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Artist: Samuel Jordan ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Samuel Jordan.
- Benjamin Trott - John Jordan c. 1830 watercolor on ivory Cincinnati Art Museum American
- Samuel Jordan - Eaton Family Memorial 1831 oil on canvas National Gallery of Art American Museum of Fine Arts
- George Inness, American, 1825-1894 The Road to the Farm 1862 Oil on canvas 66.04 x Museum of Fine Arts
- Sir Thomas Lawrence, British, 1769-1830 Sir Uvedale Price, Baronet about 1799 Oil on canvas 76.2
- David Park - King David at the River Jordan 1934 watercolor, graphite University of California, Berkeley Art Museum American Museum of Fine Arts
- Franz von Lenbach, German, 1836-1904 Otto Bismarck Oil on paperboard 67.3 x 53.3 cm (26 Museum of Fine Arts
- Alfred von Wierusz-Kowalski, Polish, 1849-1915 In a Polish Village Oil on canvas 36.5 x 48.9 Museum of Fine Arts
- Edward Harrison May, American, 1824-1887 The Falconer (copy after Thomas Couture) between 1855-63 Oil on Museum of Fine Arts
- Gilbert Stuart, American, 1755-1828 John Park 1780 Oil on canvas 76.52 x 63.5 cm (30 Museum of Fine Arts
- Jacobus Hendrikus Maris, Dutch, 1837-1899 Farm in Holland Oil on canvas 46.7 x 54 cm Museum of Fine Arts
- Evariste Vital Luminais, French, 1822-1896 Captives Oil on canvas 56 x 46.3 cm (22 1/16 Museum of Fine Arts
- Jean Baptiste Edouard Detaille, French, 1848-1912 Cavalry Charge 1902 Oil on canvas 148.9 x 121 Museum of Fine Arts
- Théodule Augustin Ribot, French, 1823-1891 Portrait of the Artist"s Mother Oil on panel 55.5 x Museum of Fine Arts
- Edouard Manet, French, 1832-1883 René Maizeroy about 1882 Pastel on canvas 56.2 x 35 cm Museum of Fine Arts
- Pascal Adolphe Jean Dagnan-Bouveret, French, 1852-1929 Willows by a Stream 1908 Oil on canvas 65.4 Museum of Fine Arts
- Thomas Couture, French, 1815-1879 Nymph and Cupids 1860 Oil on canvas 35 x 27.6 cm
- David Roberts
Descent upon the Valley of the Jordan, plate 47 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by
- David Roberts
Immersion of the Pilgrims in the Jordan, plate 48 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes b Museum of Fine Arts
- Jean Baptiste Camille Corot, French, 1796-1875 Turn in the Road about 1868-70 Oil on canvas
- Samuel Palmer
"Christmas" etching in Samuel Palmer, a memoir by A. H. Palmer
etching
19th century
- Thomas Park
Mrs. Jordan in the Character of the Comic Muse
mezzotint
18th - 19th century
- Samuel A. Robb
Fireman's trumpet with crossed ladder and sail boat design
hammered and chased silver
circa 1869 Museum of Fine Arts
- Jean Léon Gérôme, French, 1824-1904 Moorish Bath 1870 Oil on canvas 50.8 x 40.6 cm
- Samuel Palmer
The Bellman
ET
1879 Museum of Fine Arts
- Charles Henry Hayden, American, 1856-1901 Turkey Pasture about 1895 Oil on canvas 76.52 x 107
- Samuel Palmer
Moonlit Scene
graphite
1863
- Samuel William Reynolds, Senior
Samuel Whitbred, Esq.
