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Artist: William Hart ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William Hart.

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William Hart Cream pitcher silver 1810 - 1816
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William Hart Sugar bowl with cover silver 1810 - 1816
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Mary Hart Sampler calico cat and verse; inscribed, "Mary Hart 1800" Polychrome silk on linen 1800
Museum of Fine Arts -
William Hart, American, 1823-1894 Landscape with Stream and Cattle 1841-94 Crayon and wash on paper.
Museum of Fine Arts -
William Hart, American, 1823-1894 Cows Drinking at a Pool 1886 Oil on canvas 26.67 x
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Simon Alexander Hart Buffon 19th century
Museum of Fine Arts -
William Hart, American, 1823-1894 Birches 1855 Oil on canvas 43.5 x 24.45 cm (17 1/8
Museum of Fine Arts -
William Hart, American, 1823-1894 River in Autumn 1863 Oil on canvas 46.35 x 82.55 cm
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George Overbury "Pop" Hart Marie watercolor 1903
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William Hart - Autumn Scene in the Adirondacks 1877 oil on canvas Cleveland Museum of Art American
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Thomas Hart Benton Sunset Lithograph 1941
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George Overbury "Pop" Hart The Champion (for book only) Lithograph 1928
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George Overbury "Pop" Hart My Friend Soloi watercolor 1903
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George Overbury "Pop" Hart Springtime in New Orleans (Self-Portrait) Lithograph 1925
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George Overbury "Pop" Hart The Poultryman Aquatint and soft ground 1926
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Robert Hart Buffon engraving 19th century
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Robert Hart La Grange engraving 19th century
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George Overbury "Pop" Hart Bathers (Englewood Brook, New Jersey) Drypoint 1925
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George Overbury "Pop" Hart Athesie and Child watercolor over graphite 1903
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George Overbury "Pop" Hart The Call of the South Seas watercolor 1903
Museum of Fine Arts -
William Hart, American, 1823-1894 After the Storm 1860s Oil on canvas 36.51 x 62.23 cm
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Thomas Hart Benton Back from the Fields Lithograph 1945
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Thomas Hart Benton Aaron Lithograph 1941
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Thomas Hart Benton Threshing Lithograph 1941
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Thomas Hart Benton Planting Lithograph 1940
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George Overbury "Pop" Hart Early Morning Market Drypoint and sandpaper 1923
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George Overbury "Pop" Hart Omar Khayyam Drypoint 19th - 20th century
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George Overbury "Pop" Hart Picnic Party Soft Groung Etching 1925
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William M. Hart - Distant View of Albany 1949 oil on canvas Albany Institute of History and Art American
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James Ackerman The Charm: a Series of Elegantly Colored Groups (Philadelphia: Carey and Hart, [1848]) Book with two lithographs with hand coloring 19th century
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George Overbury "Pop" Hart Hawaiian Cowboy, Manuel Kudava watercolor 1903
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George Overbury "Pop" Hart Untitled Drypoint and sandpaper in color 19th - 20th century
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George Overbury "Pop" Hart Personal Christmas Card, Season 1924-25 Etching 1925
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Thomas Hart Benton Island Hay Lithograph 19th - 20th century
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Robert Hart Sir John Ross 19th century
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Thomas Hart Benton Huck Finn Lithograph 1935
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Thomas Hart Benton I Got a Gal on Sourwood Mountain Lithograph 1938
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Thomas Hart Benton Jessie James Lithograph 1935
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Thomas Hart Benton Cradling Wheat Lithograph 1939
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Thomas Hart Benton Shallow Creek Lithograph 1939
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Thomas Hart Benton Kansas Farmyard Lithograph 1936
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George Overbury "Pop" Hart Sea Waves Aquatint and soft ground etching printed in color 1926
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George Overbury "Pop" Hart Self-Portrait Soft ground etching and drypoint 19th - 20th century
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James Ackerman Untitled frontispiece (two women) in the book, The Charm: a Series of Elegantly Colored Groups (Philadelphia: Carey and Hart, [1848]) Lithograph with hand coloring 1848
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Thomas Hart Benton Letter from Overseas Lithograph 19th - 20th century
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Thomas Hart Benton Wreck of the Old "97" Lithograph 19th - 20th century
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George Overbury "Pop" Hart Atlantic City Boardwalk conte crayon, transparent and opaque watercolor circa 1900
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George Overbury "Pop" Hart Recto:A Sweetheart~Verso: Sketch of a Young Boy r: watercolor over graphite~v: graphite 1903
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John Francis Hart War-Time Block print 1933
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George Overbury "Pop" Hart Landscape, Santo Domingo, No. 2 Aquatint and soft ground etching, printed in color 1926
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Thomas Hart Benton Susanna and the Elders oil and tempera on canvas mounted on panel 1938
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Thomas Hart Benton Morning train Lithograph 19th - 20th century
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Thomas Hart Benton The Wood Pile Lithograph 19th - 20th century
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John Francis Hart Peace-Time Block print 1929
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John Francis Hart Will he go in? Block print 19th - 20th century
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John Francis Hart Youth - VS - Age Block print 19th - 20th century
