Artist: William Rickarby Miller ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William Rickarby Miller.

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William Poole St. Bernard*s Well, title page vignette for the first volume the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Etching and engraving 180
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William Poole Elgin Cathedral, title page vignette for volume 2 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Etching with engraving 1801
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William Miller Stephan Gretter (affectionately my friend) 18th - 19th century
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William Miller Shakespeare - Third Part of Henry VI - Act IV, Scene V. Line and Stipple Engraving with hand coloring 18th - 19th century
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William R. Miller Still Life--Study of Apples oil on canvas 1862
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Woman’s Dress, William Miller (Scotland, 1796 - 1882)  (Maker), 1877-1879, Silk taffeta
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Letitia Byrne Tunbridge Wellsä (London: William Miller ä and Edmund Lloyd, [1810]) book with etchings 1810
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William Miller Scottish Landscape (Head of Loch Lomond?) watercolor 18th - 19th century
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J. Merigot Duneira, plate opposite page 299 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Gilmerton Quarry, plate opposite page 89 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Kilchurn Cstle, plate opposite page 269 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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George M. Miller - William Henry Vining c. 1810 painted wax on glass National Gallery of Art American
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J. Merigot Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Book with 16 aquatints with hand coloring, engraved and etched title, engraved map 1801
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J. Merigot Edinburgh Castle No. II, plate opposite page 53 in the bookRemarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Book with 16 aquatints with hand coloring, engraved and etched title page 1801
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J. Merigot Faskalie, plate opposite page 186 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Cromarty, plate opposite page 98 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Kinrara, plate opposite page 154 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Inverary, plate opposite page 256 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Rowardenan, plate opposite page 234 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Edinburgh Castle No. 1, plate opposite page 49 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Birnam Wood, plate opposite page 199 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Eildon Hills, plate opposite page 279 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot General Map of Scotland Except Part of the Three Northern Counties, plate following page xxiv in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol
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J. Merigot The Aqueduct Bridge, plate opposite page 199 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Bothwell Castle, plate opposite page 180 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Milton Mills, plate opposite page 206 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Dumbarton Castle, plate opposite page 212 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Loch Etive, plate opposite page 289 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Pluscardine Abbey, plate opposite page 121 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Elgin Cathedral, plate opposite page 117 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Cora Linn, plate opposite page 152 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Fall of Foyers, plate opposite page 76 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot View of Glen Coe, plate opposite page 32 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Rosline Castle, plate opposite page136 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Calder Castle, plate opposite page 111 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Stirling Castle, plate opposite page 229 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot The Rumbling Bridge, plate opposite page 249 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Melrose Abbey, plate opposite page 277 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Cullean Castle, plate opposite page 316 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Cave in the Isle of Ulva, plate opposite page 299 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Fingal's Cave, Staffa, plate opposite page 307 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Kenmore Church and Bridge, plate opposite page 305 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Cavern in Glen Croe, plate opposite page 247 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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Kenneth Hayes Miller Three Shoppers Etching 1936
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Kenneth Hayes Miller Mother two children Etching 19th - 20th century
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Kenneth Hayes Miller The Sun Etching and drypoint 19th - 20th century
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Kenneth Hayes Miller Crouching Nude Etching 19th - 20th century
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Kenneth Hayes Miller, Margaret Watkins (United States)  (Artist), no date, Gelatin-silver print
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Woman’s Reticule, Mary Miller , 1920s, Knit silk, cut steel beads, moire silk faille
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Kenneth Hayes Miller Girl with a hood Etching 19th - 20th century
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New Mexico, Edward Miller (United States) , Gelatin-silver print
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Kenneth Hayes Miller Woman wearing a rose Etching 19th - 20th century
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Kenneth Hayes Miller Woman with a parasol Etching and drypoint 19th - 20th century
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Fête dans un palais (4e quart 18e siècle ; 1ère moitié 19e siècle) by NORMAND Charles Pierre Joseph (attribué à) ; MILLER James (inspiré par)
J. Paul Getty Museum -
Henry Miller and Margaret Neiman
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Woman in Sculpture Hall, Kenneth Hayes Miller (United States, New York, Oneida, 1876 - 1952) , 1925, Oil on canvas
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Boy in Train, Roumania, Edward Miller (United States) , Gelatin-silver print
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Sir Henry Raeburn - Captain Patrick Miller 1788-1789 oil on canvas National Gallery of Art British
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San Juan, Puerto Rico, Edward Miller (United States) , Gelatin-silver print

Artnews Articles and Exhibition Information: (40)
Click on any of the links below to read about artnews or exhibitions related to Miller

University of Michigan Museum of Art: Arthur Miller at Work: The Photographs of Inge Morath
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Gallery of Photography: The Lives of Lee Miller
Lee Miller, 1927, New York. A classically beautiful young woman, Lee Miller is discovered by Condé Nast, hits the cover of Vogue and is immortalised by Steichen, Hoynigen-Huene, Horst and other famous photographs. While modelling for them, she ...
