Robert Frank: A Retrospective from the Collection of the Museum of Fine Arts, Houston
Robert Frank sucked a sad poem right out of America, as the Beat Generation writer Jack Kerouac remarked in the introduction to The Ame...
Detroit Museum of Art: Robert Frank: The Americans
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Minneapolis Institute of Arts: John Howe in Minnesota: The Prairie School Legacy of Frank Lloyd Wright
Howe moved to Minnesota in the mid-1960s, where he ran his own architectural practice that focused, like Wright’s, on domestic architecture. This exhibition will comprise 75 to 100 drawi...
McMaster Museum of Art: LANDeSCAPES: Simon Frank and Reinhard Reitzenstein
Simon Frank b. 1968, Glasgow, Scotland Frank is a self-taught artist, poet and rustic furniture maker. He obtained his Honours BA in English from the University of Guelph in 1991. Recent exhibitions include Future Cities (2004 Art Gallery o...
Galerie Miro: Frank Ettenberg: Non-objective Painter
Ettenberg also recently learned that the Chairman of Northwestern College's art department in St Paul, arrived at his Santa Fe studio and selected an entire set of Postcard Paintings (Acrylic over a reproduction of 'Standing Fast', Acrylic on Ca...
Guggenheim Museum: 40th Anniversary of the Landmark Frank Lloyd Wright Building
When the Guggenheim Museum was completed forty ears ago, it represented a milestone in world architecture, said Thomas Krens, Director of the Soloman R. Guggenheim Foundation. It remains on of the great buildings of the twentieth century. We are t...
Gallery Hoogenbosch: Frank Lisser
The view during these ten years has been changed dramatically. It changed from an open field with the flats of the east-side of amsterdam on the horizon into an area with houses and other buildings. And on 31-12-1999 he will be paint the last tw...
Tai Koo Place: Future Art Group: An Exhibition for Universal Peace and Friendship
Future Art Group is found in 1997, in Denmark by Frank Mothe. With Artlove and Peace, artists help each other to exchange ideas about art projects, and exhibitions. Therefore members from around the wor...
Exit Art Gallery: Exit Art, For the Final Exit
Who is immortal, what is sacred: and doesn't religion by it's very nature exclude other belief systems there by fostering prejudice and intoleranceNULL   Satire is in ample supply in this latest collection of
Museum of Fine Arts, Houston: Jackson Pollock, Robert Frank, and the New American Vision: Drawings and Photographs from the Fo
In photography, Harry Callahan, Nathan Lyons, Aaron Siskind, and Minor White followed diverse paths in the pursuit of abstraction. ...
Guggenheim Museum: Frank Gehry, Architect: Retrospective Features Models, Plans, Drawings, Furniture, Photographs, and Video Footage, as well as Two Site-Specific Architectural Elements
Frank Gehry has raised the bar for architectural innovation, said Thomas Krens, Director, Solomon R. Guggenheim Foundation. He has accomplished this because of his openness to the concept of difference and radical juxtaposition. Place two unli...
South Australian Museum: One Hundred Years of Australian Antarctic Photography
The South Australian Museum has a fantastic collection of artefacts from the renowned South Australian explorer, Sir Douglas Mawson. In addition a number of the photographs and artefacts in this exhibition come from the University of Adelaide's...
Price Tower Art Center: Robert Indiana 66: Paintings and Sculpture
Frank Lloyd Wright ’s Price Tower was his pioneering experiment in the multi-use skyscraper: a slim, tall, richly detailed structure, originally designed to combine business offices, shops and apartments. The non-profit Price Tower Arts Center ret...
Biggs Museum of American Art: Schoonover Surprise
This selection is comprised of paintings and drawings from the Schoonover Fund and private collectors. This show adds a playful dimension to the Biggs Museum's diverse collection of the local Delawarean's work. Come enjoy this unique exhib...
San Diego Museum of Art: Regina Frank: Whiteness in Decay
“We are pleased to collaborate with such a talented and multifaceted artist. Regina brings a whole new perspective to our Cotán painting by using concepts of still-life to bridge the past to the present through a personal and dynamic approach to a...
