login   password  artist portfolio  gallery portfolio  MYabsolutearts 
wwar.com

 

help   |  media kit   |  about us   |  services   |  contact  
NEWEST TRENDS                                              .   BUY   .   JOIN   .   COLLECT   .   RESEARCH   .   READ  .   DISCUSS  

-->

 

Artist: Thomas Mclean ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Thomas McLean.

-
Robert Seymour The Finishing School, plate 3 in the book, The Heiress (London: Thomas McLean, 1830) Etching with hand coloring 1830
-
Robert Seymour The Heiress (London: Thomas McLean, 1830) Book with 6 etchings (each divided into 5 or 6 vignettes) with hand coloring, no additional text 18th - 19th century
-
John Heaviside Clark Hudibras by Samuel Butler (London: Thomas McLean, 1819), vol. 2 Book with 6 aquatints with hand coloring 1819
-
John Heaviside Clark Hudibras by Samuel Butler (London: Thomas McLean, 1819), vol. 1 Book with 6 aquatints with hand coloring 1819
-
Thomas McLean Eugenie Prosper *the Greek Slave* 19th century
-
John Heaviside Clark Illustration for Part 2, Canto 3, Line 495, second plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
-
John Heaviside Clark Illustration for Part 2, Canto 2, Line 40, first plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
-
John Heaviside Clark Illustration for Part 1, Canto 2, Line 82, second plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
-
John Heaviside Clark Illustration for Part 1,Canto 2, Line 775, third plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
-
John Heaviside Clark Illustration for Part 2,Canto 1, Line 115, frontispiece and first plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
-
John Heaviside Clark Illustration for Part 1,Canto 2, Line 945, fourth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
-
John Heaviside Clark Illustration for Part 2,Canto 1, Line 115 , sixth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
-
John Heaviside Clark Illustration for Part 3, Canto 1, Line 1576 ,fifth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
-
John Heaviside Clark Illustration for Part 3, Canto 1, Line 160 ,fourth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
-
John Heaviside Clark Illustration for Part 2, Canto 3, Line 1056, third plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
-
John Heaviside Clark Illustration for Part 1,Canto 2, Line 1124, fifth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
-
John Heaviside Clark Illustration for Part 3, Canto 3, Line 675, sixth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
-
A. Ducote or DucÙtÈ The Looking Glass or Caricature Annual (London: Tho[ma]s McLean, [1834]), vol. 4, 1833 book with lithographs with hand coloring 1834
-
T. S. Cooper Thirty-four Subjects of Cattle &c. Designs for Pictures (London: Tho[ma]s McLean , 1837) book with lithographs 1837
-
Charles Stewart Hardinge Gulab Sing, fourteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Book with 26 color lithographs circa 1846 - 1847
-
John McLean Roll-top cylinder desk frame, Secretaire and Upper bookcase rosewood, oak, mahogany, cedar, boxwood, leather, brass circa 1815
-
Charles Stewart Hardinge Barackpore, second plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Firozshuhur, seventh plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Oodampore, eighteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Poormandal, seventeenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Return from Hog-Hunting, third plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Jamu, twentieth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
The Metropolitan Museum of Art -
The New Zealanders, 1847 Author: George French Angas (British, 1822-1886)London: T. McLean, 1847Illustrated book; H:
-
Charles Stewart Hardinge Kote Kangra, fifteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Wulur Lake, twenty-fifth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge City of Kashmir, twenty-third plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Rajah Lal Sing, thirteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Delhi. Palace of the King, fourth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge View from the Palace and Fort at Agra, fifth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Jama Musjid, Agra, sixth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge The Maharajah Dhulip Sing, frontispiece and first plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Shupeyan (Chupayan) Fort, twenty-second plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge British Outpost in Advance of Rhodawala, eighth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Bij-Beara between Islamabad and the City of Kashmir, twenty-first plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Hill Fort of Gulab Sing, nineteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Rope Bridge of Jhula across the Chunab River, sixteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Shah Dera, the Tomb of the Emperor Jehangir, tenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Entry of the Maharajah Dhulip Sing into Lahore, ninth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Sikh soldiers Receiving their Pay at the Royal Durbar, twelfth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge Hazari Bagh, part of the Citadel and Palace of Lahore, eleventh plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Charles Stewart Hardinge City of Kashmir and Fort of Hurri Purbutt, twenty-fourth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
George Cruikshank Very Unpleasant Weather... Raining Cats, Dogs, Pitchforks! etching 1835
-
Charles Stewart Hardinge Sheikh Imam-ud-Din, Runjur Sing, Dewan /Dina Nath, twenty-sixth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847) Color lithograph circa 1846 - 1847
-
Louis Haghe Hague*s Portfolio of Sketches. Belgium. Germany (London: Tho[ma]s McLean, 1850), [third series] book with lithographs 1850
-
Thomas Gainsborough - The Hon. Mrs. Thomas Graham c. 1775-1777 oil on canvas National Gallery of Art British
-
Thomas Sully - Thomas Alston 1826 oil on canvas National Gallery of Art American
-
Thomas Sully The Reverend Thomas Stockton oil on canvas 1843
-
Thomas Sully - Thomas Handasyd Perkins 1832 oil on canvas Boston Athenaeum American
-
Thomas Lupton Thomas Chalmers, D.D, L.L.D, & F.R.S.E. 18th - 19th century
-
Thomas Sully - Mrs. Caleb Newbold and Her Son Thomas 1813 oil on canvas The Columbus Museum
-
Thomas King Thomas Parr, aged 152 years 18th century
-
Portrait d'Ambroise Thomas (1832 en) by FLANDRIN Hippolyte
-
Hans Holbein the Younger - Sir Thomas More 1527 oil on panel The Frick Collection German
-
Thomas Hill Reverend Thomas Starr King oil on canvas 19th - 20th century

Artnews Articles and Exhibition Information: (12)
Click on any of the links below to read about artnews or exhibitions related to McLean


Fusebox: Jason Gubbiotti: New Ways of Living
The characteristic bubbles and clouds of color that scudded across Gubbiotti’s luscious surfaces have morphed into crisp-edged, angular shapes reminiscent of the aerial outlines of buildings, architectural footprints for connecting rooms, walkways...

