Artist: Lilian Westcott Hale ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Lilian Westcott Hale.

Museum of Fine Arts -
Philip Leslie Hale, American, 1865-1931 Girls in Sunlight 1895 Oil on canvas 73.66 x 99.06
Museum of Fine Arts -
Philip Leslie Hale, American, 1865-1931 Self Portrait about 1915 Oil on canvas 76.83 x 63.82
Museum of Fine Arts -
Philip Leslie Hale, American, 1865-1931 Landscape about 1890 Oil on canvas 46.04 x 55.88 cm
Museum of Fine Arts -
Philip Leslie Hale, American, 1865-1931 French Farmhouse about 1893 Oil on canvas 64.77 x 81.28
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Lillian Westcott Hale - Agnes and Her Cat 1917 oil on canvas Florence Griswold Museum American
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Frederick W. Macmonnies - Nathan Hale 1890 bronze The Art Institute of Chicago American
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Lilian MIller Spray of Bamboo Lithograph 1938
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Lilian MIller Diamond Mountain, Korea Woodcut 1928
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Lilian MIller Japanese Dwarf Tree Color woodcut 1928
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Lilian MIller Autumn Evening, Korea Color woodcut 1928
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Hale and Sons Mug pewter circa 1852
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Lilian MIller Snow on Temple Roof Color woodcut 19th - 20th century
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Lilian MIller Little White Plum Tree Color woodcut 19th - 20th century
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Charles Gillot Poem for Miss Lilian. Gillotype 19th - 20th century
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Walker Evans - Bud Fields with his Wife and Daughter, Hale County, Alabama 1936 gelatin silver print Carnegie Museum of Art American
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Kenneth J. Hale Zealot Color linoleum cut 1982
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Firth & Hale Piano satinwood and rosewood 1800 - 1850
The Minneapolis Institute of Arts -
Artist: Walker Evans Title: Allie Mae Burroughs, Wife of a Cotton Sharecropper, Hale County, Alabama
J. Paul Getty Museum -
Burroughs Family, Hale County, Alabama
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James Tissot Lilian Hervey, Kathleen Newton, Cecil George Newton and Tissot (?) in the Garden Albumen print circa 1878 - 1882
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Hale Woodruff - Twilight 1926 oil on pressed paper The Art Institute of Chicago American
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Ellen Day Hale - June c. 1893 oil on canvas National Museum of Women in the Arts American
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Hale Woodruff - The Valley c. 1935 conte crayon Arkansas Arts Center American
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Ellen Day Hale - Lilies c. 1905 oil on canvas National Museum of Women in the Arts American
Museum of Fine Arts -
Albert Bierstadt, American (born in Germany), 1830-1902 Thunderstorm in the Rocky Mountains 1859 Oil on
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Philip Leslie Hale - A Family Affair before 1913 oil on canvas Los Angeles County Museum of Art American
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Hale Woodruff - Sunday Promenade 1931-46 linocut Tufts University Art Gallery American
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Hale Woodruff - Picking Cotton c. 1936 Oil on Masonite High Museum of Art American
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Antonio Frasconi Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) Book with 19 linoleum cuts on Rives paper 1954
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Antonio Frasconi Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) book with 19 linoleum cuts on Rives paper 1954
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Ellen Day Hale - Milk Delivery, Cairo 1930 oil on artist's boar National Museum of Women in the Arts American
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Edwin Hale Lincoln - Whalers Rousseau and Desdemona 1889 platinum print Peabody Essex Museum American
Museum of Fine Arts -
Philip Leslie Hale, American, 1865-1931 Folly Cove about 1900 Oil on canvas board 22.54 x
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Ellen Day Hale - Gabrielle de Veaux Clements c. 1930 oil on canvas National Museum of Women in the Arts American
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Ellen Day Hale - Untitled (Woman with Cart) c. 1930 oil on panel National Museum of Women in the Arts American
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Antonio Frasconi Half title page in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Half title page in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
Museum of Fine Arts -
Whole-cloth crib quilt Cover; Quilt English England, exported to U.S.A., about 1761 Silk satin, quilted
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Antonio Frasconi Illustration for the fable, TheAmbitious Woman and the Fat Hen, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Crab in the Mouth of the Fox, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Man Bitten by a Flea, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Stag in His Own Opin ion, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Stag in His Own Opin ion, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Stag in His Own Opin ion, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Man Bitten by a Flea, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Crab in the Mouth of the Fox, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Stag in His Own Opin ion, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, TheAmbitious Woman and the Fat Hen, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Jackdaw with the Eclectic Plumage, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Starved Farmer and His Fat Dogs, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Starved Farmer and His Fat Dogs, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Caged Nightingale and the Intelligent Bat, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Caged Nightingale and the Intelligent Bat, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Gnat, the Lion, and the Spiderweb, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Flattered Raven and the Crafty Fox, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Caged Nightingale and the Intelligent Bat, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Flattered Raven and the Crafty Fox, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Jackdaw with the Eclectic Plumage, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Gnat, the Lion, and the Spiderweb, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Starved Farmer and His Fat Dogs, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Starved Farmer and His Fat Dogs, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Caged Nightingale and the Intelligent Bat, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Untitled vignette (portrait of Aesop) on publisher's page in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Untitled vignette (portrait of Aesop) on publisher's page in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Double page illustration for the fable, The Fishrmean with the Stone in His Net, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Double page illustration for the fable, The Fishrmean with the Stone in His Net, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Ellen Day Hale - Untitled (European Street with Mountains) c. 1922 oil on canvasboard National Museum of Women in the Arts American
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Antonio Frasconi First illustration for the fable, The Hare with Ability and the Tortoise with Staying Power, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Double page illustration for the fable, The Beekeeper Robbed and Stung, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Hare with Ability and the Tortoise with Staying Power, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Double page illustration for the fable, The Beekeeper Robbed and Stung, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Hare with Ability and the Tortoise with Staying Power, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Hare with Ability and the Tortoise with Staying Power, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
Museum of Fine Arts -
Aegis of Isis Egyptian Third Intermediate Period, Dynasty 22, about 945–712 B.C. Egypt Bronze with
The Metropolitan Museum of Art -
Kitchen Corner, Tenant Farmhouse, Hale County, Alabama, 1936 Walker Evans (American, 1903-1975)Depicted: Alabama, United States
Museum of Fine Arts -
Hippopotamus Egyptian Second Intermediate Period, 1630-1539 B.C. Egypt Faience Height x width x length: 10.4
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Hale Woodruff - Frederick Douglass and Abraham Lincoln Discussing Emancipation 1942-43 tempera on masonite Memorial Art Gallery of the University of Rochester American
The Metropolitan Museum of Art -
Study Head of an Old Man Style of Rembrandt (17th century or later)Oil on wood;
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Eugenio Lucas y Padilla Allegory of Justice oil on wood 19th century
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Lambert Hitchcock Side chair mixed hardwoods, paint, and rush 1826 - 1829
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Charles-Francois Lacroix de Marseille Eruption of Mount Vesuvius oil on canvas 1762
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Lambert Hitchcock Side chair mixed hardwoods, paint, and rush 1826 - 1829
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Melchior d'Hontecoeter Wall paper and reproduction: The Vicksburg Daily Citizen 07/02/1863 wall paper 1885
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Aert van der Neer Winter Scene with Frozen Canal oil on canvas 17th century
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Pieter Claesz Soutman Still Life oil on panel 1647
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Melchior d'Hontecoeter Wall paper and reproduction: The Vicksburg Daily Citizen 07/02/1863 color woodcut (relief print) 1885
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Jacques Villon Devant un Guignol Drypoint in two tones 1909
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Rosalba Giovanna Carriera Portrait of a Lady as Diana pastel on laid paper 18th century
The Metropolitan Museum of Art -
Saint Catherine of Alexandria Netherlandish Painter, fourth quarter 15th centuryOil on wood; 16 1/8 x
The Metropolitan Museum of Art -
Portrait of a Woman Sir Joshua Reynolds (British, 1723-1792)Oil on canvas; 29 5/8 x 24
Museum of Fine Arts -
William Morris Hunt, American, 1824-1879 Baseball About 1877 Charcoal on paper Image: : 34.9 x
Museum of Fine Arts -
William Morris Hunt, American, 1824-1879 Sheep Pasture 1857 Oil on canvas 101.6 x 81.28 cm
Museum of Fine Arts -
Whitework sampler Band sampler England, mid-17th century Linen plain weave ground embroidered with linen 114.2
Museum of Fine Arts -
Maurice Brazil Prendergast, American (born in Canada), 1858-1924 Handkerchief Point 1896-97 Watercolor over graphite 50.48
Museum of Fine Arts -
John Singer Sargent, American, 1856-1925 Nude Study of Thomas E. McKeller about 1917-20 Oil on
Museum of Fine Arts -
Jacob Isaacksz van Ruisdael, Dutch, 1628-29–1682 Woodland Vistas Oil on canvas 67.0 x 53.7 cm
Museum of Fine Arts -
Marked by John Samuel Hunt Epergne London, England England, (London), about 1848 Silver Weight: 4,862
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Pierre-Auguste Renoir Madame Clemetine Valensi Stora (L'Algerienne) oil on canvas 1870
Museum of Fine Arts -
Unidentified artist, Austrian (Tyrolese), 1st quarter 15th century Coronation of the Virgin with the Holy
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Claude Monet Waves Breaking oil on canvas 1881

