Artist: Bart Van Der Leck (1876 - 1958)
Nationality: Dutch
Movement:
Media: Painting
Influences:


Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Bart van der Leck.

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Jan van Meyer - The daughters of Sir Matthew Decker, Bart 1718 oil on canvas The Fitzwilliam Museum Dutch
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Sir Lawrence Alma-Tadema - Sir Herbert Thompson, Bart (1877) 1877 oil on panel The Fitzwilliam Museum British
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Sir Lawrence Alma-Tadema - Sir Henry Tompson, Bart (1878) 1878 oil on panel The Fitzwilliam Museum British
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John Smith Sir John Percival Bart Mezzotint 1704
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Jacobus Houbraken (Sr. William Wyndham Bart.) 1741
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Ward, Leslie Matthew (Spy) Sir James Paget, Bart 19th - 20th century
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John Henry Robinson Sir William Forbes, Bart. of Pitsligo 18th - 19th century
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George Vertue Sr. Harry Slingsby Bart. engraving 17th - 18th century
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WH "Topps" (Sir Charles Edward Cradock-Hartoop, Bart), Men of the Day No. 1323, from Vanity Fair Supplement Lithograph 1912
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Ward, Leslie Matthew (Spy) Sir Robert Bateman Harvey Bart, MP. "Bucks" from Vanity Fair, November 7, 1885 Lithograph 1885
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Ward, Leslie Matthew (Spy) "Birdseye" (Men of the Day, No. 575, Sir William Henry Wills, Bart) from Vanity Fair November 23, 1893 Lithograph 1893
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Ward, Leslie Matthew (Spy) Sir George Compton Archibald Arthur, Bart., "The Mile" from Vanity Fair, December 19, 1885 Lithograph 1885
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Ward, Leslie Matthew (Spy) "Wigtownshire" (Sir Herbert Eustace Maxwell, Bart., M.P.) Statesman No. 619, from Vanity Fair, September 28, 1893 Lithograph 1893
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Hendrick ter Brugghen, Dutch, 1588-1629 Boy Singing 1627 Oil on canvas 85.1 x 73.6 cm
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Alick P.F. Ritchie (Alick) "a leading Figure in the Cotton Industry Life Boat Philanthropy, and International Peace" (Sir CHarles Wright Macara, Bart.), Men of the Day No. 1322, from Vanity Fair Supplement Lithograph 1912
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George Romney, British, 1734-1802 Anne, Lady de la Pole about 1786 Oil on canvas 241
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Elizabeth Bart Gerald - Spring Still Life 1938 oil on canvas Cleveland Museum of Art American
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Elizabeth Bart Gerald - Summer Fruits 1949 oil on canvas Cleveland Museum of Art American
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Elizabeth Bart Gerald - Mediterranean Still Life 1932 oil on canvas Cleveland Museum of Art American
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Richard Brodney an exhibition of paintings/bart perry/roy de forest/relf case/richard brodney/california school of fine arts exhibition gallery/ 800 chestnut street/san francisco/ daily except saturday and sunday/ june 2 through june 14, 1952/ please po
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Domenico Tintoretto (Domenico Robusti, called Domenico Tintoretto), Italian (Venetian), 1560-1635 Portrait of a Young Man
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David Lance Goines BART Color offset-lithograph poster 1974
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Giovanni Battista Piazzetta, Italian (Venetian), 1683-1754 Peasant Boy at a Market 1715-18 Oil on canvas
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Sir Henry Raeburn Sir William Napier, Bart. oil on canvas circa 1810
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Giovanni Battista Piazzetta, Italian (Venetian), 1683-1754 Peasant Girl Catching a Flea about 1715 Oil on
The Metropolitan Museum of Art -
Major Thomas Pechell (1753-1826), 1799 John Hoppner (British, 1758-1810)Oil on canvas; 30 x 24 7/8
The Metropolitan Museum of Art -
Sir James Dashwood (1715-1779), 1737 Enoch Seeman the Younger (British, born about 1690, died 1745)Oil
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Jan van de Velde II, Dutch, 1593-1641 Amenissime Aliquot Regiunculae. Part 1 1616 Etching and
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Edward Francis Finden View from the Beach at Sidmouth Looking Toward the Southwest, plate opposite page112 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bart
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John Singleton Copley, American, 1738-1815 Isaac Royall 1769 Oil on canvas 127 x 101.6 cm
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es la verdadero (This is the Truth)
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Yo lo vi. (I saw it); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Por qué? (Why?); Fatales consequencias de la sangrienta
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No hay que dar voces. (It"s no use
