Artist: Susan Hiller ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Susan Hiller.

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Julia Margaret Cameron - Mary Hiller and Two Children 1864 albumen print from c National Gallery of Art British
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Sarah Miriam Peale - Susan Avery 1821 oil on canvas National Museum of Women in the Arts American
Museum of Fine Arts -
Benjamin Hiller, 1687-88–about 1745 Tankard United States, Massachusetts, (Boston), 1710 – 1720 Silver 17.3 cm
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Samuel F.B. Morse - Susan Walker Morse (The Nurse) c. 1836-37 oil on canvas The Metropolitan Museum of Art American
The Metropolitan Museum of Art -
Susan Walker Morse (The Muse), ca. 1836-1837 Samuel F. B. Morse (1791-1872)AmericanOil on canvas; 73
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Susan Coleman Anson Portrait of Marvin Spohn sugar lift aquatint 1969
The Minneapolis Institute of Arts -
Artist: Susan Rothenberg Title: Stumblebum Date: 1985 - 1986 Medium: color lithograph Dimensions: H.86-1/2 x
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Thomas Wright Susan, Lady Bellasys 18th - 19th century
The Minneapolis Institute of Arts -
Artist: Priscilla Susan Bury (Mrs. Edward Bury ) and Robert Havell Title: Spider Lily Date:
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John Trumbull, American, 1756-1843 Stephen Minot 1806 Oil on canvas 76.83 x 61.28 cm (30
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Jean Léon Gérôme, French, 1824-1904 L"Eminence Grise 1873 Oil on canvas 68.6 x 101 cm
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John Appleton Brown, American, 1844-1902 A Showery May Morning 1890s Oil on canvas 79.06 x
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Gilbert Stuart, American, 1755-1828 Josiah Quincy 1824 Oil on canvas 91.76 x 71.44 cm (36
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John Trumbull, American, 1756-1843 Mrs. Stephen Minot (Sally Minot) 1806 Oil on canvas 76.2 x
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W. H. Mote William Henry John,Son of Lieut.-Colonel John Sidney and Lady Susan North 19th - 20th century
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Susan Rothenberg - I X I 1976-1977 vinyl emulsion and a Hirshhorn Museum American
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© 2001 The Franz Kline Estate/ Artists Rights Society (ARS), New York ; Franz Kline,
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Dennis Miller Bunker, American, 1861-1890 Meadow Lands 1890 Oil on canvas 63.5 x 76.2 cm
The Metropolitan Museum of Art -
Henri III (1551-1589), King of France French Painter, late 16th centuryOil on wood; 12 3/4
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John Singleton Copley, American, 1738-1815 The Ascension 1775 Oil on canvas 81.28 x 73.02 cm
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John Singleton Copley, American, 1738-1815 Lord Fauconberg (Henry Belasyse, Second Earl of Fauconberg) about 1792
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John Singleton Copley, American, 1738-1815 Battle of the Pyrenees 1812-15 Oil on canvas 198.75 x
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Susan Rothenberg - Vaulting 1986-87 oil on canvas Cleveland Museum of Art American
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Susan Crile - Beyond Istanbul 1973 oil on canvas Cleveland Museum of Art American
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Susan C. Waters - Brothers c. 1845 oil on canvas National Gallery of Art American
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Susan Rothenberg - White Arc 1983 Oil on Canvas The Museum of Contemporary Art, Los Angeles
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Susan Rothenberg - The Hulk 1979 Acrylic and flashe o The Museum of Contemporary Art, Los Angeles
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Susan Rothenbuerg - Untitled 1979 acrylic and flashe o Des Moines Art Center American
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Susan Rothenberg - Head 1991 bronze Minneapolis Institute of Arts American
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Susan Rothenberg - Butterfly 1976 acrylic on canvas National Gallery of Art American
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Susan Rothenberg - Foot 1991 bronze Minneapolis Institute of Arts American
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Susan Rothenberg - Boneman 1986 mezzotint on wood ve Hirshhorn Museum American
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Mary Susan Collins - Primrose 1929 oil on canvas Cleveland Museum of Art American
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Marked by Mathieu de Machy, French, master 1770, still living 1793 Urn France, (Paris), 1789
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John Singleton Copley, American, 1738-1815 George IV When Prince of Wales 1809 Oil on canvas
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Susan Rothenberg - Untitled (May #4) 1979 soft ground, sugar l Hirshhorn Museum American
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John Singleton Copley, American, 1738-1815 Venus and Cupid about 1779 Oil on canvas mounted on
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John Singleton Copley, American, 1738-1815 Saul Reproved by Samuel 1798 Oil on canvas 172.08 x
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Obadiah Rich, 1809-1888 Sauceboat (one of a pair) United States, Massachusetts, (Boston), 1830-40 wood 13
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Susan Paine - Portrait of Mrs. J.H. Corbett c. 1831 oil on panel Portland Museum of Art American
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Susan C. Waters - Henry L. Wells 1845 oil on canvas National Gallery of Art American
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Charles Bargue, French, about 1825-1883 Turkish Sentinel 1877 Oil on panel 28 x 21 cm
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Claude Monet, French, 1840-1926 Road at La Cavée, Pourville 1882 Oil on canvas 60.3 x
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Helen Frankenthaler, American, Born in 1928 Floe IV 1964 Acrylic emulsion on canvas 142.2 x
The Metropolitan Museum of Art -
The Thinker: Portrait of Louis N. Kenton, 1900 Thomas Eakins (1844-1916)AmericanOil on canvas; 82 x
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Nicholas Nixon, American, Born in 1947 Susan Diminico Boston Latin School 1996 Photograph, gelatin silver
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Embroidered by Susan Heath, Massachusetts (Brookline) 1759-1786 Reclining Shepherdess Embroidered picture United States, Massachusetts, (Boston),
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Edward Lear, English, 1812-1888 Sorrento 1839 black crayon and gouache highlights on faded blue (?)
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Edward Lear, English, 1812-1888 Kalabshe, Nubia on the Nile 19th century Watercolor on heavy wove
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Joseph Blackburn, American (born in England), active in North America 1753-1763 Susan Apthorp (Mrs. Thomas
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John Singer Sargent, American, 1856-1925 Fishing for Oysters at Cancale 1878 Oil on canvas 40.96
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Susan Catherine Moore Waters, American, 1823-1900 The Lincoln Children 1845 Oil on canvas 114.93 x
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Martha Susan Baker - Twilight no. 2 1898 1898 watercolor Smithsonian American Art Museum American
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James Frothingham, American, 1786-1864 Nathaniel West, Jr. about 1820-26 Oil on panel 76.52 x 60.01
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Jules Dupré, French, 1811-1889 Cattle on the Dunes Oil on canvas 81 x 100 cm
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© 2001 Artists Rights Society (ARS), New York/ ADAGP, Paris ; Ferdinand (Fernand) Léger, French,
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R. le Gouax Le Port Vendres engraving with hand coloring circa 1800
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Newell Harding & Co., 1851-1889 Newell Harding, 1796-1862 Francis Low Harding, about 1851-1889 Spoon holder
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Robert Cooper Untitled (Satyrs and Maenads), after Poussin engraving 18th century
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LÈopold Flameng Villon au Cabaret de la pomme de pin lithograph circa 1870
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Unidentified artist, British, 19th century Portrait of a Woman Oil on canvas 76.2 x 63.5
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F. Foltz Der Maulethurm bei Bingen am Rhein engraving with hand coloring circa 1850
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Jean Baptiste Camille Corot, French, 1796-1875 Forest of Fontainebleau 1846 Oil on canvas 90.2 x
The Minneapolis Institute of Arts -
Artist: artist unknown Title: Panel Date: 19th century Medium: cotton Dimensions: L.75 x W.53 in.
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S. Turrell Interior of large vine house at Hampton Court engraving 19th century
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Johann Jacob Haid Le Buveur Der Saufferuder stipple engraving circa 1750
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Johann Georg Pintz Illustration of Deuteronomy, chapter 32, verse 32 etching and engraving circa 1750
The Metropolitan Museum of Art -
The Flood Gate Émile van Marcke (Belgian, 1827-1890)Oil on canvas; 24 1/2 x 32 1/2
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Narcisse Virgile Diaz de la Peña, French, 1808-1876 Bohemians Going to a Fête about 1844
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Benjamin (Benjamin Roubaud) Portrait of Masson from the series PanthÈon Charivarique published in Le Charivari lithograph 1850
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Buncho Untitled (two women and a girl), after Buncho, 19th century color woodcut 19th century
The Metropolitan Museum of Art -
A Shepherdess and Her Sheep Charles-Émile Jacque (French, 1813-1894)Oil on canvas; 32 x 25 1/2
The Minneapolis Institute of Arts -
Artist: Masai Title: Pair of dolls Date: 20th century Medium: wood, fabric, yarn, beads, shells
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Italo Scanga Moon with Two Cypress color lithograph on Rives BFK paper 1989
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Frans van den Wyngaerde Untitled (Baccanal), after Peter Paul Rubens etching circa 1650
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Richard Wilson, British, 1713-1782 Tivoli and the Roman Campagna with a Man and Woman Oil
The Metropolitan Museum of Art -
Tiger and Cubs, ca. 1884 Jean-Léon Gérôme (French, 1824-1904)Oil on canvas; 29 x 36 in.
The Metropolitan Museum of Art -
Self-portrait with a Harp Rose Adélaïde Ducreux (French, 1761-1802)Oil on canvas; 76 x 50 3/4
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Italo Scanga Los Perdidos and Crying Woman Etching 1981
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Italo Scanga Pajama Set (Jacket, Pants, Sash) silk 1982
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Italo Scanga Raven Color drypoint printed in red and black 1981
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Italo Scanga Bird and Snake Color dry point printed in black and red 1981
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Italo Scanga Listening to T.M. Color drypoint and etching printed in black and red 1981
The Metropolitan Museum of Art -
Portrait of a Man, 1645 Johannes Cornelisz. Verspronck (Dutch, 1597-1662)Oil on canvas; 31 1/4 x
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Italo Scanga Toccata Color etching, spit bite aquatint and drypoint 1981
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Italo Scanga Portrait of Opera Singer Color drypoint printed in black and red 1981
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Cham (AmÈdÈe Charles Henri de NoÈ) Deux inventeurs non brevetÈs grandement contrariÈs no 69 from the series ActualitÈs published in Le Charivari lithograph on newsprint with text verso 19th century
J. Paul Getty Museum -
Tools with Blueprint
J. Paul Getty Museum -
Bonneville near Geneva on Road to Chamonix
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Italo Scanga Sacrificial Lamb Color etching, spit bite aquatint and drypoint 1981
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Italo Scanga Blue Glass Color etching, spit bite aquatint and drypoint 1981
The Metropolitan Museum of Art -
Summer Flowers, 1880 Ignace-Henri-Jean-Théodore Fantin-Latour (French, 1836-1904)Oil on canvas; 20 x 24 3/8 in. (50.8
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Eric Gill 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.59: D.204: Initial A with Woman and Child; D.202: Initial W with Mirror and Chest of Drawers; D. 203: Initial T w
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Italo Scanga Visiting with John Muir Color etching and spit bite aquatint printed in black and red 1981
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Henry Stacquet, Netherlandish, 1838-1906 Winter Scene undated Watercolor on paper Sheet: 18.8 x 27.3 cm
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Italo Scanga Abundance Hard ground etching and spit bite aquatint printed in black and red on Arches Cover Buff paper 1981
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John Singer Sargent, American, 1856-1925 An Artist in His Studio 1904 Oil on canvas 56.2
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Zachariah Brigden, 1734-1787 Porringer United States, Massachusetts, (Boston), about 1755-85 Silver Buhler, 1972, No. 329
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Tiffany & Company, 1837–present Pitcher United States, New York, (New York), about 1875 Silver, copper,
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William Merritt Chase, American, 1849-1916 Park Bench about 1890 Oil on canvas 30.48 x 40.64

Artnews Articles and Exhibition Information: (7)
Click on any of the links below to read about artnews or exhibitions related to Hiller

Kettle's Yard Gallery, University of Cambridge: Apparition: The Action of Appearing
In Marlene Dumas's series of drawings 'Jesus Suffering' the traditional image of Christ's face is subverted by her use of contemporary source material, magazine images and photographs of bearded friends. William Kentridge uses the magic, s...
londonprintstudio: View and Review: Book Works 2000
Book Works have been commissioned new work in collaboration with artists and writers since 1984; publishing and producing books, multiples, CD-Roms, and internet/new media projects with a playlist of artists which includes Jemery Deller,
Site Gallery: Haunted Media: New Media and Supernatural Phenomena
The development of telegraph and wireless allowed users to hear voices from the ether and had the power to disperse body & consciousness across the universe in the same way that the internet is seen to have done more recently, creating a space for...
Tate Britian: Intelligence: New British Art 2000
Intelligence means both information gathering (intelligence as in MI5) and the faculty employed to process information into something new. Many artists today can be seen as intelligence agents at large in society, gathering, siftin...
Stedelijk Museum voor Actuele Kunst (S.M.A.K): Dream Extensions: Eija-Liisa Ahtila, Olaf Breuning, Lori Hersberger, Susan Hiller, Abigail Lane, Mariko Mori , Georgina Starr, Anne-Mie van Kerckhoven, Jane and Louise Wilson
The exhibition is striking for the variety of its imaginary spaces. The visions of the artists complement, enhance and/or correct each other. In addition to dreams, the fantasies in the video installations consist of existing rooms to which we are...
Biennale of Sydney 2002, International Festival of Contemporary Art: (The World May Be) Fantastic.
The 2002 exhibition invites you to view My Living Room is a Martian Base (Gilles Barbier, France), see Nixon in Chains (Jeffrey Vallance, USA), hear A Strange Message From Another Star (Veli Granö, Finland), experience the killing in the Muriel...
Site Gallery: Con Art: Magic/Object/Action
The notion of the audience as a willing participant in what they know to be an intentional game or illusion can be traced to stage drama in the Middle Ages and magic performance in the Enlightenment. This idea of viewer/audience complicity unde...

Further Artwork and Information:

DREAM SCREENS
susan_hiller
HighBeam Research: Library Search: Results
SUSAN HILLER - BELSHAZZARS FEAST
Freud Museum
Susan Hiller Brozinsky
Susan Hiller Online
Guide to the Contemporary Art in Italy - UnDo.Net - Guida all Arte Contemporanea in Italia
Susan Hiller @ Catharton Artists
inIVA: person - Susan Hiller

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