Mezzotint
18th - 19th century
- Samuel Palmer
The Skylark
ET
19th century
- Samuel Palmer
The Sepulchre
ET
19th century
- Samuel Palmer
The Willow
ET
19th century
- Samuel Palmer
The Cypress Grove
etching
1883
- Samuel Palmer
The Early Ploughman
ET
19th century
- Samuel Palmer
The Rising Moon
ET
19th century
- Samuel Palmer
Moeris and Galatea
ET
19th century
- Samuel Palmer
The Herdsman, or The Weary Ploughman
1865
- Samuel Palmer
The Cypress Grove
ET
19th century
- Samuel Palmer
The Homeward Star
ET
19th century
- Samuel Palmer
The Willow
etching
19th century
- Samuel Palmer
Opening the Fold; or, Early Morning
ET
19th century
- Samuel Palmer
An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
book with 5 etchings and 9 photogravures after drawings
1883
- Washington Allston - Samuel Williams c. 1817 oil on canvas Cleveland Museum of Art American
- Eastman Johnson - Samuel W. Rowse c. 1881 oil on board Cleveland Museum of Art American
- Thomas Lawrence - Samuel Woodburn c. 1820 oil on panel The Fitzwilliam Museum British
- Benjamin West - Dr. Samuel Boude 1755 oil on canvas National Gallery of Art American
- William Dunlap - Samuel Griffin c. 1809 oil on canvas National Gallery of Art American
- Samuel Palmer
The Herdsman's Cottage; or sunset
ET
19th century
- Samuel Palmer
The Sleeping Shepard; Early Morning
ET
19th century
- Samuel Palmer
Opening the Fold; or, Early Morning
ET
19th century
- Samuel Palmer
The Herdsman's Cottage or Sunset
etching from a steel plate
1850
- Samuel Palmer
"O fortunate old man...",second illustration for Eclogue 1, opposite page 20 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"O fortunate old man...",first illustration for Eclogue 1, opposite page 18 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Walter Ufer - Portrait of Samuel Lustgarten c. 1925-1927 oil on canvas Los Angeles County Museum of Art American
- Winthrop Chandler - Mrs. Samuel Chandler c. 1780 oil on canvas National Gallery of Art American
- Samuel Palmer
"Thy very cradle quickens...", illustration for Eclogue 4, opposite page 48 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Henry Dexter - Samuel Atkins Eliot 1837 plaster bust Boston Athenaeum American
- Gilbert Stuart - Samuel Alleyne Otis 1811-1813 oil on wood National Gallery of Art American
- John Trumbull - Judge Samuel Livermore 1792 oil on panel Currier Museum of Art American
- Leopold Seyffert - Samuel Henry Kress 1953 oil on canvas National Gallery of Art American
- Samuel Palmer
"Tis gentle Phillis I love best of all...", illustration for Eclogue 3, opposite page 40 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Pan came, Arcadian shepherd ever good",second illustration for Eclogue10, opposite page 94 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Ripe apples are our supper...",third illustration for Eclogue 1, opposite page 22 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"And while the troubled moon shrunk in and out...", second illustration for Eclogue 8, opposite page 82 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"Pan came, Arcadian shepherd ever good...", first illustration for Eclogue10, opposite page 92 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Come fairest, if thou care for me at all..," illustration for Eclogue 7, opposite page 70 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Untimely lost and by a cruel deathä", illustration for Eclogue 5, opposite page 54 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"But see, the weary-pacing oxen, slow...", illustration for Eclogue 2, opposite page 30 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"_till Vesper bade the swain...", illustration for Eclogue 6, opposite page 64 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Then, to our goats at milking time return..", illustration for Eclogue 9, opposite page 88 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"Scarce with her rosy fingers had the dawn...", first illustration for Eclogue 8, opposite page 76 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- J.C. Folkema
Jordan de vuide-ecurie.., twenty-seventh plate in the book Il Callotto resuscitato (Amsterdam: Willem Koning, 1716)
etching and engraving
1716
- Augustus Saint Gaudens - The Puritan (Deacon Samuel Chapin) 1899 bronze Los Angeles County Museum of Art American
- Winthrop Chandler - Captain Samuel Chandler c. 1780 oil on canvas National Gallery of Art American J. Paul Getty Museum
- The Shade of Samuel Invoked by Saul
- Louis Haghe
Descent Upon the Valley of the Jordan - The Holy Land
lithograph
19th century
- Samuel Palmer
The Shorter Poems of John Milton (London: Seeley & Company, 1889)
book with 12 etchings
1889
- Benjamin West - Mary Bethel Boude (Mrs. Samuel Boude) 1755-1756 oil on canvas National Gallery of Art American
- David Roberts
Hebron, plate 55 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day &
- David Roberts
Askelon, plate 57 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day
- David Roberts
Jericho, plate 49 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day
- David Roberts
Ashdod, plate 58 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day &
- David Roberts
Gaza, plate 59 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day &
- David Roberts
Bethany, plate 86 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day
- David Roberts
Sarepta, plate 72 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day
- David Roberts
Bethlehem, plate 85 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day &
- David Roberts
Caiphas, Looking toward Mt. Carmel, plate 63 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by Geo
- Samuel Williamson
Sugar urn
silver
circa 1800
- Samuel Ely Hamlin
Porringer
pewter
1801 - 1856
- Samuel Lovett Waldo
Mrs. C. F. Lindsley
oil on canvas
1844
- David Roberts
Dead Sea, Looking toward Moab, plate 50 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George C
- David Roberts
St. Jean d'Acre, from the Sea, plate 66 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George C
- David Roberts
Sidon, Looking toward Lebanon, plate 75 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George C
- David Roberts
Sidon, from the North, plate 74 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Lo
- David Roberts
Jaffa, Looking North, plate 62 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Lon
- David Roberts
Jaffa, Looking South, plate 61 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Lon
- David Roberts
Tyre, from the Isthmus, plate 71 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (L
- David Roberts
Convent of St. Saba, plate 51 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Lond
- David Roberts
Chapel of St. Saba, plate 52 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Londo
- David Roberts
St. Jean d'Acre, from the Land, plate 65 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George
- David Roberts
Port of Tyre, plate 68 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Da
- David Roberts
Doorway, Baalbec, plate 81 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London:
Artnews Articles and Exhibition Information: (26) Click on any of the links below to read about artnews or exhibitions related to Jordan
Frye Art Museum: Shelley Jordan: Revealing Beauty In 1994, Jordon was a visiting artist at the
American Academy in Rome. There, she
discovered examples of an ancient Roman
painting tradition called humilia, mural-sized
paintings of domestic scenes and interiors
that exerted a signi...
