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Artist: Eric Gill (1882 - 1940)
Nationality: British
Movement:
Media: Sculpture
Influences:
Artworks in Museum Collections: (40) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Eric Gill.
Fine Arts Museum of San Francisco
- Desmond Chute, Portrait of Eric Gill, 1926 Fine Arts Museum of San Francisco
- Eric Gill, The Plait (head of a girl), 1922 Fine Arts Museum of San Francisco
- Eric Gill, All the Love Poems of Shakespeare (New York: privately printed for Sylvan Press, 1947), 1947 Fine Arts Museum of San Francisco
- Eric Gill, Eve from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.89: G. 100, 1926 Fine Arts Museum of San Francisco
- Eric Gill, Crucifix, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.14: D. 83:, 1917 Fine Arts Museum of San Francisco
- Eric Gill, Toilet, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.60: D. 225:, 1923 Fine Arts Museum of San Francisco
- Eric Gill, Mrs. Williams, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.61: D. 240:, 1924 Fine Arts Museum of San Francisco
- Eric Gill, The Purchaser, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl. 6; D. 39;, 1915 Fine Arts Museum of San Francisco
- Eric Gill, Animals All, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl. 8; D. 49;, 1916 Fine Arts Museum of San Francisco
- Eric Gill, Resurrection, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.15: D. 84:, 1917 Fine Arts Museum of San Francisco
- Eric Gill, The Harem, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.72: G. 39:, 1925 Fine Arts Museum of San Francisco
- Eric Gill, Skaters, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.83: G. 90: ii/ii, 1926 Fine Arts Museum of San Francisco
- Eric Gill, Clare, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.49; D. 167:, 20th century Fine Arts Museum of San Francisco
- Eric Gill, The Plait, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.48: D. 166:, 20th century Fine Arts Museum of San Francisco
- Eric Gill, The Lion, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.43: D. 148:, 20th century Fine Arts Museum of San Francisco
- Eric Gill, Ascension, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.32: D. 113:, 20th century Fine Arts Museum of San Francisco
- Eric Gill, 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.80: G. 71: Mary Magdalen, 1926 Fine Arts Museum of San Francisco
- Eric Gill, Mother and Child, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.68: G. 15:, 1924 Fine Arts Museum of San Francisco
- Eric Gill, Carrying of the Cross, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.81: G. 74:, 1926 Fine Arts Museum of San Francisco
- Eric Gill, Madonna and Child, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.78: G. 63: ii/ii, 1925 Fine Arts Museum of San Francisco
- Eric Gill, Chalice and Host, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.101: G. 207:, 1927 Fine Arts Museum of San Francisco
- Eric Gill, Last Judgment, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.31: D. 100:, 20th century Fine Arts Museum of San Francisco
- Eric Gill, Woman with Balloons, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl. 90: G. 106:, 1926 Fine Arts Museum of San Francisco
- Eric Gill, Jesus Is Stripped, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.25: D. 95:, 1917 Fine Arts Museum of San Francisco
- Eric Gill, Hog and Wheat Sheaf, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl. 3; D. 29;, 1915 Fine Arts Museum of San Francisco
- Eric Gill, Dress, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.44 D. 155:, 20th century Fine Arts Museum of San Francisco
- Eric Gill, Slaughter of the Innocents, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed):pl. 2; D. 17;, 1914 Fine Arts Museum of San Francisco
- Eric Gill, Actor on Stage, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.56: D. 195:, 1922 Fine Arts Museum of San Francisco
- Eric Gill, Madonna and Child with Children, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.79: G. 64: ii/ii, 1925 Fine Arts Museum of San Francisco
- Eric Gill, Self -portrait, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): frontis piece - G.214., 1927 Fine Arts Museum of San Francisco
- Eric Gill, 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl. 5; D. 35; Dumb-Driven Cattle, 1915 Fine Arts Museum of San Francisco
- Eric Gill, Jesus Receives His Cross, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.17: D. 87:, 1917 Fine Arts Museum of San Francisco
- Eric Gill, Jesus Falls the First Time, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.18: D. 88:, 1917 Fine Arts Museum of San Francisco
- Eric Gill, Jesus Meets His Mother, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.19: D. 89:, 1917 Fine Arts Museum of San Francisco
- Eric Gill, Jesus Meets Veronica, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.21: D. 91:, 1917 Fine Arts Museum of San Francisco
- Eric Gill, Mother and Child, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.54: D. 188:, 20th century Fine Arts Museum of San Francisco
- Eric Gill, Jesus Dies Upon the Cross, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.27: D. 97:, 1917 Fine Arts Museum of San Francisco
- Eric Gill, Our Lady of Lourdes, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.40: D. 137:, 20th century Fine Arts Museum of San Francisco
- Eric Gill, Jesus is Nailed to the Cross, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.26: D. 96:, 1917 Fine Arts Museum of San Francisco
- Eric Gill, Dress, 1860, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.45: D. 156:, 20th century
Artnews Articles and Exhibition Information: (17) Click on any of the links below to read about artnews or exhibitions related to Gill
Art Gallery of New South Wales: Standing Still: Simryn Gill Standing still was an ambitious undertaking. Gill travelled through Malaysia between 2000 and 2003 photographing debilitated buildings, deserted apartments, mansions and even mini towns. The series is reminiscent of Gill's other photographic table...