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John Francis Hart Tom Moore Cottage Block Print 19th - 20th century
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John Francis Hart Old King Greed Block print 19th - 20th century
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John Francis Hart Peace or Comfort? Block print 19th - 20th century
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Sylvain Sauvage Primavera Metal relief and pochoir circa 1920
Museum of Fine Arts -
Phebe Hart, American Sampler United States, early 19th century Linen plain weave embroidered with silk
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Thomas Hart Benton - The Cliffs 1921 oil on canvas Hirshhorn Museum American
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James McDougal Hart - Landscape 1874 oil on canvas Hofstra Museum American
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Thomas Hart Benton - Wreck of the Ole '97 1944 lithograph on wove p The Mint Museums American
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Thomas Hart Benton - Tom Keefer 1941 Lithograph Arkansas Arts Center American
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Thomas Hart Benton - Burlesque c. 1930 tempera with oil gla Los Angeles County Museum of Art American
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Thomas Hart Benton - The Kentuckian 1954 oil on canvas Los Angeles County Museum of Art American
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Thomas Hart Benton - The Meeting 1941 lithograph on paper The Maier Museum of Art American
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James McDonald Hart - The Adirondacks 1861 oil on canvas Albany Institute of History and Art American
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Thomas Hart Benton - Aaron 1941 Lithograph Arkansas Arts Center American
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Thomas Hart Benton - Planting 1939 lithograph on paper The Maier Museum of Art American
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Thomas Hart Benton - The Corral 1948 lithograph on paper The Maier Museum of Art American
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Thomas Hart Benton - Boomtown 1927-28 oil on canvas Memorial Art Gallery of the University of Rochester American
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Thomas Hart Benton *Looking for a car? What did you have in mind?*, illustration on page 76 in the book, The Grapes of Wrath by John Steinbeck (New York: Limited Editions Club, 1940), vol. 1 Color lithograph reproduction 1940
Museum of Fine Arts -
Leather great chair Armchair (upholstered) Massachusetts, (Boston), 1665-80 Wood; oak; maple; original upholstery foundation of
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Thomas Hart Benton *These three in the evening, harmonica and fiddle and guitar *, on page 401 in the book, The Grapes of Wrath by John Seinbeck (New York: Limited Editions Club, 1940), vol. 2 Color lithograph reproduction 1940
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George Overbury Hart - Picnicking on the Lake 1926 gouache Arkansas Arts Center American
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Thomas Hart Benton - Fisherman's Lunch 1965 Ink, tempura Arkansas Arts Center American
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Thomas Hart Benton - Chilmark Landscape 1922 oil on paper mounted Hirshhorn Museum American
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Thomas Hart Benton - Photographing the Bull 1950 Lithograph Arkansas Arts Center American
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Thomas Hart Benton - Lonesome Road 1945 Lithograph Arkansas Arts Center American
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Thomas Hart Benton - June Morning 1945 Oil on Masonite The Cummer Museum of Art and Gardens American
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Thomas Hart Benton - Shallow Creek 1939 lithograph Art Complex Museum at Duxbury American
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Thomas Hart Benton - Indian and Fisherman c. 1956-1957 bronze Los Angeles County Museum of Art American
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Thomas Hart Benton - Martha's Vineyard c. 1925 oil on canvas Corcoran Gallery of Art American
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James McDougal Hart - Morning in New England 1873 oil on canvas Cleveland Museum of Art American
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Thomas Hart Benton - Preparing the Bill 1934 oil on canvas The Maier Museum of Art American
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Thomas Hart Benton - Upper Manhattan c. 1917 oil on canvas Cleveland Museum of Art American
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George Overbury Hart - Tahitian Child c. 1903 watercolor on paperb Memorial Art Gallery of the University of Rochester American
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Thomas Hart Benton The Grapes of Wrath by John Steinbeck (New York: Limited Editions Club, 1940), vol. 1 Book with color lithograph reproductions : 19 full-page, title page, 18 chapter headings 1940
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Thomas Hart Benton The Grapes of Wrath by John Steinbeck (New York: Limited Editions Club, 1940), vol. 2 Book with color lithograph reproductions : 14 full-page, title page, 12chapter headings 1940
The Minneapolis Institute of Arts -
Artist: artist unknown Title: Louis XV Commode Date: about 1745 Medium: satinwood and purple hart,
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Marie Theresa Gorsuch Hart - View on the River, Farmington 1866 oil on canvas Florence Griswold Museum American
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George Barbier Table of contents for the set , Le Bonheur du Jour pour 1920 (Paris: Chez Meynial, 1924) Line engraving 1920
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George Barbier Le Go*t des Laques., pl. 9 from the set Le Bonheur du Jour pour 1920 (Paris: Chez Meynial, 1924) Line engraving with color pochoir 1920
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George Barbier L*Arc-en-Ciel., pl. 6 from the set Le Bonheur du Jour pour 1920 (Paris: Chez Meynial, 1924) Line engraving with color pochoir 1920
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George Barbier Les alliÈs ‡ Versailles., pl. 1 from the set Le Bonheur du Jour pour 1920 (Paris: Chez Meynial, 1924) Line engraving with color pochoir 1920
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George Barbier Wrapper for the set , Le Bonheur du Jour pour 1920 ((Paris: Chez Meynial, 1924) Line engraving with color pochoir circa 1920
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George Barbier Text pages for the set Le Bonheur du Jour pour 1920 (Paris: Chez Meynial, 1924) Line engravings with color pochoir 1920
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George Barbier L*Amour est aveugle, pl. 5 from the set Le Bonheur du Jour pour 1920 (Paris: Chez Meynial, 1924) Line engraving with color pochoir 1920