Tacoma Art Museum: The IBIS Project: Early Computer-Assisted Art in the Northwest Carl Youngmann, Associate Professor of Geography at the University of Washington and Ellie Mathews, a graphic designer, created the IBIS system, a color graphics program, in the early 1980s. IBIS was originally used to rapidly produce variations o...
Calvin College, Prince Conference Center: Petra: Lost City of Stone The exhibit will be at Calvin College in its Prince Conference Center from April 4 to August 15, 2005.
Calvin President Gaylen Byker, who serves as co-chair for Petra: Lost City of Stone, has been a frequent visitor to the Middle East, inclu...
Ottawa Art Gallery: Optical Verve: Recent Works by Canadian, American, European and Asian Artists The contemporary artworks featured in the exhibition foreground the implications of digital imaging and its reconfiguration of the city. In many works, this is expressed through the blurring of boundaries between bodies, architecture and space, a...
Guild Hall Museum: Stranger in the Village: Contemporary Drawings and Photographs In recognition of the global reach that charaterizes MoMA's collecting practices, this exhibition presents such artists as Janine Antoni, Jose Bedia, Vija Celmins, Philip-Lorca diCorcia, Andreas Gursky, Arturo Herrera, William Kentridge, Martin Ki...
New Museum of Contemporary Art: Brian Jungen: Sculptures, Drawings, Installations Brian Jungen (b. 1970) was raised in Fort St. John, a remote logging town in the interior of northern British Columbia, by Aboriginal and Swiss parents. In his early twenties, Jungen moved to Vancouver to study art, and has since exhibited worldwi...
Institute of International Visual Arts
(inIVA): NETWORKS AND MARKETS: online forum Involving participation from both cultural and business communities,
Networks and Markets will take a fresh look at consumerism and explore
emerging global market ideologies in a serious and critical way. Well
aware of what Manthia Diawara desc...
Blue Oyster Art Gallery and Project Space: Animality: Cultural Constructions of the Animal From the glass menageries of animals housed in the
Hubrecht Laboratory, Netherlands, and the Tornblad
Institute, Sweden, comes Dublin artist Karl Grimes
photographic series Future Nature. Captured in a
state of grace, the foetal images invite...
Yorkshire Sculpture Park / Longside Gallery: Size Matters: Exploring Scale in the Arts Council Collection Artists represented in the exhibition: Eric Bainbridge, Jordan Baseman, Sara Bradbury, Martin Creed, Alan Currall, Rose Finn-Kelcey, Leo
Fitzmaurice, Laura Ford, Mark Francis, Pamela Golden, Andrew Grassie, Steve Johnson, Michael Landy, Abigail L...
Estorick Collection of Modern Italian Art: Responding to Rome: British Artists in Rome, 1995-2005 Amongst them are several who are internationally recognised including Edward Allington, Jordan Baseman, Richard Billingham, Adam Chodzko, Jaki Irvine, Mark Wallinger and Alison Wilding. Most of the artists have significantly established their rep...
Forde espace d'art contemporain: Someone Must Have Been Telling Lies: David Humphrey, Christian Jankowski, David Blandy, Jordan Baseman, David Burrows
David Burrows makes eye-popping, foamtastic narrative scenes synthesising plastic, rubber and
everyday objects to create the aftermath of an event - suggesting excess, disaster, accident or
violence. Horrific, hilarious and cartoonishly access...
Andrew Mummery Gallery: Take It Further Part 2 "I make out a school bus ... glowing orange, green, magenta, lavender, chlorine blue, every fluorescent pastel imaginable in thousands of designs, both large and small, like a cross between Fernand Leger and Dr. Strange, roaring together and vibra...