Art Gallery of New South Wales: Simryn Gill: Selected Work The artist made this work in response to a question she asked herself; "In conceiving the work I had wondered what the 'inside' of a place might look like. Do lots of people held together by geography add up to the idea of a nation or single unifi...
EXPERIMENTAL ART FOUNDATION: SIMRYN GILL: NATURAL RESEMBLANCE, SOME RECENT PHOTO WORKS Gill's explorations of the connections and complexities between systems of language, botany and geography are the basis for these enigmatic images. The works variously take their cues from the development of concepts of writing and nature; the his...
Hamburger Bahnhof Museum: Face Up - Contemporary Art from Australia The exhibition features 36 painting, video/DVD, photography and sculpture works, including a number of new commissions realised on site at the museum. Schmitz says : 'The exhibition is part proposition, part declaration. Beyond proffering a genera...
Institute of Modern Art, Brisbane: Your place or mine?: Fiona Foley and Simryn Gill Fiona states, "It’s about putting Indigenous people up front in the world in
every way – in fashion, in exhibitions, and in the gallery system."
In the series "Badtjala Woman" & "Native Blood" Fiona directly addresses the
way her ancestors...
Fruitmarket Gallery: After Image: Simryn Gill, Ana Mendieta, Cindy Sherman and Francesca Woodman After Image features UK premieres of work from Cindy Sherman’s Masks series,
1996, and Simryn Gill’s Dalam, 2001 and Vegetation, 1999, alongside the most
substantial showing to date of the defining works of Ana Mendieta and
Francesca Woodman (b...
NSA Gallery: Icons: A Group Exhibition Andrew states that I chose ‘Icons’ as the theme of the exhibition, because icons offer interesting visual potential for the merging of symbolism with design. Icons tend to be compact and ‘loaded’ images and can range from traditional symbols of th...
Monash University Museum of Art: People, Places + Ideas: Celebrating Four Decades of the Monash University Collection Monash University began
collecting art when it was founded in 1961. The Collection, which has
always had a strong focus on contemporary art, has expanded over four
decades to comprise over 1,200 works by more than 330 of Australia's
most renow...
Kiasma, Museum of Contemporary Art: Widening Circle: 1990s International Acquisitions Norwegian Mari Slaattelid, winner of the first prize in the Carnegie Art Award competition, employs different techniques to examine the dimensions of painting. Marko Vuokola's installation, displayed in the same room, suggests the ever wider field...
Gold Coast City Art Gallery: Shoot: Australian Photography from the Corrigan collection Shoot! will be an exhibition to challenge ideas about photography and its role in visual arts practice.
Gold Coast City Art Gallery Curator, Brett Adlington said, “Photographically the term ‘shoot’ implies an image that is hastily taken, in ...
Edinburgh Printmakers: Christmas Exhibition at the UKs Oldest Open-access Print Studio The exhibition of invited artists ranges from internationally established artists including: John Bellany, Philip Braham, Alan Davie, Liz Douglas, Kate Downie, Paul Furneaux, John Hoyland, Albert Irvin, John Mclean, Eduardo Paolozzi, Gill Tyson an...
Art Gallery of New South Wales: Unscripted: Language in Contemporary Art Over the last two decades in Australia, the use of language in contemporary art has been integrated much more so than previously.
Unscripted: language in contemporary art will bring together 22 works by some of Australia's most well-known co...
National Museums Liverpool: Call for Artists: John Moores 23 Exhibition of Contemporary Painting Judges will be Contemporary Art Society director Gill Hedley, former John Moores prizewinner Callum Innes and Walker curator of fine art Ann Bukantas. The fourth and fifth judges have yet to be announced.
Julian Treuherz, keeper of galleries, say...
Waikato Society of Arts: Waikato National Art Award, Summer 2005 Clay Bodvin's work was initially composed and rendered digitally for a limited-edition of inkjet prints and was the first of Bodvin’s work in 2004 to undergo a Maroflage-type process that transfers the digital image onto prepared panels. The proce...
University of Kentucky Art Museum: A Ceramic Continuum: Fifty Years of the Archie Bray Influence The exhibition also includes work from the Foundation’s former resident directors—Rudy Autio, David Cornell, Ken Ferguson, Carol Roorbach, David Shaner, Kurt Weiser, and Peter Voulkos—as well as by Josh DeWeese, the current resident director.
...
Crow Collection of Asian Art: Western Tradition, Eastern Innovation: Contemporary Japanese Quilts Quilting, which originated in Asia, was taken to Europe by Marco Polo and then brought to America by immigrants. It has since gone back to Japan thanks to the quilt revival that came with the Bicentennial of America. Japanese women who had come to...
Riffe Gallery: Coming of Age: Ohio Arts Council Fellowship Recipients Coming of Age will be on display October 25, 2001 through January 6,
2002. The exhibition is the second in a series of four Riffe Gallery
exhibitions that celebrates Ohio's diverse and talented artists as part of
the YEAR OF THE ARTIST, July 2...
Further Artwork and Information:
Eric Gill
Eric Gill Online
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Eric Gill : MyFonts.com
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Eric Gill AUTOBIOGRAPHY
AnyBook4Less.com - Author: Eric Gill
HighBeam Research: Library Search: Results
Eric Gill
Eric Gill -- Encyclopædia Britannica
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