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Artist: M: MARTIN
ALPHABETICAL ARTIST INDEX:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
FredMinor Arcana, 1980
FredMinor Arcana, 1980
CharlesLes Cerises (Cherries) pl. XI from Modes et Manieres d"Aujourd Hui (Fashions and Manners of Today), 1913
FredWorking proof for The First Part
FredWorking proof for The Center
FredWorking proof for The First Part
FredArtist"s proof for It"s All For My Age-long Hike Across Mountains
FredLayout for three pages of the book Log of the Sun Ship, 1969
FredBeyond the Mountain, 20th century
AgnesUntitled, 1963
RobertBefore Genesis, 1960
FredTime (Pandora, the Box), 20th century
FredA Study of the Cornucopia and the Herm, 1975
FredMarker, 1966
William AlisonWoman torso bending over, 20th century
Maria LuisaPaz Para Mi Hijo (Peace for My Child), 1955
FletcherBoy Reading, circa 1935
FletcherAround End, circa 1935
FletcherThe Strollers, circa 1935
FletcherBathers, circa 1935
FletcherStallions, circa 1935
FletcherNude, circa 1935
FletcherFarm and Serpent, circa 1935
FletcherSleeping Negress, circa 1935
FletcherMoonlit Landscape, circa 1935
FletcherThe Clinch, circa 1935
FletcherShizuko, circa 1935
FletcherMexican Girl, 1935
FletcherHigh Wide and Handsome, 20th century
FletcherDouble Play, 20th century
FletcherLullaby, 20th century
FletcherEvening Song, 20th century
Rural Delivery (study for Mural, Lafayette, Indiana Post Office) (1936) Henrik Martin Mayer pencil on
The Train and Loading the Boat (mural study, Louisville, Kentucky Marine Hospital) 1936 Henrik
Pleasure Ship and Ship Building (mural study, Louisville, Kentucky Marine Hospital) 1936 Henrik Martin Mayer
Trouble in Frisco ca. 1935 Fletcher Martin lithograph on paper sheet: 19 x 14 in.
Twin Silos (CA. 1933) Martin Lewis drypoint on paper plate: 7 3/8 x 8 7/16
H"anted (1932) Martin Lewis drypoint, sandpaper ground, on paper plate: 13 5/16 x 9 in.
The Great Shadow (1925) Martin Lewis drypoint on paper plate: 9 15/16 x 6 15/16
Day"s End (1937) Martin Lewis drypoint on paper plate: 9 11/16 x 13 1/2 in.
Circus Night (1933) Martin Lewis drypoint and sandpaper ground on paper image: 11 1/8 x
Joseph Pennell, St. Martin"s Bridge, Toledo, 1904
R.F.D. (1933) Martin Lewis drypoint and aquatint on paper plate: 9 15/16 x 11 7/8
Homeward Bound ca. 1933-1934 E. Martin Hennings oil on canvas 30 1/4 x 36 1/4
Evening on the Thames n.d. Homer Dodge Martin oil on canvas 18 1/4 x 30
Old Normandy Bridge 1903 Henry Wolf Homer Dodge Martin copy after wood engraving on paper
Wild Coast, Newport ca. 1885-1895 Homer Dodge Martin oil on canvas 15 x 24 1/8
A North Woods Lake 1867 Homer Dodge Martin oil on canvas 18 1/8 x 32
The Iron Mine, Port Henry, New York ca. 1862 Homer Dodge Martin oil on canvas
Mountain Valley, Mexico n.d. Fletcher Martin oil on canvas 30 x 40 1/8 in. (76.2
Townsend Bradley Martin 1919 Abbott Handerson Thayer oil on canvas 27 5/8 x 21 3/4
We Both Must Fade (Mrs. Fithian) 1869 Lilly Martin Spencer oil on canvas 72 x
Hulda Martin in her 55 year 1826 Frederick Mayhew oil on canvas 26 1/4 x
Cadwallader Washburn, Meadow near Martin Steram (Norlands Series II), 1906
Cadwallader Washburn, Cape1928
FredIt"s All For My Age-long Hike Across Mountains
FredTitlepage
FredTitlepage (unbound)
FredThe First Part
FredThe Center
FredThe Last Part
FredUntitled
FredVoyage to the Sun
Ebenezerof Martin"s Ferry, Ohio ca. 1838 Henry Inman watercolor on ivory 3 1/8
FredLiner sheet (one of two) from the unbound set of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredLiner sheet (one of two) from the unbound edition of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredEntrance, pl. 11 from the unbound set of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredSource, pl. 10 from the unbound set of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press,1966), 1966
FredHomestead, pl. 9 from the unbound set of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredWaving Grain, pl. 7 from the unbound set of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredFrom Western Workshops, pl. 6 from the unbound set of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredHistorical Relics, pl. 5 from the unbound set of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredPomegranates, pl. 4 from the unbound set of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredSource, pl. 10 from the unbound set of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredUntitled, illustration for the table of contents page (with text) from the unbound set of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredUntitled, illustration for the dedication page of the unbound set of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredUntitled, illustration for the title page from the unbound set of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredColophon page from unbound set of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredUntitled, illustration for the table of contents page (without text) from the unbound set of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredWorking proof for the unpublished print "Earth Urn," rejected from the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredWorking proof for the unpublished print "Grain," rejected from the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredWorking proof for the unpublished print "Poppy," rejected from the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredWorking proof for the title page of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredWorking proof for the title page of the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredPrinted poster for exhibition: Beulah Land, 1967
FredMemories of Beulah Land, unpublished print for the book Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredBeulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredVignette for the cover of Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredUntitled, illustration for the title page of Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredUntitled, illustration for dedication page of Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredUntitled, illustration for table of contents page of Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredEast of the Sun and West of the Moon, pl. 1 from Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredOld Lumber, pl. 2 from Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredWreathed Gate, pl. 3 from Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredPomegranates, pl. 4 from Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredHistorical Relics, pl. 5 from Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredFrom Western Workshops, pl. 6 from Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredWaving Grain, pl. 7 from Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredStone Barn, pl. 8 from Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredHomestead, pl. 9 from Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredSource, pl. 10 from Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