Photofusion Photography Centre: Optic Nerve: Abstract Colour Photography Their work has a simplicity and visual intensity that is both contemplative and challenging and suggests many possible connections to modernist painting and visionary cinema. Films by Stan Brakhage, co-founder of Anthology in New York and much ack...
Rolex Mentor and Protege Arts Initiative: Alvaro Siza Completes Year as a Rolex Mentor Siza was one of five Mentors this cycle. The others were Sir Colin Davis, principal conductor of the London Symphony Orchestra; William Forsythe, director of the Ballett Frankfurt; Toni Morrison, Nobel Prize winning author; and Robert Wilson, accl...
The Dahesh Museum: Revealing the Holy Land: The Photographic Exploration of Palestine The images include tightly composed details of architectural assemblies that
record layers of occupation of an ancient city, panoramas of the Sinai
desert that defy any understanding of scale, iconic views of Jerusalem
sought out by visitors today...
Witte de With Center for Contemportary Art: Contemporary Arab Representations, Cairo The project thus aims to tackle heterogeneous situations and contexts which may sometimes be antagonistic or conflictive, in order to acquire more specific knowledge about what is currently going on in different regions of the Arab world, to look ...
Plug In: Plug In Sells Out - Invest Online in Cultural Commodities Whats on the auction block-
Bid on artworks by the following acclaimed artists:
Stephen Andrews
Ivan Eyre
Lorri Millan
Dick Averns
Ken Gregory
George Bures Miller
Kathryn Bemrose
Al Hansen
...
Rooseum Center for Contemporary Art: Nedko Solakov: A 12 1/3 (and even more) Year Survey Conceived as an artistic itinerary leading from one piece to the next, this show will be the first to present side by side most of Nedko Solakov's major works - including New Noah's Ark (1992), The Truth (The Earth is Plane, the World is Flat) (19...
South London Gallery: Walter Crane (1845-1915): Wallpaper, Costumes and Book Design Alongside The Triumph of Labour Founded by philanthropist William Rossiter, the South London Gallery opened on its present site in 1891. Rossiter was supported by a group of prominent contemporary artists, including John Ruskin and Frederic, Lord Leighton. The aim of the foundin...
Lump gallery/projects: Alphabet and A to Z: Two Exhibitions Curated by Baltimore's PostTypography and Richmond's The Drama The 60 alphabets featured in Alphabet were created by artists in North America, Europe, and Asia, and represent work from well-known typographers and designers as well as rising artists and design students.
The alphabets in the exhibition re...
The Dahesh Museum: Last Chance! Revealing the Holy Land: The Photographic Exploration of Palestine The images include tightly composed details of architectural assemblies that
record layers of occupation of an ancient city, panoramas of the Sinai
desert that defy any understanding of scale, iconic views of Jerusalem
sought out by visitors today...
Cantor Arts Center Stanford University: Vanishing Worlds: Art and Ritual in Amazonia "Using brilliantly colored feathers of some 40 species, including parrots, macaws, and herons, the Amazonian Indians create objects that call upon a range of physical and magical forces — forces integral to their conception of the environment arou...
Henry Art Gallery, University of Washington: Brian Jungen: Cetology Also on view are replicas of North West Coast masks fashioned from deconstructed Nike Air Jordan shoes. The recent recipient of the inaugural Sobey Art Award, the largest prize in Canada for emerging artists, Jungen produces work that is transform...
Corcoran Gallery of Art: The Eyes of History: The US' Most Distinguished Photojournalists The photographs were selected from the White House News Photographers' Association annual contest, Eyes of History, which names a photographer of the year and recognizes the work of leading still and video photojou...
Goya Galleries: Sweet Sixteen: Young Emerging Australian Artists Conceptually, without doubt, this group of young people came out of the Fine Art departments of the universities. There is no a sign of anything that involves screens, electricity or blinking lights in this exhibition. The only electrically powere...
Busch-Reisinger Museum, Harvard: Dürer's Passions: PRINTS AND DRAWINGS OF THE PASSION OF CHRIST Encompassing nearly 100 works, Dürer’s Passions will include works
from the Fogg Art Museum’s collections as well as extremely rare
works loaned by the British Museum; the Museum of Fine Arts...
Further Artwork and Information:
Get Your Free Pair of Jordan XIXs
Samuel Jordan - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
KIRKWOOD, Samuel Jordan (1813-1894) Biographical Information
Samuel Jordan Kirkwood
Samuel Jordan
Ancestors of Samuel Jordan
Samuel Jordan/Francis Jordan
Ancestors of Samuel Jordan
Notes for Samuel Silas Jordan
Samuel JORDAN/Mercy BOURNE
Kirkwood, Samuel Jordan--NSH Statue
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