National Galleries of Scotland, Dean Gallery and the Gallery of Modern Art: THE SURREALIST AND THE PHOTOGRAPHER: ROLAND PENROSE AND LEE MILLER
Already a Surrealist artist of considerable talent, Penrose became a tireless champion of modern art through his activities as a collector, writer and exhibition organiser. A former Vogue model, Lee Miller was a remarkable photographer who later ...
Muskegon Museum of Art: Aeron Chair WEB - Good Design : Stories from Herman Miller
MMA Executive Director Judith A. Hayner's long-standing interest in modern design sparked a dream of showcasing original designed artifacts along with their drawings and prototypes. This exhibition is the fruition of her goal. "With Herman Miller ...
Agora Gallery: Pixel Perfect to Feature Work by J. Coleman Miller
J. Coleman Miller's giclée prints occupy an ambiguous space between photographic abstraction and highly stylized representation. Certain small components remain so close to recognizable images that they stretch and tease our desire for closure t...
Kunstverein Hannover: On Stage: Video, Installation, Sculpture and Photography
Among the artists taking part are Birgit Brenner, Christoph Büchel, Janet Cardiff/George Bures Miller, Björn Dahlem, Stefan Exler, Rodney Graham, Henrik Plenge Jakobsen, Ross Sinclair, Teresa Hubbard/Alexander Birchler, Stephan Wissel.IMAGE:...
First Street Gallery: Doretta Miller: Tales of Three Cities: Beijing, Florence, Saratoga Springs
Doretta Miller states about her work, "My recent work focuses on places where I have lived and considered from an artist’s perspective. What motivates me is not the portraying of the natural majesty of the landscape or the glory of the urban setti...
William Traver Gallery: John Miller: Blue Plate Special
The concept for Blue Plate Special began a couple years ago, with John sketching designs for glass works to execute. John’s prior body of work focused on large scale Venetian goblets, and he wanted to create art of everyday objects – in some respe...
Center for Photography at Woodstock: Put Yourself in the Picure
Artists include Kelley Badham (Princeton, NJ), Pam Berridge (Wales, UK), Nicholas Gaffeny (Brooklyn, NY), Marcia Reid Marstead (Canton, CT), Patricia McDonough (NYC), Clayton Miller (Chicago, II), Jamie Nicholl (Philidelphia, PA), Chloe Potter ...
Sheffield Galleries and Museum Trust, Millennium Galleries: Janet Cardiff and George Bures Miller: Recent Works
The music used in Forty Part Motet is Spem in Alium nunquam habui, written by Thomas Tallis, one of the most influential English composers of sixteenth century. IMAGE
Still from The Berlin Files, 2003 film and sound installation dimensi...
J. Paul Getty Center: Surrealist Muse: Lee Miller, Roland Penrose, and Man Ray
As muse, Miller was a rare inspiration, equally comfortable and forceful in front of and behind the camera and canvas. At the age of 19, she became a model in New York where her image, captured and composed by photographers Arnold Genthe, Edwa...
Association of Photographers Gallery: 7 - Seven Incredible Photographers
AOP members Marcus Lyon, Julie Fisher, Luc Beziat, Roger Hutchings, Dod Miller, Andy Wilson and Matthew Stuart have brought together some of their most thought provoking and stunning Black and White images. In ‘7’ Roger Hutchings lifts the ...
Lyceum Theatre Gallery: J. Coleman Miller: Apparitions from Blu Lagoon
These aleatoric methods, used by artists ranging from the ancient Chinese to Picasso and Pollock, combined with modern photographic and digital technology, have shown the artist an exciting new way to look at the world. The large digital giclee p...
