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Artist: Richard Mclean ( - )
Artworks in Museum Collections: (40) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Richard McLean.
Fine Arts Museum of San Francisco
- Thomas McLean, Eugenie Prosper *the Greek Slave*, 19th century Fine Arts Museum of San Francisco
- Robert Seymour, The Heiress (London: Thomas McLean, 1830), 18th - 19th century Fine Arts Museum of San Francisco
- John Heaviside Clark, Hudibras by Samuel Butler (London: Thomas McLean, 1819), vol. 2, 1819 Fine Arts Museum of San Francisco
- John Heaviside Clark, Hudibras by Samuel Butler (London: Thomas McLean, 1819), vol. 1, 1819 Fine Arts Museum of San Francisco
- A. Ducote or DucÙtÈ, The Looking Glass or Caricature Annual (London: Tho[ma]s McLean, [1834]), vol. 4, 1833, 1834 Fine Arts Museum of San Francisco
- John McLean, Roll-top cylinder desk frame, Secretaire and Upper bookcase, circa 1815 Fine Arts Museum of San Francisco
- Robert Seymour, The Finishing School, plate 3 in the book, The Heiress (London: Thomas McLean, 1830), 1830 Fine Arts Museum of San Francisco
- T. S. Cooper, Thirty-four Subjects of Cattle &c. Designs for Pictures (London: Tho[ma]s McLean , 1837), 1837 Fine Arts Museum of San Francisco
- Louis Haghe, Hague*s Portfolio of Sketches. Belgium. Germany (London: Tho[ma]s McLean, 1850), [third series], 1850 Fine Arts Museum of San Francisco
- John Heaviside Clark, Illustration for Part 1, Canto 2, Line 82, second plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) , 1819 Fine Arts Museum of San Francisco
- John Heaviside Clark, Illustration for Part 2, Canto 3, Line 495, second plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819), 1819 Fine Arts Museum of San Francisco
- John Heaviside Clark, Illustration for Part 2, Canto 2, Line 40, first plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819), 1819 Fine Arts Museum of San Francisco
- John Heaviside Clark, Illustration for Part 1,Canto 2, Line 775, third plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) , 1819 Fine Arts Museum of San Francisco
- John Heaviside Clark, Illustration for Part 3, Canto 1, Line 160 ,fourth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819), 1819 Fine Arts Museum of San Francisco
- John Heaviside Clark, Illustration for Part 1,Canto 2, Line 945, fourth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) , 1819 Fine Arts Museum of San Francisco
- John Heaviside Clark, Illustration for Part 1,Canto 2, Line 1124, fifth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) , 1819 Fine Arts Museum of San Francisco
- John Heaviside Clark, Illustration for Part 3, Canto 3, Line 675, sixth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819), 1819 Fine Arts Museum of San Francisco
- John Heaviside Clark, Illustration for Part 3, Canto 1, Line 1576 ,fifth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819), 1819 Fine Arts Museum of San Francisco
- John Heaviside Clark, Illustration for Part 2,Canto 1, Line 115 , sixth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) , 1819 Fine Arts Museum of San Francisco
- John Heaviside Clark, Illustration for Part 2, Canto 3, Line 1056, third plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819), 1819 Fine Arts Museum of San Francisco
- John Heaviside Clark, Illustration for Part 2,Canto 1, Line 115, frontispiece and first plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) , 1819 The Metropolitan Museum of Art
- The New Zealanders, 1847 Author: George French Angas (British, 1822-1886)London: T. McLean, 1847Illustrated book; H:
- Gilbert Stuart - Richard Yates 1793-1794 oil on canvas National Gallery of Art American Fine Arts Museum of San Francisco
- Richard Smith, Red, 1976
- Pompeo Girolamo Batoni - Portrait of Richard Milles c. 1760's oil on canvas The National Gallery, London Italian
- Francis Wheatley - The Death of King Richard II c. 1792-93 oil on canvas Memorial Art Gallery of the University of Rochester British Fine Arts Museum of San Francisco
- Richard Diebenkorn, Variation #8, 1971
- Thomas Gainsborough - Mrs. Richard Brinsley Sheridan 1785-1787 oil on canvas National Gallery of Art British
- Gainsborough Dupont - Mrs. Richard Brinsley Sheridan 1787-1796 oil on canvas National Gallery of Art British
- George Romney - Portrait of Richard Palmer 1787 oil on canvas Los Angeles County Museum of Art English Fine Arts Museum of San Francisco
- Richard Graf, Untitled, 1966 Fine Arts Museum of San Francisco
- Richard Graf, Untitled, 1966 Fine Arts Museum of San Francisco
- Richard Graf, Untitled, 1966 Fine Arts Museum of San Francisco
- Richard Graf, Untitled, 1966 Fine Arts Museum of San Francisco
- Richard Smith, Grey, 1976
- Joshua Reynolds - Mrs. Richard Paul Jodrell 1774-75 oil on canvas The Detroit Institute of Art English Fine Arts Museum of San Francisco
- Richard Smith, Green, 1976 Fine Arts Museum of San Francisco
- Richard Overfield, Untitled, 1978 Fine Arts Museum of San Francisco
- Richard Diebenkorn, Drawings, 1948 Fine Arts Museum of San Francisco
- Richard Hunt, Untitled, 1972
Artnews Articles and Exhibition Information: (11) Click on any of the links below to read about artnews or exhibitions related to McLean
Fusebox: Jason Gubbiotti: New Ways of Living The characteristic bubbles and clouds of color that scudded across Gubbiotti’s luscious surfaces have morphed into crisp-edged, angular shapes reminiscent of the aerial outlines of buildings, architectural footprints for connecting rooms, walkways...