FredEntrance, pl. 11 from Beulah Land: Fifteen etchings by Fred Martin (Berkeley: Crown Point Press, 1966), 1966
Pablo Picasso, Le cheval (The horse), pl. 1, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, L"‚ne (The donkey), pl. 2, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le boeuf (The ox), pl. 3, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le taureau (The bull), pl. 4, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le bÈlier (The ram), pl. 5, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le chat (The cat), pl. 6, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le chien (The dog), pl. 7, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le chien (The dog), pl. 7, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1942
Pablo Picasso, La chËvre (The goat), pl. 8, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le cerf (The red deer), pl. 9, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le loup (The wolf), pl. 10, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le lion (The lion), pl. 11, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le singe (The monkey), pl. 12, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, L"aigle blanc (The white eagle), pl. 13, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le vautour (The vulture), pl. 14, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, L"Èpervier (The sparrow hawk), pl. 15, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, L"autruche (The ostrich), pl. 16, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le coq (The rooster), pl. 17, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, La mËre poule (The hen), pl. 18, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le dindon (The turkey), pl. 19, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le dindon (The turkey), pl. 19, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le pigeon (The pigeon), pl. 20, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le chardonneret (The goldfinch), pl. 21, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, L"abeille (The bee), pl. 22, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le papillon (The butterfly), pl. 23, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, La guÍpe (The wasp), pl. 24, from the extra suite accompanying the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, La guÍpe (The wasp), pl. 24, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942)
Pablo Picasso, La langouste (The crayfish), pl. 25, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, L"araignÈe (The spider), pl. 26, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, La libellule (The dragonfly), pl. 27, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le lÈzard (The lizard), pl. 28, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, Le crapaud (The toad), pl. 29, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, La grenouille (The frog), pl. 30, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
Pablo Picasso, La sauterelle (The grasshopper), pl. 31, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942), 1941 - 1942
FredPlate Four: The Minor Arcana: Cups and Coins, 1981
FredPlate Three: The Minor Arcana: Clubs and Swords, 1981
FredPlate Two: The Minor Arcana, 1981
FredPlate Five: Source and Goal, 1981
FredPlate One: The Major Arcana, 1981
FredTarot of California, 1981
FredTarot of California (portfolio cover), 1981
John Gould, Sand Martin - Hirundo ripairia, 19th century
John Gould, Rock Martin - Hirundi rupestris, 19th century
Hedley Fitton, St. Martin"s Trafalgar Square, London, 19th - 20th century
Hugo Anton Fisher, St. Martin"s, 19th - 20th century
Paul Filhon, FromNaval Vice Admiral at Rochefort, Responds to complaints from Filhon, noting that until the intentions of Martinls superiors are clear, Filhon must await orders in Bordeaux., 1804
Paul Filhon, Letter. From Martin to Bonjean, confirming the fact that Bonjean will indeed take Filhon"s post at Bordeaux, 1804
Paul Filhon, Letter. Frominforming Filhon that his orders to Rochefort from Bordeaux cannot be changed even if he finds them undesirable., 1804
Paul Filhon, Letter. FromNaval Prefect, ordering Filhon to be relieved by M. Herel, at Bordeaux, before returning, 1804
Paul Filhon, Draft of a letter, requesting to be paid a sum of 8 francs per day extra for expenses incurred working away from home.Letter. FromNaval Prefect, ordering Filhon to be relieved by M. Herel, at Bordeaux, before returning, 1804
Paul Filhon, Letter. Fromordering him to proceed to Bayonne, 1807
Paul Filhon, Letter. From Martin to Filhon, 1807
Paul Filhon, Draft of a Letter toinforming him about the state of the port, 1808
Paul Filhon, Copy of a Letter signed by DecrÈs, Martin and Rolland, 1808
Paul Filhon, Drafts of three letters, one to Rolland (dated 28 December 1807), and two to Martin (dated resp. 28 December 1807 and 12 March 1808), 1807 - 1808
Jean Pierre Dantan, The Younger, Portrait of19th century
John Chester Buttre, Portrait of Henry Martin Gray, 19th - 20th century
Martin Hardie, Wells-on-Sea, 19th - 20th century
Ernest Haskell, Ex Libris: Martin Birnbaum, 19th - 20th century
Auguste Louis LepËre, La Seine a l"emboucher du canal St.19th - 20th century
JohnSatan in Council, 1831
JohnA Grieving Woman on a Precipice, 1829
Christian LudwigGeese, 19th - 20th century
Christian LudwigThe Maimed, Halt and Sick, 19th - 20th century
Christian LudwigCarrying a Dying Man--Night Scene, 19th - 20th century
John[The Angels Guarding Paradise at Night] Book 4 line 866, from the large plate series, The Paradise Lost of Milton with Illustrations by John Martin (London: Septimus Prowett, 1827), 1826
Eleuterio Pagliano, L"ÈtÈ de la Saintfrom Eaux Fortes en 1880, 1880
Martin Petersen, Sunset, New Hampshire, 19th - 20th century
Andrew Picken, Entrance Gate and Church of St.Cologne from Stanfield, Clarkson "Sketches on the Moselle, the Rhine and the Meuse", 19th century
George T. Plowman, St. Martin in the Fields, London, 19th - 20th century
Adolphe ThÈodore Jules Martial Potemont, Theatre de la Porte St.19th century
Percy Robertson, The National Gallery from the Steps of St. Martin"s in the Field, 19th - 20th century
Thomas Rowlandson, St. Martin"s-in-the-Field, 1808
Joaquin Sunyer, Le Canal St.19th - 20th century
Robin Tanner, Martin"s Hovel, 19th - 20th century
Cadwallader Washburn, Path to Cape19th - 20th century
Charles John Watson, Rue St.19th - 20th century
J.A.J. Wilcox , Portrait of Edward19th century
