Artist: Guiseppe Antonio Guarneri Del Gesu ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Guiseppe Antonio Guarneri del Gesu.

-
Guiseppe Antonio Guarneri del Gesu Violin spruce and maple circa 1740
-
Guiseppe de Nittis La Danseuse Holoke-Go-Zen Etching 19th century
-
Guiseppe Patrini [Lumen Semitis Meis] 18th century
-
Guiseppe de Nittis Derriere l'Èventail (Behind the fan) Etching 19th century
-
Guiseppe de Nittis Derriere l'Èventail (Behind the fan) Etching 19th century
-
Giovanni Guiseppe Sole The Sudarium, after Guido Reni Etching 17th century
-
Guiseppe de Nittis Route de Castellamare, from the Gazette des Beaux Arts Etching 19th century
-
Giuseppe Antonio Caccioli Portrait of Ferdinando Galli Bibiena, frontispiece from his Varie Opere Prospettiva Etching 1707
-
EGLISE GESU 17ES. ST HONORE PATRON DES BOULANGERS (1950 après) by MUNIER A (éditions d'art) ; MONTLUET (successeur)
-
EGLISE GESU 17ES. LA VIERGE DU ROSAIRE (1950 après) by MUNIER A (éditions d'art) ; MONTLUET (successeur)
-
Ambrogio Orio Campo Marzio, after a 1740 engraving by Andrea Pfeffel after Guiseppe Galli Bibiena, from the series Architetture e prospettive Engraving mid 18th century
-
Copie de l'inventaire des armes de "La Belle Maltaise" de Lorenzo Paolo de Guiseppe, Notaire à Tarente et Jean-François Rossi, commissaire en date du 1er avril 1799 (1799) by GUISEPPE de Lorenzo Paolo ; ROSSI Jean-François
-
Giovanni Battista Gaulli (Il Baciccio) The Adoration of the Lamb (Modello from the apse fresco in Il Gesu, Rome) oil on canvas circa 1680
-
Lettre de mars 1801 (1801) by GUISEPPE de Lorenzo Paolo
-
Lettre de Lecce en date du 19 mars 1801 (1801) by CALIFANO Guiseppe
-
Antonio Montauti Antonio Magliabechi 17th - 18th century
-
Etude de bras REPR: bras by BAROCCI Federico
-
Pordenone (Giovanni Antonio de Sacchis) St. Joseph Being Expelled from the Temple Engraving mid 16th century
-
Antonio Visentini Piazza San Marco, looking towards S. Geminiano; pl.11 from Part III of the series Urbis Venetiarum Prospectus Celebriores Ex Antonio Canal... Etching 1735
-
Francisco de Goya - Don Antonio Noriega 1801 oil on canvas National Gallery of Art Spanish
-
Federico Brandani - Antonio Galli n.d. bronze The Frick Collection Italian
-
Gioan Antonio Lorenzini The Holy Family Etching 17th - 18th century
-
Antonio Tempesta The Entry of Alexander into Babylon, after Antonio Tempesta Engraving 16th - 17th century
-
Antonio Tempesta Roman Battle Scene, after Antonio Tempesta (?) Etching 16th - 17th century
-
Giovanni Antonio Faldoni Two Nude Shepherds, after Parmigianino Engraving 1724
-
Gioan Antonio Lorenzini The Ascension of the Virgin, after Guido Reni Etching 17th century
-
Francisco de Goya - Don Juan Antonio Cuervo 1819 oil on canvas Cleveland Museum of Art Spanish
-
Ipolito Salazar ILMO. Sr.Dr.JOS… ANTONIO ZUBIRIA,/ Obispo de Durango (Most Illustrious Sir and Doctor JosÈ Antonio Zubiria, Bishop of Durango Lithograph 19th century
-
Giovanni Antonio da Brescia Hercules and Antaeus, after Giovanni Antonio da Brescia's engraving after Mantegna Metalcut circa 18 - 19th century
-
Antonio Baratta Frontispiece for Opere di Carlo Goldoni, after Novelli Engraving 1761
-
Antonio Baratta Moliere, from Opere di Carlo Goldoni, after Novelli Engravings 1761
-
Antonio Baratta L'Adulatore, from Opere di Carlo Goldoni, after Novelli Engravings 1761
-
Hamlet Winstanley Rape of the Sabine Women Etching 1729
-
Signature de Giovanni Antonio Bazzi (1ère moitié 16e siècle) by BAZZI Giovanni Antonio
-
Antonio Baratta Illustration To I Rusteghi, from Opere di Carlo Goldoni, after Novelli Engravings 1761
-
