Artist: Henry Stacy Marks ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Henry Stacy Marks.

-
Charles W. Sharpe The Lady's Tailor (King Henry IV-Second Part.) etching and engraving 20th century
-
William Walter Ouless Portrait of Henry Stacey Marks 19th century
The Metropolitan Museum of Art -
At the Organ Henry Lerolle (French, 1848-1929)Oil on canvas; 88 3/4 x 143 in. (225.4
The Metropolitan Museum of Art -
Henry III (1551-1589), King of France Style of François Clouet (French, 1578 or later)Vellum laid
The Metropolitan Museum of Art -
Sir Henry Capel (1638-1696) Sir Peter Lely (Pieter van der Faes) (Dutch, 1618-1680)Oil on canvas;
The Metropolitan Museum of Art -
Sir Henry Blount (1602-1682), 1660s Nicholas Dixon (British, active about 1660, died after 1708)Vellum laid
The Metropolitan Museum of Art -
Henry Carey (1596-1661), Second Earl of Monmouth, 1649 Samuel Cooper (British, 1608?–1672)Vellum on prepared card;
The Metropolitan Museum of Art -
The Honorable Alexander Maconochie-Welwood (1777-1861), Lord Meadowbank Sir Henry Raeburn (Scottish, 1756-1823)Oil on canvas; 30
-
Henry Wolf Bridge of Sighes, Venice; A Palazzo, Venice; Court Yard, Doges Palace; St. Marks, Venice; Grand Canal, Venice; A Capital Wood Engravings 19th - 20th century
-
Katherine Hartwig Dahl - Marks 1955 mixed media Telfair Museum of Art American
The Metropolitan Museum of Art -
Portrait of a Woman, 1635 Jan Anthonisz. van Ravesteyn (Dutch, born about 1570, died 1657)Oil
The Metropolitan Museum of Art -
Landscape with Thatched Cottages Workshop of David Teniers the Younger (Flemish, 1610-1690)Oil on wood; 5
The Metropolitan Museum of Art -
Sir John Shurley (1565-1632) British Painter, dated 1588Oil on wood; 35 3/4 x 29 3/8
The Metropolitan Museum of Art -
The Card Party, 1660s Caspar Netscher (Dutch, 1639-1684)Oil on canvas; 19 3/4 x 17 3/4
The Metropolitan Museum of Art -
Portrait of a Woman, 1650 Jürgen Ovens (German, 1623-1678)Oil on canvas; 49 3/8 x 37
The Metropolitan Museum of Art -
Head of the Virgin Emmanuel Tzanès (Greek, active by 1636, died 1690)Tempera on wood, gold
The Metropolitan Museum of Art -
Calendar of Saints and Festivals, icons Russian Painter, 17th/18th centuryTempera on wood, gold ground; Each
The Metropolitan Museum of Art -
Napoléon I (1769-1821), 1810 Jean Baptiste Isabey (French, 1767-1855)Ivory; Oval, 2 x 1 1/8 in.
The Metropolitan Museum of Art -
Head of Saint John the Baptist Emmanuel Tzanès (Greek, active by 1636, died 1690)Tempera on
The Metropolitan Museum of Art -
The Dormition of the Virgin, icon Ioannes Mokos (Greek, active 1680-1724)Tempera and oil on wood,
The Metropolitan Museum of Art -
Head of Christ, icon Emmanuel Tzanès (Greek, active by 1636, died 1690)Tempera on wood, gold
The Metropolitan Museum of Art -
The Honorable Henry Fane (1739-1802) with His Guardians, Inigo Jones and Charles Blair, 1761-66 Sir
-
John Clem Clarke - Plywood With Roller Marks #5 1974 oil on canvas Hirshhorn Museum American
The Metropolitan Museum of Art -
Henry Frederick (1594-1612), Prince of Wales, and Sir John Harington (1592-1614), 1603 Robert Peake the
-
Peter Paul Rubens - The Reconciliation of King Henry III and Henry of Navarre 1628 oil on panel Memorial Art Gallery of the University of Rochester Flemish
The Metropolitan Museum of Art -
Princess Elizabeth (1596-1662), Later Queen of Bohemia, ca. 1606 Robert Peake the Elder (British, active
The Metropolitan Museum of Art -
William Robertson, Lord Robertson (1753-1835), 1805 Sir Henry Raeburn (Scottish, 1756-1823)Oil on canvas; 49 1/2
The Metropolitan Museum of Art -
George, Viscount Malden (1757-1839), and His Sister, Lady Elizabeth Capel (1755-1834), 1768 Sir Joshua Reynolds
-
Henry Cousins Henry Leverage 19th century
Museum of Fine Arts -
Fragment of a vase carpet Persian Safavid, 17th century Iran (Persia), (Kirman) Cotton warp, one
-
Henry Wolf Portrait of the Engraver Henry Wolf 1905
-
John C. Vondrous St. Marks, Venice Etching 1924
-
Henry Wolf Portrait of Mrs. Henry 19th - 20th century
-
Henry Wolf Henry Irving 19th - 20th century
-
Charles Henry Jeens Mr. Hackett as Falstaff in King Henry IV. 19th century
-
Henry Wolf Portrait of Henry Irving 19th - 20th century
-
W. & D. Downey Sir Henry Irving as Cardinal Wolsey in Shakespeare's Henry VIII Woodburytype 1892
-
Henry Meyer The Right Honorable Henry Robert Stewart 18th - 19th century
-
Henry William Bunbury Falstaff reproved by King Henry - Shakespeare - Henry VI, Part 2, Act V, Scene 8. Line and stipple engraving 18th - 19th century
The Metropolitan Museum of Art -
Portrait of a Man, Said to Be Mr. De Wolf, ca. 1805 George Engleheart (British,
-
Henry Wolf Henry Irving at Home wood engraving 19th - 20th century
-
James Baylis Allen The columns of St. Marks- Venice etching 19th century
-
William Walcot The Hospital of St. Marks Etching 19th - 20th century
-
John Henry Robinson Henry Somerset, First 18th - 19th century
-
Henry Wolf Henry Mills Alden Wood Engraving 19th - 20th century
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett Title page vignette in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
-
William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Marks