Rosenberg and Kaufman Fine Art, Ltd.: Frank Dituri: New Photographs
Frank Dituri's hauntingly beautiful black and white photographs have been exhibited extensively in Europe, Asia, and America for over twenty-five years. Recent solo gallery exhibitions of Frank's work have been at this gallery as well as in...
McKinney Avenue Contemporary: Images In Place: Photographs by Architect Frank Welch
In each, whether naively or with more experience, he pursues an overall image, which is about space, time, and atmosphere (emotional or meteorological). Some of the images include architecture, some include people, moments, and/or combinations...
Centro Cultural Recoleta: Liquid City: Work by Frank Rodick
Stephen Perloff, editor of the internationally respected Photo Review, has written: ...one could mix one part Lee Friedlander, one part Garry Winogrand, and one part Ralph Eugene Meatyard and vaguely approximate Rodicks vision. Thats not to say th...
Everson Museum of Art: Frank Gillette: Digital Images, 1994-1999
Gillette imposes upon the computer imaging system a way of constructing pictures that avoids the visual characteristics that are seemingly inherent in that system. He ...
Everson Museum of Art: Frank Gillette: Digital Images, 1994-1999
Gillette imposes upon the computer imaging system a way of constructing pictures that avoids the visual characteristics that are seemingly inherent in that system. He ...
John Natsoulas Gallery: Pat Mahony and Frank Damian: June 2005 Landscape Art Exhibition
No longer considered to be a mid-career artist, Pat Mahony is now an established and well-known painter. Twenty-five years ago her architectural buildings and storefronts gave her international acclaim. For the last fifteen years she has been pr...
Minneapolis Institute of Arts: Human Nature
Human Nature features three main architectural components—Fishhouse, Bathhouse and Beaverhouse—each a distinct, symbolic, sensory experience that reflects the artist’s belief ...
Serpentine Gallery: Gillian Wearing
This will be Wearing's first significant one-person exhibition in London and will feature classic early works as well as r...
Mobius: Descent of Flowers: Installation by Frank Vasello
Using the Greek myth of Persephone/Hades/Demeter as inspiration, Descent of Flowers is an installation exploring the themes of loss, longing and death. Persephone, the Goddess of the Spring, di...
Metropolitan Museum of Art: Chuck Close Prints: Process and Collaboration
Also displayed are other intaglios and woodcuts, lithographs, silk-screen prints, linoleum cuts, and selected print matrixes, such as woodblocks and etching plates. The exhibition includes a number of progressive proofs and state proofs of certai...
Photographer's Gallery: Corinne Day: Diary
Alternately shocking and sad, bleak and tender, the series draws comparison with the work of Nan Goldin and Larry Clark for its uncompromising honesty, its hard-hitting subject matter, and its understa...
Transparent Watercolor Society of America: Call for Artists: 28th Annual Juried Exhibition
A full prospectus and entry form are available on the organization‚s website at www.watercolors.org  or by request from Kristin Dam, Prospectus Chair at prospectus@watercolors.org . ...
Orlando Museum of Art: Frank Moore:  Green Thumb in a Dark Eden
Works showcased in the exhibition date from 1992 to the present and range from depictions of private gardens to those of Americas national parks. According to Sue Scott, the adjunct curator of contemporary American art for the OMA, This show seeks...
San Francisco Museum of Modern Art: TYPES AND PROTOTYPES: Selections from the Permanent Collection of Architecture and Design
Among the architects and designers whose work is included in the exhibition are Tom Bonauro, Henry Dreyfuss, Fork Unstable Media, Frank Gehry, Michael Graves, George Nelson, Timothy Pflueger, Aldo Rossi, Samuel Smidt and Le...

Further Artwork and Information:

Jean-michel Frank (1581 - 1642) Biography, Artwork Images, Exhibitions, Reviews
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NOE, un site pour les profs
Jean Michel Frank 1930 rectangular club
Jean Michel Frank 1930 rectangular sofa
Jean Michel Frank: New & Used Books Search Result for Jean Michel Frank
www.ericphilippe.com
Galerie ERIC PHILIPPE

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