Artnews Articles and Exhibition Information: (16)
Click on any of the links below to read about artnews or exhibitions related to Hale

Bergamot Station Art Center, Robert Berman Gallery, D5 Projects: Christina Hale: Executive Mansion, Hotel California
Her drawings are dynamic. It is this vitality that not only compounds these polarities but also breathes life into the work that the viewer can then experience. Hale's inspiration stems not only from her life experience but different facets of...
Detroit Institute of Art: A Cultural Heritage: Selected Works of African American Art from the DIA's Collection
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33 Collective Gallery, Zhou B. Center: Midwest Paint Group, (MPG): Post Abstract-Figuration
Noted painter and Art theorist Gabriel Laderman, in the program introduction to the exhibit, describes the group as being a part of a contemporary movement of figurative painters “who have been profoundly influenced by modernist abstraction”. Expl...
Kunstmuseum, Bonn: Under the Sign of the City: Contemporary Art from Turkey
The exhibition is not a backward look at Turkey's postwar art, but sees itself as a young and u...
The Art Institute of Chicago: IKAT: Splendid Silks from Central Asia
IKAT: Splendid Silks from Central Asia is accompanied by a major catalogue authored by scholars Kate FitzGibbon and Andrew Hale, whose research in Russia and Uzbekistan helped to make this important ...
Davis Museum and Cultural Center: Bridging the Border: Shared Themes in Mexican and U.S. Art 1900 – 1950
Four themes: The City, Rural Traditions, Responses to European Modernism, and Protest and Persuasion break the show into sections that highlight areas of exchange during the first fifty years of the 20th century. Each category compares works by ...
Indianapolis Museum of Art: Visions of Home
The tranquil Country Place lifestyle was the prominent theme for American Impressionist painters. These paintings offer a glimpse into the ...
Indianapolis Museum of Art: Visions of Home
The tranquil Country Place lifestyle was the prominent theme for American Impressionist painters. These paintings offer a glimpse into the ...
ASU Art Museum, Nelson Fine Arts Center: Rhapsody: Selections from Valley Collections
Rhapsody includes works by Emma Amos, Benny Andrews, Radcliffe Bailey, Jean-Michel Basquiat, Romare Bearden, John Biggers, Elizabeth Catlett, Michael Ray Charles, Robert Colescott, Renée Cox, Charles Gaines, Sam Gilliam, Eugene Grigsby, ...
Windward Artists Guild: Windward Artists Guild: 3rd Annual Open Juried Exhibition
Awards will be presented in two categories: two-dimensional and three-dimensional artworks, with monetary awards totalling $1,400.00. Plus, numerous special awards. The Exhibition will be held at the new Gallery `Iolani, within the Hale Pala...
Raw Arts Festival: Second Annual Raw Arts Festival Opens Today
The festival has succeeded in bringing together many different people from vastly different backgrounds and cultures e.g. adults with autism, artists with epilepsy, artists from different ethnograthic groups, homeless artists, artists with mental ...
Museum of Fine Arts, Houston: Walker Evans
Evans sought subjects that expressed the essence of America. Rejecting artifice and artiness, he created spare, classically styled pictures. His stated ...
Baltimore Museum of Art: Henry Ossawa Tanner and the Lure of Paris
“This is an exciting opportunity to showcase these well-known paintings by Henry Ossawa Tanner alongside works from the BMA’s outstanding collection,” said BMA Director Doreen Bolger. Tanner spent most of his career as an expatriate in Paris...
Orlando Museum of Art: American Impressionists Abroad and at Home: Paintings from the Collection of The Metropolitan Museum of Art
American Impressionists Abroad and at Home showcases 39 paintings by 28 artists, including two pioneers of American Impressionism, Mary Cassatt and John Singer Sargent, who caught the spirit of the new French painting during the 1870s. Among the ...
Peabody Essex Museum: FRANK BENSON: AMERICAN IMPRESSIONIST
Benson's virtuosity with light in all its manifestations will be the focus of a major exhibition opening at the Peabody Essex Museum September 29, 2000. Frank Benson: American Impressionist, will ...
Metropolitan Museum of Art: Gauguin in New York Collections: The Lure of the Exotic
Comprising paintings, sculptures, ceramics, drawings, and prints, the exhibition vividly conveys the exceptional range of Gauguin's career, both in terms of his technical facility in a variety of media and the far-flung places and cultures that in...

Further Artwork and Information:

Lilian Hale - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
Lilian Westcott Hale (1829 - 1898) Biography, Artwork Images, Exhibitions, Reviews
Lilian Westcott Hale
Nancy &The Map Of Europe, 1919
Lilian Westcott Hale - Artist Painting - Artist Summary [AskART.com]
Lilian Westcott Hale
Lilian Westcott Hale - Exhibitions
Lilian Westcott Hale Art Images
Artist Biography - Lilian Westcott Hale
Lilian Westcott Hale - Spanierman Gallery, LLC

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