Loop Gallery: TEN: Ten Paintings by Ten Artists Over Ten Weeks
Arthur continues, "Our aim was always to present a varied group of artists representing diverse styles, techniques and career stages, but to attract painters of this calibre has knocked me for six, or should I say 'Ten'." Promoting abstract ...

Photographers' Gallery: Citigroup Photography Prize 2004
Paul Wombell, Director of The Photographers' Gallery says of this year's short-list: "Over the last 30 years Robert Adams, Peter Fraser, David Goldblatt and Joel Sternfeld have created important bodies of work that have been a major influence on g...

PM Gallery and House: Trackers: 21 Artists Working in Video, Sculpture, Installation, Performance and pPainting
Artists in the Gallery rolled dice to direct their placement within a ‘Vector’ structure. Each artist rolled three times to arrive at their x,y,z co-ordinates determining their position in the Gallery. All nine must now work together to resolve ...

University of Virginia Art Museum: Emilie Brzezinksi: New Directions
Brzezinski's art takes on both metaphoric (the tree as life experience) and anthropomorphic (the tree as human) meanings. The emergence of a form within the wood is a natural, and at times arduous, process for her. "Emilie Brzezinski: New Directio...

Edinburgh Printmakers: Christmas Exhibition at the UKs Oldest Open-access Print Studio
The exhibition of invited artists ranges from internationally established artists including: John Bellany, Philip Braham, Alan Davie, Liz Douglas, Kate Downie, Paul Furneaux, John Hoyland, Albert Irvin, John Mclean, Eduardo Paolozzi, Gill Tyson an...

Cork Gallery, Lincoln Center: Apple TART: Virtual Tart meets the Big Apple Sponsored by Visual Arts League
Through having their work on the Virtual TART site they have hit the world. Dale Copeland has packed some of everyones artwork into 4 big suitcases and brought it to New York. Complete with photos of the a...

Tower Bridge: Standing Stones

'Standing Stones' has already shown in Stockholm as part of the 1998 European Cultural Capital programme and is currently showing in Gothenburg prior to its London venue. In London the exhibition will be the highlight of 'Visions of Norway', t...
Xlibris: New Travel Photography Book by Duygu Kivanc Brings to Life the Artst's Adventures in Bhutan
Witness the amazing and the inspirational by ordering a copy of Duygu Kivanc’s Painting of Travels to Bhutan by visiting your local bookstore or by logging on at Xlibris.com About the Author Duygu Kivanc was born December 20, 1945 in T...

Portland Museum of Art: Local Color: Six Contemporary Photographers
For most of its history as an art form, color photography has been viewed with suspicion. While color film was available as early as the mid-1930s, it was not widely used in art until the late 1960s. Early pioneers in color, like Ernst Haas and E...

OAKLAND MUSEUM OF CALIFORNIA: California Classic: Realist Paintings by Robert Bechtle
The artworks in the exhibition, ranging in size from the dimensions of a piece of notebook paper to the eight-foot-long‚ 60 T-Bird, are created in oils, watercolor, pencil or charcoal. Typically, a Bechtle composition includes a foreground of asph...

South London Gallery: Independence: Issues with a Contemporary Relevance
In the recently vacated gallery offices, a project by Christian Boltanski opens the exhibition out to any artist who wishes to participate. Relying on the principle of starting a rumour, artists from all over the world have been invited to fax th...

Further Artwork and Information:

Home Page for McLEAN-THOMAS, INC.
Thomas Mclean (1818 - 1865) Biography, Artwork Images, Exhibitions, Reviews
Thomas McLean Family
Thomas McLean, b: -
Thomas McLean, b: -
John Mclean (1818 - 1865) Biography, Artwork Images, Exhibitions, Reviews
Thomas McLean
Thomas McLean
Thomas LeBlanc McLean Family
Biography for: Thomas M. McLean

 

Search the Art History Database for artists, titles, media, year, and other indepth information:

 
 
 
Click here to buy Cezanne, Paul: A View Over Mont St. Victoire for $3
Paul Cezanne
A View Over Mont St. Victoire
Our Supplier's Price: $3.00

Click here to buy Matisse, Henri: Cauchemar De L'elephant Blanc for $10
Henri Matisse
Cauchemar De L'elephant Blanc
Our Supplier's Price: $10.00

Click here to buy Cezanne, Paul: Lac D'annecy for $5
Paul Cezanne
Lac D'annecy
Our Supplier's Price: $5.00

Click here to buy Dali, Salvador: Swans Reflecting Elephants, 1937 for $10
Salvador Dali
Swans Reflecting Elephants, 1937
Our Supplier's Price: $10.00

Click here to buy Kandinsky, Wassily: Squares with Concentric Circles for $19
Wassily Kandinsky
Squares with Concentric Circles
Our Supplier's Price: $19.00

Last updated and links verified on: Thursday May 05/19/11 03:10:48 PM
 

 

indepth arts search:     
 
Free Arts News Subscription | Browse the Arts | Artist Portfolios | International Arts News | Arts News Archive | Privacy Policy