Artnews Articles and Exhibition Information: (26)
Click on any of the links below to read about artnews or exhibitions related to Hart


Experimental Art Foundation, Lion Arts Centre: The Cloak Room: Anton Hart and George Popperwell
The Experimental Art Foundation curates its exhibition program to represent new work that expands current debates and ideas in contemporary art and culture. The EAF incorporates a gallery space, bookshop and artists studios. The Experiment...

bitforms gallery: BRAINGIRL + E + PUSSY WEEVIL: Work by Claudia Hart, Larry Bercow / Marina Zurkow, Julian Bleecker
Marina Zurkow presents "Braingirl" created in Flash animation, which is usually experienced online. The animated character and story "Braingirl" is a hybrid of the adolescent girl's exaggerated sense of self and the artist's viewpoint of teens' ...

Walker Art Gallery: George Romney 1734-1802: British art's forgotten genius
At the height of his career he was more fashionable than Sir Joshua Reynolds and Thomas Gainsborough as a society portraitist, but all his life he wanted to paint elevated historical and literary subjects. He lacked the confidence to carry out ma...

Oakland Museum of California: Portrait of an Estuary: San Francisco Bay
This bit of historical trivia hints at the significance of the bay to the surrounding communities. The importance is highlighted in Portrait of an Estuary: San Francisco Bay, an exhibition of thirty color photographs on view from January 14 throug...

Canberra Contemporary Art Space: Call to Artists: Inaugural Contemporary Art Award
The award will be judged by Ms Deborah Hart, Senior Curator, Australian Painting and Sculpture, NGA; Mr Pepe Ianniello, Proprietor, The Art Store; and Ms Lisa Byrne, Director, CCAS. The exhibition and award opens 6pm Thursday 23 October 2003...

Camera Club of New York: Call for Artists: 2003 Small Print Photography
Fee is $25.00 for first 5 slides, $7.50 for each additional slide. Deadline for receipt of slides is January 15, 2003. Chosen artists will participate in a group exhibition at the Camera Club of New York's Lowenhertz Gallery. Send self add...

Camera Club of New York: Call for Artists: 2003 Small Print Photography Competition
Fee is $25.00 for first 5 slides, $7.50 for each additional slide. Deadline for receipt of slides is January 15, 2003. Chosen artists will participate in a group exhibition at the Camera Club of New Yorks Lowenhertz Gallery. Send self addr...

Tampa Museum of Art: Transatlantic Dialogue: Contemporary Art In and Out of Africa
Included are the works of seven African artists: Skunder Boghossian, Sokari Douglas Camp, Rashid Diab, Amir Nour, Moyo Ogundipe, Moyo Okediji, and Outtara—and seven African American artists: Jean-Michel Basquiat, John B...

Saint Louis Art Museum: Art in Bloom: A Weekend of Flowers
This year's arrangements are being created by area garden clubs. Free docent-led tours will be available to give visitors a better understand of the artworks and their relationship to each flower arrangement. The honorary...

Davis Museum and Cultural Center: Bridging the Border: Shared Themes in Mexican and U.S. Art 1900 – 1950
Four themes: The City, Rural Traditions, Responses to European Modernism, and Protest and Persuasion break the show into sections that highlight areas of exchange during the first fifty years of the 20th century. Each category compares works by ...

Corcoran Gallery of Art: Encouraging American Genius: Master Paintings from the Corcoran Gallery
A number of outstanding individual works complete the selection, including well-known examples by early masters like John Singleton Copley and Joshua Johnson and striking modernist compositions by Maurice Prendergast, Thomas Hart Benton and Aar...