Pharmaka: Intervention: Neo Pop by Three Contemporary Artists
GREG MILLER Greg Miller's approach to art is greatly influenced by the social climate of America in the 1950s and 1960s. Miller documents weathered words and images that evoke nostalgia with vintage colors and cultural images that are layere...
Duncan Miller Gallery: CHEMA MADOZ: Objects
Curator Pedro J Vicent Mullor recently wrote about Madoz’s work: “We look through Madoz’s photographs but suddenly, we realise some oddity within them, and we look at them again more thoughtfully. . . Madoz’s photographs are not made only to be se...
Fruitmarket Gallery: Janet Cardiff and George Bures Miller: The House Of Books Has No Windows
The six installations in the exhibition entice the viewer into six new worlds, each using whatever means it needs to transport us somewhere else. In one room, we peer into a mini cinema, screening a five-minute mid-western film noir. As we w...
Craft ACT: Craft and Design Centre: Pathways: A Walk Through the Australian Landscape
Jenny Bowker’s quilts take the viewer on a walk through Australia’s forest and beaches, and uses pathways and tracks through the landscape as a metaphor for moving through life. Beth and Trevor Reid work together to depict Australian rivers an...
hug - Gallery for International Photography: Lee Miller: A Retrospective of an Incredible Life
Modelling for top fashion photographers Hoyningen-Huene and Steichen, her natural precocity led her to absorb their techniques, and before long she had outgrown her role in front of the camera.  Deciding to perfect her craft from the brilliant Sur...
Laurence Miller Gallery: Helen Levitt: Crosstown
The exhibition is held in conjunction with the publication of what promises to be Ms. Levitt's magnum opus, her new book Crosstown, which is the largest selection of her work ever published. Of the 175 pictures in the book, some are familiar from ...
Laurence Miller Gallery: VINCENZO CASTELLA
Castella, born in Milan in 1952, uses a large format camera and digital printing technology to create urban landscapes that investigate the commonalities and differences between cities of the Western world, from Amsterdam to Naples. Crammed with m...
Plug In: The Paradise Institute: Janet Cardiff and George Bures Miller
Plug In ICA gratefully acknowledges the support of Canada Council for the Arts, The Manitoba Arts Council, the Province of Manitoba Department of Culture, Heritage and Tourism, The Winnipeg Arts Council, The City of Winnipeg, The Winnipeg Foundati...
York Quay Centre: Painting Over the Lines: Work by Five Contemporary Artists from Pakistan
Rashid Rana, one of the artists in York Quay Gallery's Painting Over the Lines exhibition, makes a special presentation on his process of creating art. Rana hires skilled billboard painters to realize some of his large works referencing pop-ar...
Duncan Miller Gallery: Marc Riboud: The World, His Lens
Known for his strong and graphic compositions, a sense of compassion for the human spirit is also present in Marc Riboud images. His work can be found in major private and museum collections throughout the world, including the Musée d'Art Moderne ...
Laurence Miller Gallery: Burk Uzzle - Woodstock: 40th Anniversary
Burk Uzzle shot the festival from the vantage point of a participant. In one particularly telling photograph, a sea of humanity as dense as a carpet of wildflowers in a meadow spills over a hillside; in another, a young hippie couple standing i...
Society for Midwest Metalsmiths: Call for Artists: METAL Inclinations2 International Juried Online Jewelry Exhibition
DEADLINE: June 30, 2010 METAL Inclinations2 will debut on the Internet October 31, 2010 and continue for one year until October 31, 2011 Go to: http://www.metalinclinations.org/enter.htm
Laurence Miller Gallery: John Gutmann: Instant Messaging
In these intimate vintage black and white prints, we read signs that say "WE WANT THE 40 HOUR WEEK" and "FOR THE PROTECTION OF LIVES CUT YOUR SPEED." Automobiles became billboards, where messages were posted, both private (CQ de SM5YU) and pub...
Infusion Gallery: Apparitions from Blu Lagoon: Solo Exhibition by J. Coleman Miller
Jamie is currently unveiling a series of digital photo abstract prints in his first solo exhibition at infusion gallery in downtown Los Angeles.  This huge body of work represents a lifetime of imaginative vision.  When this unique artist found ...