HonorÈ Daumier, A la porte St. Martin no. 83 from the series Les beaux jours de la vie, 1846
Grandville (Jean Ignace Isidore GÈrard), M. Martin-PÍcheur apportant ..., plate 44 opposite page 247 in the book Les mÈtamorphoses du jour. new ed. (Paris: Garnier FrÈres, 1869), 1869
Thomas Rowlandson, The Military Adventures of Johnny Newcome (London: Patrick Martin: (1815 ), 1815
Thomas Rowlandson, Starting to Join His Regiment, frontispiece opposite dedication page in the book The Military Adventures of Johnny Newcome (London: Patrick Martin: (1815 )
Thomas Rowlandson, Taking His Breakfast, plate 3 opposite page 41 in the book The Military Adventures of Johnny Newcome (London: Patrick Martin: (1815 ), 1815
Thomas Rowlandson, Introduced to his Colonel,plate 4 opposite page 51 in the book The Military Adventures of Johnny Newcome (London: Patrick1815), 1815
Thomas Rowlandson, Smells Powder for the First Time, plate 5 opposite page 60 in the book The Military Adventures of Johnny Newcome (London: Patrick Martin: (1815), 1815
Thomas Rowlandson, Johnny Writes an Account of the Action to His Mother..., plate 6 opposite page 62 in the book The Military Adventures of Johnny Newcome (London: Patrick Martin: 1815 ), 1815
Thomas Rowlandson, Half Rations, plate 7 opposite page 63 in the book The Military Adventures of Johnny Newcome (London: Patrick Martin,1815 ), 1815
Thomas Rowlandson, Learning to Smoke and Drink Grog, plate 8 opposite page 65 in the book The Military Adventures of Johnny Newcome (London: Patrick Martin: (1815), 1815
Thomas Rowlandson, Poor Johnny on the Sick List, plate 9 opposite page 66 in the book The Military Adventures of Johnny Newcome (London: Patrick Martin: (1815), 1815
Thomas Rowlandson, Going Sick to the Rear, plate 10 opposite page 67 in the book The Military Adventures of Johnny Newcome (London: Patrick Martin: (1815 ), 1815
Thomas Rowlandson, Johnny Safely Returned to His Mama, plate 11opposite page 73 in the book The Military Adventures of Johnny Newcome (London: Patrick Martin: (1815 ), 1815
Thomas Rowlandson, Dash"d with His Suite for Santarem That Night, plate 12 opposite page 116 in the book The Military Adventures of Johnny Newcome (London: Patrick Martin: (1815), 1815
Thomas Rowlandson, Johnny on Duty with His Chief,plate 13 opposite page 121 in the book The Military Adventures of Johnny Newcome (London: Patrick Martin: (1815) , 1815
Anonymous, Untitled (lithography tools), first plate in the book, A Manual of Lithography ( London: Rodwell and1820), 1819
Anonymous, A Manual of Lithography, translated by C. Hullmandel(London: Rodwell and1820), 1820
Grandville (Jean Ignace Isidore GÈrard), Le Martin-PÈcheur, opposite page 110 in the book, Scenes de la vie privÈe et publique des animaux (Paris: J. Hetzel, 1842), circa 1842
Bartolomeo Pinelli, Roman Costumes ä (London: Rodwell &[ca. 1820]), 1820
JohnThe Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1846
John[The Fall of the Rebel Angels] Book 1. line 44, bound at p. 3 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John[Satan on the Burning Lake] Book 1. line 192, bound at p. 7 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John[Satan Arousing the Fallen Angels] Book 1. line 314, bound at p.13 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1824
John[Pandemonium] BOOK 1. LINE 710, bound at p.25 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John[Satan Presiding at the Infernal Council] Book 2. line 1., bound at p.29 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1824
John[The Conflict between Satan and Death] Book 2. line 727., bound at p.55 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John[The Courts of God] Book 3. line 365., bound at p.79 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John[Satan Viewing the Ascent to Heaven] Book 3. line 501., bound at p.83 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John[Eve at the Fountain] Book 4 line 453, bound at p.107 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
John[Satan Contemplating Adam and Eve in Paradise] Book 4. line 502., bound at p.109 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John[Eve*s DreamãSatan Aroused] Book. 4 line, 813., bound at p.121 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John[The Angels Guarding Paradise at Night] Book 4 line 866., bound at p.123 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
John[ParadiseãAdam and EveãThe Morning Hymn] Book 5. line 136., bound at p.133 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John[Paradiseãwith the Approach of the Archangel Raphael], Book 5. line 308., bound at p.139 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John[Raphael Conversing with Adam and Eve] Book 5, line 519, bound at p.147 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
John[Creation of Light] Book 7. line 339, bound at p. 203 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John[Satan Tempting Eve] Book 9 line 780, bound at p. 265 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)[Creation of Light] Book 7, line 339, bound at p. 203 in the book, The Paradise Lost of John Milton (London
John[Eve Presenting the Forbidden Fruit to Adam] Book 9, line 995., bound at p. 273 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1824
John[Adam Hearing the Voice of the Almighty] Book 10, line 108, bound at p. 273 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
John[Bridge over Chaos] Book 10, line 312 & 347., bound at p. 291 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
John[Adam Reproving Eve], Book 10, line 863, bound at p. 311 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
John[HeavenãRivers of Bliss] Book 11. line78, bound at p. 321 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John[Approach of the Archangel Michael] Book 11. line 226, bound at p. 327 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
John[Adam and Eve Driven Out of Paradise] Book 12, line 641, bound at p. 373 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1827
Robert Batty, St. Martin"s Church, and Part of the Old Stadt House, Brunwick, plate 34 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829
