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Artist: Thomas Mclean ( - )
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Thomas McLean.
- Robert Seymour
The Finishing School, plate 3 in the book, The Heiress (London: Thomas McLean, 1830)
Etching with hand coloring
1830
- Robert Seymour
The Heiress (London: Thomas McLean, 1830)
Book with 6 etchings (each divided into 5 or 6 vignettes) with hand coloring, no additional text
18th - 19th century
- John Heaviside Clark
Hudibras by Samuel Butler (London: Thomas McLean, 1819), vol. 2
Book with 6 aquatints with hand coloring
1819
- John Heaviside Clark
Hudibras by Samuel Butler (London: Thomas McLean, 1819), vol. 1
Book with 6 aquatints with hand coloring
1819
- Thomas McLean
Eugenie Prosper *the Greek Slave*
19th century
- John Heaviside Clark
Illustration for Part 2, Canto 3, Line 495, second plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819)
Aquatint with hand coloring
1819
- John Heaviside Clark
Illustration for Part 2, Canto 2, Line 40, first plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819)
Aquatint with hand coloring
1819
- John Heaviside Clark
Illustration for Part 1, Canto 2, Line 82, second plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819)
Aquatint with hand coloring
1819
- John Heaviside Clark
Illustration for Part 1,Canto 2, Line 775, third plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819)
Aquatint with hand coloring
1819
- John Heaviside Clark
Illustration for Part 2,Canto 1, Line 115, frontispiece and first plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819)
Aquatint with hand coloring
1819
- John Heaviside Clark
Illustration for Part 1,Canto 2, Line 945, fourth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819)
Aquatint with hand coloring
1819
- John Heaviside Clark
Illustration for Part 2,Canto 1, Line 115 , sixth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819)
Aquatint with hand coloring
1819
- John Heaviside Clark
Illustration for Part 3, Canto 1, Line 1576 ,fifth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819)
Aquatint with hand coloring
1819
- John Heaviside Clark
Illustration for Part 3, Canto 1, Line 160 ,fourth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819)
Aquatint with hand coloring
1819
- John Heaviside Clark
Illustration for Part 2, Canto 3, Line 1056, third plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819)
Aquatint with hand coloring
1819
- John Heaviside Clark
Illustration for Part 1,Canto 2, Line 1124, fifth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819)
Aquatint with hand coloring
1819
- John Heaviside Clark
Illustration for Part 3, Canto 3, Line 675, sixth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819)
Aquatint with hand coloring
1819
- A. Ducote or DucÙtÈ
The Looking Glass or Caricature Annual (London: Tho[ma]s McLean, [1834]), vol. 4, 1833
book with lithographs with hand coloring
1834
- T. S. Cooper
Thirty-four Subjects of Cattle &c. Designs for Pictures (London: Tho[ma]s McLean , 1837)
book with lithographs
1837
- Charles Stewart Hardinge
Gulab Sing, fourteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Book with 26 color lithographs
circa 1846 - 1847
- John McLean
Roll-top cylinder desk frame, Secretaire and Upper bookcase
rosewood, oak, mahogany, cedar, boxwood, leather, brass
circa 1815
- Charles Stewart Hardinge
Barackpore, second plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Firozshuhur, seventh plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Oodampore, eighteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Poormandal, seventeenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Return from Hog-Hunting, third plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Jamu, twentieth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847 The Metropolitan Museum of Art
- The New Zealanders, 1847 Author: George French Angas (British, 1822-1886)London: T. McLean, 1847Illustrated book; H:
- Charles Stewart Hardinge
Kote Kangra, fifteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Wulur Lake, twenty-fifth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
City of Kashmir, twenty-third plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Rajah Lal Sing, thirteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Delhi. Palace of the King, fourth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
View from the Palace and Fort at Agra, fifth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Jama Musjid, Agra, sixth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
The Maharajah Dhulip Sing, frontispiece and first plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Shupeyan (Chupayan) Fort, twenty-second plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
British Outpost in Advance of Rhodawala, eighth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Bij-Beara between Islamabad and the City of Kashmir, twenty-first plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Hill Fort of Gulab Sing, nineteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Rope Bridge of Jhula across the Chunab River, sixteenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Shah Dera, the Tomb of the Emperor Jehangir, tenth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Entry of the Maharajah Dhulip Sing into Lahore, ninth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Sikh soldiers Receiving their Pay at the Royal Durbar, twelfth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
Hazari Bagh, part of the Citadel and Palace of Lahore, eleventh plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Charles Stewart Hardinge
City of Kashmir and Fort of Hurri Purbutt, twenty-fourth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- George Cruikshank
Very Unpleasant Weather... Raining Cats, Dogs, Pitchforks!
etching
1835
- Charles Stewart Hardinge
Sheikh Imam-ud-Din, Runjur Sing, Dewan /Dina Nath, twenty-sixth plate in the book, Recollections of India ä Part I. British India and the Punjab (London: Thomas M*Lean, 1847)
Color lithograph
circa 1846 - 1847
- Louis Haghe
Hague*s Portfolio of Sketches. Belgium. Germany (London: Tho[ma]s McLean, 1850), [third series]
book with lithographs
1850
- Thomas Gainsborough - The Hon. Mrs. Thomas Graham c. 1775-1777 oil on canvas National Gallery of Art British
- Thomas Sully - Thomas Alston 1826 oil on canvas National Gallery of Art American
- Thomas Sully
The Reverend Thomas Stockton
oil on canvas
1843
- Thomas Sully - Thomas Handasyd Perkins 1832 oil on canvas Boston Athenaeum American
- Thomas Lupton
Thomas Chalmers, D.D, L.L.D, & F.R.S.E.