Laurence Miller Gallery: OASES: A Group Show of Photography
The landscape has always provided artists with an infinite range of choices for personal expression, whether it be the depiction of a holy place or the carnage of a battlefield. The ten artists selected for OASES each bring a different interpretat...
Hudson River Museum: A Shot in the Dark: Night Photographs by Larry Miller, Lynne Saville and Jill Waterman
Larry Miller's photographs of the American west cast an otherworldly spell on viewers. Eerie red rock formations are silhouetted against cobalt skies blanketed with millions of stars. Miller's brightly lit foregrounds simulate a ...
Laurence Miller Gallery: Lalla Essaydi: Converging Territories
Revisiting that house, Essaydi creates a mysterious and timeless space with a cloth background, entirely covered with Islamic calligraphy that she herself has written in henna. She then painstakingly covers the women and children with henna be...
Brooklyn Museum of Art: Looking Back from Ground Zero: Images from the Brooklyn Museum Collection
Among the works on view are photographs by the photojournalist G.N. Miller, who covered the collapse of the towers for the New York Post. In contrast to Miller‚s tragic photographs, images by Berenice Abbot, Consuelo Kanaga, and Dr. Drahomir Ruzic...
Laurence Miller Gallery: Jerry Uelsmann / Maggie Taylor: Other Realities
In the introduction to Jerry Uelsmann, Twenty-Five Years: A Retrospective, by James L. Enyeart, Jerry Uelsmann is described as "one of that select group of artists who can be said to have altered the very language of their discipline." A pione...
Artspace New Haven: Soft: Curated by Debbie Hesse
Featuring works by: James Clark, Eric Conrad, Joseph Fucigna, Anne George, Sarah Gjertson, Ron Janowich, Clint Jukkala, Jane Miller, Amy Punckak, Orit Raff, Janice Redman, Mary Temple, Leo Villareal and Dina Weiss James Clark, Leo Villareal, ...
Laurence Miller Gallery: The Abstracted Landscape : Work by 4 International Artists
Peter Bialobrzeski, in his series Lost in Transition, photographs rapid urbanization and industrialization by taking very long exposures, which create other-worldly colors and lighting not visible to the naked eye. Stephane Couturier embraces the...
Duncan Miller Gallery: Daniel Wheeler : GULP
In GULP, the symbols of the "California Dream" take on a more elusive and subversive tone to that of David Hockney's sun-drenched Malibu houses and deep-blue swimming pools. Both may allude to dreams and longings, but Wheeler's goal is experientia...
Laurence Miller Gallery: Duane Hanson: Photographs
The opportunity to view these photographs, which Hanson created as studies for his iconic hyperrealist sculptures, represents a watershed in Hanson's oeuvre and initiates meditation on the relationship between photography, sculpture, art and life....
King County Public Art Program: Call for Arrtists: Environmental Labortory
Artist’s Opportunity: King County and project architects The Miller/Hull Partnership are interested in adding an artist to the Environmental Laboratory project who can tell the story of the region’s water quality and contribute to the educational...
Society for Midwest Metalsmiths: Call for Artists: METAL Inclinations2 2010-11 An International Online Jewelry Exhibition
All applications should be made through the Juried Art Services Web site. www.juriedartservices.com. DEADLINE: June 30, 2010
WINNERS ANNOUNCED: September 1, 2010
DEBUT DATE: October 31,...
Minneapolis Institute of Arts: Chagall
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Perth Institute of Contemporary Arts: New Australiana
So I set out to find some more contemporary images of Australian popular culture and this exhibition is the result. The range is eclectic, reflecting the method of accumulation and the diversity of background of the various artists, who hail from ...

Further Artwork and Information:

William Miller - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
William Rickarby Miller (1907 - 1977) Biography, Artwork Images, Exhibitions, Reviews
William Rickarby Miller
William Rickarby Miller Online
Miller, William Rickarby; Drawing (Pencil), signed 1885, A Little Winter Scene . [p4a.com, ltd.]
William Rickarby Miller
William Rickarby Miller - Reference Page
William Rickarby Miller (1818-1893)
ARC :: William Rickarby Miller (1818-1893) :: Page 1 of 1
William Rickarby Miller- Thomas Colville Fine Art

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