Loop Gallery: TEN: Ten Paintings by Ten Artists Over Ten Weeks Arthur continues, "Our aim was always to present a varied group of artists representing diverse styles, techniques and career stages, but to attract painters of this calibre has knocked me for six, or should I say 'Ten'."
Promoting abstract ...
Photographers' Gallery: Citigroup Photography Prize 2004 Paul Wombell, Director of The Photographers' Gallery says of this year's short-list: "Over the last 30 years Robert Adams, Peter Fraser, David Goldblatt and Joel Sternfeld have created important bodies of work that have been a major influence on g...
PM Gallery and House: Trackers: 21 Artists Working in Video, Sculpture, Installation, Performance and pPainting Artists in the Gallery rolled dice to direct their placement within a ‘Vector’ structure. Each artist rolled three times to arrive at their x,y,z co-ordinates determining their position in the Gallery. All nine must now work together to resolve ...
University of Virginia Art Museum: Emilie Brzezinksi: New Directions Brzezinski's art takes on both metaphoric (the tree as life experience) and anthropomorphic (the tree as human) meanings. The emergence of a form within the wood is a natural, and at times arduous, process for her. "Emilie Brzezinski: New Directio...
Edinburgh Printmakers: Christmas Exhibition at the UKs Oldest Open-access Print Studio The exhibition of invited artists ranges from internationally established artists including: John Bellany, Philip Braham, Alan Davie, Liz Douglas, Kate Downie, Paul Furneaux, John Hoyland, Albert Irvin, John Mclean, Eduardo Paolozzi, Gill Tyson an...
Cork Gallery, Lincoln Center: Apple TART: Virtual Tart meets the Big Apple Sponsored by Visual Arts League Through having their work on the Virtual TART site they have hit the world.
Dale Copeland has packed some of everyones artwork into 4 big suitcases and brought it to New York. Complete with photos of the a...
Tower Bridge: Standing Stones
'Standing Stones' has already shown in Stockholm as part of the 1998
European Cultural Capital programme and is currently showing in Gothenburg
prior to its London venue. In London the exhibition will be the highlight
of 'Visions of Norway', t...
Portland Museum of Art: Local Color: Six Contemporary
Photographers For most of its history as an art form, color photography has been viewed with suspicion. While color film was available as early
as the mid-1930s, it was not widely used in art until the late 1960s. Early pioneers in color, like Ernst Haas and E...
OAKLAND MUSEUM OF CALIFORNIA: California Classic: Realist Paintings by Robert Bechtle The artworks in the exhibition, ranging in size from the dimensions of a piece of notebook paper to the eight-foot-long‚ 60 T-Bird, are created in oils, watercolor, pencil or charcoal. Typically, a Bechtle composition includes a foreground of asph...
South London Gallery: Independence: Issues with a Contemporary Relevance In the recently vacated gallery offices, a project by Christian Boltanski opens the exhibition out to any artist who wishes to participate. Relying on the principle of starting a rumour, artists from all over the world have been invited to fax th...
Further Artwork and Information:
byrichard - artwork | paintings | drawings | miscellaneous ramblings
Richard McLean Online
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Richard McLean - Images
Richard McLean - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
Richard Mclean (1818 - 1865) Biography, Artwork Images, Exhibitions, Reviews
Richard Mclean
Richard Mclean
Richard Mclean
Rutgers University Department of Economics Full-Time Faculty
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John William Waterhouse
Hylas and the Nymphs
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Gustav Klimt
Seated Nude, 1914-16
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Claude Monet
Water Lilies
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Claude Monet
Impression, Sunrise (blue)
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Andy Warhol
Flower for Tacoma Dome, c. 1982
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