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Artist: Clarence Sumner Luce ( - )
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Clarence Sumner Luce.
- William Page - Portrait of Senator Charles Sumner 1874 oil on canvas Los Angeles County Museum of Art American
- Portrait de Luc Benoist (1919) by GABOURY Luce (dite), BENOIST Luce (patronyme) Museum of Fine Arts
- Thomas Crawford, American, about 1813-1857 Charles Sumner Italy, (Rome), 1842 Marble 68.58 x 35.56 x
- L'ermite, ou Frère Luce (1ère moitié 18e siècle) by SUBLEYRAS Pierre The Metropolitan Museum of Art
- Morning, Interior, 1890 Maximilien Luce (French, 1858-1941)Oil on canvas; 25 1/2 x 31 7/8 in.
- Eugene Speicher - Clarence J. McCarthy (1887-1953_ c. 1907 oil on canvas Memorial Art Gallery of the University of Rochester American
- Warren's Portraits, Boston
Charles Sumner (1811-1874)
cabinet print
19th century
- Portrait de Luce Eugénie Arnoul, grand-mère de l'artiste (1925) by BELLANGER Camille Félix
- Portrait of Senator Charles Sumner, William Page (United States, New York, Albany, 1811 - 1885) (Artist), 1874, Oil on canvas
- Clarence Darrow, Arnold Mesches (born 1923) , 1977, Pencil Museum of Fine Arts
- Charles Willson Peale, American, 1741-1827 Head of Washington about 1795-98 Oil on panel 19.05 x
- Sainte Luce agenouillée portant dans son cou l'épée et recevant la communion (1671) by PANDOLFI Giovanni Giacomo
- Maximilien Luce
La Feiulle
19th - 20th century Museum of Fine Arts
- Elihu Vedder, American, 1836-1923 Ideal Head — Dawn 1886 Oil on paperboard 24.45 x 22.86 Museum of Fine Arts
- Mehetable Stoddard Sumner (Wells), American, 1784-1826 Sampler United States, Massachusetts, (Boston), 1790-1800 Linen plain weave
- Félix Fénéon Vetu de Son Grand Manteau, Maximillien Luce (France, Paris, 1858 - 1941) , 1902, Oil on canvas
- Rocking Chair, Luce Furniture Company , circa 1905, Mahogany, pewter, poplar
- Rocking Chair, Luce Furniture Company , circa 1905, Mahogany, pewter, poplar Museum of Fine Arts
- Hans von Wertinger, German, about 1470-1533 Portrait of a Man Holding a Rosary Oil on The Minneapolis Institute of Arts
- Artist: Maximilien Luce Title: Notre Dame Date: 1899 Medium: oil on canvas Dimensions: H.32 x Museum of Fine Arts
- After Hyacinthe Francois Rigau y Ros, French, 1659-1743 Portrait of an Artist Oil on canvas Museum of Fine Arts
- Bartolomeo Passerotti, Italian (Bolognese), 1529-1592 Blood of the Redeemer Oil on panel 15.5 x 34.3 Museum of Fine Arts
- After Raffaello Sanzio Or Santi, Italian (Florentine), 1483-1520 Vision of Ezekiel Oil on canvas 41.6 Museum of Fine Arts
- John Frederick Herring, Sr., British, 1795-1865 Ducks and Ducklings 1850 Oil on panel 27.3 x
- Side Chair (One of a pair), Luce Furniture Company , circa 1905, Mahogany, pewter, poplar
- Side Chair (Two of a pair), Luce Furniture Company , circa 1905, Mahogany, pewter, poplar
- Side Chair (One of a pair), Luce Furniture Company , circa 1905, Mahogany, pewter, poplar
- Side Chair (Two of a pair), Luce Furniture Company , circa 1905, Mahogany, pewter, poplar Museum of Fine Arts
- Unidentified artist, Dutch, third quarter 17th century Don Juan and Constance 1673 Oil on canvas
- Deux femmes debout (1ère moitié 18e siècle) by SUBLEYRAS Pierre
- Side Chair, Luce Furniture Company , circa 1905, Oak, copper, pewter, wood inlay
- Ted Lewis, Clarence Sinclair Bull (United States, 1895 - 1979) , 1938, Gelatin-silver print
- Mae Clarke, Clarence Sinclair Bull (United States, 1895 - 1979) , 1936, Gelatin-silver print
- Platinum Coffee and Saucer, Jean Luce (1895 - 1964) , circa 1931, Faïence with platinum decoration
- Side Chair, Luce Furniture Company , 1913, Mahogany, fruit wood, brass, upholstery (replaced)
- Maximilien Luce
Femme assise se coiffant (sur chine)
Lighograph
19th - 20th century
- Gold Dot Coffee Cup and Saucer (with extra saucer), Jean Luce (1895 - 1964) , circa 1929, Porcelain with gilding
- The Dusty Angel, Clarence John Laughlin (United States, 1905 - 1985) , 1952, Gelatin-silver print