18th - 19th century
- Thomas Sully - Mrs. Caleb Newbold and Her Son Thomas 1813 oil on canvas The Columbus Museum
- Thomas King
Thomas Parr, aged 152 years
18th century
- Portrait d'Ambroise Thomas (1832 en) by FLANDRIN Hippolyte
- Hans Holbein the Younger - Sir Thomas More 1527 oil on panel The Frick Collection German
- Thomas Hill
Reverend Thomas Starr King
oil on canvas
19th - 20th century
Artnews Articles and Exhibition Information: (12) Click on any of the links below to read about artnews or exhibitions related to McLean
Fusebox: Jason Gubbiotti: New Ways of Living The characteristic bubbles and clouds of color that scudded across Gubbiotti’s luscious surfaces have morphed into crisp-edged, angular shapes reminiscent of the aerial outlines of buildings, architectural footprints for connecting rooms, walkways...
Loop Gallery: TEN: Ten Paintings by Ten Artists Over Ten Weeks Arthur continues, "Our aim was always to present a varied group of artists representing diverse styles, techniques and career stages, but to attract painters of this calibre has knocked me for six, or should I say 'Ten'."
Promoting abstract ...
Photographers' Gallery: Citigroup Photography Prize 2004 Paul Wombell, Director of The Photographers' Gallery says of this year's short-list: "Over the last 30 years Robert Adams, Peter Fraser, David Goldblatt and Joel Sternfeld have created important bodies of work that have been a major influence on g...
PM Gallery and House: Trackers: 21 Artists Working in Video, Sculpture, Installation, Performance and pPainting Artists in the Gallery rolled dice to direct their placement within a ‘Vector’ structure. Each artist rolled three times to arrive at their x,y,z co-ordinates determining their position in the Gallery. All nine must now work together to resolve ...
University of Virginia Art Museum: Emilie Brzezinksi: New Directions Brzezinski's art takes on both metaphoric (the tree as life experience) and anthropomorphic (the tree as human) meanings. The emergence of a form within the wood is a natural, and at times arduous, process for her. "Emilie Brzezinski: New Directio...
Edinburgh Printmakers: Christmas Exhibition at the UKs Oldest Open-access Print Studio The exhibition of invited artists ranges from internationally established artists including: John Bellany, Philip Braham, Alan Davie, Liz Douglas, Kate Downie, Paul Furneaux, John Hoyland, Albert Irvin, John Mclean, Eduardo Paolozzi, Gill Tyson an...
Cork Gallery, Lincoln Center: Apple TART: Virtual Tart meets the Big Apple Sponsored by Visual Arts League Through having their work on the Virtual TART site they have hit the world.
Dale Copeland has packed some of everyones artwork into 4 big suitcases and brought it to New York. Complete with photos of the a...
Tower Bridge: Standing Stones
'Standing Stones' has already shown in Stockholm as part of the 1998
European Cultural Capital programme and is currently showing in Gothenburg
prior to its London venue. In London the exhibition will be the highlight
of 'Visions of Norway', t...
Xlibris: New Travel Photography Book by Duygu Kivanc Brings to Life the Artst's Adventures in Bhutan
Witness the amazing and the inspirational by ordering a copy of Duygu Kivanc’s Painting of Travels to Bhutan by visiting your local bookstore or by logging on at Xlibris.com
About the Author
Duygu Kivanc was born December 20, 1945 in T...
Portland Museum of Art: Local Color: Six Contemporary
Photographers For most of its history as an art form, color photography has been viewed with suspicion. While color film was available as early
as the mid-1930s, it was not widely used in art until the late 1960s. Early pioneers in color, like Ernst Haas and E...
OAKLAND MUSEUM OF CALIFORNIA: California Classic: Realist Paintings by Robert Bechtle The artworks in the exhibition, ranging in size from the dimensions of a piece of notebook paper to the eight-foot-long‚ 60 T-Bird, are created in oils, watercolor, pencil or charcoal. Typically, a Bechtle composition includes a foreground of asph...
South London Gallery: Independence: Issues with a Contemporary Relevance In the recently vacated gallery offices, a project by Christian Boltanski opens the exhibition out to any artist who wishes to participate. Relying on the principle of starting a rumour, artists from all over the world have been invited to fax th...
Further Artwork and Information:
Home Page for McLEAN-THOMAS, INC.
Thomas Mclean (1818 - 1865) Biography, Artwork Images, Exhibitions, Reviews
Thomas McLean Family
Thomas McLean, b: -
Thomas McLean, b: -
John Mclean (1818 - 1865) Biography, Artwork Images, Exhibitions, Reviews
Thomas McLean
Thomas McLean
Thomas LeBlanc McLean Family
Biography for: Thomas M. McLean
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