Elizabeth Frances Batty, Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Untitled title page vignette in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Aiguebelle, Ascent to Mont Cenis, opposite page 4 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Pass of Bramante, opposite page 5 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Lans Le Bourg, Ascent to Mount Cenis, opposite page 7 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Turin, from Vigna Andisano, opposite page 11 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Turin, Bridge of Bonaparte from Palazzo Valentino, opposite page 18in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Genoa, Lighthouse, opposite page 20 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Genoa, Porta della Lanterna, opposite page 21 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Genoa, from the Imperial Hotel, opposite page 27 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Bay of Genoa, opposite page 34 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Rapallo, opposite page 37 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Castle of Lavenza between Sarzana and Massa..., opposite page 38 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Pisa, opposite page 39 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Florence, opposite page 44 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Villa Borghese, near Florence, opposite page 56 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Florence, from the Road to Arezzo, opposite page 59 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, South East View of Florence, opposite page 60 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Porta del Palazzo, near Florence, opposite page 67 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Terni, from the Road to the Cascade, opposite page 69 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Papignea, on the Road to the Cascades, opposite page 70 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Part of Rome, from the Palatine Hill, opposite page 71 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Coliseum, opposite page 75 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, The Temple of Venus & Rome,, opposite page 79 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, The Temple of Antoninus and Faustina, on the CAmpo Vaccino, opposite page 80 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Castle of St. Angelo, opposite page 83 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Arch of Janus, opposite page 87 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Remains of the Temple of Nerva, opposite page 91 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Santa Croce di Gerusalemme & Walls of Rome, opposite page 95 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, TEmple of Minerva Medica, opposite page 97 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, St. Peters, from the Gardens of Villa Lanti, opposite page 99 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Tomb of the Family of Plautius, opposite page 111 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Remains of Hadrian"s Villa, opposite page 113 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Tivoli, View from the Temple of Vesta, opposite page 115 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Tivoli, from below the Villa of Quintilius Varus, opposite page 117 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Scene at Tivoli, opposite page 120 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Cascade at Tivoli, opposite page 121 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, La Riccia, opposite page 123 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Castle Gandolfo, opposite page 126 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Lake of Albano, opposite page 128 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Naples from St. Elmo, opposite page 130 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Naples, from Mr. Heigelin"s Villa, opposite page 138 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Naples, from the Mole, opposite page 141 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, View from the Chiaja, opposite page 143 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Virgil"s Tomn, opposite page 145 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, View of Ischia and Procida, from Camaldoli, opposite page 149 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Lago d"Agnano, opposite page 153 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Lake Avenue, opposite page 155 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Arco Felice, opposite page 158 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Naples from above the Grotto of Posilipo, opposite page 159 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Villa on the Coast of Posilipo, opposite page 161 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Naples, from Capo di Chino, opposite page 165 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Venice, opposite page 166 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Venice, Piazzetta di San Marco, opposite page 170 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, View from Arona, Lago Maggiore, opposite page 179 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Lago Maggiore and Isola Superiore, from Casa Boromeo on the Isola BBella, opposite page 184 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Simplon Road, between Bavena and Gravellona, opposite page 187 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Domo d"Ossola, opposite page 188 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Bridge of Gondo, opposite page 192 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Final page vignette (Vesuvius Erupting), on page 197 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Ross Boden Glacier and Fletsch Horn, opposite page 195 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
Elizabeth Frances Batty, Village of Simplon, opposite page 194 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell &1820) , 1820
William Radclyffe, St. Martin"s Parsonage, Birmingham, plate 30 opposite page 116 in the book Graphic Illustrations of Warwickshire (Birmingham: Beilby, Knott, and Beilbyä, 1829), 1827
JohnThe Paradise Lost of Milton (London: Charles Tilt, 1838), 1838
John[The Fall of the Rebel Angels], Book 1 line 44, bound at p. 3 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1825
John[Satan on the Burning Lake], Book 1 line 192, bound at p. 7 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1825
John[Satan Arousing the Fallen Angels], Book 1 line 314, bound at p. 13 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1824
John[Pandemonium], Book 1 line 710, bound at p. 25 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1824
John[Satan Presiding at the Infernal Council], Book 2 line 1, bound at p. 29 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1824
John[The Conflict between Satan and Death], Book 2 line 727, bound at p. 55 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1824
John[The Courts of God], Book 3 line 365, bound at p. 79 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1824
John[Satan Viewing the Ascent to Heaven], Book 3 line 301, bound at p. 83 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1824
John[Eve at the Fountain], Book 4 line 453, bound opposite p.108 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1825
John[Satan contemplating Adam and Eve in Paradise], Book 4 line 502, bound at p.109 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838)9, 1826
John[Eve*s DreamãSatan Aroused], Book 4 line 813, bound at p.121 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838)9, 1826
John[The Angels Guarding Paradise at Night], Book 4 line 866, bound at p.123 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838)9, 1825
John[ParadiseãAdam and Eveãthe Morning Hymn], Book 5 line 136, bound at p.133 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838)9, 1825
John[Paradiseãwith the Approach of the Archangel Raphael], Book 5 line 308, bound at p.139 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1825
John[Raphel Conversing with Adam and Eve], Book 5 line 519, bound at p.147 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1826
John[Creation of Light], Book 7 line 339, bound at p. 205 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1825
John[Satan Tempting Eve], Book 9 line 780, bound at p. 265 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1826
John[Eve Presenting the Forbidden Fruit to Adam], Book 9 line 995, bound at p. 269 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1827
John[Adam Hearing the Voice of the Almighty], Book 10, line 108, bound at p. 285 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1826
John[Bridge over Chaos], Book 10, line 312-347, bound at p. 291 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1826
John[Adam Reproving Eve], Book 10, line 863, bound at p. 311 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1826
John[HeavenãThe Rivers of Bliss], Book 11, line 78, bound at p. 321 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1824
John[Approach of the Archangel Michael], Book 11, line 296, bound at p. 327 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1826
John[Adam and Eve Driven Out of Paradise], Book 12, line 641, bound at p. 373 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1827
Carl Martin Raschen, Old Man"s Head, 19th century
Martin Johnson Heade, Frame for "Twilight, Singing Beach", 1863
Martin Johnson Heade, Allen Clapp, 1854
Homer DodgeNewport Neck, 1893
Martin Johnson Heade, Twilight, Singing Beach, 1863
Martin Johnson Heade, Yellow Daisies in a Brown Bowl, circa 1890
Martin Johnson Heade, The Great Swamp, 1868
Martin Johnson Heade, Orchid and Hummingbird, circa 1885
Martin Guillaume Biennais, Samovar (Hot Water Urn), 1809 - 1819
JohnThe Assuaging of the Waters, 1840
Charles Thevenin, Abbaye de St. Martin de Sees (Orne), circa 1810
Johann Martin Bernigeroth, Israel Gottlieb Canzius, 18th century
Johann Martin Bernigeroth, Jacobus Born, 18th century
Johann Martin Bernigeroth, Israel Gottlieb Canzius, 18th century
Johann Martin Bernigeroth, D. Carolus Gottlob Hofmann, 18th century
Johann Martin Bernigeroth, Joachimus Hoppe, 18th century
Johann Martin Bernigeroth, Johannes Andreas Fabricius, 18th century
Johann Martin Bernigeroth, J. C. Becmanus, etc., 18th century
Johann Martin Bernigeroth, Michael Henr. Gribner, 18th century
Johann Martin Bernigeroth, Johannes Laurentius Moshemius, 18th century
Johann Martin Bernigeroth, Simon Petrus Gasser, 18th century
Johann Martin Bernigeroth, Christianus Weidling, 18th century
Johann Martin Bernigeroth, Samuel Strykius, eyc., 18th century
Johann Martin Bernigeroth, Christoph Bolle, 18th century
Johann Martin Bernigeroth, Justus Gottlieb Pfeil, 18th century
Johann Martin Bernigeroth, Maria, widow of Haselern, 18th century
Johann Martin Bernigeroth, Georgius Beyerus, etc., 18th century
Johann Martin Bernigeroth, Reverend Mr. James Foster, 18th century
Johann Martin Bernigeroth, Jo. Christian Stemler, recto; Ludwig Anton Hertzog von Noailles, verso, 18th century
Martin Friedrich Beringeroth, Scene in a theatre, 18th - 19th century
Paul Filhon, Letter. From Martin. Acknowledgment, 18th - 19th century
Peter Mazell (or Mazel), The18th - 19th century
Conrad Martin Metz, St. Jerome, 18th - 19th century
Conrad Martin Metz, Mythological wedding scene with Neptune, Mercury and Cupid attending, 18th - 19th century
Conrad Martin Metz, Diana with companions and others on a lion hunt, 18th - 19th century
Conrad Martin Metz, Classical figure reclining and examining a globe, 18th - 19th century
Conrad Martin Metz, Classical figure with swirling scarf, 18th - 19th century
Conrad Martin Metz, Diana hunting with dogs, 18th - 19th century
Conrad Martin Metz, Mars, Venus and Diana., circa 1798
Francisco Montaner or Muntaner, El R. P. F. Martin Sarmiento, 18th century
Georg Martin Preissler, DÈdale et Icare, 1787
Georg Martin Preissler, Imago Philipi. De. Stosch..., 18th century
Georg Martin Preissler, Portrait of Durer, 18th century
Johann Martin Preissler, Portrait of the Cardinal Bullionius, 1744
Johann Martin Preissler, Portrait of Frau Anna Magdalena Widmaenin, 18th century
Georg Martin Preissler, Portrait of Johannes Jacob Silberrad, 1729
Martin Elias Riedinger, The Oriental Eagle, the king and the large European eagle, 1765
Martin Elias Riedinger, Two Lionesses, 18th century
Charles Simonneau, Mre. Martin de Charmois..., 1706
Phillippe Triere, Martin said *Throw him out the wimdow*, 18th - 19th century
Thomas Bewick, The Pine-Weasel, or Yellow-Breasted Martin from "History of Quadrupeds", 18th - 19th century
Thomas Bewick, The Pine-Weasel or Yellow-Breasted Martin on page 231 in the book A General History of Quadrupeds, The Figures Engraved on Wood by Thomas Bewick, 2nd edition (Newcastle upon Tyne: S. Hodgson, R. Beilby,T. Bewick, 1791), 1791
Michel-Martin Drolling, La Marchande De Pommes....forty third plate in the book... Galerie lithographiÈe de son Altesse royale Monseigneur le Duc d* OrlÈans (Paris: Bureau de la Galerie ä [1830?]), vol. 1, 18th - 19th century
Martin Carlin, Commode black, with three doors with oriental scenes, white top, 18th century
Zacharias Dolendo, Saint16th - 17th century
Lucas Cranach the Younger, Martin Luther, full-length to the right, 16th century
Matth‰us Merian the Elder, Topographia Hassia et regionum vicinarum (Frankfort: Matthaus Merian, [1646]). BOUND WITH: Anhang zu der Anno 1646 aussgegangenen Topographia Hassiae (Frankfort: Martin Zeiller [for] Merian, 1655), 1646 - 1655
Jacques Callot, St.Bishop, November 10; St. Triphon and His Companions, Martyrs, November 11; St. Didacus, November 12; St. Renatus, Bishop, November12; one hundred and second plate from the book, Les IMAGES DE TOUS/LES SAINCTS ET SAINTES /DE L*A
Johann Elias Ridinger, The Weasel, the17th - 18th century
Wenceslas Hollar, Martin Tromp, Admiral of Holland, 17th century
William Faithorne , Portrait of Martin Luther, 17th century
Gerard Edelinck, Portrait of Martin van den Baugert (gallis des Jardins Bredanus, sol.), 17th - 18th century
Pierre Drevet, Jean-Martin Mitantier, clerk of the city hall of Paris, 17th - 18th century
Pierre Drevet, Jean-Martin Mitantier, clerk of the city hall of Paris, 17th - 18th century
Jean (Boullanger) Boulanger, Portrait of Henry de Castille, Abbas of St.17th century
Martin Bernigeroth, Isaac Barrow, 17th - 18th century
Martin Baes, The Night Watchman Conducting A Woman, 17th century
Hieoronymus Wierix, St Martin and the Lame Beggar, 16th - 17th century
Martin (?) Master M.Z. Zazinger, The Madonna at the Fountain, 1501
Martin Schongauer, Whiskey taster or shot glass, 15th century
Martin Schongauer, The Adoration of the Magi, 15th century
Martin Schongauer, Death of the Virgin, 15th century
Martin Schongauer, Coat of Arms with Three Stars, Held by a Lady, 1470
Martin Schongauer, St. John on Patmos, 15th century
Martin Schongauer, Christ Carrying the Cross, 15th century
Martin Schongauer, The Coat of Arms with a Greyhound, held by a Wild Man, 15th century
Martin Schongauer, The Second Wise Virgin, 15th century
Martin Schongauer, The Temptation of St. Anthony, 15th century
Martin Schongauer, The Madonna with the Parrot, 15th century
Martin Schongauer, Christ on the Cross with Four Angels, 15th century
Martin Schongauer, Christ Bearing His Cross, 15th century
Martin Schongauer, The Resurrection, 15th century
Martin Schongauer, The Entombment, 15th century
Martin Schongauer, The Entombment, 15th century
Martin Schongauer, Christ Crowned with Thorns, 15th century
Martin Schongauer, Christ Before Annas, 15th century
Martin (?) Master M.Z. Zazinger, Aristotle and Phyllis, 15th - 16th century
Martin (?) Master M.Z. Zazinger, The two Lovers, 15th - 16th century
Martin (?) Master M.Z. Zazinger, The Martyrdom of St. Catherine, 15th - 16th century
Martin (?) Master M.Z. Zazinger, St. Ursula, 15th - 16th century
Artist: Homer Dodge Martin Title: Forest Landscape with River Date: 1873 Medium: graphite and charcoal,
Artist: Martin Schongauer Title: Christ in Limbo Date: about 1480 Medium: engraving Dimensions: H.6-7/16 x
Artist: Pablo Picasso and Martin Fabiani Title: Eaux-Fortes Originales pour des textes de BUFFON Date:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Three velvet panels Date: 1970 - 1975 Medium: velvet
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1963 - 1965 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1966 - 1967 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1944 Medium: velvet Dimensions: H.13-1/2 x
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Pair of velvet panels Date: 1970 - 1975 Medium:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1965 Medium: velvet Dimensions: H.14-1/4 x
Artist: J.B. Martin Company, Inc. Title: Pair of velvet panels Date: 1970 - 1975 Medium:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1964 Medium: viscose and acetate Dimensions:
Artist: J.B. Martin Company, Inc Title: Velvet Panel Date: 1935 - 1940 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1951 Medium: velvet Dimensions: H.14-3/8 x
Artist: J.B. Martin Company, Inc. Title: Pair of velvet panels Date: 1970 - 1975 Medium:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1934 - 1949 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Pair of velvet panels Date: 1970 - 1975 Medium:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Three velvet panels Date: 1970 - 1975 Medium: velvet
Artist: J.B. Martin Company, Inc. Title: Pair of velvet panels Date: 1970 - 1975 Medium:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1935 - 1940 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Pair of velvet panels Date: 1964 Medium: viscose and
Artist: J.B. Martin Company, Inc. Title: Pair of velvet panels Date: 1970 - 1975 Medium:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company Title: Velvet Panel Date: 1965 - 1969 Medium: velvet Dimensions: H.14
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company Title: Velvet Panel Date: 1965 Medium: velvet Dimensions: H.14-1/4 x W.36-3/4
Artist: J.B. Martin Company, Inc. Title: Pair of velvet panels Date: 1970 - 1975 Medium:
Artist: J.B. Martin Company, Inc. Title: Pair of velvet panels Date: 1970 - 1975 Medium:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1964 Medium: viscose and acetate Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Artist: J.B. Martin Company, Inc. Title: Velvet Panel Date: 1970 - 1975 Medium: velvet Dimensions:
Ebenezerof Martin"s Ferry, Ohio ca. 1838 Henry Inman watercolor on ivory 3 1/8
Quarter of Nine--Saturday"s Children (1929) Martin Lewis etching on paper plate: 9 7/8 x 12
Subway Steps (1930) Martin Lewis drypoint on paper plate: 13 5/8 x 8 3/16 in.
The Great Shadow (1925) Martin Lewis drypoint on paper plate: 9 15/16 x 6 15/16
Glow of the City 1929 Martin Lewis drypoint on paper plate: 11 7/16 x 14
Derricks (1927) Martin Lewis drypoint on paper plate: 8 x 11 15/16 in. (20.2 x
Day"s End (1937) Martin Lewis drypoint on paper plate: 9 11/16 x 13 1/2 in.
Night in New York (1926) Martin Lewis etching on paper plate: 8 7/16 x 8
Night in New York (1926) Martin Lewis etching on paper plate: 8 7/16 x 8
Bay Windows (Snowy Day--Lexington Avenue) (1929) Martin Lewis drypoint, sandpaper ground, on paper plate: 11
Riders at Sunset 1935-1945 E. Martin Hennings oil on canvas 30 x 36 1/8 in.
Untitled (Chorus Line) ca. 1950 Martin Ramirez watercolor, crayon and pencil on joined papers sheet:
Homeward Bound ca. 1933-1934 E. Martin Hennings oil on canvas 30 1/4 x 36 1/4
Untitled (Chorus Line) ca. 1950 Martin Ramirez watercolor, crayon and pencil on joined papers sheet:
Mountain Valley, Mexico n.d. Fletcher Martin oil on canvas 30 x 40 1/8 in. (76.2
Old Normandy Bridge 1903 Henry Wolf Homer Dodge Martin copy after wood engraving on paper
We Both Must Fade (Mrs. Fithian) 1869 Lilly Martin Spencer oil on canvas 72 x
Untitled (Church) ca. 1950 Martin Ramirez crayon, pencil, and watercolor on various joined papers 31
Evening on the Thames n.d. Homer Dodge Martin oil on canvas 18 1/4 x 30
The Iron Mine, Port Henry, New York ca. 1862 Homer Dodge Martin oil on canvas
Twin Silos (CA. 1933) Martin Lewis drypoint on paper plate: 7 3/8 x 8 7/16
R.F.D. (1933) Martin Lewis drypoint and aquatint on paper plate: 9 15/16 x 11 7/8
Derricks (1927) Martin Lewis drypoint on paper plate: 8 x 11 15/16 in. (20.2 x
Night in New York (1926) Martin Lewis etching on paper plate: 8 7/16 x 8
The Great Shadow (1925) Martin Lewis drypoint on paper plate: 9 15/16 x 6 15/16
Day"s End (1937) Martin Lewis drypoint on paper plate: 9 11/16 x 13 1/2 in.
Glow of the City 1929 Martin Lewis drypoint on paper plate: 11 7/16 x 14
Riders at Sunset 1935-1945 E. Martin Hennings oil on canvas 30 x 36 1/8 in.
Untitled (Chorus Line) ca. 1950 Martin Ramirez watercolor, crayon and pencil on joined papers sheet:
Soldado with American Flag ca. 1950-1953 Martin Ramirez crayon, watercolor, pencil on various papers 40
Approaching Thunder Storm, 1859 Martin Johnson Heade (1819-1904)AmericanOil on canvas; 28 x 44 in. (71.1
Christ Carrying the Cross, ca. 1475– 80 Made by Martin Schongauer (German, ca. 1445-1491)Engraving; 11
Coin Cabinet, 19th century (ca. 1805) Probably by François-Honoré-Georges Jacob-Desmalter (1770-1841); Silver mounts by Martin-Guillaume
Daniel O"Connell (1775-1847) Sir Martin Archer Shee (Irish, 1769-1850)Oil on canvas; 35 7/8 x 28
William Archer Shee (1810-1899), the Artist"s Son Sir Martin Archer Shee (Irish, 1769-1850)Oil on canvas;
Martin Luther (1483-1546) Workshop of Lucas Cranach the Elder (German, 1472-1553)Oil on wood; 13 1/8
Martin Schongauer, German, about 1450-1491 Bearing of the Cross Christ Bearing the Cross 1475-80 Engraving
L. Prang & Company, Boston After Martin Johnson Heade, American, 1819-1904 Arbutus in a Shell
Martin Johnson Heade, American, 1819-1904 April Showers Spring Shower, Connecticut Valley 1868 Oil on canvas
Martin Johnson Heade, American, 1819-1904 Approaching Storm: Beach near Newport about 1861-62 Oil on canvas
Attributed to PaulFrench, 1830-1903 A Heath 1866 Watercolor on paper Sheet: 15.1 x
Claude Monet, French, 1840-1926 Capnear Menton 1884 Oil on canvas 67.3 x 81.6
Martin Johnson Heade, American, 1819-1904 Cloudy Day, Rhode Island 1861 Oil on canvas 29.53 x
Martin Johnson Heade, American, 1819-1904 Coast of Jamaica 1874 Oil on canvas 66.99 x 110.81
Martin Johnson Heade, American, 1819-1904 Dawn 1862 Oil on canvas 31.11 x 61.59 cm (12
Martin Johnson Heade, American, 1819-1904 Hummingbirds with Nest 1863 Oil on canvas 30.48 x 25.72
Martin Johnson Heade, American, 1819-1904 Hunters Resting 1863 Oil on canvas 30.48 x 61.28 cm
Martin Johnson Heade, American, 1819-1904 Lake George 1862 Oil on canvas 66.04 x 125.41 cm
Martin Johnson Heade, American, 1819-1904 Lotus Blossom Water Lily about 1885-1900 Oil on canvas 25.4
Martin Johnson Heade, American, 1819-1904 Magnolia Grandiflora about 1885-95 Oil on canvas 38.42 x 61.28
Martin Johnson Heade, American, 1819-1904 Magnolias about 1883-1900 Oil on canvas 60.96 x 38.1 cm
Sarah Wyman Whitman, American, 1842-1904 Martin Brimmer 1892 Oil on canvas 60.96 x 50.8 cm
Martin Johnson Heade, American, 1819-1904 Mary Rebecca Clark 1857 Oil on canvas 55.88 x 46.35
Martin Johnson Heade, American, 1819-1904 Newburyport Marshes about 1866-76 Oil on canvas 33.65 x 66.04
Martin Johnson Heade, American, 1819-1904 Off Shore: After the Storm about 1861-63 Oil on canvas
Martin Johnson Heade, American, 1819-1904 Orchids and Hummingbird about 1875-83 Oil on canvas 35.88 x
Martin Johnson Heade, American, 1819-1904 Orchids and Spray Orchids with Hummingbirds about 1875-90 Oil on
Martin Johnson Heade, American, 1819-1904 Passion Flowers and Hummingbirds about 1870-83 Oil on canvas 39.37
Martin Johnson Heade, American, 1819-1904 Portrait of a Man 1840 Oil on canvas 76.52 x
John Singer Sargent, American, 1856-1925 Portrait of Charles Martin Loeffler 1917 Charcoal and graphite pencil
Martin Johnson Heade, American, 1819-1904 Rhode Island Landscape 1859 Oil on canvas 30.8 x 50.8
Attributed to Pierre PaulFrench, 1830-1903 River Scene: Evening 1868 Watercolor on paper 19.05
Martin Johnson Heade, American, 1819-1904 Rocks in New England 1855 Oil on canvas 43.5 x
Master of Belmonte, Spanish (Aragonese), active in third quarter, 15th century Saint Martin of Tours
Martin Johnson Heade, American, 1819-1904 Salt Marshes, Newburyport, Massachusetts Salt Marshes, Newport, Rhode Island about
JohnEnglish, 1789-1854 Satan Presiding at the Infernal Council 1825 Mezzotint image: 19.2 x
MARTIN Adèle (née), DUGIED AdèlePréc. auteurDijon, 1801 ; Dijon, 1875 ; femmeEcoleFranceDomainepeinturePortrait de Mme Magnin-Philippon
MARTIN Adèle (née), DUGIED AdèlePréc. auteurDijon, 1801 ; Dijon, 1875 ; femmeEcoleFranceDomainepeinturePortraits de Mlles de
MARTIN Adèle (née), DUGIED AdèlePréc. auteurDijon, 1801 ; Dijon, 1875 ; femme ; M. Geiger
MARTIN Adèle (née), DUGIED AdèlePréc. auteurDijon, 1801 ; Dijon, 1875 ; femme ; M. Geiger
Martin Johnson Heade, American, 1819-1904 South American River 1868 Oil on canvas 66.04 x 57.47
MARTIN Adèle (née), DUGIED AdèlePréc. auteurDijon, 1801 ; Dijon, 1875 ; femmeEcoleFranceDomainepeintureJeune femme et enfantReprésentationscène,
MARTIN Adèle (née), DUGIED AdèlePréc. auteurDijon, 1801 ; Dijon, 1875 ; femmeEcoleFranceDomainepeintureScène d"intérieur avec une
Martin Johnson Heade, American, 1819-1904 Sunset on Long Beach about 1867 Oil on canvas 25.72
Martin Johnson Heade, American, 1819-1904 Sunset over the Marshes about 1890-1904 Oil on canvas 26.03
Martin Johnson Heade, American, 1819-1904 Sunset, Black Rock, Connecticut about 1861 Oil on canvas 33.65
Martin Johnson Heade, American, 1819-1904 Sunset: Lake Champlain 1874 Oil on canvas 63.5 x 126.68
Probably by Martin Berthe, master in 1712 Teapot France, (Paris), 1728-29 Silver and ebonized wood
Martin Schongauer, German, about 1450-1491 The Death of the Virgin Engraving 26.1 x 17.1 cm
Martin Johnson Heade, American, 1819-1904 The Stranded Boat 1863 Oil on canvas 58.1 x 93.66
MOTTEZ VictorPréc. auteurLille, 1809 ; Bièvres, 1897DomainepeintureType d"objetdouble faceSaint Martin à cheval taillant son manteau
Manufactured by C.F. Martin & Co., Inc., American Travel guitar (Backpacker model) United States, Pennsylvania,
Homer DodgeAmerican, 1836-1897 Turkey Mountain, N.J. (1) September 16, 1857 Graphite pencil on
MAITRE DES ANGES REBELLESDomainepeintureSaint Martin partageant son manteauReprésentationscène (saint Martin de Tours, don, manteau, homme,
Martin Johnson Heade, American, 1819-1904 Vase of Mixed Flowers about 1872 Oil on canvas 43.81
Martin Johnson Heade, American, 1819-1904 Woodland Sketch 1863 Oil on canvas 38.1 x 30.48 cm
PRIEUR Barthélemy ; LEFORT Martin ; PERON Nicolas (fondeur)Préc. auteurPrieur : Berzieux, 1536 ; Paris,
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureEpée à la tête
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureEpée dans son fourreauReprésentationreprésentation
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculpturePertuisaneReprésentationreprésentation d"objet (hallebarde)Datation4e quart
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureGrand faisceauReprésentationreprésentation d"objet (flèche)Datation4e
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureEnseigne romaineReprésentationreprésentation d"objet (enseigne)Datation4e
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureEnseigne SPQRReprésentationreprésentation d"objet (enseigne)Datation4e
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureBouclier aux lionsReprésentationreprésentation d"objet
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureBouclier au foudreReprésentationreprésentation d"objet
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureBouclier au lionReprésentationreprésentation d"objet
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureBouclier retournéReprésentationreprésentation d"objet (bouclier)Datation4e
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureCasque au masque de
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureCasque au lionReprésentationreprésentation d"objet
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureCasque au loupReprésentationreprésentation d"objet
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureType d"objetstatueLa HollandeReprésentationfigure (allégorie
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureType d"objetstatueLe BrandebourgReprésentationfigure (allégorie
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureType d"objetstatueL"EmpireReprésentationfigure (allégorie :
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBréda, 1637 ; Paris, 1694EcoleFranceDomainesculptureType d"objetstatueL"EspagneReprésentationfigure (allégorie :
VEYRIER ChristophePréc. auteurTrets, 1637 ; Toulon, 1689EcoleFranceDomainesculptureType d"objetbusteAmiral Jean de Gabaret (Saint-Martin-de-Ré, 1631-Rochefort, 1697), lieutenant
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBreda, 1637 ; Paris, 1694EcoleFranceDomainesculptureType d"objetélément d"ensembleLe Passage
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBreda, 1637 ; Paris, 1694EcoleFranceDomainesculptureType d"objetélément d"ensembleLa Paix
AnonymeEcoleFranceDomainesculptureType d"objetbuste ; partie d"ensembleMartin Fréminet, peintre du roi (1657-1619)Représentationportrait (Fréminetpeintre, homme)Date de
PRIEUR Barthélemy ; LEFORT Martin ; PERON Nicolas (fondeur)Préc. auteurPrieur : Berzieux, 1536 ; Paris,
LEFORT Martin ; PERON Nicolas (fondeur)Préc. auteurLefort : né à Chartres, connu de 1562 à
PRIEUR Barthélemy ; LEFORT Martin ; PERON Nicolas (fondeur)Préc. auteurPrieur : Berzieux, 1536 ; Paris,
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBreda, 1637 ; Paris, 1694EcoleFranceDomainesculptureType d"objetmédaillonL"Hérésie détruite, ou
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBreda, 1637 ; Paris, 1694EcoleFranceDomainesculptureType d"objetmédaillonLes Duels abolisReprésentationscène
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBreda, 1637 ; Paris, 1694EcoleFranceDomainesculptureType d"objetbusteEdouard Colbert, marquis
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBreda, 1640 ; Paris, 1694EcoleFranceDomainesculptureHercule couronné par la
VAN DEN BOGAERTDESJARDINS Martin (dit)Préc. auteurBreda, 1640 ; Paris, 1694EcoleFranceDomainesculptureType d"objetbustePierre Mignard (1612-1695),
VAN DEN BOGAERTDESJARDINS Martin (dit); LE NEGRE Pierre (fondeur) ; MIGNARD Pierre (d"après)Préc.
VAN DEN BOGAERTDESJARDINS Martin (dit) ; LE NEGRE Pierre (fondeur)Préc. auteurDesjardins : Breda,
CABET Jean-Baptiste PaulPréc. auteurNuits-Saint-Georges, 1815 ; Paris, 1876EcoleFranceDomaineSculptureType d"objetfigurineSAINT MARTIN PARTAGEANT SON MANTEAUReprésentationfigure (saint
Untitled (Chorus Line) ca. 1950 Martin Ramirez watercolor, crayon and pencil on joined papers sheet:
Soprano (Singing at the funeral of Martin Luther King) 1968 Daniel Pressley wood panel relief
Soprano (Singing at the funeral of Martin Luther King) 1968 Daniel Pressley wood panel relief
Riding a Giant Corncob to Market 1908 W. H. Martin silver print on paper sheet
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Van Martin
Italian Fresco II
Our Price: 8.00
Van Martin
Italian Fresco I
Our Price: 2.00
Martin Johnson Heade
Cherokee Roses
Our Price: 14.00
Martin Johnson Heade
Study of an Orchid
Our Price: 26.00
Martin Schongauer
Virgin At the Rose Bush
Our Price: 8.00
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