Transition: Post Marks: Arabella Lee and Melanie Rose
The images depicted in the drawings are drawn from the multitude of diverse influences that confront contemporary artists everyday. Some are bizarre, some mundane, some personal and many are direct art references, contextualising the work of artis...
Dallas Museum of Art: Jasper Johns: New Paintings and Works on Paper Comp
Organized by the San Francisco Museum of Modern Art, the exhibition debuted there and traveled to the Yale University Art Gallery before its appearance in Dallas. This presentation marks the first ti...
Bauhaus Archiv, Museum für Gestaltung: Division as Structure: Drawings and Reliefs from Paul Mason
The drawings establish various formal rhythms of marks based on geometrical forms such as the square, triangle, hexagon, and pentagon, with endless potential for different forms and structures. As increasingly the patterns break down they become o...
Ridley Gallery, Sierra College: Michael Robert Pollard: Moments of Life Defined Through Sets of Expressive Marks and Tags
Pollard states, “As an artist I balance emotion and intense color through improvisation and gesture. Refiguring the human form into an expressive set of marks and tags. My work has been a way to channel my emotion and document life. Last year m...
Transition: Hebson’s Grand Mal
Painting on copper and zinc with small tentative marks the paint is worked to a point of fatigue. Weeping doppelgängers and phantasms of galleons glow and fizz unnaturally in filmic negative. Paint blooms like a psychic bruise to obscure an...
55 Mercer Gallery: Dianne Bowen: That Will Leave A Mark
>This body of work represents human landscapes, soliciting time. Tree branches and barbed wire expose themselves from beneath the surface like roots and veins connecting earth to body. Layers of paint and pieces of materials reveal vestiges excava...
Hang Art: Sukey Bryan:  Water Marks (painting)
With her elemental images of fire and water, Sukey Bryan describes the spectacular transfer of energy that governs all terrestrial events. Bryan's work celebrates the risk of destruction and the possibility of renewal afforded by nature -- in her ...
Wadsworth Atheneum: George Washington: In Profile
...
Spanish Embassy Art Space: VICENTE PASCUAL: Imago Mundi
Pascuals refined work is characterized by centralized arrangements of extremely simple geometric forms on generally monochromatic grounds. There is a duality in the visual dialogue of lightness and darkness, but what is dynamic about these paint...
Metropolitan Museum of Art: New Cypriot Galleries
Acquired by General Luigi Palma di Cesnola while he was serving as American consul in Cyprus, these works were purchased by the Metropolitan Museum between 1874 and 1876 and constituted i...
Tricycle Gallery: J.A. Nicholls: Painting and Collage
In these works, a single sea or sky is made and, more importantly, felt in several registers at the same time. It is sensed in a sudden outburst of badly mixed blue paint, a triangular play of photographed light on water and in the hand-made intim...
Kontainer Gallery: Tom Chamberlain: Solo Exhibition
A recent graduate of The Royal Academy of Arts, London, Tom Chamberlain was nominated for Becks Futures in 2002. A year later, his work was included in „Shimmering Substance‰ ˆ curated by Barry Schwabsky and Catsou Roberts at Arnolfini, Bristol...
Philadelphia Museum of Art: Intimate Worlds: Masterpieces of Indian Painting from the Alvin O. Bellak Collection
Painted in vibrant, opaque watercolors on paper, highlighted with gold, and polished to a lustrous surface, most of the works on view were originally parts of illuminated manuscripts or loosely bound series created for private enjoyment or piou...
Groundfloor Gallery: Flightpath: Paintings by Janet Haslett
The paintings in this exhibition are largely based on aerial photographs spanning the past three decades of the iconic village of Hill End, north of Sydney. The images are built up in layers, in a constantly refined process of mapping marks in sp...
24 HR Art - Northern Territory Centre for Contemporary Art: Swamp Dynamics: an installation  by Bronwyn Wright
This is not just a recording of a particular landscape but rather an emersion into an ecosystem and its inhabitants.  The exhibition presents a images of an unusual confluence of the artist, the environment, and the subculture of car hoons, who us...
ONI Gallery: Lingo: Works by 17 Artists
Artists exhibited in LINGO take signs, sounds, gestures, and marks appropriated from conversations, advertisements, literature, music, or personal history and inscribe them with new meaning by manipulating the conditions/rules that determine how l...
American Theatre of Actors: HOME IS WHERE YOU FIND IT - EVEN FOR PEARLDIVERS