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Que locura! (What madness!); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Las resultas. (The consequences); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 De qué sirve una taza? (Of what use
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No hay quien los socorra. (There is no
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Tambien esto. (This, too..); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Infame provecho (Vile Advantage) (Disasters of War, unpublished
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Qué alborato es este? (What is this hubbub?);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Lo merecia. (He deserved it); Fatales consequencias de
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Algún partido saca. (He makes some use of
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Al cementerio. (To the cemetery); Fatales consequencias de
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Y esto tambien. (And this, too); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Si son de otro linage. (But they are
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Fuerte cosa es! (This is too much); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Lo peor es pedir. (The worst is to
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Sanos y enfermos. (The Healthy and the Ill);
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Asi sucedió. (This is how it happened); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Escapan entre las llamas. (They escape through the
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No se puede saber por qué. (There is
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No llegan á tiempo. (They do not arrive
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es malo. (This is bad); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Se defiende bien. (He defends himself well); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Tampoco. (Nor this); Fatales consequencias de la sangrienta
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Andrea Solario, Italian (Milanese), about 1460-1524 Portrait of a Man Oil on panel 47.9 x
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es peor. (This is worse); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Las camas de la muerte. (The beds of
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 El buitre carnívoro. (The carnivorous vulture); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Caridad de una muger. (A woman"s charity); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Carretadas al cementerio. (Cartloads to the cemetery); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Murió la verdad. (Truth died); Fatales consequencias de
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Bárbaros! (Barbarians!); Fatales consequencias de la sangrienta guerra
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Toda va revuelto. (Everything is topsy-turvy); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Por una navaja. (For [carrying] a knife); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Nada ello lo dice. (Nothing. It says as
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Grande Hazaña! Con muertos! (Heroic feat! Against the
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es peor. (This is worse); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Extraña devocion! (Strange devotion!); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Cruel lástima.! (Cruel tale of woe.!); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Que se rompe la cuerda. (The rope is
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Clamores en vano. (Vain laments); Fatales consequencias de
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Si resucitará? (Will she rise again?); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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George Stubbs, British, 1724-1806 Lion and Lioness 1771 Oil on canvas 102.9 x 127.6 cm
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Ferdinand Bol, Dutch, 1616-1680 Judah and Tamar 1644 Oil on canvas 123.2 x 172.4 cm

Artnews Articles and Exhibition Information: (2)
Click on any of the links below to read about artnews or exhibitions related to Leck

Kroller-Muller Museum: Museum Acquires Eight Philosophers' Stones with Support from the SponsorBingo Lottery
The stones symbolised the universe in microcosm and the selection of a stone was a highly personal affair. Natural aspects such as form, colour, texture and material played a crucial role, but the stones expression was also important in strengt...
Palazzo Ducale: Arti and Architettura: 1900 - 2000
A utopian adventure, encroaching sometimes into “archisculpture”, whose protagonists – artists and architects from Kazimir Malevich to Vladmir Tatlin, from Antonio Sant'Elia to Giuseppe Terragni, from Ludwig Mies van der Rohe to Piet Mondrian, f...

Further Artwork and Information:

Bart-van-der Leck artist portrait, brief biography and art
Bart van der Leck
Bart van der Leck Online
Bart van der Leck
Bart van der Leck
Bart Van Der Leck (1876 - 1958) Biography, Artwork Images, Exhibitions, Reviews
HighBeam Research: Library Search: Results
Bart-van-der Leck
Bart van der Leck
Bart van der Leck

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