Pablo's Birthday: Multiple Partners: Curated and Organized by Carla Gannis
 "Women can't add," he said jokingly.
When I asked him what he meant, he said,
"For them, one and one and one and one don't make four."
"What do they make?" I said, expecting five or three.
"Just one and one and one and one," h...

Frye Art Museum: Heartland: The Paintings of Bo Bartlett
Bartlett’s powerful and engaging paintings fall well within the tradition of 20th-century American realism. Like American masters such as Thomas Eakins, Thomas Hart Benton and Andrew Wyeth, Bartlett has looked at the people and land around him and in...

Los Angeles County Museum of Art: Color, Myth, and Music:Stanton Macdonald-Wright and Synchromism
Among his many accomplishments, Stanton Macdonald-Wright, along with fellow American painter Morgan Russell, fathered the Synchromism movement. Convinced that color and sound were equivalent phenomena and that one could o...

Frye Art Museum: Hudson River Paintings from the Hersen Collection
The richly painted landscapes reflect a time when the American landscape was relatively unmarred by development. At first glance, the paintings seem simply to represent beauty, repose, and rest. At a deeper level, however, the paintings ev...

Crafts Council Gallery: On Paper - New Paper Art
On Paper will showcase the work of forty international artists diverse in their practice but united by their enthusiasm for paper as a material.  Divided into four sections, the exhibition will exemplify how both unexpected and beautiful this oft...

Cube at Beco: Extra/ordinary: Fiber Artists Rethinking Art and Everyday Life
Since the Industrial Revolution began blurring the lines between industry and handicraft, as well as the upper- and lower-classes, artists have subsequently taken great pleasure in using such developments to similarly dissolve the centuries-old ba...

Portland Museum of Art: Leonard Baskin: Monumental Woodcuts
Monumental woodcuts--fashioned from multiple blocks joined together--were made as early as the Renaissance by artists such as Jacopo de Barbari, Hans Schufelein, and Albrecht Durer. The subjects were usually grand views, narrative compositions, or...

Dayton Art Institute: Scenes of American Life: Treasures from the Smithsonian American Art Museum
Rockwell Kents Snow Fields (1909), the earliest work in the exhibition, portrays women, children and dogs playing on a sunny winter day and captures the new spirit of the time. Likewise, paintings by William Glackens, Agnes Tait and Paul Cad...

Corcoran Gallery of Art: Picturing the Banjo
"For more than two centuries, the banjo has played an integral role in American history and culture and has inspired an eclectic array of artists," said Sarah Cash, the Corcoran's Bechhoefer Curator of American Art. "A highlight of the Corcoran...

Leigh Yawkey Woodson Art Museum: John A. and Margaret Hill Collection of American Western Art AND Silver Blossoms, Turquoise Mountains: Southwest Indian Jewelry
As a connoisseur of American art, John Hill collected what he believed in, which was the myth of the American West. It is a myth that has shaped this nation more than any other. From it, comes our sense of magisterial landscapes dwarfing human a...

Portland Museum of Art: Murray Hantman: From Image to Abstraction
Like many of his contemporaries, Hantman’s work was shaped by the times in which he lived—by the exhilarating sense of the potential of art in the modern era coupled with the harsher realities of American life during the Great Depression and World...

Smithsonian American Art Museum and the Renwick Gallery: USA Clay: Recently Acquired Ceramics
We are delighted to showcase the diverse ways clay has been used by artists over the last 50 years, said Elizabeth Broun, the museum's Margaret and Terry Stent Director. 'USA Clay' also provides us with a wonderful opportunity to show ...

Wadsworth Atheneum Museum of Art: Marsden Hartley: First Retrospective in over 20 Years
Widely acknowledged as the greatest of the early American modernists, Marsden Hartley (1877-1943) belonged to a circle of artists promoted by photographer and gallery owner Alfred Stieglitz that included Georgia O’Keeffe, John Marin, Arthur Dove, ...

Columbus Museum of Art: Illusions of Eden: Visions of the American Heartland
The exhibition and its national tour are sponsored by Philip Morris Companies Inc. Illusions of Eden is one component of The Heartland Project, a series of three traveling museum exhibitions and an interactive website that will evaluate t...

National Museum of Chinese Revolution History: Dong Kingman: Watercolor Master
In addition to commemorating Kingman’s extraordinary career, Kingman’s second major exhibit in China coincides with and commemorates 30 years since relations between United States and China resumed. His prior exhibition in China in 1981 was the f...

Further Artwork and Information:

Hart Ranch and Museum
William E. Hart - Home
William Hart Online
Wm. S. Hart Union High School District
CATHOLIC ENCYCLOPEDIA: Bl. William Hart
William M. Hart Biography
William S. Hart High School
William Hart Strecker
William Hart - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
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