Antonio Baratta La Serva Amorosa, from Opere di Carlo Goldoni, after Novelli Engravings 1761
-
Francisco Jose de Goya y Lucientes - Jose Antonio, Marques de Caballero 1807 Oil on canvas Lowe Art Museum, University of Miami Spanish
-
Antonio Frasconi Woodcuts by Antonio Frasconi/Weyhe Gallery March 27 - April 30, 1954 Woodcut 20th century
-
Gioan Antonio Lorenzini The Virgin and Child with St. John the Baptist, a Bishop Saint and Two Donors, after Veronese Engraving 17th - 18th century
-
Carlo Antonio Porporati Il Bagno di Leda (Leda's bath), after Correggio Engraving 18th century
-
Antonio Visentini Piazza San Marco, View Between Church and Tower, pl. III from a series of four scenes of the Piazza after Canaletto Etching circa 1745
-
Antonio Visentini Piazza San Marco, View of the Public Library, pl. IV from a series of four scenes of the Piazza after Canaletto Etching circa 1745
-
Pietro Rotari Saint Sebastian, after Antonio Balestra Etching 1725
-
Francesco Villamena A Battle Scene, after Antonio Tempesta Engraving 16 - 17th century
-
Antonio Frasconi See Again, Say Again by Antonio Frasconi (New York: Harcourt, Brace & World, [1964]) book with uncounted pages of reproductions of color woodcuts 1964
-
ANTONIO DAL PONTE (4e quart 16e siècle) by anonyme ; PONTE Jacopo da (d'après), BASSANO Jacopo (dit, d'après)
The Metropolitan Museum of Art -
Paradise Carlo Saraceni (Italian, Venetian, 1579?–1620)Oil on copper; Overall 21 3/8 x 18 7/8 in.
-
Autoportrait (1671) by SACCHIENSE Giovanni Antonio (attribué à)
-
Antonio Frasconi See and Sayä, A Picture Book in Four Languages by Antonio Frasconi (New York: Harcourt, Brace, [1955]) book with uncounted reproductions of color woodcuts 1955
-
Antonio Frasconi Woodcuts by Antonio Frasconi, catalogue cover for Smithsonian Institution Traveling Service 1953-1954 Color woodcut 20th century
-
Antonio Tempesta La Primavera, from The Four Seasons Etching 1592
-
Giulio di Antonio Bonasone The Wounded Scipio, after Polidoro da Caravaggio Engraving 16th century
-
Giulio di Antonio Bonasone The Birth of John the Baptist engraving circa mid 16th century
-
Antonio LafrÈry (LafrÈri) Solitauriliorum sacrificiorum etc. Engraving 1553
-
Antonio LafrÈry (LafrÈri) Solitauriliorum sacrificiorum etc. Engraving 1553
-
Antonio Beato Bronze Statue of Dai-Bouts, near Kamakura Albumen print mounted to an album page circa 1867
-
Johann Friedrich Greuter Arcanis Nodis: Palladium, after Antonio Pomeranci Engraving 17th century
-
Three Shells, Antonio Pazzi (Italy, 1706 - 1768)  (Artist), Engraving
The Metropolitan Museum of Art -
Violin, 1693 Made by Antonio Stradivari (1644-1737)Cremona, ItalyWood; L. 23 1/4 in. (59.4 cm); W.
-
Antonio Frasconi Untitled (grasses), and first image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960

Artnews Articles and Exhibition Information: (1)
Click on any of the links below to read about artnews or exhibitions related to Gesu

OBORO: Cont(r)act by Nadia Myre
The work of Nadia Myre investigates, interrogates, and circumnavigates these elided histories (not as an "authority," or even as a singular, undivided subject) in a diverse and divergent series of works unearthed "from the trenches" (as she d...

Further Artwork and Information:

ImageBase
Jose Sanchez-Penzo: The Way Famous String Instruments Went
VIOLINS
Les plus beaux violons
Miade.com
www.deyoungmuseum.org/legion/collections/collection.asp?collectionkey=43
Art History - Famous Artists - Index g
Book Report
www.nvo.com/winmls/nss-folder/musicalacfiles/Introduction%20to%20violin%20measurements%20-%20Morset.doc
SKURR 4-1997 -

Search the Art History Database for artists, titles, media, year, and other indepth information: