Artist: Robert Hills (1769 - 1844)
Nationality: British
Movement:
Media: Painting
Influences:


Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Robert Hills.

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William Thomas Fry Robert Hills 18th - 19th century
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Robert Hills Sketches in Flanders and Holland (London: John Boothä, 1816) book with aquatints 1816
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Paul Sample - Elk Hills c. 1933-1934 oil on canvas Los Angeles County Museum of Art American
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Edward W. Redfield - River Hills c. 1920 oil on canvas Memorial Art Gallery of the University of Rochester American
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William Merritt Chase - Shinnecock Hills 1895 oil on canvas Cleveland Museum of Art American
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Hanson Puthuff - Laguna Hills before 1914 oil on canvas Los Angeles County Museum of Art American
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Anna Mary Robertson Moses - My Hills of Home 1941 oil on board Memorial Art Gallery of the University of Rochester American
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Maynard Dixon - Volcanic Hills 1934 oil on canvas board Fred Jones Jr. Museum of Art at The University of Oklahoma American
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Jacob van Ruisdael - Hills and Woods 1660's oil on canvas Cleveland Museum of Art Dutch
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Georgia O'Keeffe - Red Hills with Flowers 1937 oil on canvas The Art Institute of Chicago American
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Chauncey Foster Ryder - Vermont Hills n.d. oil on canvas The Maier Museum of Art American
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Guy Rose - Carmel Hills c. 1914-1920 oil on canvas Cleveland Museum of Art American
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Richard Wilson - Lake and hills n.d. oil on canvas The Fitzwilliam Museum British
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William Merritt Chase - Summe at Shinnecock Hills late 19th centu oil on canvas Cincinnati Art Museum American
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Maurice Prendergast - South Side Hills n.d. watercolor Fred Jones Jr. Museum of Art at The University of Oklahoma American
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Georgia O'Keeffe - Black Hills with Cedar 1941-1942 oil on canvas Hirshhorn Museum American
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William Merritt Chase - Shinnecock Hills Landscape c. 1890-95 oil on canvas The Detroit Institute of Art American
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Edward Hopper - Hills, South Truro 1930 oil on canvas Cleveland Museum of Art American
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Paul Hambleton Landacre Monterey Hills, plate XIV in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Beatriz A. Candioti - View of the High Hills 1980 acrylic on canvas Smithsonian American Art Museum American
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George Inness - Approaching Storm from the Alban Hills 1871 oil on canvas Cleveland Museum of Art American
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Edgar Degas - Jockeys on Horseback before Distant Hills 1884 oil on canvas The Detroit Institute of Art French
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Robert Motherwell Untitled Collotype with collage 1974
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Paul Hambleton Landacre Hills and the SeaäMalibu Coast, plate IX in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Jean-Baptiste Camille Corot - Cowherd Resting at the Foot of Cool Hills c. 1855-65 oil on canvas Fred Jones Jr. Museum of Art at The University of Oklahoma French
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Robert Motherwell Hermitage Color lithograph and screenprint on Arches Cover paper 1975
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Robert Motherwell Capriccio Collotype and photo-screenprint 20th century
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Robert Motherwell Automatism A Lithograph 1965 - 1966
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Edward Willis Redfield The Hills and River oil on canvas 1914
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A. Atkinson Ice Hills 18th - 19th century
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Thaddeus Welch Marin County Hills oil on canvas 1899
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William Keith Santa Barbara Hills oil on canvas 1882
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Kenneth Hartwell Hills of Home Lithograph 1947
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Julius John Pommer Marin Hills etching 19th - 20th century
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Robert Motherwell Untitled Etching printed in brown-black ink from zinc plate on Rives BFK paper 1965 - 1966
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Julius John Pommer Marin Hills Etching 19th - 20th century
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Julius John Pommer California Hills lithograph 19th - 20th century
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Luigi Lucioni Farm in the Hills Etching 1937
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Charles Partridge Adams Untitled (eucalyptus and hills) graphite circa 1927
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Heinrich Nauen Cow grazing on arid hills Etching 19th - 20th century
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I. Havell Clwyddian Hills from Newmarket 19th century
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Mar Jean Kettunen California Hills Etching in color 20th century
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Sanford Robinson Gifford A View from the Berkshire Hills, near Pittsfield, Massachusetts oil on canvas 1863
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Robert Henri - Portrait of Mrs. Robert C. Watts 1926 oil on canvas The Maier Museum of Art American
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James Swann Bohemian Hills Drypoint 20th century
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Robert Motherwell Untitled, fourth plate from the portfolio,Ten Works x Ten Painters Color screenprint printed in black and ochre with collage of white Arches paper 1964
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Alfred Ray Burrell Eucalyptus, Berkeley Hills Drypoint 19th - 20th century
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Hans Purrmann Small landscape- Hills Drypoint 19th - 20th century
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Hans Kleiber The Pond in the Hills Etching 19th - 20th century
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Ray Scepter Boynton Southwestern Hills charcoal 1950
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Keiko Minami Deux collines (Two Little Hills) Color etching 20th century
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Ray Scepter Boynton California Hills pastel 1922
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Edward Millington Synge River running through low hills Etching 19th - 20th century
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Edward De Witt Taylor A Farm in the Hills linoleum cut 1930
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Clare Leighton Landscape, hills and trees Wood engraving 20th century
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Robert Hennel Egg Cruet Silver, sterling 1852
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Robert Batty Gottingen, plate 30 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Quedlinburg, plate 23 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Karlshafen, plate 13 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Wernigerode, plate 17 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty The Rostrappe, plate 12 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Kˆnigstein, plate 4 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Dresden, plate 35 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Hameln, plate 29 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Trendelburg, plate 46 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Buckeburg, plate 18 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Hohnstein, plate 3 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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James Henry Daugherty The Hills india ink 19th - 20th century
Museum of Fine Arts -
Robert Salmon, English, 1775-1845 or after The New Ship "Duncan" 1832 Oil on panel 41.27
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Olaf Williamson [Tree with bare branches, background of low hills] Drypoint 20th century
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Edward De Witt Taylor A Farm in the Hills Drypoint etching 1930
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Alfred Casella The Gray Hills Block print in color 20th century
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Edward De Witt Taylor Snow in San Francisco Hills DP, third state 1933
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Robert Batty Hoxter, on the Weser, plate 52 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Dom Kirche, Lubeck, plate 21 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty St. Nicholas, Hamburgh, plate 20 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty The Exchange, Copenhagen, plate 53 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty The Port, Hamburgh, plate 42 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty View from the Pastey, plate 19 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty St. Andrew's, Brunswick, plate 11 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Blaukenburg Hartz, plate 60 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty The Castle of Falkenstein, plate 7 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Ilsenburg, Hartz, plate 50 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) book with 61 steel engravings and uncounted wood engravings 1829
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Robert f. Blum - Studio of Robert F. Blum 1883-84 pastel Cincinnati Art Museum American
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Robert Cooper Robert Dudley, Earl of Leicester 18th - 19th century
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Horatio Nelson Poole California Hills Etching 19th - 20th century
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Robert Batty Church of St. Catherine, Brunswick, plate 57 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Karlshafen, from the Cassel Road, plate 51 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Stadt Haus, Lubeck, plate 28 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Rocks near the Bastey, Saxony, plate 47 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Castle of the Hardenberg near Gˆttingen, plate 25 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty The Place and Bridge at Munden, plate 36 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Ferdinandstein, in Rathewalde Grund, plate 2 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty The New Market Place, Hamburgh, plate 32 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty The Stadt Haus, Bremen, plate 33 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty The Lochmueln, in Licbethaler Grund, plate 1 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty The Fiefe Grund, Saxony, plate 15 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Bridge over the Weser, Bremen, plate 48 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty The Town Hall, Copenhagen, plate 59 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Hills

LA MERIDIANA: Study Ceramics in Italy
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Cleveland Museum of Art: Contained Spaces: A Juried Show of Contemporary Fiber Art
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Lawrence Street Gallery: Two Solo Exhibitions of Paintings by Patrice Erickson and Margaret Nern
Patrice Erickson's pieces are rendered in oil using traditional painting techniques. "Working in a contemporary realistic manner challenges me both technically and emotionally. I strive to present the viewer with recognizable imagery that suggests...
Centre Georges Pompidou: Blanc and Demilly, Photographs of Lyon 1924-1962
The photos were first published in 1933 on a catalogue - Aspects of Lyon which constituted probably one of the most remarkable and most poetic visions of the great city on the Rhone. Since the dispersation of their of funds in 1962, their oeuvre is n...
Aboriginals: Art of the First Person: Spirits of Stone
Carvers are able to reveal these spirits and free the powers of wisdom, courage, cunning and tenacity traditionally possessed by the animal that is revealed in the carving. Carvings range from those with intricate detail by Zuni carvers Dan ...
Providence Film Foundation: Screenplay Winners Recognized With A.T. Cross Awards

This years winners are: 1st. place, Thomas Storey of Newport, RI. for his screenplay Child of the Sky; 2nd. place, Nick ODonohoe of Cranston, RI for The Old Hand, and 3rd place went to David Vermillion of Pawling, NY for his screenplay Lines of ...
Artists' Musuem: Francis Latreille: Field of Dreams
Francis Latreille has been published in Life, Time, Newsweek and Geo and he is currently working on his second book. Since 1977 Francis has presented his primitive works in Europe, Asia and North America in over thirty exhibitions. His work has b...
Galeria de Arte, Vale do Lobo: Jessica Dunn: New Paintings
From the artist's statement, "After moving up into the hills of Boliqueime some years ago with my husband and two girls, it was time to explore the countryside. Apart from the natural beauty of the Algarve´s country landscapes, changing seasons...
Jewish Federation/ Bell Family Gallery: Israel in Crisis Exhibit: 20 Years of Israeli Art, 1980-2000
"I wanted viewers to see that Israeli artists handle difficult subject matter and are not afraid to lift up rocks and see the underside," stated Michael Hittleman.  "The works are all about politics, discomfort with society, uneasy feelings, dread...
Neuberger Museum of Art: Welded! Sculpture of the Twentieth Century
Welding will be shown in all of its variations as cut, bent, crushed and painted metal that is stable or that moves, that includes sound and water, that is r...
photo san francisco, Stephen Cohen Gallery: Kansas Plein air
Although these paintings are clearly representational, Grossman‚s brushstrokes stand out, capturing the method and consciousness of the artist at work. She will often spend an entire day or two in the hills observing her reactions to the envi...
Urban Institute for Contemporary Arts: Allison Warren: Scribbles
The artist states that “the accumulation of these markings provides direct evidence of our unwavering urge for physical contact with the material world”. The drawings provide the site upon which to consider the volatile role of the hand mark in co...
Pendleton Art Center: Stations: Paintings of Ireland by Fabienne Christenson
Every subject from sheep to shrines to hills to castles has became a subject to explore and the artist reveled in the chance to capture it all on canvas. In addition, Fabienne will be showing the first in her new series of Modern Allegories. M...
Jentel Artist Residency Program: Call for Artists: Residencies Available
Large well-lit studios are equipped with running water and adequate light for late work. The printmaking studio is equipped with a Takach Garfield press with a 32 x 48 inch bed. Separate, quiet studios are reserved for writers. Writers need to bri...
Centre of Attention: Boyle Family: London Sound Study
From 1 October, the files will be available to listen and to download from www.thecentreofattention.org onto your computer or iPod for free. With this web-based and aural exhibition, the Centre of Attention has sought to further its examinat...
Woman Made Gallery: Autobiographies: Juried by Mary K. O'Shaughnessy

Centauri Arts: Creative Enrichment - for Grown Ups
Centauri Arts offers so many one week courses for adults that it's difficult to list them here. Suffice to say, whether you write novels, poetry, short stories or novels, whether you aspire to be a screenwriter or seek advice on getting published,...
Rex-Livingston: Playtime: Amanda van Gils
Poolside antics feature heavily with inflatable animal lilos brought to life, occasionally menacingly (as in “Unconvinced”), sometimes playfully (as in “Riding Home”). With titles like: “Chasey”, “Look Mum, no hands” and “Spiderman” the focus is...
Jewish Federation/ Bell Family Gallery: Art and Artifice: Photographic Portraits by Strauss-Peyton
From the turn of the 20th century through the Roaring 20's, Strauss-Peyton's innovative techniques and dramatic results found favor with both world leaders and fashionable trend-setters. The most famous celebrities of that era, including Fanny Br...
Palette Gallery: Bryce Brown; Urban Essence - Paintings of Life in the City
Brown has adapted his colour palette for this show to reflect upon the natural elements of our cities and abundance of parks and reserves that we have within them - noticing that, “New Zealanders love to be a part of the ‘great oudoors’ as much ...
Art Dept: Call to Artists: 2001 International Art Contest
The winners and final selections for each category can be seen at http://www.artdept.com.au/contest00/results/
REALISM
1st - Djordje Prudnikoff from Yugoslavia
2nd - Tom Si...
New Mexico Photography Field School: Call for Artists: Fall Workshop - Photographing Season’s Change
Since 1986, the New Mexico Photography Field School is unique in its offerings: hands-on photography workshops in the Southwest’s canyons, hills and villages. Participants out every day to capture the light, color, and texture that is the West. ...
Chicago Botanic Garden: A Second Look: Landscape Paintings by Didier Nolet
“Didier uses landscape as a way to capture a state of mind, giving his memories of a certain time and place a second look. Not beholden to painting exactly what is in front of him, he can evoke the past, yet arrange the remembered elements of ligh...
Beverly Gardens Park: Affaire in The Gardens: Cris Orfescu - Nanoart
Cris Orfescu won the First Place award in the New Media category at the Spring 2005 "Affaire in the Gardens" art show.From the show program:
"Cris Orfescu presented a new form of art, NANOART, a sort of digital painting which uses compute...
Charles Allis Art Museum: Jens Carstensen: A Dane in Dane County
A recently retired professor from the University of Wisconsin-Madison School of Pharmacy, Jens Carstensen emigrated from Denmark to Wisconsin in 1950. While on a Parisian sabbatical in 1977, Carstensen began his second career as a painter, beg...
Modern Culture At The Gershwin Hotel: Anne Militello: Radiate (Not Fade Away)
The works--both large and intimate in scale--will examine the convergence of the human experience and light. Sensations and emotions, as well as recollections and extrapolations, are expected to be stirred up by these--Ms. Militello's latest--wor...
New Mexico Photography Field School: Call to Artists: Photographing Ghost Town - A Black-and-White Darkroom and Field Photography Workshop
Once home to artist Georgia O’Keeffe, Ghost Ranch is over 22,000 acres of sand and sage, plains and mesas, clouds and shadows. To photograph Ghost Ranch calls for the combination of the technical and the aesthetic. Through directed and undirecte...
Foothills Art Center: Call to Artists: 2004 North American Sculpture Exhibition
This year’s juror is James Surls, internationally renowned for his large-scale sculptures constructed of wood and steel. His work is represented in the permanent collections of the Solomon R. Guggenheim Museum, the Museum of Modern Art and the Wh...
Art Gallery of New South Wales: ALCHEMY and other transcendental works by Brett Whiteley
The mural was recently described by George Alexander from Contemporary Art Programs at the Art Gallery of New South Wales - Spread over 18 panels Alchemy may be read in any direction as a compressed autobiography in visual terms; a tense psychic c...
Kontainer Gallery: Tom Chamberlain: Solo Exhibition
A recent graduate of The Royal Academy of Arts, London, Tom Chamberlain was nominated for Becks Futures in 2002. A year later, his work was included in „Shimmering Substance‰ ˆ curated by Barry Schwabsky and Catsou Roberts at Arnolfini, Bristol...

Further Artwork and Information:

Robert Hills Online
Robert Hills
Robert Hills Giraffes
Robert Hills
Robert Hills (1769-1844)
Radiology - Dr. Robert R. Hills MD
EmbARK Web Kiosk
The genealogical tree of Lawrence Robert HILLS
New Hampshire General Court Roll Calls (houserollcallsearch.asp)
Antique-Fine-Art .com - Antique etching - Robert Hills, Deer

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