Set in Londons East End in the not-too-distant past, a squalid squat is the home of Ally - an Irish Sociopath; The Prof - an English book thief whos unhappy with his sexuality; and Terry and Ronny - lifelong friends who crossed over from Irelan...
Pennsylvania Academy of Fine Art: New Land Marks: Public Art, Community, and the Meaning of Place
The exhibition will document sixteen works in process through photographs, plans, drawings, computer renderings, maps, maquettes, and models and will feature proposals developed by the following artists and community organizations: - Lore...
High Museum: Chorus of Light: Photographs from the Sir Elton John Collection
The High Museum of Art is the only venue for these exhibitions. Chorus of Light: Photographs from the Sir Elton John Collection features approximately 320 masterpieces by renowned photographers, including Berenice Abbott, Richard Avedon, D...
Kunstsammlung Nordrhein-Westfalen: Magnus von Plessen
The pictures analyse the peculiarity and special quality of painting and confronts this quality with the world dominated by other media. The artist depicts his idea by means of concrete human experiences and emotions. P>Including 20 paintings of t...
Walker Art Gallery: George Romney 1734-1802: British art's forgotten genius
At the height of his career he was more fashionable than Sir Joshua Reynolds and Thomas Gainsborough as a society portraitist, but all his life he wanted to paint elevated historical and literary subjects. He lacked the confidence to carry out ma...
Birmingham Museum and Art Gallery: Kunisada and the Japanese Actor Print
After consultation with the British Museum and specialist conservators, the decision was made to carefully remove the prints from the album, conserve them, and mount them as an outstanding group of actor prints. These prints have bee...
Oh!Art: Tina Stallard: Happy Birthday
Photographer Tina Stallard was commissioned by oh!art working with Vital Arts at The Royal London Hospital, Whitechapel, to take photographs of babies born on the Labour Wards of the Hospiital in the launch week of oh!art Centre, 3-13 July 2003.  ...
Kiang Gallery: Between the Known and the Unknown: Drawings of Gloria Ortiz-Hernandez
Then came the shift. Ortiz-Hernández put everything in reverse. She moved from painting to drawing, and from expressionism to her highly idiosyncratic geometric abstraction. In doing so, she jettisoned figures, brushes, colorful paint, canvas, and...
Corning Museum of Glass: 2300º Degrees: New Museum Event to Cure Winter Doldrums
2300º is scheduled for March 16, April 13, May 18, June 15, September 21, October 19, November 16, and December 21. Each event will offer a new experience. Admission to 2300º is free. For further information, call Louise Maio at 607.974.4084....
Fine Arts Center for East Africa: EAST AFRICA IN RENAISSANCE
During the 1970s and early 1980s, Kibuuka, Kitamirike, and Sekanwagi were considered three of the most influential and accomplished fine painters whose art defined the internationally recognized art scene in Nairobi, Kenya. Since that time, ...
National Gallery of Scotland: Renaissance Master Bronzes from the Ashmolean Museum, Oxford: The Fortnum Collection
This exhibition, which was first shown earlier this summer at the Daniel Katz Gallery in London, marks the centenary of the death of C D E Fortnum (1820-1899), a well-known scholar and collector who played a significant rol...
Stiftung Wilhelm Lehmbruck Museum: Günther Uecker : For his 75th birthday
In the centre of his work and of the exhibition stands the topic "Commemoration", which is reflecteted in many ways in his work. In this case is to mention the weightily nail-cube "Grave of the lost Memories" out of the year 1972. It contains inv...
Tate Gallery: Britain s New National Museum of Modern Art, and Will Open to the Public for the First Time on 12 May.
Bankside Power Station has been transformed into Tate Modern by the Swiss architects Herzog & de Meuron. The former Turbine Hall, running the whole length of the vast building, now marks a breathtaking entrance to the gallery. From...
ARKEN Museum of Modern Art: Gerhard Richter: Oil Painting and Photography
Gerhard Richter is a master of the underplayed. The German artist's portraits and landscapes are out of focus and hazy, the colours are reduced to shades of grey or kept in balanced ranges of colour. The works possess a melancholy ...

Further Artwork and Information:

Henry Stacy Marks (1844 - 1910) Biography, Artwork Images, Exhibitions, Reviews
Henry Stacy Marks RA (1829-1898)
Henry Stacy-Marks posters
Henry Stacy-Marks Poster
HENRY STACY-MARKS
Henry Stacy Marks Art Images
Biography for: Henry Stacy Marks
Henry Stacy Marks. Bardolph, 1853.
Henry Marks
Henry Stacy Marks (1829-1898), Painter

Search the Art History Database for artists, titles, media, year, and other indepth information: