Artist: John Mclean ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by John McLean.

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John Heaviside Clark Hudibras by Samuel Butler (London: Thomas McLean, 1819), vol. 2 Book with 6 aquatints with hand coloring 1819
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John Heaviside Clark Hudibras by Samuel Butler (London: Thomas McLean, 1819), vol. 1 Book with 6 aquatints with hand coloring 1819
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John Heaviside Clark Illustration for Part 2, Canto 2, Line 40, first plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 1, Canto 2, Line 82, second plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 1,Canto 2, Line 775, third plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 2, Canto 3, Line 495, second plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 2,Canto 1, Line 115 , sixth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 1,Canto 2, Line 945, fourth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 3, Canto 3, Line 675, sixth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 2,Canto 1, Line 115, frontispiece and first plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 2, Canto 3, Line 1056, third plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 1,Canto 2, Line 1124, fifth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 3, Canto 1, Line 160 ,fourth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 3, Canto 1, Line 1576 ,fifth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John McLean Roll-top cylinder desk frame, Secretaire and Upper bookcase rosewood, oak, mahogany, cedar, boxwood, leather, brass circa 1815
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Robert Seymour The Finishing School, plate 3 in the book, The Heiress (London: Thomas McLean, 1830) Etching with hand coloring 1830
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Robert Seymour The Heiress (London: Thomas McLean, 1830) Book with 6 etchings (each divided into 5 or 6 vignettes) with hand coloring, no additional text 18th - 19th century
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Thomas McLean Eugenie Prosper *the Greek Slave* 19th century
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A. Ducote or DucÙtÈ The Looking Glass or Caricature Annual (London: Tho[ma]s McLean, [1834]), vol. 4, 1833 book with lithographs with hand coloring 1834
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T. S. Cooper Thirty-four Subjects of Cattle &c. Designs for Pictures (London: Tho[ma]s McLean , 1837) book with lithographs 1837
The Metropolitan Museum of Art -
The New Zealanders, 1847 Author: George French Angas (British, 1822-1886)London: T. McLean, 1847Illustrated book; H:
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Louis Haghe Hague*s Portfolio of Sketches. Belgium. Germany (London: Tho[ma]s McLean, 1850), [third series] book with lithographs 1850
The Metropolitan Museum of Art -
Portia (Kate Dolan), 1886 Sir John Everett Millais (British, 1829-1896)Oil on canvas; 49 1/4 x
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George Cruikshank Very Unpleasant Weather... Raining Cats, Dogs, Pitchforks! etching 1835
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John Steuart Curry - John Brown 1938 Lithograph Arkansas Arts Center American
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John Singleton Copley - Mrs. John Greene 1769 oil on canvas Cleveland Museum of Art American
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John Singleton Copley - John Gray 1766 oil on canvas The Detroit Institute of Art American
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John Singleton Copley - John Greene c. 1769 oil on canvas Currier Museum of Art American
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John Wollaston - John Stevens c. 1749-1752 oil on canvas National Gallery of Art American
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John Vanderlyn - John Sudam 1829-1830 oil on canvas National Gallery of Art American
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John Frazee - John Marshall 1834-35 marble Boston Athenaeum American
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John Johnston - John Peck c. 1795 oil on canvas National Gallery of Art American
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John Durand - John Lothrop c. 1770 oil on canvas National Gallery of Art American
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John Durand - Mrs. John Lothrop c. 1770 oil on canvas National Gallery of Art American
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John Hoppner - John Granville 1790-95 oil on canvas The Detroit Institute of Art English
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John Smibert - Mrs. John Pitts 1735 oil on canvas The Detroit Institute of Art American
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John Sartain Portrait of John A. Sutter mezzotint 1850
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Charles Willson Peale - Mrs. John Nicholson (Hannah Duncan) and John Nicholson, Jr. 1790 oil on canvas The Art Institute of Chicago American
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John Sartain John Calvin 19th century
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John Singleton Copley - Portrait of John Scollay 1764 black and white chal Pennsylvania Academy of the Fine Arts American
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John R. Johnston - Mrs. John R. Johnston before 1857 salted paper print f Cleveland Museum of Art American
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John B. Neagle William Helmuth (or John Henry Helmuth) oil on canvas 1834
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John Singleton Copley - The Honorable John Erving c. 1774 oil on canvas Smith College Museum of Art American
The Metropolitan Museum of Art -
Portrait of a Man, Said to Be John Durham, ca. 1790 John Barry (British, active
The Minneapolis Institute of Arts -
Artist: artist unknown Title: Tapestry Fragment of Virgin and St. John Date: about 1520 -
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John Wesley Jarvis - Commodore John Rodgers c. 1814 oil on canvas National Gallery of Art American
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John Singleton Copley - Colonel John Montresor c. 1771 oil on canvas The Detroit Institute of Art American
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John Dixon An Incantation Mezzotint 1773
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John Smibert John Nelson oil on canvas 1732
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Charles Stewart Hardinge Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Book with 26 color lithographs circa 1846 - 1847
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John Smith Sir John Percival Bart Mezzotint 1704
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John Smith John Duke of Marlborough Mezzotint 1705
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John Hall King John, Act IV, Scene I 18th century
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John Trumbull - John Trumbull 1793 oil on canvas The Detroit Institute of Art American
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John R. Johnston - John R. Johnston with Painting late 1850's salted paper print f Cleveland Museum of Art American
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H.B. (John Doyle) John Wilkes 18th - 19th century
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John Kay John Campbell of Blythewood Etching 1784
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Wilson The Elephant and the Bookseller, opposite page 45 in the book, Fables by John Gay (London: John Stockdale, 1793), Vol. 1 Engraving 1793
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W. Grainger The Baboon and the Poultry, opposite page 17 in the book, Fables by John Gay (London: John Stockdale, 1793), vol. 2 Engraving 1793
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Charles Stewart Hardinge Barackpore, second plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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John Smith John Lambert the Elder, (after same) mezzotint 17th - 18th century
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John Neagle - The Reverend John Albert Ryan 1825-1829 oil on canvas National Gallery of Art American
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Charles Stewart Hardinge Jamu, twentieth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge Poormandal, seventeenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge Return from Hog-Hunting, third plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge Oodampore, eighteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge Firozshuhur, seventh plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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John Faber the Younger St. John, Apostle and Evangelist mezzotint 1754
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John Covert - John Covert's Father In His Pharmacy c. 1906 oil on cavnas Hirshhorn Museum American
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Gilbert Stuart - John Jay 1794 oil on canvas National Gallery of Art American
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Alice Neel - John 1980 lithograph on paper The Art Gallery University of Maryland
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John Stuart Curry John Brown Lithograph 1939
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William Strang John Bunyan, frontispiece portrait and first plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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Charles Stewart Hardinge Gulab Sing, fourteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge Wulur Lake, twenty-fifth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge Kote Kangra, fifteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge City of Kashmir, twenty-third plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge Rajah Lal Sing, thirteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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John Neagle - Amy Taylor Dickson (Mrs. John Dickson) c. 1835 oil on canvas National Gallery of Art American
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John Carter Portrait of John Carter at Work, frontispiece in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868) 1868
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Charles Stewart Hardinge Shupeyan (Chupayan) Fort, twenty-second plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge View from the Palace and Fort at Agra, fifth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge Delhi. Palace of the King, fourth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge The Maharajah Dhulip Sing, frontispiece and first plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge Jama Musjid, Agra, sixth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
J. Paul Getty Museum -
Young John the Baptist; History Scene
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Charles Stewart Hardinge British Outpost in Advance of Rhodawala, eighth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge Hill Fort of Gulab Sing, nineteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge Bij-Beara between Islamabad and the City of Kashmir, twenty-first plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
Museum of Fine Arts -
Spouted vessel in the shape of a bull Near Eastern, Iranian, "Amlash" Iron Age about
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John Faber the Younger Portrait of John Taylor Mezzotint 17th - 18th century
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John James Audubon Douglass' Squirrel, a study for pl. 48 ofViviparous Quadripeds of North America by John James Audubon and Rev. John Bachman (New York: John James Audubon, 1845-1848) Watercolor, ink, graphite, and glaze on wove paper circa 1843
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Charles Stewart Hardinge Entry of the Maharajah Dhulip Sing into Lahore, ninth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge Sikh soldiers Receiving their Pay at the Royal Durbar, twelfth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge Rope Bridge of Jhula across the Chunab River, sixteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
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Charles Stewart Hardinge Shah Dera, the Tomb of the Emperor Jehangir, tenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
The Minneapolis Institute of Arts -
Artist: John Smith and after Gottfned Kneller Title: John Sheffield, Earl of Mulgrave Date: 17th
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John Chester Buttre Portrait of John B. Webber engraving 19th - 20th century
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John Cochran John Jervis, Earl of St. Vincent 19th century
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Charles Stewart Hardinge Hazari Bagh, part of the Citadel and Palace of Lahore, eleventh plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847

Artnews Articles and Exhibition Information: (11)
Click on any of the links below to read about artnews or exhibitions related to McLean

Fusebox: Jason Gubbiotti: New Ways of Living
The characteristic bubbles and clouds of color that scudded across Gubbiotti’s luscious surfaces have morphed into crisp-edged, angular shapes reminiscent of the aerial outlines of buildings, architectural footprints for connecting rooms, walkways...
Loop Gallery: TEN: Ten Paintings by Ten Artists Over Ten Weeks
Arthur continues, "Our aim was always to present a varied group of artists representing diverse styles, techniques and career stages, but to attract painters of this calibre has knocked me for six, or should I say 'Ten'." Promoting abstract ...
Photographers' Gallery: Citigroup Photography Prize 2004
Paul Wombell, Director of The Photographers' Gallery says of this year's short-list: "Over the last 30 years Robert Adams, Peter Fraser, David Goldblatt and Joel Sternfeld have created important bodies of work that have been a major influence on g...
PM Gallery and House: Trackers: 21 Artists Working in Video, Sculpture, Installation, Performance and pPainting
Artists in the Gallery rolled dice to direct their placement within a ‘Vector’ structure. Each artist rolled three times to arrive at their x,y,z co-ordinates determining their position in the Gallery. All nine must now work together to resolve ...
University of Virginia Art Museum: Emilie Brzezinksi: New Directions
Brzezinski's art takes on both metaphoric (the tree as life experience) and anthropomorphic (the tree as human) meanings. The emergence of a form within the wood is a natural, and at times arduous, process for her. "Emilie Brzezinski: New Directio...
Edinburgh Printmakers: Christmas Exhibition at the UKs Oldest Open-access Print Studio
The exhibition of invited artists ranges from internationally established artists including: John Bellany, Philip Braham, Alan Davie, Liz Douglas, Kate Downie, Paul Furneaux, John Hoyland, Albert Irvin, John Mclean, Eduardo Paolozzi, Gill Tyson an...
Cork Gallery, Lincoln Center: Apple TART: Virtual Tart meets the Big Apple Sponsored by Visual Arts League
Through having their work on the Virtual TART site they have hit the world. Dale Copeland has packed some of everyones artwork into 4 big suitcases and brought it to New York. Complete with photos of the a...
Tower Bridge: Standing Stones

'Standing Stones' has already shown in Stockholm as part of the 1998 European Cultural Capital programme and is currently showing in Gothenburg prior to its London venue. In London the exhibition will be the highlight of 'Visions of Norway', t...
Portland Museum of Art: Local Color: Six Contemporary Photographers
For most of its history as an art form, color photography has been viewed with suspicion. While color film was available as early as the mid-1930s, it was not widely used in art until the late 1960s. Early pioneers in color, like Ernst Haas and E...
OAKLAND MUSEUM OF CALIFORNIA: California Classic: Realist Paintings by Robert Bechtle
The artworks in the exhibition, ranging in size from the dimensions of a piece of notebook paper to the eight-foot-long‚ 60 T-Bird, are created in oils, watercolor, pencil or charcoal. Typically, a Bechtle composition includes a foreground of asph...
South London Gallery: Independence: Issues with a Contemporary Relevance
In the recently vacated gallery offices, a project by Christian Boltanski opens the exhibition out to any artist who wishes to participate. Relying on the principle of starting a rumour, artists from all over the world have been invited to fax th...

Further Artwork and Information:

NRL ITD - Superintendent
John MacLean Photography - Digital Capture - Santa Fe, New Mexico - Southwestern Landscapes, Architecture, and ...
THE JOHN McLEAN FAMILY
Premonition Records // John Mclean
John McLean
McLean Beefmasters Home Page
John McCain Dance
John McLean Allan celtic rock home page
D-TACQ Solutions Ltd: High Performance Simultaneous Data Acquisition
John Mclean (1818 - 1865) Biography, Artwork Images, Exhibitions, Reviews

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