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Artist: Richard Williams Samuel Gorenko ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Richard Williams Samuel Gorenko.
- Washington Allston - Samuel Williams c. 1817 oil on canvas Cleveland Museum of Art American
- Richard Samuel Chattock
Hampstead Heath, plate 4 in the book, The Etcher (London: Williams and Norgate, 1879), vol. 1
etching
1879
- Richard Samuel Chattock
Hawes - No.1 of the Portfolio Wensleydale
Etching
1864
- Richard Samuel Chattock
The Ure near Aysgarth - No.12 of the Portfolio Wensleydale
Etching
1864
- Richard Samuel Chattock
In Widdale - No.4 of the Portfolio Wensleydale
Etching
1864
- Richard Samuel Chattock
Hartleap Well - No.14 of the Portfolio Wensleydale
Etching
1864 J. Paul Getty Museum
- Vanitas / The Sands of Time
- Richard Samuel Chattock
Cotter Force - No.2 of the Portfolio Wensleydale
Etching
1864
- Richard Samuel Chattock
Aysgarth Force - No.9 of the Portfolio Wensleydale
Etching
1864
- Richard Samuel Chattock
Aysgarth Force - No.10 of the Portfolio Wensleydale
Etching
1864
- Richard Samuel Chattock
Above Cotter Force - No.3 of the Portfolio Wensleydale
Etching
1864
- Richard Samuel Chattock
Aysgarth Bridge - No.11 of the Portfolio Wensleydale
Etching
1864
- Richard Samuel Chattock
On Hardraw Beck - No.7 of the Portfolio Wensleydale
Etching
1864
- Richard Samuel Chattock
Nappa Hall - No.8 of the Portfolio Wensleydale
Etching
1864
- Richard Samuel Chattock
In Bolton Castle - No.13 of the Portfolio Wensleydale
Etching
1864
- Richard Samuel Chattock
Hardraw Scarr Force - No.5 of the Portfolio Wensleydale
Etching
1864
- Richard Samuel Chattock
Descent to Hardraw Force - No.6 of the Portfolio Wensleydale
Etching
1864
- Richard Samuel Chattock
Wensleydale - Portfilio cover with list of prints and descriptive text
1862
- Richard Samuel Chattock
A bridge in evening light
Etching
19th - 20th century
- Multiple Artists
The Pacific Tourist by Henry T. Williams (New York: Henry T. Williams, 1878)
book with wood engravings
1878
- Richard Samuel Chattock
Tintagel, plate 8 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879]
etching
1880
- Robert Williams or Roger Williams
The Dutchess of Cleaveland
17th - 18th century
- FranÁois Flameng
Mrs. H.K.S. Williams
oil on canvas
circa 1900
- Robert Williams or Roger Williams
Madam Sidley, Mistress of James II
17th - 18th century
- Samuel Palmer
"Christmas" etching in Samuel Palmer, a memoir by A. H. Palmer
etching
19th century
- Pieter Fransz de Grebber
Christ at the Column
Oil on panel
1632
- Robert Williams or Roger Williams
Portrait of Sir Edward Littleton, Lord Justice
Mezzotint
17th - 18th century
- Charles Willard Moore - Section, as built for Charles Moore's Williams College Art Building Project 1986 Ink and watercolor o Williams College Museum of Art American Museum of Fine Arts
- Possibly by Robert Pilkington Possibly by Richard Pargeter Sauceboat London, England England, (London), 1736-37 Silver
- Samuel Palmer
The Bellman
ET
1879
- Thomas Eakins - Portrait of Mary Adeline Williams 1899 oil on canvas The Art Institute of Chicago American
- Hugh William Williams
Landscape
Soft ground etching
18th - 19th century
- D. Pegei
Portrait Bust of Mildred Anna Williams
gilt-bronze, Belgian marble
20th century
- Samuel Palmer
Moonlit Scene
graphite
1863 Museum of Fine Arts
- Gilbert Stuart, American, 1755-1828 Mrs. George Williams (Lydia Pickering) about 1819 Oil on canvas 91.44
- Richard Parkes Bonington
View of Naples from the water
watercolor
19th century
- John Samuel Agar
Mrs. Duff
stipple engraving in color
18th - 19th century
- Samuel William Reynolds, Senior
Samuel Whitbred, Esq.
Mezzotint
18th - 19th century
- Samuel Palmer
The Willow
ET
19th century
- Samuel Palmer
The Sepulchre
ET
19th century
- Samuel Palmer
The Skylark
ET
19th century
- Samuel Palmer
The Cypress Grove
etching
1883
- John Samuel Agar
Lady Heathcote
stipple engraving in color
18th - 19th century
- Samuel Palmer
Moeris and Galatea
ET
19th century
- Samuel Palmer
The Cypress Grove
ET
19th century
- Samuel Palmer
The Willow
etching
19th century
- Samuel Palmer
The Herdsman, or The Weary Ploughman
1865
- Samuel Palmer
The Homeward Star
ET
19th century
- Samuel Palmer
The Early Ploughman
ET
19th century
- Samuel Palmer
The Rising Moon
ET
19th century
- Elisabeth Louise Vigee Le Brun
Hyacinthe Gabrielle Roland, Marchioness Wellesley, (formerlyCount.of Mornington)
oil on canvas
1791
- Samuel Palmer
Opening the Fold; or, Early Morning
ET
19th century
- Samuel Palmer
An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
book with 5 etchings and 9 photogravures after drawings
1883
- John Samuel Agar
Mrs. Duff
stipple engraving printed in sepia
18th - 19th century
- Virgil Williams
Peasant
oil on panel
circa 1860
- Eastman Johnson - Samuel W. Rowse c. 1881 oil on board Cleveland Museum of Art American
- Thomas Lawrence - Samuel Woodburn c. 1820 oil on panel The Fitzwilliam Museum British
- Benjamin West - Dr. Samuel Boude 1755 oil on canvas National Gallery of Art American
- William Dunlap - Samuel Griffin c. 1809 oil on canvas National Gallery of Art American
- Samuel Palmer
The Herdsman's Cottage; or sunset
ET
19th century
- Charles Willson Peale - William Smith and His Grandson, Robert Smith Williams 1788 oil on canvas Virginia Museum of Fine Arts American
- Samuel Palmer
Opening the Fold; or, Early Morning
ET
19th century
- Samuel Palmer
The Sleeping Shepard; Early Morning
ET
19th century
- Joseph Highmore - Pamela shows Mr. Williams a hiding place for their letters c. 1744 oil on canvas The Fitzwilliam Museum British
- Samuel Palmer
The Herdsman's Cottage or Sunset
etching from a steel plate
1850
- Aubrey Williams
Untitled
pastel
20th century
- Samuel Palmer
"O fortunate old man...",first illustration for Eclogue 1, opposite page 18 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"O fortunate old man...",second illustration for Eclogue 1, opposite page 20 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Thomas Chambers - Packet Ship Passing Castle Williams, New York Harbor mid 19th centur oil on canvas National Gallery of Art American
- Walter Ufer - Portrait of Samuel Lustgarten c. 1925-1927 oil on canvas Los Angeles County Museum of Art American
- Winthrop Chandler - Mrs. Samuel Chandler c. 1780 oil on canvas National Gallery of Art American
- Samuel Palmer
"Thy very cradle quickens...", illustration for Eclogue 4, opposite page 48 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Gilbert Stuart - Samuel Alleyne Otis 1811-1813 oil on wood National Gallery of Art American
- Henry Dexter - Samuel Atkins Eliot 1837 plaster bust Boston Athenaeum American
- Edwin Landseer - Portrait of a Terrier, The Property of Owen Williams, Esq., M.P. (Jacko with a Hedgehog) 1828 oil on canvas Milwaukee Art Museum English
- Aubrey Williams
Untitled
opaque watercolor
20th century
- John Trumbull - Judge Samuel Livermore 1792 oil on panel Currier Museum of Art American
- Leopold Seyffert - Samuel Henry Kress 1953 oil on canvas National Gallery of Art American
- C.S. Newell
Relief portrait of Virgil Williams
plaster
circa 1886
- Samuel Palmer
"Ripe apples are our supper...",third illustration for Eclogue 1, opposite page 22 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"Pan came, Arcadian shepherd ever good",second illustration for Eclogue10, opposite page 94 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Pan came, Arcadian shepherd ever good...", first illustration for Eclogue10, opposite page 92 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Come fairest, if thou care for me at all..," illustration for Eclogue 7, opposite page 70 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Tis gentle Phillis I love best of all...", illustration for Eclogue 3, opposite page 40 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"And while the troubled moon shrunk in and out...", second illustration for Eclogue 8, opposite page 82 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"Untimely lost and by a cruel deathä", illustration for Eclogue 5, opposite page 54 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"But see, the weary-pacing oxen, slow...", illustration for Eclogue 2, opposite page 30 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"_till Vesper bade the swain...", illustration for Eclogue 6, opposite page 64 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Scarce with her rosy fingers had the dawn...", first illustration for Eclogue 8, opposite page 76 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"Then, to our goats at milking time return..", illustration for Eclogue 9, opposite page 88 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Keith Shaw Williams
Peace
Etching
20th century
- Sheldon Williams
Thoroughbred Sire "Blair Athol"...
1864
- Sheldon Williams
Stilton, A Hunter...
Color Litho
1876
- Augustus Saint Gaudens - The Puritan (Deacon Samuel Chapin) 1899 bronze Los Angeles County Museum of Art American
- Wilfrid Williams Ball
At The Shore
19th - 20th century
- Winthrop Chandler - Captain Samuel Chandler c. 1780 oil on canvas National Gallery of Art American
- Gluyas Williams
The Museum of Fine Art - for Life Magazine
black ink
1926
- Jacobus Houbraken
(Archbishop Williams, Lord Keeper)
1742
- Sheldon Williams
Clydesdale Stallion & Mare
Color Litho
1874
- Sheldon Williams
Emblem, Steeplechase Mare
Color Litho
1873
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Further Artwork and Information:
Richard Williams Samuel Gorenko Online
The Mendel
Mendel Art Gallery
The Mendel
Famous Artists - Index
Art History - Famous Artists - Index g
Artcyclopedia: Artist Names Beginning GO through GRA
Database
Bibliothèque des Arts
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Gustav Klimt Schloss Unterach on the Attersea
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Claude Monet Impression Sunrise
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Claude Monet The Red Boats
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Salvador Dali Paysage Aux Papillons
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Henri Matisse Harmony in Yellow
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Last updated and links verified on: Monday October 10/05/09 06:33:36 AM
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