- The House of the Past, Clarence John Laughlin (United States, 1905 - 1985) , 1947, Gelatin-silver print
- The Masks Grow to Us, Clarence John Laughlin (United States, 1905 - 1985) , 1947, Gelatin-silver print
- Eleanor Powell, Clarence Sinclair Bull (United States, 1895 - 1979) , 1935, Gelatin-silver print
- Jean Parker, Clarence Sinclair Bull (United States, 1895 - 1979) , 1938, Gelatin-silver print
- Greta Garbo, Clarence Sinclair Bull (United States, 1895 - 1979) , 1937, Gelatin-silver print
- Frances Langford, Clarence Sinclair Bull (United States, 1895 - 1979) , 1935, Gelatin-silver print
- Mount Clarence King, Bruce Barnbaum (United States, born 1943) , 1976, Gelatin-silver print
- Janet Gaynor, Clarence Sinclair Bull (United States, 1895 - 1979) , 1936, Gelatin-silver print
- Janet Gaynor, Clarence Sinclair Bull (United States, 1895 - 1979) , 1936, Gelatin-silver print
- Dorothy Jordan, Clarence Sinclair Bull (United States, 1895 - 1979) , 1932, Gelatin-silver print
- Eleanor Powell, Clarence Sinclair Bull (United States, 1895 - 1979) , 1935, Gelatin-silver print
- Norma Shearer, Clarence Sinclair Bull (United States, 1895 - 1979) , 1932, Gelatin-silver print
- Modigliani Head, no. 2, Clarence John Laughlin (United States, 1905 - 1985) , 1950, Gelatin-silver print
- The Reversible Woman, Clarence John Laughlin (United States, 1905 - 1985) , 1949, Gelatin-silver print
- Ann Harding, Clarence Sinclair Bull (United States, 1895 - 1979) , circa 1935, Gelatin-silver print
- Una Merkel, Clarence Sinclair Bull (United States, 1895 - 1979) , circa 1935, Gelatin-silver print
- Ann Sothern/Ian Hunter, Clarence Sinclair Bull (United States, 1895 - 1979) , Gelatin-silver print
- Janet Gaynor, Clarence Sinclair Bull (United States, 1895 - 1979) , 1936, Gelatin-silver print
- Purist Form Cup and Saucer, Jean Luce (1895 - 1964) , circa 1929, Cream colored porcelain with gilding
- Greta Garbo, Clarence Sinclair Bull (United States, 1895 - 1979) , 1940, Gelatin-silver print
- Maximilien Luce
Usines de Charleroi (Blast Furnaces) published as Hochfen, in Pan IV, I, 1898
Color lithograph
1895
- SAINTE LUCE by MEIJE-PHOTO
Artnews Articles and Exhibition Information: (38) Click on any of the links below to read about artnews or exhibitions related to Luce
Fundação Arpad Szenes - Vieira da Silva: ETIENNE HAJDU: Sculptures and drawings
Etienne Hajdu was very close to Arpad Szenes and Vieira da Silva, a friendship which began in 1930 when the couple frequented the surrealist youth group Les Amis du Monde, of which Hajdu was a member.
This exhibition, which is part of the cycl...
Addison Gallery of American Art: To Conserve a Legacy
American Art from Historically Black Colleges and
Universities
Additional support has been generously provided by The Henry Luce Foundation, the John S. and
James L. Knight Foundation, the National Endowment for the Arts, the LEF Foundation, the
Greentree Foundation, the Joseph Harrison Jackson Fo...
Whitney Museum of Art: Sol LeWitt: A Retrospective This exhibition is organized by the San Francisco Museum of
Modern Art. Significant support for this exhibition has been
provided by the Henry Luce Foundation and by a g...
National Gallery of Art: O'Keeffe on Paper It also commemorates the publication of the
Georgia O'Keeffe catalogue raisonné, a scholarly project of the National Gallery of Art in collaboration
with The Georg...
Hirshhorn Museum and Sculpture Garden: Ed Ruscha
This retrospective has been co-curated by the Hirshhorn's former Assistan
Director for Art and Public Programs Neal Benezra, now with the Art Institute of Chicago, and Kerry Brougher, Director of the Museum of Modern Art in
Oxford, England. Afte...
Museum of American Folk Art: THE ART OF WILLIAM EDMONDSON Organized by the Cheekwood Museum of Art in Nashville, the exhibition presents 40 limestone sculptures and 20 photographs of the artist by Edward Weston and Louise Dahl-Wolfe that reassess Edmondson's oeuvre within the cultural milieu of his time....
Amon Carter Museum: New Curator of Paintings and Sculpture Appointed We are very excited to have Patricia Junker joining our staff. She is a consumate scholar and a first-rate teacher of American art; we are looking forward to having her work with our collection, said Rick Stewart, director of the Museum. I know sh...
Museum of Contemporary Art, Chicago: Ed Ruscha The show will consist of approximately sixty paintings,
twenty-five drawings, and several books
This exhibition is coordinated by Manilow Senior Curator Francesco Bonami.
This exhibition has been organized by the Hirshh...
Eiteljorg Museum: Native Visions: Northwest Coast Art, 18th Century to the Present This exhibition of more than 170 objects spanning three centuries will bring the magic and mystery
of the Northwest Coast to Indianapolis. Through the carved masks, panels and boxes and woven
hats...
New Museum of Contemporary Art: World Views Open Studio Exhibition New Museum Henry Luce III Director Lisa Phillips said: It is crucial for
cultural institutions to work together now and we felt it was important to
support a vital downtown arts institution in need.
The exhibition at the New Museum will pres...
Metropolitan Museum of Art: Summer Selections: American Landscape Drawings and Watercolors The origins of the Metropolitan's collection of American works on paper can be traced to
the 1880s—the decade after the Museum was founded. Now numbering more than 1,500
...
Metropolitan Museum of Art: The Embodied Image: Chinese Calligraphy
from the John B. Elliott Collection The exhibition was organized by The Art Museum,
Princeton University.
The exhibition was made possible by the Publications
...
Cincinnati Art Museum: John Twachtman: An American Impressionist
Born in 1853 in Cincinnati to German immigrants, John Twachtman received early artistic training in his
hometown. In 1875, Frank Duveneck, noted Cincinnati artist, friend and teacher, invited the young artist to
...
Davis Museum and Cultural Center: Village Works: Photographs by Women in China's Yunnan Province The photographers--- village women and Women's Federation cadres, aged 18 to 57 years--- had no previous experience with
photography. Yet, they learned to use Instamatic cameras to record the familiar people, scenes, and ev...
Museum of Modern Art: Lee Bontecou: A Retrospective Bontecou's powerful constructions
incorporate a variety of figurative, organic, and mechanistic references,
suggesting states of transformation between the natural and the man-made,
order and chaos, delicacy and ferocity.
The exhibition is...
High Museum: The Art of William Edmondson Edmondson immediately
went to work fashioning his own tools and making tombstones
out of discarded limestone blocks. As his love for carving grew,
his subject matter expanded to include human figures, animals,
birdbaths and other forms. Ne...
High Museum of Art: John Twachtman: An American Impressionist John Twachtman: An American Impressionist is organized by the High Museum of Art, Atlanta. The exhibition was
selected by Judy L. Larson, now Executive Director of the Art Museum of Western Virginia. Linda Merrill, Margaret
and Terry Stent Cur...
New York State Museum: The Course of Empire:Thomas Cole and the Hudson River School Landscape Tradition Thomas Cole, long considered the founder of the Hudson River School and the father of 19th century American landscape as a whole, takes center stage in this exhibition with his seminal five-painting series, The Course of Empire. Commissioned by th...
Frick Collection: Whistler, Women, and Fashion
The exhibition is organized by Susan Grace Galassi, Curator at The Frick Collection, and Margaret F. MacDonald, a leading Whistler scholar and Principal Research Fellow at the Centre for Whistler Studies at the University of Glasgow; Aileen Ribe...
Brooklyn Museum of Art: Maxfield Parrish, 1870-1966 Organized chronologically, the exhibition begins with Parrish's work of the late 1890s and early 1900s, years when the young artist developed a unique aesthetic sense for book and magazine illustration as well as for poster and mural design.Ê The ...
Brooklyn Museum of Art: Eastman Johnson: Painting America Organization: This exhibition was organized by Teresa
A. Carbone, Associate Curator of American Painting and Sculpture at the Brooklyn
Museum of Art, and Patricia Hills, noted Johnson scholar and faculty member of
Boston University's Art Hi...
Walker Art Center: Quartet: Barney, Gober, Levine, Walker For this exhibition, Barney will create a room focused on the diverse sculptural and photographic elements of Cremaster 2, which premiered at the Walker in 1999.
Since the early 1980s, Robert Gober has developed a body of work informed by cult...
Reggia di Colorno: Giovanni Lanfranco A painter in Parma, Rome and Naples (1582 – 1647) In order to allow such an important artistic event, Neaples and Rome have joined Parma as well. After the exhibition in Parma, Neaples is housing it from 21st December 2001 to 24th February 2002 (Neaples, Castel Sant’Elmo) and Rome from 16th March...
