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Artist: Kathleen Knowling ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Kathleen Knowling.

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Myself and Kathleen, Val Telberg (Russia, Moscow, 1910 - 1995) , circa 1947, Gelatin-silver print
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Spicey Harvest, Kathleen Royster (United States, born 1958)  (Artist), 1997-1999, Porcelaineous stoneware
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Movie Costume Sketch of Kathleen Key as Tirzah in the Metro-Goldwyn-Mayer Production of ’Ben-Hur’, Innocente (United States, born 1901) , 1925, Gouache, pencil on vellum
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Kathleen McEnery Cunningham - Mood 1927 oil on canvas Memorial Art Gallery of the University of Rochester American
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James Tissot Tissot Seated on a Bench, Kathleen Newton Standing Behind Albumen print circa 1878 - 1882
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Cosmogonie jaïne (18e siècle) by anonyme
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James Tissot Lilian Hervey, Kathleen Newton, Cecil George Newton and Tissot (?) in the Garden Albumen print circa 1878 - 1882
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Kathleen McEnery Cunningham - Woman in an Ermine Collar 1909 oil on canvas Memorial Art Gallery of the University of Rochester American
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Luke de Blaas Honorable M. H. de Young oil on canvas 1925
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Entrée de la vieille futaie de la Reine-Blanche (1860) by ROUSSEAU Théodore
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L'Homme devant l'infini (1976) by BIOT Michel
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Cour de ferme en Normandie (2e moitié 19e siècle) by HEREAU Jules
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Saint Georges (1ère moitié 19e siècle) by anonyme
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Cours-Après (1915) by PAJOT Paul Emile
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Femme ramassant du bois mort (1850 ; 1855) by HERVIER Adolphe
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Le Baiser (1870) by CARPEAUX Jean-Baptiste (attribué à)
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Untitled, Brad Cole (United States, California, Los Angeles, born 1957) , 1989, Gelatin-silver print
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Zlata Praha, Vaclav Oliva (1861 - 1928)  (Artist), 1898, Lithograph in three colors: vermilion, black, and gold
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Quinquina Dubonnet, Jules Chéret (France, Paris, 1836 - 1932) , 1896, Lithograph in vermilion, yellow, and Prussian blue
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Saxoléine, Jules Chéret (France, Paris, 1836 - 1932) , 1891, Lithograph in vermilion, yellow, Prussian blue, and blue green
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Cocorico, Théophile-Alexandre Steinlen (Switzerland, Lausanne, 1859 - 1923) , 1899, Lithograph in three colors: vermilion, yellow and black
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Tournée du Chat Noir, Théophile-Alexandre Steinlen (Switzerland, Lausanne, 1859 - 1923) , 1896, Lithograph in two colors: red and black
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The Diaphane, Jules Chéret (France, Paris, 1836 - 1932) , 1890, Lithograph in vermilion, yellow, blue black, and gray olive
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Vin Mariani, Jules Chéret (France, Paris, 1836 - 1932) , 1894, Lithograph in vermilion, chrome yellow, ultramarine and gray violet
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Cour de ferme (1873 ; 1874) by MONTICELLI Adolphe
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Grande allée forestière (1845 ; 1850) by ROUSSEAU Théodore
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Théâtre de l’Opéra, Jules Chéret (France, Paris, 1836 - 1932) , 1897, Lithograph in vermilion, yellow, Prussian blue, brown, and light gray
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L’Ermitage, Paul Berthon (France, Villefranche, 1872 - 1909) , 1897, Lithograph in four colors: orange, yellow, olive, and blue green
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Faon de daim (1857) by BARYE Antoine Louis
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Etude d'après "Saint Michel terrassant le démon" de Raphaël (2e quart 19e siècle ; 3e quart 19e siècle) by FLANDRIN Hippolyte ; SANTI Raffaello, RAPHAEL (dit, d'après)
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Tortue (1845) by BARYE Antoine Louis
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Paris-Chicago, Jules Chéret (France, Paris, 1836 - 1932) , 1893, Lithograph in vermilion, yellow, Prussian blue, and blue green
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Musée Grévin, Jules Chéret (France, Paris, 1836 - 1932) , 1900, Lithograph in vermilion, yellow, sea green, Prussian blue, and light blue green
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Lidia, Jules Chéret (France, Paris, 1836 - 1932) , 1895, Lithograph in vermilion, dull yellow, cornflower blue, and gray blue
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Loïe Fuller, Pal (Jean de Paleologu) (Romania, Budapest, born 1855) , circa 1894, Lithograph in four colors: red, yellow, blue and light green
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Théâtrophone, Jules Chéret (France, Paris, 1836 - 1932) , 1890, Lithograph in vermilion, yellow, cornflower blue, olive gray, and black
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Olympia, Jules Chéret (France, Paris, 1836 - 1932) , 1892, Lithograph in pink, vermilion, yellow, Prussian blue, and gray green
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Folies-Bergère: La Loïe Fuller, Jules Chéret (France, Paris, 1836 - 1932) , 1893, Lithograph in vermilion, yellow, dark violet, and black
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Feuilles d'études (2e quart 19e siècle ; 3e quart 19e siècle) by DELACROIX Eugène ; VERONESE (dit), CALIARI Paolo (d'après)
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Groupe de cinq personnages (1860) by CARPEAUX Jean-Baptiste
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Textile, ’Marigold’, William Morris (England, London, 1834 - 1896) , designed 1875, Wood block printed cotton
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Jeune Femme jouant aux échecs ; Jeune Homme assis (2e moitié 19e siècle) by TISSOT James Jacques Joseph, TISSOT James (dit)
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L’Eclatante, Manuel Robbe (France, Paris, 1872 - 1936)  (Artist), 1895, Lithograph in four colors: vermilion, green, yellow, and black
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Fumar el Papel Job, Jules Chéret (France, Paris, 1836 - 1932) , 1895, Lithograph in vermilion, beige, yellow, light blue, and cornflower blue
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La Revue Blanche, Pierre Bonnard (France, Fontenay-aux-Roses (near Paris), 1867-10-03 - 1947-01-27) , 1894, Lithograph in beige, pale ocher, and black
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Soleil couchant sur l'Oise (1865) by DAUBIGNY Charles François
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Port à marée basse, Normandie (1827 ; 1828) by BONINGTON Richard Parkes (attribué à)
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France-Champagne, Pierre Bonnard (France, Fontenay-aux-Roses (near Paris), 1867-10-03 - 1947-01-27) , 1889-1891, Lithograph in three colors: yellow, vermilion, and black
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Fontaine Saint-Maclou (1866) by HERVIER Adolphe
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Cour de ferme à Ennery (1874) by HERVIER Adolphe
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Cosmydor Savon, Jules Chéret (France, Paris, 1836 - 1932) , 1891, Lithograph in vermilion, yellow, blue green, Prussian blue, and light brown
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Mothu et Doria, Théophile-Alexandre Steinlen (Switzerland, Lausanne, 1859 - 1923) , 1893, Lithograph in four colors: vermilion, yellow, dark gray and black
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Salon des Cent, Paul Berthon (France, Villefranche, 1872 - 1909) , 1895, Lithograph in five colors: vermilion, dull yellow, olive, turquoise, and black
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Dayton Cycles, Henry Thiriet (France, 1866 - 1897) , circa 1898, Lithograph in four colors: vermilion, gray blue, yellow, and black; on two sheets
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Hamlet, Alphonse Mucha (Moravia, now Czech Republic, 1860 - 1939) , 1899, Lithograph in four colors: red, blue, pale yellow, and olive green; on two sheets
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A la Bodinière-Exposition Steinlen, Théophile-Alexandre Steinlen (Switzerland, Lausanne, 1859 - 1923) , 1894, Lithograph in three colors: orange, brown olive and black
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Rayon d’Or, Pal (Jean de Paleologu) (Romania, Budapest, born 1855) , before 1896, Lithograph in five colors: vermilion, yellow, light blue, dark blue, and black
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Yvette Guilbert au Concert Parisien, Jules Chéret (France, Paris, 1836 - 1932) , 1891, Lithograph in vermilion, yellow, Prussian blue, and gray green
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Alcazar d’Eté/Kanjarowa, Jules Chéret (France, Paris, 1836 - 1932) , 1891, Lithograph in pink, vermilion, dark yellow, blue green and Prussian blue
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L'Homme au sablier (2e quart 17e siècle ; 3e quart 17e siècle) by LE GUERCHIN (dit), BARBIERI Giovanni Francesco, GUERCINO IL (dit)

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Further Artwork and Information:

AGNL: Permanent Collection: Kathleen Knowling
Kathleen Knowling (1725 - 1804) Biography, Artwork Images, Exhibitions, Reviews
Welcome to the Emma Butler Gallery
Kathleen Knowling Online
Kathleen Knowling
Newfoundland Art - Kathleen Knowling
Newfoundland Art - Kathleen Knowling
Kathleen Knowling Exhibit-2001
Kathleen Knowling, St. Johns, Title: Hazlitt & Tacitus
AGNL: Permanent Collections: Kathleen Knowling: Artworks Page #1

 

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Persistence of Memory, 1931
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