Cheekwood Botanical Garden and Museum of Art: American Impressionists Abroad and at Home: Paintings from the Collection of The Metropolitan Museum of Art The American impressionists were among the most thoroughly trained, widely
traveled and cosmopolitan painters in the history of our nations art. Many artists
...
Metropolitan Museum of Art: American Folk Art at The Metropolitan Museum of Art The more than 125 works from the Metropolitan Museum’s distinguished
collection of American folk art cover the full range of subject matter delineated
by these artists -- portraiture, land...
Mountclair Art Museum: Paris 1900: The American School at the Universal Exposition Works of art exhibited in Paris have been lent by museums across the United States
and Europe, including Whistler's Symphony in White No. 2 from the Tate Gallery
...
University of Barcelona: Waterfronts of Art: Art for social facilitation This is a university conference on the topic of Public Art. Its
organisation is ruled by the habitual norms for this type of events. The
organisation cannot become responsible for the trip expenses and the
participants' stay. Since the objective o...
Metropolitan Museum of Art: Neo-Impressionism: The Circle of Paul Signac
Flourishing from 1886 to 1906, the artists who worked in this avant-garde
style came to be called Neo-Impressionists. The term was coined by art critic
Félix F...
Pennsylvania Academy of Fine Arts: John Twachtman: An American Impressionist Organized chronologically and thematically by the High Museum
of Art, the exhibition will be divided into four sections: the early
Venice and New Yo...
Nasher Museum of Art at Duke University: Between Past and Future: New Photography and Video from China The exhibition includes more than 100 works by 60 young artists and focuses on artists' responses to unprecedented economic, social and cultural changes that have swept through China. The show provides insight into the forces shaping modern Chines...
Georgia O'Keefe Museum: VIRTUOSO WORKS ON PAPER BY GEORGIA O'KEEFFE The exhibition is organized by the Georgia O'Keeffe Museum, Santa Fe,
and the National Gallery of Art, Washington DC. It is made possible by The
Burnett Foundation, the Henry Luce Foundat...
Baltimore Museum of Art: Henry Ossawa Tanner and the Lure of Paris “This is an exciting opportunity to showcase these well-known paintings by Henry Ossawa Tanner alongside works from the BMA’s outstanding collection,” said BMA Director Doreen Bolger.
Tanner spent most of his career as an expatriate in Paris...
National Gallery of Art: THE GOLDEN AGE OF CHINESE ARCHAEOLOGY: CELEBRATED DISCOVERIES FROM
THE PEOPLE'S REPUBLIC OF CHINA The exhibition is sponsored by Eastman Kodak Company.
After its showing at the National Gallery, the exhibition will be on view at the Museum of Fine Arts,
Houston, 1...
Oakland Museum of California: Grand Lyricist: The Art of Elmer Bischoff The Bay Area figurative movement was perhaps the first school of painting that put the West Coast on an artistic map dominated by New York painters. Arising out of the post-World War II resurgence of energy as artists returned to their studios (B...
Philadelphia Museum of Art: Notations - Bruce Nauman: Days and Giorni The two works are currently on view in Bruce Nauman: Topological Gardens, the exhibition organized by the Museum to represent the United States in the 53rd Venice Biennale. They are the artist’s most recent works in the thematic survey comprising ...
Metropolitan Museum of Art: Signac 1863-1935: Master Neo-Impressionist Often viewed as the second man of Neo-Impressionism, Paul Signac
(1863-1935) has long been considered an artist of talent in the shadow of
the more celebrated ...
BAWAG Foundation: Elke Krystufek: The Rich Visit the Poor, the Poor Visit the Rich Artists, gallery owners,
collectors, curators - Krystufek falls back on the entire art scene yakuza,
making them appear against a backdrop of slums and palaces, in chic salons
and trashy saloons, in pink Cadillacs, designer chairs, and high-gra...
Indiana University, Bloomington: Picturing Power: Posters of China's Cultural Revolution
Most posters of that period, as in that immediately preceding it, had a political message, and this was often explicitly stated in the
accompanying text. Some were used for different purposes, such as to promote publi...
Further Artwork and Information:
Grove Art Online
artnet.com: Resource Library: Luce, Clarence Sumner
artnet.com: Resource Library: McKim, Mead & White
Index to Death and Marriage Notices in the Vineyard Gazette, 1884 - 1939, L - Z
Sumner, Charles, 1811-1874. Correspondence: Guide.
Index to the 1860 Federal Census of Tisbury, MA
Grooms Index to Marriages in Tisbury 1844 - 1940
Louisa County, Va. Deed Records - Book 2
Destroyers By Name
Brides Index to Marriages in Tisbury 1844 - 1940
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Gustav Klimt Beechwood Forest 1903
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